The Glass Palace (17 page)

‘“Perhaps,” I ventured, “Shwe Doke was panicked by the storm; perhaps she managed to break loose of her fetters.”

‘“If she had broken loose,” the hsin-ouq said, “the chains would still be dragging on her feet.” He paused to listen. “But I hear no chains. No. She has been freed by a human hand.”

‘“But whose could that hand be?” I asked.

‘He silenced me abruptly, with a raised hand. The bell was very close now and the hut was shivering to the elephant's tread.

‘I started to move towards the ladder but the hsin-ouq pulled me back. “No,” he said. “Stay here.”

The next moment the sky was split by lightning. In the momentary glare of that flat sheet of light, I saw Shwe Doke, directly ahead, moving towards the tai, with her head lowered and her trunk curled under her lip.

‘I jumped to my feet and began to shout in warning: “Thakin; McKay-thakin . . .”

‘McKay-thakin had already heard the bells, felt the tremor of the elephant's approaching weight. A flame flickered in one of the tai's windows and the young man appeared on the veranda, naked, with a lantern in one hand and his hunting rifle in the other.

‘Ten feet from the tai Shwe Doke came to a standstill. She lowered her head as though she were examining the structure. She was an old elephant, trained in the ways of the aunging herd. Such animals are skilled in the arts of demolition. It takes them no more than a glance to size up a dam of snagged wood and pick a point of attack.

‘McKay-thakin fired just as Shwe Doke began her charge. She was so close now that he could not miss: he hit her exactly where he had aimed, in her most vulnerable spot, between ear and eye.

‘But the momentum of Shwe Doke's charge carried her forward even as she was dying on her feet. She too hit the tai exactly where she had aimed, at the junction of the two cross-beams that held it together. The structure appeared to explode, with logs and beams and thatch flying into the air. McKay-thakin was catapulted to the ground, over Shwe Doke's head.

‘Such is the footwork of the skilled aunging elephant that it can balance its weight on the lip of a waterfall, perch like a crane upon a small mid-stream boulder, turn in a space that would trip a mule. It was with those small, practised steps that Shwe Doke turned now, until she was facing the Assistant's prone body. Then, very slowly, she allowed her dying weight to go crashing down on him, head first, her weight rolling over in a circular motion, in a technically perfect execution of the butting manoeuvre of the aunging elephant—an application of thrust so precise as to be able to cause a ten-thousand-ton tangle of teak to spring undone like a sailor's knot. McKay-thakin's lantern, which had been sputtering beside him, went out and we could see nothing more.

‘I threw myself down the hut's ladder with the hsin-ouq close behind me. Running towards the tai I stumbled in the darkness and fell, face first on the mud. The hsin-ouq was helping me up when a bolt of lightning split the sky. Suddenly he let go of my hand and unloosed a hoarse, stammering shout.

‘ “What is it?” I cried. “What did you see?”

‘ “Look! Look down at the ground.”

‘Lightning flashed again and I saw, directly ahead of me, the huge scalloped mark of Shwe Doke's feet. But beside it was a smaller impression, curiously shapeless, almost oblong.

‘ “What is it?” I said. “What made that mark?”

‘ “It is a footprint,” he said, “human, although crushed and mangled almost beyond recognition.”

‘I froze and stayed exactly where I was, praying for another bolt of lightning so that I would be able to ascertain for myself the truth of what he had said. I waited and waited but an age seemed to pass before the heavens lit up again. And in the meanwhile it had rained so hard that the marks on the ground had melted away.'

nine

I
n 1905, the nineteenth year of the King's exile, a new District Collector arrived in Ratnagiri. The Collector was the district's administrative head, the official who was ultimately responsible for dealing with the Burmese Royal Family. The job was an important one and the officials who were appointed to this post were almost always members of the Indian Civil Service— the august cadre of officials who administered Britain's Indian possessions. To join the Indian Civil Service candidates had to pass a difficult examination that was held in England. The overwhelming majority of those who qualified were British, but there were also among them a small number of Indians.

The Collector who arrived in 1905 was an Indian, a man by the name of Beni Prasad Dey. He was in his early forties, and an outsider to the Ratnagiri region: he was a Bengali from Calcutta, which lay diagonally across the map of India, at the other end of the country. Collector Dey was slim and aquiline, with a nose that ended in a sharp, beak-like point. He dressed in finely cut Savile Row suits and wore gold-rimmed eyeglasses. He arrived in Ratnagiri accompanied by his wife, Uma, who was some fifteen years his junior, a tall, vigorous-looking woman, with thick, curly hair.

King Thebaw was watching from his balcony when Ratnagiri's officialdom gathered at the Mandvi jetty to receive the new Collector and his young wife. The first thing he
noticed about them was that the new Madame Collector was dressed in an unusual garment. Puzzled, he handed his binoculars to the Queen. ‘What's that she's wearing?'

The Queen took a long look. ‘It's just a sari,' she said at last. ‘But she's wearing it in the new style.' She explained that an Indian official had made up a new way of wearing a sari, with odds and ends borrowed from European costume—a petticoat, a blouse. She'd heard that women all over India were adopting the new style. But of course everything came late to Ratnagiri—she herself had never had an opportunity to look into this new fashion at first hand.

The Queen had seen many Collectors come and go, Indian and English; she thought of them as her enemies and gaolers, upstarts to be held in scant regard. But in this instance she was intrigued. ‘I hope he'll bring his wife when he comes to call. It'll be interesting to see how this kind of sari is worn.'

Despite this propitious beginning the Royal Family's first meeting with the new Collector came close to ending in disaster. Collector Dey and his wife had arrived at a time when politics was much on people's minds. Every day there were reports of meetings, marches and petitions: people were being told to boycott British-made goods; women were making bonfires of Lancashire cloth. In the Far East there was the war between Russia and Japan and for the first time it looked as though an Asian country might prevail against a European power. The Indian papers were full of news of this war and what it would mean for colonized countries.

It was generally not the King's custom to meet with officials who came to Outram House. But he had been following the Russo-Japanese war very closely and was keen to know what people thought of it. When the new Collector and his wife came to call, the King's first words were about the war. ‘Collector-sahib,' he said abruptly, ‘have you seen the news? The Japanese have defeated the Russians in Siberia?'

The Collector bowed stiffly, from the waist. ‘I have indeed seen reports, Your Highness,' he said. ‘But I must confess that I do not believe this to be an event of any great significance.'

‘Oh?' said the King. ‘Well, I'm surprised to hear that.' He frowned, in a way that made it clear that he wasn't about to let the subject drop.

The night before Uma and the Collector had been briefed at length on their forthcoming visit to Outram House. They'd been told that the King was never present at these occasions: it was the Queen who would receive them, in the reception room on the ground floor. But they'd entered to find the King very much present: he was dressed in a crumpled longyi and was pacing the floor, smacking his thigh with a rolled-up newspaper. His face was pale and puffy, and his wispy grey hair was straggling unkempt down the back of his neck.

The Queen, on the other hand, was exactly where she was meant to be: sitting rigidly upright on a tall chair, with her back to the door. This, Uma knew, was a part of the set order of battle: visitors were expected to walk in and seat themselves on low chairs around Her Highness, with no words of greeting being uttered on either side. This was the Queen's way of preserving the spirit of Mandalay protocol: since the representatives of the British were adamant in their refusal to perform the shiko she in turn made a point of not acknowledging their entry into her presence.

Uma had been told to be on her guard in the reception room to look out for delinquent sacks of rice and stray bags of dal. This room was sometimes used as an auxiliary storeroom and several unwary visitors were known to have come to grief in its hidden pitfalls: it was not unusual to find heaps of chillies hidden under its sofas and jars of pickles stacked on its bookshelves. On one occasion a beefy superintendent of police had sat down heavily on the spiny remains of a dried fish. Another time, ambushed by a powerful whiff of pepper, a venerable old district judge had sneezed his false teeth clear across the room. They had fallen clattering at the Queen's feet.

These reception-room stories had caused Uma much apprehension, prompting her to secure her sari with an extravagant number of clips and safety-pins. But on entering
the room she'd found its effects to be not at all as expected. Far from being put out she felt oddly comforted by the familiar fragrances of rice and mung dal. In any other setting Queen Supayalat, with her mask-like face and mauve lips, would have seemed a spectral and terrifying figure. But the odours of domesticity seemed to soften her edges a little, adding an element of succour to her unyielding presence.

Across the room, the King was smacking his newspaper loudly on his palm. ‘Well, Collector-sahib,' he said, ‘did you ever think that we would live to witness the day when an Eastern country would defeat a European power?'

Uma held her breath. Over the last few weeks the Collector had conducted many heated arguments on the implications of a Japanese victory over Russia. Some had ended in angry outbursts. She watched anxiously now as her husband cleared his throat.

‘I am aware, Your Highness,' the Collector said evenly, ‘that Japan's victory has resulted in widespread rejoicing among nationalists in India and no doubt in Burma too. But the Tsar's defeat comes as no surprise to anyone, and it holds no comfort for enemies of the British Empire. The Empire is today stronger than it has ever been. You have only to glance at a map of the world to see the truth of this.'

‘But in time. Collector-sahib, everything changes. Nothing goes on for ever.'

The Collector's voice grew sharper. ‘May I remind Your Highness that while Alexander the Great spent no more than a few months in the steppes of central Asia, the satrapies he founded persisted for centuries afterward? Britain's Empire is, by contrast, already more than a century old, and you may be certain, Your Highness, that its influence will persist for centuries more to come. The Empire's power is such as to be proof against all challenges and will remain so into the foreseeable future. I might take the liberty of pointing out, Your Highness, that you would not be here today if this had been pointed out to you twenty years before.'

The King flushed, staring speechlessly at the Collector. It
fell to the Queen to answer for him. She leant forward, digging her long, sharp fingernails into the arms of her chair. ‘That is enough, Mr Collector,' she said. ‘Enough,
bas karo
.' There was a moment of stillness in which the only sound was that of the Queen's nails, raking the polished arms of her chair. The room seemed to shimmer as though the floor had given off a sudden haze of heat.

Uma was seated between Dolly and the Second Princess. She had listened to her husband's exchange with the King in dismayed silence, sitting frozen in her place. On the wall ahead of her was a small watercolour. The painting was a depiction of a landscape at sunrise, a stark red plain dotted with thousands of mist-wreathed pagodas. Suddenly, with a clap of her hands, Uma uttered a loud cry. ‘Pagan!'

The word had the effect of an explosion in a confined space. Everyone jumped, turning to look in Uma's direction. She raised a hand to point. ‘On the wall—it's a picture of Pagan, isn't it?'

The Second Princess was sitting next to Uma. She seized eagerly on this diversion. ‘Yes—that is it. Dolly can tell you— she painted it.'

Uma turned to the slim upright woman on her left. Her name was Dolly Sein, she recalled: they had been introduced on the way in. Uma had noticed that there was something unusual about her, but she'd been too busy concentrating on protocol to give the matter any further thought.

‘Did you really paint that?' Uma said. ‘Why, it's wonderful.'

‘Thank you,' Dolly said quietly. ‘I copied it from a book of prints.' Their glances crossed and they exchanged a quick smile. Suddenly Uma knew what it was that she'd been struck by: this Miss Sein was perhaps the loveliest woman she'd ever set eyes on.