The Glass Bead Game (19 page)

“It is the sign Mong,” he said. “This sign bears the name: youthful folly. Above the mountain, below the water; above Gen, below Kan. At the foot of the fountain the spring bubbles forth, the symbol of youth. The verdict reads:

Youthful folly wins success.

I do not seek the young fool,

The young fool seeks me.

At the first oracle I give knowledge.

If he asks again, it is importunity.

If he importunes, I give no knowledge.

Perseverance is beneficial.

Knecht had been holding his breath from sheer suspense. In the ensuing silence he involuntarily gave a deep sigh of relief. He did not dare to ask. But he thought he had understood: the young fool had turned up; he would be permitted to stay. Even while he was still enthralled by the sublime marionettes' dance of fingers and sticks, which he had watched for so long and which looked so persuasively meaningful, the result took hold of him. The oracle had spoken; it had decided in his favor.

We would not have described this episode in such detail if Knecht himself had not so frequently related it to his friends with a certain relish. Now we shall return to our scholarly account.

Knecht remained at the Bamboo Grove for months and learned to manipulate the yarrow stalks almost as well as his teacher. The latter spent an hour a day with him, practicing counting the sticks, imparting the grammar and symbolism of the oracular language, and drilling him in writing and memorizing the sixty-four signs. He read to Knecht from ancient commentaries, and every so often, on particularly good days, told him a story by Chuang Tzu. For the rest, the disciple learned to tend the garden, wash the brushes, and prepare the Chinese ink. He also learned to make soup and tea, gather brushwood, observe the weather, and handle the Chinese calendar. But his rare attempts to introduce the Glass Bead Game and music into their sparing conversations yielded no results whatsoever; they seemed to fall upon deaf ears, or else were turned aside with a forbearing smile or a proverb such as, “Dense clouds, no rain,” or, “Nobility is without flaw.” But when Knecht had a small clavichord sent from Monteport and spent an hour a day playing, Elder Brother made no objection. Once Knecht confessed to his teacher that he wished to learn enough to be able to incorporate the system of the
I Ching
into the Glass Bead Game. Elder Brother laughed. “Go ahead and try,” he exclaimed. “You'll see how it turns out. Anyone can create a pretty little bamboo garden in the world. But I doubt that the gardener would succeed in incorporating the world in his bamboo grove.”

But enough of this. We shall mention only the one further fact that some years later, when Knecht was already a highly respected personage in Waldzell and invited Elder Brother to give a course there, he received no answer.

Afterward Joseph Knecht described the months he lived in the Bamboo Grove as an unusually happy time. He also frequently referred to it as the “beginning of my awakening”—and in fact from that period on the image of “awakening” turns up more and more often in his remarks, with a meaning similar to although not quite the same as that he had formerly attributed to the image of vocation. It could be assumed that the “awakening” signified knowledge of himself and of the place he occupied within the Castalian and the general human order of things; but it seems to us that the accent increasingly shifts toward self-knowledge in the sense that from the “beginning of his awakening” Knecht came closer and closer to a sense of his special, unique position and destiny, while at the same time the concepts and categories of the traditional hierarchy of the world and of the special Castalian hierarchy became for him more and more relative matters.

His Chinese studies were far from concluded during his stay in the Bamboo Grove. They continued, and Knecht made particular efforts to acquire a knowledge of ancient Chinese music. Everywhere in the older Chinese writers he encountered praise of music as one of the primal sources of all order, morality, beauty, and health. This broad, ethical view of music was familiar to him from of old, for the Music Master could be regarded as the very embodiment of it.

Without ever forsaking the fundamental plan of his studies, which as we have seen he outlined in his letter to Fritz Tegularius, he pushed forward energetically on a broad front wherever he scented an element of essential value to himself, that is to say, wherever the path of “awakening,” on which he had already set out, seemed to lead him. One of the positive results of his period of apprenticeship with Elder Brother was that he overcame his resistance against returning to Waldzell. Henceforth he participated in one of the advanced courses there every year, and without quite realizing how it had happened he became a personage regarded with interest and esteem in the Vicus Lusorum. He belonged to that central and most sensitive organ of the entire Game organization, that anonymous group of players of proven worth in whose hands lay the destinies of the game at any given time, or at least the type of play that happened to be in fashion.

Officials of the Game institutes belonged to but did not dominate this group, which usually met in several remote, quiet rooms of the Game Archives. There the members beguiled their time with critical studies of the Game, championing the inclusion of new subject areas, or arguing for their exclusion, debating for or against certain constantly shifting tastes in regard to the form, the procedures, the sporting aspects of the Glass Bead Game. Everyone who had made a place for himself in this group was a virtuoso of the Game; each knew to a hair the talents and peculiarities of all the others. The atmosphere was like that in the corridors of a government ministry or an aristocratic club where the rulers and those who will take over their responsibilities in the near future meet and get to know one another. A muted, polished tone prevailed in this group. Its members were ambitious without showing it, keen-eyed and critical to excess. Many in Castalia, and some in the rest of the country outside the Province, regarded this elite as the ultimate flower of Castalian tradition, the cream of an exclusive intellectual aristocracy, and a good many youths dreamed for years of some day belonging to it themselves. To others, however, this elect circle of candidates for the higher reaches in the hierarchy of the Glass Bead Game seemed odious and debased, a clique of haughty idlers, brilliant but spoiled geniuses who lacked all feeling for life and reality, an arrogant and fundamentally parasitic company of dandies and climbers who had made a silly game, a sterile self-indulgence of the mind, their vocation and the content of their life.

Knecht was untouched by either of these attitudes. It did not matter to him whether he figured in student gossip as some sort of phenomenon or as a parvenu and climber. What was important to him were his studies, all of which now centered around the Game. Another preoccupation was, perhaps, that one question of whether the Game really was the supreme achievement of Castalia and worth devoting one's life to. For even as he was familiarizing himself with the ever more recondite mysteries of the Game's laws and potentialities, even as he became more and more at home in the labyrinths of the Archives and the complex inner world of the Game's symbolism, his doubts had by no means been silenced. He had already learned by experience that faith and doubt belong together, that they govern each other like inhaling and exhaling, and that his very advances in all aspects of the Game's mirocosm naturally sharpened his eyes to all the dubiousness of the Game. For a little while, perhaps, the idyll in the Bamboo Grove had reassured him, or perhaps one might say confused him. The example of Elder Brother had shown him that there were ways of escaping from this dubiousness. It was possible, for example, as that recluse had done, to turn oneself into a Chinese, shut oneself off behind a garden hedge, and live in a self-sufficient and beautiful kind of perfection. One might also become a Pythagorean or a monk and scholastic—but these were still escapes, renunciations of universality possible and permissible only to a few. They involved renunciation of the present and the future in favor of something perfect enough, but past. Knecht had sensed in good time that this type of escape was not the way for him. But what then was the way for him? Aside from his great talent for music and for the Glass Bead Game, he was aware of still other forces within himself, a certain inner independence, a self-reliance which by no means barred him or hampered him from serving, but demanded of him that he serve only the highest master. And this strength, this independence, this self-reliance, was not just a trait in his character, it was not just inturned and effective only upon himself; it also affected the outside world.

As early as his years at school, and especially during the period of his contest with Plinio Designori, Joseph Knecht had often noticed that many schoolmates his own age, but even more the younger boys, liked him, sought his friendship, and moreover tended to let him dominate them. They asked him for advice, put themselves under his influence. Ever since, this experience had been repeated frequently. It had its pleasant and flattering side; it satisfied ambition and strengthened self-confidence. But it also had another, a dark and terrifying side. For there was something bad and unpalatable about the attitude one took toward these schoolmates so eager for advice, guidance, and an example, about the impulse to despise them for their lack of self-reliance and dignity, and about the occasional secret temptation to make them (at least in thought) into obedient slaves. Moreover, during the time with Plinio he had had a taste of the responsibility, strain, and psychological burden which is the price paid for every brilliant and publicly representative position. He knew also that the Music Master sometimes felt weighed down by his own position. It was lovely, and tempting, to exert power over men and to shine before others, but power also had its perditions and perils. History, after all, consisted of an unbroken sucession of rulers, leaders, bosses, and commanders who with extremely rare exceptions had all begun well and ended badly. All of them, at least so they said, had striven for power for the sake of the good; afterward they had become obsessed and numbed by power and loved it for its own sake.

What he must do was to sanctify and make wholesome the power Nature had bestowed on him by placing it in the service of the hierarchy. This was something he had always taken for granted. But where was his rightful place, where would his energies be put to best use and bear fruit? The capacity to attract and more or less to influence others, especially those younger than himself, would of course have been useful to an army officer or a politician; but in Castalia there was no place for such occupations. Here these qualities were useful only to the teacher and educator, but Knecht felt hardly drawn to such work. If it had been a question of his own desires alone, he would have preferred the life of the independent scholar to all others—or else that of a Glass Bead Game player. And in reaching this conclusion he once more faced the old, tormenting question: was this game really the highest, really the sovereign in the realm of the intellect? Was it not, in spite of everything and everyone, in the end merely a game after all? Did it really merit full devotion, lifelong service? Generations ago this famous Game had begun as a kind of substitute for art, and for many it was gradually developing into a kind of religion, allowing highly trained intellects to indulge in contemplation, edification, and devotional exercises.

Obviously, the old conflict between aesthetics and ethics was going on in Knecht. The question never fully expressed but likewise never entirely suppressed, was the very one that had now and then erupted, dark and threatening, from beneath the surface of the schoolboy poems he had written in Waldzell. That question was addressed not just to the Glass Bead Game, but to Castalia as a whole.

There was a period when this whole complex of problems troubled him so deeply that he was always dreaming of debates with Designori. And one day, as he was strolling across one of the spacious courtyards of the Waldzell Players' Village, he heard someone behind him calling his name. The voice sounded very familiar, although he did not recognize it at once. When he turned around he saw a tall young man with a trim beard rushing tempestuously toward him. It was Plinio, and with a surge of affection and warm memories, Joseph greeted him heartily. They arranged to meet that evening. Plinio, who had long ago finished his studies at the universities in the outside world and was already a government official, had come to Waldzell on holiday for a short guest course in the Glass Bead Game, as he had in fact done once before, several years earlier.

The evening they spent together, however, proved an embarrassment to both friends. Plinio was here as a guest student, a tolerated dilettante from outside; although he was pursuing his course with great eagerness, it was nevertheless a course for outsiders and amateurs. The distance between them was too great; he was facing a professional, an initiate whose very delicacy and polite interest in his friend's enthusiasm for the Glass Bead Game inevitably made him feel that he was not a colleague but a child playfully dabbling on the outer edges of a science which the other understood to its very core. Knecht tried to turn the conversation away from the Game by asking Plinio about his official functions and his life on the outside. And now Joseph was the laggard and the child who asked innocent questions and was tactfully tutored. Plinio had gone into law, was seeking political influence, and was about to become engaged to the daughter of a party leader. He spoke a language that Joseph only half understood; many recurrent expressions sounded empty to him, or seemed to have no content. At any rate he realized that Plinio counted for something in his world, knew his way about in it, and had ambitious aims. But the two worlds, which ten years ago both youths had each touched with tentative curiosity and a measure of sympathy, had by now grown irreconcilably apart.

Joseph could appreciate the fact that this man of the world and politician had retained a certain attachment to Castalia. This was, after all, the second time he was sacrificing a holiday to the Glass Bead Game. But in the end, Joseph thought, it was pretty much the same as if he were one day to pay a visit to Plinio's district and attend a few sessions of the court as a curious guest, and have Plinio show him through a few factories or welfare institutions. Both were disappointed. Knecht found his former friend coarse and superficial. Designori, for his part, found his former schoolmate distinctly haughty in his exclusive esotericism and intellectuality; he seemed to Plinio to have become a “pure intellect” altogether absorbed by himself and his sport.