The Girl with the Creel (64 page)

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Authors: Doris Davidson

BOOK: The Girl with the Creel
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She was grateful that he had refused to accept the picture as a gift; she hadn't wanted to lose it again. ‘Yes, I'm quite agreeable to that.'

‘I promise to bring it back when the exhibition closes, for I don't need a reminder of your mother. For one thing, every time I look at you I'll see her.' His eyes twinkled now. ‘If Fate hadn't decreed otherwise, my dear, you might have been my daughter.'

Noticing the tray which Alice had taken in some time ago, and glad to change the subject, she said, ‘I'll make some fresh tea.'

Over the refreshment, Robbie did some more explaining. ‘When Jenny came to tell us you'd come back, I couldn't wait to meet you. So I hired a van for the afternoon, and … we'd better be going, Jenny, or the bairns'll be home from school.' He had left his sister at the Yardie to be there for the children, but he was eager to tell her the miraculous result of his mission.

Dan having wrapped the picture in sacking and placed it on Jenny's knee in the van, he stood with his arm round Lizann, waving until their visitors were out of sight. He said nothing as they went through the kitchen – Alice was a bit of a gossip – but back in the sitting-room he asked, ‘How do you feel after all that?'

She snuggled up to him. ‘Still hardly able to believe what he said. I'm glad you were with me … but how did you know they were here?'

‘Alice came and told me, and I wouldn't have missed it for anything.' He eyed her anxiously now. ‘Are you sure you want to go to Buckie again this Saturday? You likely hadn't wanted to refuse when Jenny asked, but isn't it a bit soon?'

Lizann gave a trilling laugh. ‘If you think I'll feel jealous because Peter married Jenny, I won't! I could see yesterday they were absolutely right for each other. But so are we, Dan my darling. Not just right, perfect! Don't you think so?'

His answer was to kiss her, so passionately that neither of them saw Alice when she looked round the door to ask when they wanted to eat, and she withdrew without a sound.

Back in the kitchen, a broad grin spread across her face. All the folk round about said it was a marriage of convenience, a lonely old bachelor needing company and an ex-fishwife looking for security, but it hadn't looked like that from where their maid had been standing. It was a real love match, no doubt about it, and she'd be as well turning off the oven and going home.

That two wouldn't be needing any supper tonight!

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Two young men from a remote Scottish village decide to make their fortunes in London, but can't escape their close ties to home or the girl they leave behind…

Alistair Ritchie and Dougal Finnie have grown up in one of the most scenic villages in Scotland, but as they now have a desire to see the world, there is nothing to keep them there – not even Lexie Fraser, who's been chasing Ally since they were fourteen. Lexie has troubles of her own: a sick mother and a missing father, his disappearance a complete mystery. She'd like nothing better than to cling to Ally, which just makes him more determined to break free.

But the lads aren't destined to stay away forever. Marriage and babies follow – and so does war. London is no place for young wives and children, and where could be safer than the north of Scotland, the Back of Beyond? But what will their city-raised families make of it – and the folks they left behind?

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Olive is determined to have her cousin Neil as her husband and won't allow anything or anyone to get in her way. So when her younger cousin Queenie is evacuated from London and begins to attract Neil's attention, Olive does all she can to avert the relationship. When warnings and threats fail, Olive concocts a web of lies to blacken Queenie's character and destroy her cousins' love. Despite Olive's success, her actions fail to secure Neil, who finds himself involved with other girls, finally meeting and falling for Freda. After this Olive will stop at nothing, no matter how despicable, to make sure Neil is hers forever. The consequences of her actions shock everyone and send the extended Potter and Ogilvie families into turmoil.

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Two men sit petrified on Christmas Eve at the thought of spending it in supernatural company; a young family makes a tense Cross-channel trip in fear of some unspecified threat; an old man contemplates jumping to his death at the thought of being evicted from the house in which he has lived all his life. In this book, Doris Davidson looks back over an immensely successful writing career in a collection of twenty short stories, which also includes her eagerly awaited latest work, the novella "Duplicity". Covering a wide range of themes and moods, these stories are a wonderful tribute to the skill and imagination of one of Scotland's best-loved authors.

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Lizann Jappy is the daughter of a fisherman from the close community of Buckie. Having led a sheltered girlhood, her life is turned upside-down when it is discovered that the man she loves is married – for divorce is an unthinkable disgrace and her family lives by the traditions that have guided the local folk for generations.

But Lizann finds that, when the need arises, she can be every bit as proud and resourceful as the people of her home town. Forced to flee by a series of misunderstandings and tragedies, she must leave behind almost everything. Yet as long as she can carry her creel on her back, she hopes she will not starve.

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Marion Cheyne is young, poor and ambitious. Her humble village roots and poorly paid job offer few opportunities and Marion feels trapped in a dead-end existence. So when an unexpected chance to escape presents itself, Marion grabs it, ignoring the moral implications of her actions, and sets out on a new life far away in Aberdeen. Years later and the struggling servant girl Marion has been transformed into Marianne, wife of the heir to Castle Lyall, and every inch the lady of the glen. More a business arrangement than a love match, Marianne's commitment to her role and to the name of Lyall is total, and as family, friends and world wars come and go, she will stop at nothing to protect her hard-won position. But the many secrets of her past refuse to stay safely buried. Nothing in the small community of the glen can remain hidden forever...

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Willie Fowlie's grandmother calls him a 'nickum' - he is a mischievous Aberdeenshire boy who often acts instinctively, bearing little or no consideration for the consequences of his actions. When he is eleven, his playful antics lead to a full-blown murder enquiry, but it is soon recognised that the hunt is based on nothing more material than Willie's imagination. Four years later, however, Willie witnesses a real murder, but believing that his eye-witness testimony is simply another fabrication, the police wind down the investigation. It is not until five years later, during World War II, that Willie is able to prove the sincerity of his account and the murderer is apprehended. Despite his errant ways, Willie's headmaster recognises his potential and finances his matriculation at University along with his own daughter, Millie, in late September 1939. Free from the constraints of their childhood, the blossoming of their love begins to unfold. However, within weeks of the outbreak of war, Willie's best friend from childhood enlists in the army, but Willie feels duty-bound to his sponsor to obtain his degree. Two years later, however, in 1941, Willie is confronted with the news that his friend has been killed in action. Racked with guilt, blaming himself for not being there to protect him, Willie abandons his education and volunteers for the Gordon Highlanders. The course of his life is now completely changed, the troubled boy that he was now a distant memory, but can the 'nickum' ever atone for the decisions that he has made?

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