The Girl in the Woods

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Authors: Gregg Olsen

BOOK: The Girl in the Woods
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Highest Praise for Gregg Olsen
Fear Collector
“Thrills, chills, and absolute fear erupt in a story that
focuses on the evil Ted Bundy brought to society.
Readers will not see the twists and turns coming
and, even better, they’ll get the shock of a lifetime.
This author has gone out of his way to make sure
this is a novel of true and utter fear!”
—Suspense Magazine
 
“Excellent, well written, fascinating . . . an engaging
story that will captivate from the very start. Olsen has
combined the power of fiction with the stark reality
of fact. It’s a book you’ll not easily forget.”
—Kevin M. Sullivan, author of
The Bundy Murders: A Comprehensive History
 
“An exciting tale . . . surprising twists and suspenseful
spins. . . . Olsen keeps the reader hooked.”

Genre Go Round
 
“Fantastic, awesome . . . exciting twists and turns and
an explosive, unexpected ending . . . the best suspense
thriller I’ve read all year!”

Friday Fiction
 
 
Victim Six
“A rapid-fire page-turner.”

The Seattle Times
 
“Olsen knows how to write a terrifying story.”

The Daily Vanguard
 

Victim Six
is a bloody thriller with a nonstop,
page-turning pace.”

The Oregonian
 
“Olsen is a master of writing about crime—both
real and imagined.”

Kitsap Sun
 
“Thrilling suspense.”

Peninsula Gateway
 
“Well written and exciting from start to finish, with a
slick final twist. . . . a super serial-killer thriller.”

The Mystery Gazette
 
“Gregg Olsen is as good as any writer of serial-killer
thrillers writing now

this includes James Patterson’s
Alex Cross, Jeffery Deaver’s Lincoln Rhymes and
Thomas Harris’s Hannibal Lecter. . . .
Victim Six
hooks the reader . . . finely written and edge-of-seat
suspense from start to finish . . . fast-paced . . . a
super serial-killer thriller.”

The News Guard
 
 
Heart of Ice
“Gregg Olsen will scare you

and you’ll love
every moment of it.”

Lee Child
 
“Olsen deftly juggles multiple plot lines.”

Publishers Weekly
 
“Fiercely entertaining, fascinating . . . Olsen offers
a unique background view into the very real world
of crime . . . and that makes his novels ring true
and accurate.”

Dark Scribe
 
 
A Cold Dark Place
“A great thriller that grabs you by the throat and takes
you into the dark, scary places of the heart and soul.”

Kay Hooper
 
“You’ll sleep with the lights on after reading Gregg
Olsen’s dark, atmospheric, page-turning suspense . . .
if you can sleep at all.”

Allison Brennan
 
“A stunning thriller—a brutally dark story with a
compelling, intricate plot.”

Alex Kava
 
“This stunning thriller is the love child of Thomas
Harris and Laura Lippman, with all the thrills and the
sheer glued-to-the-page artistry of both.”

Ken Bruen
 
“Olsen keeps the tension taut and pages turning.”

Publishers Weekly
 
 
A Wicked Snow
“Real narrative drive, a great setup, a gruesome crime,
fine characters.”

Lee Child
 
“A taut thriller.”

Seattle Post-Intelligencer
 
“Wickedly clever! A finely crafted, genuinely twisted
tale of one mother’s capacity for murder and one
daughter’s search for the truth.”

Lisa Gardner
 
“An irresistible page-turner.”

Kevin O’Brien
 
“Complex mystery, crackling authenticity . . . will
keep fans of crime fiction hooked.”

Publishers Weekly
 
“Vivid, powerful, action-packed . . . a terrific, tense
thriller that grips the reader.”

Midwest Book Review
 
“Tight plotting, nerve-wracking suspense, and a
wonderful climax make this debut a winner.”

Crimespree
magazine
 

A Wicked Snow
’s plot—about a CSI investigator
who’s repressed a horrific crime from her childhood
until it comes back to haunt her—moves at a
satisfyingly fast clip.”

Seattle Times
A
LSO
BY
G
REGG
O
LSEN
A Wicked Snow
A Cold Dark Place
Heart of Ice
Victim Six
Closer Than Blood
Fear Collector
The Bone Box
(novella)
Envy
Betrayal
Run
Shocking True Story
Abandoned Prayers
Starvation Heights
Cruel Deception
(aka,
Mockingbird
)
If Loving You Is Wrong
A Twisted Faith
Bitch on Wheels
(aka,
Black Widow
)
Bitter Almonds
The Deep Dark
 
W
ITH
R
EBECCA
M
ORRIS
If I Can’t Have You
Bodies of Evidence
THE
GIRL
IN THE
WOODS
GREGG OLSEN
PINNACLE BOOKS
Kensington Publishing Corp.
www.kensingtonbooks.com
All copyrighted material within is Attributor Protected.
For Jean M. Olson, who likes to make everything go smoothly
P
ROLOGUE
M
olly O’Rourke worked as a nurse’s aide at a convalescent center in Silverdale, Washington, and loathed the early morning and weekend hours that came with the job. It wasn’t what she’d envisioned at all. At twenty-seven, the petite redhead with sharp, angular features had expected that she’d be a bit further along at this stage. It was true she was no longer under her mother’s roof—and that was a godsend—but she wasn’t exactly moving along in life at a fast clip. She rented a slightly rundown house at 509 Camellia Street in Port Orchard, up on the hill overlooking the naval shipyard and its row of hulking gray ships awaiting repair or dismantling. She put a pencil to her budget and realized that the only way she could afford a better place was if she had a roommate or a boyfriend, but that wasn’t going to happen. Not with her terrible hours.
Molly wasn’t a quitter, but a realist. She stood in the dim light of the parking strip in front of her 1940s house and ran every possible outcome for her life through her head. The list had very few “pluses” and a plethora of “minuses.”
She’d completed her training from a quasi-university in downtown Bremerton and was saddled with what she had determined after graduation was minimal skills and maximum debt. Her mother had needled her for paying so much for an education that basically had her changing diapers on the elderly.
“And you thought you were going to be a nurse,” Mrs. O’Rourke said, in a cutting way that she’d perfected. “You should have stayed at the doctor’s office where you were a receptionist and you had a decent meal benefit. I’m not being harsh. You know, honey doll, I always believed in you.”
Honey doll
was like a twisted dagger in the gut.
That entire exchange came into Molly’s head at a little after 4 o’clock Saturday morning as she stood with her dog while the pooch found a suitable spot on the fringe of a juniper bush in the parking strip. A late-night rain had left the asphalt black and shiny and the lamp on her driveway cast a glistening puddle of light at her feet.
“Hurry up, Candy, I gotta get to work.” Molly tugged on the hot pink leash to redirect the dog to the duty at hand. “Honestly, do you have to smell every little thing? Every single time? Can you just do your job so I can do mine?”
Candy, a miniature schnauzer with a decidedly independent streak, was not about to be rushed.
Not ever
. Her silver-furred face tilted at her owner with a look that was probably a kind of canine F-U, but the dog owner didn’t take it that way at all.
“Be a good girl,” Molly said, relaxing the length of the leash.
Just as hope had been all but dashed, Candy got her act together and squatted.
“Good girl,” Molly said, satisfied that she might get to work on time.
Molly looked up toward the top-to-bottom renovated house next door as lights in the upstairs bedroom sent a beam out into the early morning darkness. It was the home of her neighbors, Ted and Jennifer Roberts.
The nurse’s aide glanced at her phone. It was 4:15 a.m. She let out a sigh. Ted Roberts had been ill for months.
Seriously ill
. There was a terrible irony to his downward spiral. He’d been a typical Northwest-erner—the kind who fishes, skis, kayaks, and generally just lives his or her life in the elements, out in the abundance of outdoor-related activities that make the region the focus of so much attention by sports and lifestyle magazines.
Molly admired Ted for doing all that he did. She was a TV watcher, not a doer. That, her mother told her, was one reason why she couldn’t get a boyfriend.
Or a decent one.
“No one wants to marry a couch potato, honey doll,” she had said.
Molly knew that. But then again her shift at work made doing anything but flopping in front of the TV out of the question. She hadn’t had sex in more than a year. The encounter with an old boyfriend from high school hadn’t been of the caliber to make her want a repeat.
Ted Roberts had invited her to go kayaking one time when he was still single, but Molly didn’t want to miss a reality TV marathon she’d been sucked into, and passed on the opportunity.
She wished now that she’d said yes. She liked Ted.
So robust.
So strong.
So vital.
As she stood there looking up at the lighted window, she caught a memory of how Ted had appeared before getting sick.
He was in his forties, but his body surely didn’t look it. That former classmate she’d hooked up with looked like he’d swallowed the Pillsbury Doughboy. Whole.
Molly didn’t go kayaking with Ted, but she kind of imagined he had been asking her out on a date. She’d never had said yes to that, anyway. Not cool to date your neighbor. Not at all.
“You only live once,” he said when she declined his offer.
If that was her window for the older guy next door, it snapped shut shortly thereafter.
It was around that time that Jennifer and her son, Micah, and daughter, Ruby, showed up on the scene. Molly could see a change coming over her friend and neighbor. Even though he’d always had a smile on his face, a joke, a laugh, something that indicated a love of life, Ted Roberts hadn’t really been happy at all. Oh he
looked
like he was happy, but that wasn’t genuine.
Ted had even admitted one day the previous summer that he’d been filling up his time biking, running, and kayaking to escape the emptiness of his own life.
“You got a boyfriend yet, Mol?” he asked her while he washed his Jeep on a sunny August afternoon.
Molly looked away, embarrassed. “Not really,” she said. “I’ve had a few maybes, but none that I’d ever go out with. The guys I see at work are super old, you know, in their fifties and forties and stuff.”
Ted smiled. “Old like me?” he said. His eyes squinted and his gaze challenged her a little. His brow was a crinkled patch of sunburned skin.
“That came out wrong,” Molly said, her face feeling hot.
He grinned and flashed his bright white teeth. “No worries,” he said. “I’m going to tell you something very important.”
He motioned for her to come closer.
“What?” Molly asked, leaning in, keeping an eye on the hose in case he was going to try to drench her in some Ted-like prank.
“I didn’t start living until I found Jennifer,” he said. “Don’t wait like I did. Sometimes the best thing is standing right in front of you.”
Molly was lonely and naive enough to think that he was kind of hitting on her. It was a thought she’d like expunged from her memory because he hadn’t been doing anything of the sort. Yet for some reason the encounter came back to her while her dog squatted by the bush and the light came on in the bedroom.
Ted was not like that at all. He was no flirt. He was deliriously happy that he had found Jennifer.
With Candy now doing her little dance, flipping dirt and barkdust back toward the parking strip, Molly’s thoughts drifted to the last time she saw Ted. It was about a week ago. She went over after work with the better part of a chocolate sheet cake.
Jennifer answered the door. She was in her forties, too, but looked younger. She had a lovely figure, the kind Molly had always wanted—a little larger on top, but not so much that it distracted from her face. Her wrists and ankles were thin—which were always stops on Molly’s survey of another girl. Her mother had piano legs and so did she.
“I thought you, Ted, and the kids might like this,” Molly said. “They made me take it home. I guess they think I have no life and it doesn’t matter if I get fat. Anyway, you, all of you, are always so perfect.”
“Molly, you’re so thoughtful,” Jennifer said. “I’m sure Ruby and Micah will devour it.”
“Ah, maybe Ted too,” Molly said, almost as a question.
Jennifer turned toward the living room. “Would you like to see him?”
Molly didn’t hesitate to get into the living room. It was the real reason she was there. The cake had been an excuse.
She shut the door and followed Jennifer into a darkened living room, where the sole illumination came from the seventy-inch big screen TV.
“You have a visitor, babe,” Jennifer said. She turned to Molly and gave her a little look, a warning, it seemed.
Molly could scarcely believe her eyes. Ted was covered in a Navajo blanket up to his neck. His eyes were slits. His face had shrunken to a kind of Edvard Munch gauntness. Even with the flickering glow—or especially because of it—he was a horrific sight.
Ted couldn’t even lift his head from the sofa to say hello.
Jennifer stood next to him and stroked his pasty brow.
“If it gets to the point that you can’t stay home anymore, Teddy, I’m going to see that you are sent to Molly’s nursing home.”
“I hope it doesn’t come to that,” Molly said, trying to lighten the mood. “Our cafeteria is all carbs and no protein. He’ll starve there.”
Ted attempted a smile.
Jennifer handed him a water bottle.
“Drink some iced tea,” she said. “You’re getting dehydrated, babe.”
Ted sipped slowly from the flexible straw that stuck out only a quarter of an inch from the top of the bottle.
“You are getting better, aren’t you?” Molly asked, her heart quickening a little. She’d seen people at the convalescent center who looked better than Ted, and they died.
“I think so,” Ted said, his voice a slight croak. “Every day I do feel a little bit stronger.”
He closed his eyes and Jennifer motioned for Molly to come to the kitchen where she set the cake on the counter.
“Jennifer, he’s going to be all right, isn’t he?”
Jennifer opened the refrigerator and rearranged a dozen bottles of iced tea so she could accommodate the cake.
“I don’t know, Molly,” she said.
With the space barely big enough to accommodate it, Jennifer shoved the cake onto the top shelf. Molly could see that the back end of the cake had smashed the refrigerator wall.
“What exactly is wrong with him?” she asked.
Jennifer shook her head and shut the refrigerator. She had an irritated look on her face.
By what? The cake or the question?
“We don’t know,” she said, reaching for a towel to wipe off some chocolate that had smeared her palm. “Cancer maybe.”
Molly kept her eyes riveted on Jennifer’s. “What do you mean,
maybe
?”
Jennifer started walking toward the front door to lead Molly from the kitchen, but the younger woman tugged at her shoulder.
“What do you mean?” she repeated.
Jennifer spun around. “I mean, he won’t go in to see the doctors anymore. Believe me I’ve tried.”
“Why won’t he?” Molly asked.
“He’s afraid, Molly.”
“Ted’s not afraid of anything.”
The two women stood toe to toe.
“You don’t know him like I do.”
It was a trump card of sorts, and Jennifer played it for all it was worth.
“Then tell me,” Molly said. “What’s he afraid of?”
Jennifer narrowed her focus. She didn’t like being questioned by some neighbor. “That if he goes to the doctor he’ll never come home again,” she said.
Molly pounced. “That’s stupid.”
“To you maybe,” Jennifer said. “But my husband is adamant.”
Husband
. It was odd that she referred to him as “husband.” Molly immediately saw it as a territorial move.
He’s mine.
Candy had a toy cat that she liked to hump, even though she was a female. It was about being territorial. Staking a claim. Saying something is “mine.”
Jennifer was humping her sick husband.
“He might die, Jennifer,” Molly said.
Jennifer went to open the front door.
“There are worse things than dying,” she said.
The young woman wanted to scream at Jennifer’s obvious indifference. She knew better. Jennifer Roberts was not the type that anyone wanted to mess with. She was a woman who always got her way.
Molly O’Rourke was not deeply religious, but she gave prayer a try after that encounter. She prayed over and over that God would heal Ted Roberts. Someone so full of life, so happy, shouldn’t have to suffer.

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