The Girl From Home (2 page)

“Just as long as you realize that if there's a coup in Russia while I'm meeting with you, we could take a big hit,” Jonathan says.

Lawrence grins. “Eh, we'll risk it. Come with me. The big man is in his office.”

Jonathan wonders whether the “big man” reference is an attempt at irony, because Komaroff is practically a foot shorter than Lawrence. Together, they are the Frick and Frack of Wall Street. Komaroff, the son of immigrants, went to college on a wrestling scholarship and worked his way up from the mail room at Harper Sawyer to chief executive officer, whereas Lawrence epitomizes the expression of being born on third base and believing you'd hit a triple, as his father ran the firm back in the 1970s.

It's an open secret that Lawrence is not so patiently waiting for Komaroff to decide his CEO talents are ready for an even larger stage, so Lawrence could finally capture what he has always considered his birthright. Komaroff's immediate predecessor is now Treasury secretary, and the one before him had run, albeit unsuccessfully, for governor of Connecticut. Komaroff, however, did not strike Jonathan as the political type, and even a presidential appointment would mean he'd ultimately have a boss. Komaroff would likely find that to be beneath him, which meant Lawrence was going to be number two long into the future.

“Good to see you, Jonathan,” Komaroff says. “Glad we could pry you away from the desk.”

Jonathan smiles, but decides not to repeat the joke about a Russian coup.

Komaroff's office is large enough to accommodate all twenty-six of Jonathan's traders, which makes it something of a disgrace to Jonathan. Komaroff might just as well announce to anyone who enters here that he's got a small dick.

“Have a seat,” Komaroff says, pointing to the sofa. Opposite it is a matching couch, but he and Lawrence settle into the chairs perpendicular to Jonathan. Surrounding their prey, as it were.

“First of all, I wanted to personally express my condolences about your mother,” Komaroff says. “You got the flowers the firm sent, right?”

Vincent Komaroff doesn't give two shits about Jonathan's mother, and they both know it. Nevertheless, he's the boss, and so Jonathan plays nice.

“I did, yes. Thank you.”

“It was the least we could do,” Komaroff says, likely not realizing that he was speaking literally. Sending flowers was the very least Harper Sawyer could do.

Komaroff sits up straighter, signaling the meeting is now about to truly begin. “Jonathan, we asked you to come up here because we wanted to give you your number,” he says.

Ah. The number. Jonathan's year-end bonus. Normally it just shows up in his March 15 paycheck. The fact that this year it justifies an in-person meeting can only mean good news. The question for Jonathan is—how good?

Komaroff and Lawrence are all smiles. They act as if they're Santa Claus rewarding Jonathan for being a good boy this year, when in reality all they're doing is allowing him to keep a small percentage of the money he earns for the firm.

“Nothing is set in stone yet,” Komaroff says, “but we wanted to tell you sooner rather than later that we are
very
appreciative of your efforts over the past year.”

“I see,” Jonathan says with a grin, not caring whether he's coming across as a little cocky. “How appreciative do you mean, Vincent? On a scale of one to a hundred million, let's say.”

“Fifteen,” Komaroff replies. The boss's own grin reveals that he actually thinks he's being generous.

Jonathan's mind is whirring like a calculator. At first blush, fifteen million does seem like a major haul, and it was a fifty percent bump over last year. But when you crunch the numbers, a lot of the zeroes fall away. Half of his bonus is paid in unvested stock, so Jonathan won't see a penny of that seven and a half million unless he's still employed by Harper Sawyer when the stock vests in five years . . . and on Wall Street, five years is an eternity.

That left the other seven and a half million, which he'll get in cash. Federal, state, and city taxes eat up more than half, so the check he'll wind up getting would be shy of four million. Not chump change, but a far cry from fifteen million.

*  *  *

The elevator opens up to the center of Jonathan's apartment. Straight ahead is a fifty-foot-long, twenty-foot-high wall of windows looking south and out over the black water of New York Harbor. The view is why he bought the place, and the primary reason it cost eight million, and that was before the gut renovation that turned it into a palace Natasha deemed worthy.

He calls out his wife's name, but nothing comes back. Jonathan is not surprised Natasha's out. He almost never comes home this early, and she almost always has something to do that involves rich and glamorous people.

Jonathan pours himself a glass of Johnnie Walker Blue and takes it over to the living room. He stares out his eight-million-dollar view and contemplates how this year's number will help him achieve what's next on his acquisition list: an oceanfront mansion in East Hampton. He's just finished his drink when he hears the elevator open, signaling his wife's arrival.

Natasha doesn't quite enter a room so much as dominate it. Part of that is her beauty, which is so undeniable that perfect strangers sometimes remark on how striking she looks, as if they were commenting on a museum painting. The other part is that she knows damn well the effect she has on others. If the Heisenberg uncertainty principle had a corollary, it would be the Natasha self-assurance construct, which posits that someone who knows she's being observed constantly changes the environment around her.

Jonathan has endured more than his fair share of disparaging comments about Natasha being nothing more than a Russian mail-order bride. She certainly fits the profile—fifteen years his junior, statuesque, platinum blonde, and a large chest. Sometimes, especially around those who were predisposed to believe it, Natasha even enjoyed playing the part. But the truth is that her family immigrated to Texas when Natasha was six, and she grew up in Austin, where her father taught economic theory at the University of Texas. Natasha sometimes jokes that she's the most overeducated trophy wife in New York City, holding a BA from Princeton in literature and a master's from Harvard in public policy.

They met four years earlier, at a benefit for the American Museum of Natural History. Natasha was there as the date of someone who made the mistake of leaving her unattended for too long, and she ended up going home with Jonathan. They married less than a year later.

Even while they exchanged their vows, promising to stay together for richer or poorer, until death did them part, Jonathan knew that their marriage would be based on something far less romantic. He would provide Natasha a life of luxury, and she would always look beautiful.

Right now, those vows are in full effect. Natasha is wearing a full-length black leather coat and red boots that lace up nearly to her knees. With her five-foot-ten frame, she looks today like a well-heeled dominatrix.

“You're home early,” she says.

Jonathan detects an undercurrent of disappointment in his wife's observation. Normally he arrives home after midnight, and she never fails to complain about that, reminding him that the market closes at four thirty, which requires Jonathan to offer the rejoinder that he follows the markets in Russia and the subcontinent, and that investing is only a small part of the job. Getting the money to invest is what really matters, and that requires a lot of wining and dining, such that all the nights he spends in five-star restaurants drinking outrageously priced alcohol are still work related.

“Correct, and I have no obligations,” he says. “So let's celebrate my being home early by going out for dinner tonight.”

“That sounds lovely,” Natasha says. Jonathan assumes Natasha had other plans, as sitting home alone was not her style. But whatever she had on tap for tonight can apparently be easily jettisoned, because she immediately says, “Should we go to Pavia's or that new Jean-Georges place on Madison?”

She's given him a choice between the two priciest options within a ten-block radius. But Jonathan has never thought twice about dropping four hundred dollars for dinner. He opts for Pavia's because he likes their rack of lamb.

When they arrive, the maître d' greets Jonathan by name, while the coat-check girl kisses him on both cheeks. After they're seated, and their drinks have arrived—chardonnay for her and another Johnnie Walker Blue for him—as nonchalantly as he can, Jonathan announces, “Well, today was Numbers Day.”

This is enough to capture Natasha's full attention. Many of their discussions over the past few months about their future expenditures—most significantly, about buying a summer home in the Hamptons, that section of God's country that juts into the Atlantic at the farthest end of Long Island, and where Manhattanites “summer”—have ended with Jonathan saying “Let's see what the number is.”

“And? East Hampton or Southampton?” Natasha asks.

Meaning, is Jonathan's bonus enough to buy in East Hampton, or will they need to lower their sights and look in the slightly less ritzy Southampton?

“Maybe Bridgehampton,” he replies.

Bridgehampton is geographically between East and Southampton. Jonathan assumes Natasha knows that he's being symbolic and that he'd never be caught dead buying a house in Bridgehampton.

Natasha has apparently had enough of their little game. “Jonathan, just tell me the damn number.”

Jonathan takes a gulp of his scotch, as if he needs liquid courage to impart this news. “I'll spare you all the platitudes that they blow up my ass before getting to the bottom line, and of course it's all conditional on final approval, but they think the gross number will be around . . . ten million.”

It takes Natasha the amount of time that passes for Jonathan to lift his drink back to his lips for her to compute the bottom line. “So, about two-point-five will be liquid, right?”

Given that Jonathan is lying about the actual number, he has to recalculate it in his own head before answering. “A little less,” he finally says. “And don't forget that the first five hundred grand goes to pay down the firm credit line and we owe about a hundred thousand to Amex.”

Jonathan's draw—his salary before bonus—is a half million dollars annually. That translates into, after taxes, take-home pay of twenty thousand a month, nearly all of which goes to the mortgage and maintenance on their co-op, the one hard asset they own. The rest of their living expenses—which includes Christmas in Aspen and Easter in Anguilla, the two hundred thousand for the summer house they currently rent in East Hampton from Memorial Day to Labor Day, the thousand a month that goes to the parking garage for Jonathan's Bentley (the car itself is on a three-year prepaid lease), and then whatever else catches their fancy throughout the year, and man, there's no end in sight on that front—comes from the five-hundred-thousand-dollar credit line Harper Sawyer provides him, which is always maxed out before Christmas. From that point on, they live off Amex until his bonus arrives in late March, and then the entire process starts all over.

“We have about four million in the brokerage account,” she says. “If we put that down, plus what you clear from the number this year, and mortgage the rest, we'll be able to buy something nice.”

“I'm not looking to buy something
nice
, Natasha. I'm only going to buy oceanfront, and only in East Hampton, and we don't have enough borrowing power for that. Not this year. I'd rather rent on the ocean and buy next year.”

“This may come as a shock to you, Jonathan, but East Hampton has many homes that are
not
on the ocean. Some are on bays or, God forbid, landlocked, but I can assure you that in the ten-to-fifteen-million-dollar price range, they're still very habitable.”

“Not for me,” he says definitively.

Natasha sighs. “Jonathan . . . at least let me go see what's out there.”

“Look, if you want to spend your time driving three hours each way to East Hampton, be my guest. But I want to be crystal-clear with you about something. I am not going to settle. If we can't buy something on the ocean this year, then screw it, we'll just rent on the ocean this summer and buy next year. I'm sorry, but I want what I want.”

I want what I want.
It was Jonathan's mantra, the credo on which he dedicated his life. He followed it with religious fervor, fully believing that he was destined to have whatever he desired.

N
ine Crowne Road could be refitted as a museum exhibit depicting 1970s–1980s middle-class suburbia simply by placing a turnstile at the front door. In fact, Jonathan suspects a near replica of his childhood home is probably an attraction at Epcot.

By rote, he climbs the stairs and heads to his old bedroom. Nothing has changed since the moment he left for college. It still has the same baby-blue dyed wood paneling his parents bought because it was on sale at Two Guys, along with the old red-and-blue wall-to-wall carpet, which has always reminded him of the Union Jack flag. Even the lighting fixture hasn't changed—a basketball hoop with a red, white, and blue globe in the net—and it must be worth something now, given that the ABA hasn't existed since 1976.

Jonathan throws his suitcase on his twin bed and begins to unpack its contents. He carefully places his navy Brioni suit and white dress shirt on a hanger, and then hooks it over the doorknob, hoping the wrinkles fall away before he has to get dressed tonight. He realizes he forgot to bring dress shoes, so he'll have to wear his Gucci loafers, which he would otherwise never wear with a suit.

As he pulls out the rest of his clothing, it reminds him of one of those
GQ
articles about the eight pieces of clothing you need to take to a deserted island, or something like that. In addition to tonight's ensemble, he's packed running shoes and the related gear, even though he hasn't run now in months, a pair of jeans, two button-down casual shirts (one white, one blue), some T-shirts, his favorite Loro Piana cashmere sweater, a week's worth of underwear and socks, and a toiletry bag.