The Girl at the End of the Line (6 page)

Read The Girl at the End of the Line Online

Authors: Charles Mathes

BOOK: The Girl at the End of the Line
8.19Mb size Format: txt, pdf, ePub
A moment later a young woman of about Molly's age and height entered the room. She had a strong, pointed chin, short hair, and was dressed in neatly pressed red slacks and a patterned top. She was built like a stop sign and looked more like a bank teller than a jungle queen.
“Oh, great Oomba-lapa-tu,” extolled Taffy with much exaggerated bowing and scraping, “may I present the short but difficult Molly O'Hara and her enchanting sister, Nell.”
Oomba-lapa-tu strode briskly over and shook Molly's hand. She had a grip like a clamp.
“My name isn't really Oomba-lapa-tu,” she announced in a brisk, businesslike soprano. “It's Alice Markham. Taffy just thinks that Alice is too plain a moniker for the likes of me. Hence the Oomba-lapa-tu routine. Pleased to meet you.”
Then she shook Nell's hand, repeating her greeting exactly.
“Show plain old Alice here how you can fly, honey,” said Taffy to Nell. “You can still do it, can't you?”
“Leave her alone, Taffy,” protested Molly, seething with determination and resolve after her meeting with Tim O'Hara. “We're here for a reason and don't have time to waste. I need a favor.”
“Oh, hush up, runt,” said Taffy, pushing Molly out of the way as if she were some insolent extra on the back lot. “Come on, Nell. Show Alice your trick.”
Molly opened her mouth to protest, but held her tongue. It was usually better just to let Taffy talk herself out than try to fight. Nell grinned and cocked her eye at the high ceiling to make sure she had enough room. Then she centered herself on the hardwood floor, kicking away an empty plastic cup.
The room fell silent in anticipation. Nell bent her knees, swung her arms out in front of her twice and jumped up into the air. In the next split second she curled into a ball, flipped over neatly, and landed squarely on her feet in the exact place she had launched from.
Taffy clapped her hands in delight.
“Very impressive demonstration,” declared Alice heartily, rushing over and shaking Nell's hand again. “Thank you, Nell, was it? I greatly enjoy gymnastics. Do you train professionally?”
“She's a natural, been flipping all her life,” said Taffy, putting her arm around Nell, who beamed. Nell actually liked Taffy, for some reason that Molly had never understood.
“Taffy …” began Molly again, but Taffy paid no attention.
“You want to learn some new words, Nell, honey?” she said. “See, Alice, Nell doesn't feel much like talking these days, do you sweet ‘urns? But I still try to teach her useful words in case she ever changes her mind. Say ‘mousse au chocolate,' honey. Say ‘periodontist.' Say ‘lesbian.'”
“Taffy …”
“Lezzzzzzzzzbian,” repeated Taffy, buzzing like a bee. “Isn't
that a fascinating word, lezzzzzzzzzzzzbian? Now show us how to juggle.”
Taffy picked up a paperback science fiction novel and a balledup sock from the floor and tossed them to Nell along with the turkey leg.
“Taffy!” said Molly.
“She doesn't mind, do you Nell?”
Nell obviously didn't. She juggled the items happily until Molly marched over and batted them out of the air.
“Okay, Taffy, you've demonstrated dominance. We all bend down and kiss your feet. Now I need a favor.”
“A favor, she needs,” said Taffy, throwing a hand theatrically into the air. “I don't see her for months, but when she needs a favor, who does she come to? She comes to saintly Taffy Hupperman, that's who, the Ford Foundation of unemployed scientists. All right, shrimpboat, what'll it be? And don't ask for money. 'cause I don't have any.”
“Well, you will soon,” said Molly. “I'll pay you seven dollars an hour, off the books, if you go over and mind the shop for a few days. Nell and I have to go out of town.”
“Big money.”
“It's more than you're making now.”
“And when do you expect me to begin this odious tour of duty, if I may be so bold as to inquire?”
“Tomorrow. You can stay at our place tonight, if you like, so you won't have to schlep over in the morning.”
“Forget it!” exclaimed Taffy, sticking her nose into the air and giving a symbolic sniff. “Oomba-lapa-tu and I have important things to do.”
“Like what? You're never doing anything when I come over here, except maybe eating. Why aren't you calling labs or working
on your resume? You've been out of work since February. Your unemployment can't last much longer.”
“I am closely monitoring several important soap operas,” sniffed Taffy, “and the jungle queen's presence is required each and every day at Daddy's odious insurance agency. We are otherwise engaged.”
Molly looked at Taffy's great hulk of a figure, trying to see the wide-eyed little girl who had lived next door when they were eight, the girl who had been with Molly at the movies the day Evangeline O'Hara Cole had been murdered. Though her body had enlarged beyond recognition and she was now entitled to be called “Doctor” by virtue of a PhD in chemistry from the University of North Carolina, Taffy's manner was just the same. She still had to be courted and wooed, like a pussycat up a tree, to do the smallest thing. No wonder she couldn't keep a job.
“There's a little television at the shop that you can watch at the register,” said Molly. “And your father still handles our insurance, so the shop will be of great professional interest to Oompa-Poompa-choo.”
“Oomba-lapa-tu,” corrected Taffy. “From the Sanskrit, meaning, ‘she who clips the crusts from her Wonder Bread and knows how to Mambo.'”
“Come on, Taffy,” cajoled Molly. “You can raid the refrigerator. We've got three pies, homemade by little old ladies, that you're welcome to. There's a whole cooked ham. Don't you want to spend some quality time with Alice in a place that isn't a pigsty?”
“Are you insinuating that I am a less-than-adequate housekeeper?”
“Yes!”
“Well, I can't argue with that,” muttered Taffy. “Why can't you just close up, if it's just for a few days?”
“Because I have people coming with cash money to collect an expensive chest of drawers, that's why.”
“Then wait a day to leave. Can't you wait a day?”
“No, I can't, you lazy bum,” said Molly. “Everybody is always waiting a day and then another day, because there's always something else to grab your energy if you let it. And then the urge passes and you never do what you wanted to do, and you never have a life.”
“Oh, I get it now,” said Taffy, nodding smugly. “This is one of your little spur-of-the-moment adventures. When did you decide to make this trip? Ten minutes ago? I swear, Molly, you are so immature. Why don't you just go home, take a nice bath and eat a few pints of ice cream? Tomorrow whatever this is won't seem so important.”
“I know that, which is why we are going tonight. Will you do it, Taffy? Please?”
“Oh, all right,” said Taffy with a deep, tortured sigh. “Just one more station, I suppose, on the road to my personal cross.”
“Thank you. Now you can take us to the bus station.”
“The bus? Why aren't you driving?”
“Because the van is ten years old and has been making noises louder than your stomach. I'm not taking the chance.”
“Good, then you can leave it with me. My own vehicle is otherwise indisposed.”
“You mean repossessed?”
“Whatever,” said Taffy. “I don't know why I put up with you.”
“Ditto,” agreed Molly.
“You're really an impossible girl.”
“Likewise, I'm sure.”
Half an hour later they were at the old-fashioned brick bus
station in decaying downtown Pelletreau. Through the chainlink fence by the squat building, Molly could see the lineup of shiny buses that were still the cheapest way to get out of town.
It was a little past seven. Molly had called and found a bus leaving within the hour that would get them into New York City by morning. Molly was uncomfortable about being away during peak tourist season, but at least Taffy would be minding the store. With any luck she wouldn't scare away too many sales.
“You take care of this van, you hear me, Taffy?” said Molly as she got out carrying their trusty “escape” suitcase, packed with essentials for both of them. It hadn't seen action since an auction in Tennessee last fall. “Let her rest for a while when she starts making noises. And drive carefully.”
“Oh, relax, you ridiculous creature,” said Taffy taking over the driver's seat and, adjusting the rearview mirror so she could admire her greasy curls. “Taffy knows how to make an engine purr, doesn't she, Alice?”
“You know which one is the house key?”
“Yes, yes, yes.”
“The Nicholsons are the people coming for the chest,” said Molly. “Be sure you get four hundred dollars cash, that was the deal. You shouldn't have any trouble, though. They were nice folks, and I've already got another four hundred dollars of their money, so they can't get away.”
“Don't worry,” said Taffy with a yawn. “It's not like I haven't ever done this before.”
“I'll call you at the shop when I know when we're coming back so you can pick us up,” said Molly. “We shouldn't be too long. Not at New York prices.”
“Okay, okay,” said Taffy. “Anything else, oh, great half-pint pain-in-the-ass?”
“Let me know if you happen to notice a red-haired guy with a bushy mustache hanging around.”
“Who is he?”
“I'm not sure, but I'd like to find out. He's driving a white Mercury Sable.”
Taffy rolled her eyes.
“Women,” she muttered.
“Very pleased to have made your acquaintances,” declared Alice Markham, aka Oomba-lapa-tu from the van's passenger seat, tapping two fingers to her eyebrow in some kind of insurance-agent salute. Taffy waved a fat hand at Nell and demonstrated how she made engines purr by screeching away from the curb in a cloud of burned rubber.
Nell waved happily until the van rounded the corner and sped out of sight. Molly was pleased to see her sister so carefree for a change, though she herself suddenly wasn't so confident anymore.
“We're doing the right thing here, aren't we, Nell?” Molly said, almost whispering, her mind suddenly flooded with second thoughts.
Nell nodded her head and smiled brightly. Whatever doubts she had had were obviously long gone. Why shouldn't she be eager to get away after all that had happened over the last week?
Molly bit her lip. When she left Tim O'Hara she had felt so certain about going to New York and tracking down Grandma's past. Now she just felt foolish and unprepared.
“I mean, maybe Taffy was making sense for a change,” Molly said. “I do get crazy and impulsive sometimes, and we end up spending a lot of money we don't have. I don't know how much we can really find out in New York about what Grandma was doing half a century ago. And even if we do ever find the Gales, they might not want to see us. Or they might all be dead. I must be crazy.”
Nell reached over and gently took Molly's hand in hers. Her palm was soft and warm, her touch gentle.
“Taffy was right,” said Molly unhappily. “If I had any brains I'd just go home, have a bath, and eat a few pints of ice cream.”
With her other hand Nell picked up their suitcase. Then she turned toward the bus terminal and tugged Molly's hand.
An image of Margaret Jellinek, dead in the nursing home with a pillow on her chest sprang again into Molly's mind. A second image superimposed itself, the nightmare image of her mother with the little hole in her forehead that had haunted Molly since she was eleven. Two wasted lives. What would Molly and Nell make of theirs?
Nell gave another tug on Molly's hand. Molly felt her doubts drop away. She let Nell pull her off to finish what she'd started.
No matter where the road might take them, it began in New York.
“Will you come out of there, please?” said Molly to the closet. “I know you can see me through the keyhole, Nell. Come on.”
The door finally opened. Nell was seated cross-legged on the floor of the tiny closet. She grinned and pulled herself up by the door handle. Nell still liked to hide in closets and see the world through the keyholes—especially when she was in unfamiliar places. The Gotham Arms Hotel in New York City was about as unfamiliar as places got.
Molly returned to the bathroom and finished drying her face with the thin hotel towel. The room they had taken was tiny and ridiculously expensive, but at least it was comparatively clean.
When they had left Pelletreau last night, Molly had actually thought about trying to pack all they needed to do in New York into one day, thereby saving the money they would need to spend on a hotel room. Fourteen hours of trying to sleep in a reclining seat on a speeding bus, however, had cured her of that fantasy.
One or two nights in a hotel wasn't going to bankrupt them. Whether they could dig out fifty-year-old stories from a city that could hide all of Pelletreau in a vest pocket was another matter.
A gray sliver of Big Apple loomed menacingly outside the room's sealed window.
Over the years Molly had heard about New York from dealers who came up to the big antique shows at the passenger piers. She had even bought a guidebook at the bus station last night and read it from cover to cover. A city was a city, she had told herself, having been to Charlotte––which was quite a big and sophisticated place—Richmond, and Washington, D.C.
Looking out the bus window this morning as New York had grown like Oz out of the dawn, however, Molly knew she had been wrong. The traffic-filled elevated highways that climbed toward the gleaming towers of Manhattan were like tiny trails of ants approaching a steel forest. Even from a distance New York was bigger, faster, and louder than any place Molly had ever seen. Up close it was positively frightening.
Just the five-block walk this morning from the Port Authority bus terminal to Forty-seventh Street where they had found the hotel had been intimidating.
The morning sidewalks had been thick with weary prostitutes and streetwise kids, bicycle messengers and dog walkers, secretaries in summer dresses and grim-faced men in business suits—everyone revved up to triple speed. Panhandlers swarmed on every street corner, shaking paper cups full of change like rhythm instruments. Wild-eyed tourists, half of them speaking foreign languages, pointed out mounted policemen and porno theaters to one another and recorded the whole erratic scene with video cameras.
It had been a relief for Molly when she and Nell had finally escaped into the relative calm of the Gotham Arms. Nell hadn't seemed to share Molly's discomfort. Bright and confident, she had
gawked at the gritty skyscrapers and laughed soundlessly as she nimbly dodged the dump trucks, taxicabs, and city buses that vied for dominance in complicated pollution and noise competitions.
“Don't you want to sprinkle some water on your face?” said Molly, glancing at her watch, which miraculously was working. “And change that blouse, it looks like you slept in it. Which you have.”
It was nearly eleven. There was no point in hanging around the hotel. Somewhere in New York there had to be records of Broadway performers and Molly was determined to find them. The sooner they got started, the sooner they could get back to Pelletreau.
While Nell washed up and changed her clothes, Molly checked the thick phone books in the night table for the names of the other cast members from the
Without Reservations
program on the off-chance that at least one of them might still be around. None of them had listings, however. Nor was there a listing for her grandfather, Richard Jellinek—not surprising after all these years.
Ten minutes later Molly and Nell were downstairs in the lobby—as bright, bustling, and full of polished brass and marble as their room was dull and threadbare.
“How do we get to the Booth Theatre?” Molly asked a harried-looking desk clerk. The Booth was the theater where Margaret Jellinek had starred in
Without Reservations,
so many years ago. If it still existed, the Booth was the logical place for Molly to begin tracing her grandmother's footsteps back in time.
“Forty-fifth Street,” replied the clerk without looking up. “Turn right when you get out the door, then right again down Broadway.”
Molly thanked him, though he didn't seem to hear, and walked with Nell out of the air-conditioned lobby onto the crowded street. It was like walking into a wall of wet flannel. No wonder
the hotel had vacancies in July—it was almost as hot and humid here as it was in North Carolina and there was not a tree in sight to provide any shade.
At least New York didn't look so gray from street level, Molly consoled herself, as they made their way to the corner and into the colorful madness that was Times Square. The blazing morning sun sharpened everything to crystal clarity: the electronic billboards and turn-of the-century buildings; the neon lights; the seething, honking traffic, and, of course, the people.
Molly had never seen so many people, thousands of them. Young and old. Beautiful and hideous. Black, white, and every shade in between, all animated with unknowable cares and hopes, plans and worries. It was a strain just to walk down the street, through so many unfamiliar faces. She instinctively drew close to her sister to protect her, but Nell didn't seem to need help. Her eyes burned with excitement, her head eagerly darted back and forth to take in the overload of sights. It was Nell who turned onto Forty-fifth Street and led a disoriented Molly to the box office of the Booth.
The turreted theater sat catty-corner on the walkway known as Shubert Alley in the shadow of a behemoth hotel across the street. Its marquee was filled with the names of actors Molly didn't recognize. Nor had she heard of the show, though it was obviously a hit. A line of people snaked out of the theater and onto the sidewalk.
“I guess we'll have to wait,” said Molly, surveying the scene and making a quick decision not to barge right up to the ticket window. Not only did she have good manners, but most of the people in line had hard New York faces that promised significant bodily harm to anyone who tried to cut in. Their Yankee-accented conversations were rapid and knowing.
“ … if they've already sold all the orchestra seats to the brokers, I'm calling the Attorney General. It's such a racket … .”
“ … but the
Times
loves it, and that's all that matters to me, though I think their critic's a jerk … .”
“ … and then she bit him, right on the ass. I swear to God, Shakespeare ain't what it used to be … .”
After twenty-five minutes Molly finally reached the barred ticket booth.
“Date?” said the clerk.
He didn't look the type to be asking her out. If there was such a type.
“I'd like some information about a play that was here about fifty years ago,” she said.
“I'd say you're about fifty years too late.”
“You don't have information about your productions?”
“Sister, the only information I got is that we're sold out weekends until December and most of what's left during the week is mezzanine and side seats.”
Molly was neither surprised nor overly disappointed. She had figured the theater for a long shot but had had to try.
“Is there a good library near here that you would recommend that has information about Broadway shows?” said Molly, switching to the next stop on her list of research options. “We're from out of town.”
Before the man in the booth could answer, half the people in line seemed to be talking to her at once.
“Fifty-third street, across from MOMA.”
“Don't fool with branches, lady. Go to the main library at Forty-second and Fifth, the one with the two lions and all the tourists out in front.”
“You're all nuts. She should try Lincoln Center.”
“She wants opera?”
“No, she wants the Library of Performing Arts. And that's at Lincoln Center!”
A murmur of agreement rippled through the crowd. Molly wasn't expecting New Yorkers to be so helpful, especially after a long wait in line. But they were. The man behind bars couldn't sell another ticket until Molly had been thoroughly briefed on how to get to Lincoln Center and had passed a quiz.
Molly and Nell walked up Broadway as instructed—the one Samaritan who had recommended the Eighth Avenue bus had been shouted down. It was a beautiful day in spite of the heat, and walking in New York wasn't like walking anywhere else.
An endless sea of pedestrians flowed up and down Broadway dressed in every fashion and color imaginable, from white-belted tourists to half-naked beggars. A babel of languages joined the car horns and sirens in the strange symphony that was the city.
In a second-floor window dancers were rehearsing in front of a wall of full-length mirrors. The streets were pocked with marquees advertising legendary musicals and popular television shows among storefronts filled with cameras and calzones, salamis and sofa beds. The air crackled with excitement.
At Fifty-ninth Street Molly and Nell had their first New York City lunch—hot pretzels and frankfurters from street vendors—and stopped to pet a weary-looking horse, one of many attached to hansom cabs at the curb in front of the park.
On the other side of Columbus Circle, Broadway widened into two lanes and ran diagonally into a neighborhood that felt completely different than the area from which they had come. Here, the buildings were newer, more residential, and not as tall as the ones in Times Square.
Abruptly the street opened again into another plaza, and the white marble and glass buildings of Lincoln Center spread out to the left. According to a sign they were at Sixty-fourth Street. They had covered twenty blocks in what had seemed like no time at all. Molly suddenly understood why the people at the theater had insisted
that she and Nell walk. Walking in New York was so entertaining it was a wonder that the city hadn't figured out a way to tax it.
The Library of the Performing Arts was a comparatively small structure at the rear of the Lincoln Center complex, wedged between Julliard and the Metropolitan Opera. A million-dollar Henry Moore sculpture lazily sunned itself in a reflecting pool out in front. Inside, however, the library had the same atmosphere of purposeful doing, the same kind of people, and the same smell as probably every library in the country.
Molly suddenly felt more at home—libraries were an antique dealer's best friend and she had spent countless hours in them over the years. A helpful clerk at the front desk quickly directed her and Nell to the fourth floor. A few minutes later they stepped out of the elevator and entered a room of books surrounded by glass walls.
The Billy Rose Collection was a small, quiet space done in the same 1960s architecture that characterized the whole Lincoln Center complex. Bookcases ran along one wall. Five long wooden tables with seats numbered from one to sixty filled the center of the room. A few researchers sat in red 1960s-style chairs. The only evidence that the room had anything to do with theater were a few models of stage sets in white lucite boxes on top of the card catalogues.
“We're looking for information about someone who appeared on Broadway a long time ago,” Molly explained to the librarian, a thin bearded man in his thirties. “Where should we start?”
Five minutes later Molly and Nell were in assigned seats perusing the spread for
Without Reservations
in the appropriate year's
Theatre World Annual.
It was as easy as that. The reference book was packed with information about the show, including the same cast list of eight actors as in the program Nell had found, plus three
more production photos. In each photo a young and beautiful Margaret Jellinek dressed in odd, old-fashioned clothes struck a different pose as various cast members looked on.
Tingling with excitement Molly read the brief description of the story:
The family of a dying girl keeps the seriousness of her illness a secret from her. When Linda Blake (Margaret Jellinek) learns the truth, she decides to spend her last days on a whirlwind tour of Europe rather than finish the promising symphony she has been composing. Her heartbroken fiancé (Tuck Wittington) and parents (Lillian St. Germaine, Arthur Page Anderson), try to talk her out of leaving, but it is only the noble sacrifice by her faithful cocker spaniel, Alexander The Great, that finally shows Linda the true meaning of life.
As she read further, however, Molly's excitement turned to disappointment.
Without Reservations
had previewed in Boston and tried out in New Haven and Philadelphia before opening in New York City at the Booth on Thanksgiving Day. It had closed that same Sunday, having played a total of five performances on Broadway.
“Well, you're bound to have some failures in a big Broadway career,” Molly whispered to her sister.

Other books

P is for Peril by Sue Grafton
Season of Second Chances by Brighton Walsh
Telling Tales by Charlotte Stein
Ghost Guard by J. Joseph Wright
Savage City by Sophia McDougall
My Sister's Grave by Robert Dugoni
Kept by Field, Elle
Eye for an Eye by Ben Coes
Power on Her Own by Judith Cutler