The Flying Goat (14 page)

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Authors: H.E. Bates

BOOK: The Flying Goat
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‘And now you're going to tell me,' I said, ‘that in due course the kid was born and it could fly from birth like a bird?'

It was, he said, and it could. The second day of its life it began to jump up in the air. Like a lamb, only higher. Then the third it jumped higher still. The fourth day it flew over its mother. Flew, not jumped. Then by the end of the week it was flying over fences. It flew over a row of kidney-beans in Jethro's garden. Inside a month it could fly over a haystack. It was a lovely white colour, and Jethro told me it was so light that you could hold it in your hand like a ball of cotton wool.

‘Then what?' I said.

Well, Jethro had another idea. It was through the Grace of God that I got the goat, he thought. The right thing to do is to devote it to the service of God in return. So he put it up to the Salvation
Army – told them how God had wrought a miracle for him, tried to make them see how this flying goat was proof of the power of prayer, asked them to come and see it for themselves. Up to that time he'd kept it secret. Now he wanted all the world to know about it. Well, they were very sniffy, the Salvation Armyists. It looked like sacrilege. The power of prayer and miracle was kept for serious things – healing, faith, help in time of trouble, sin and sorrow and so on. A flying goat looked a bit like taking a rise out of the Almighty. Well, they argued and disagreed and then argued again, but at last Jethro persuaded them. The Salvation Armyists gathered in a field behind Jethro's house and waited for the goat to fly. It didn't do anything. It didn't even lift its feet off the ground. Well, just what we thought, they said, just what we expected. The man has not only made fools of us but has taken the name of God in vain. We'll see about this, and they did, to the extent that Jethro never set foot in the Salvation Army hall again and never played the euphonium for them any more.

‘But still,' I said, ‘the goat could fly?'

Yes, he said, the goat could fly. It flew better
and better as it grew older and older. Jethro never trained it. Just fed it and it flew. The only thing Jethro used to do was whistle it home, and then when it came home it used to circle round and round like a homing pigeon. Well, soon after the Salvation Armyists turned him down Jethro had another idea. He decided to take the goat on tour. That's how he got in with the circus. At first, Jethro told me, they didn't believe him. Then when they saw that goat flying over a circus tent the circus folk went crazy. It was just the craziest thing ever seen in a circus. Better than man-eating lions, performing seals, dancing ponies and all that. Everybody had seen things like that, but nobody had ever seen a flying goat. It was a sensation. It went everywhere. Everywhere you went you saw the circus-bills about Jethro Watkins's flying goat.

‘It's funny I never heard of it,' I said.

Funny, he said, I should think it is funny. Everybody's heard of Jethro Watkins's flying goat. Everybody.

‘Except me,' I said. ‘Well, what happened then?'

Well, Jethro thought he could do better for himself than the circus. So he struck out on his own. And that began the real sensational stuff. You
know, flying off the top of the Tower at Blackpool and all that. You mean to say you never heard of that?

‘No,' I said, ‘I can't say I ever heard of it.'

It was in all the newspapers, he said. Pictures of it. Millions of people there. Don't you know what happened? A newspaper offered Jethro five thousand pounds if the goat would fly off the top of the Tower. Well, it flew off the top of the Tower and flew round over the sea for a few minutes and then settled on the pier. But that was nothing. You must have heard all about the time when it flew away from Belle Vue Manchester and was missing over the Pennines for a night and a day and then came flying home to Jethro's old home here as cool as you like? Why, he said, that was the biggest sensation of the lot.

‘I bet it was,' I said. ‘Now tell me it flew the Channel.'

Well, it did, he said, but that isn't what I was going to tell you about. I was going to tell you about the time it had kids.

‘Don't tell me they could fly,' I said.

One could, he said, but not the other. That was funny, wasn't it? One kid was black, and one was
white, and it was the white one that could fly. Jethro said it was marvellous. Better than the mother. The second day after it was born Jethro took it out and it flew twice round the church steeple. Well, if a goat could do that on the second day of its life, what was it going to do when it was a year old?

‘You tell me,' I said. ‘I don't know.'

Well, he said, that was the sad thing. Jethro died. He was always a fat chap and I think he must have got fatty heart or something. Anyway the day he got the young goat to loop the loop the excitement must have been too much for him. He dropped down dead.

‘The excitement,' I said, ‘would have been too much for anybody. What happened to the goats after Jethro died?'

Well, he said, that's another funny thing. Nobody seems to know.

‘They just flew away,' I said. ‘Is that it?'

Well, nobody knows, he said. There were a lot of goats sold at auction after Jethro was dead, but none of them could fly.

‘How many times did you see the flying goat?' I said. ‘I mean you, yourself.'

Well, he said.

‘Didn't you ever see it at all?'

Well, he said, to tell the truth I didn't. I heard all about it, but I never got the chance to see it.

‘Didn't you ever know anybody who saw it?' I said.

No, he said, I can't say I did. Not exactly.

‘Well,' I said, ‘didn't you ever know anybody who knew anybody who'd seen it?'

No, he said, if it comes to that, I didn't. Not exactly.

‘Then,' I said, ‘tell me who told you all about it?'

Jethro, he said.

I didn't say anything this time.

Don't you believe it? he said.

‘Oh! yes,' I said, ‘I believe it.'

After all, he said, it takes no more believing than the feeding of five thousand people with two loaves and five small fishes, does it?

‘Oh, no!' I said.

After all, he said, you can make yourself believe in anything if you want to, can't you?

‘Oh! yes!' I said.

Well, he said, it's been very nice. I think I'll be getting along.

‘No, you don't,' I said. ‘Wait a minute. Just sit down. It's my turn to tell you something. I'd like to tell you about my uncle Walter's musical pig. Now when I was a boy my uncle Walter had a pig that played the trombone. I don't mean it was a pig that played the trombone with the trombone. I mean it was a pig that played the trombone without a trombone. Now this pig had a litter – '

The Late Public Figure

The offices of the
Argus and Express
Printing Works, which printed and had printed for forty-five years
The Nulborough Weekly Argus and Express
, were in a state of excitement. The proprietor, founder and at one time editor of the paper, Mr. Charles Macauley Montague, a public figure in the town, had died suddenly in the night.

In the front office, which had been partitioned off from the printing rooms by a match-boarding partition, varnished yellow, the editor, Stacey, was beating the fist of first one hand, then another, then both, on the edge of the varnished roll-top desk. It was a hot day in August and the heat of weeks had burnt the walls against the fly-specked windows to soft blisters. Resin had long since oozed, for the same reason, out of the pine knots, to be boiled to reddish blisters which past summers had dried and cracked. The panels of thick ridged glass in the factory-type windows somehow let in the heat and then imprisoned it. The catches of the windows would not open and dust lay thick on the obsolete files and
unpinned lays of galleys, on the desks and window-sills, and on the ancient handle-type wall telephone. Across the ceiling a steel shafting ran and revolved, let in and out of the room by two holes cut in the match-board partition like holes in a fowl-house. Mysteriously propelled, bright as a silver pencil, this piece of machinery seemed the only up-to-date thing, and certainly the only clean thing, in the office, which smelled like a long shut book suddenly opened in a chapel-pew. The place had the air of some ill-managed dead letter office long behind the times, ill-conditioned, unprosperous and hopelessly lost. Yet for forty-five years, back to the week when the first file had been pinned up in 1892,
The Argus and Express
had been run at a profit. Stacey, the editor, knew all about this, had seen the books, and knew that Mr. Charles Macauley Montague would leave about, perhaps, fifty thousand pounds. What he did not know, beyond this, was anything very much about Mr. Montague himself. He realised that he did not know enough to write the obituary notice the occasion demanded.

‘I tell you I've got to know something about him! Don't you see?' He beat his fists on the edge of the table as he talked to Hanson, the works manager.
‘I want a special. An obituary number. I want to put his career in, his history – what he's done, what he's been! And all you can do is to stand there and say you don't know anything. To-day's Thursday and the deadline's to-morrow morning.'

‘You've been here as long as I have, Mr. Stacey. Six years.'

‘Yes, I know. But you've lived here. In the town. All your life.'

‘Yes, but – '

‘All right, all right.' Stacey took up a paper from the desk. He was a young man with very black hair and a pale yellow face, with the sun-tired oily eyes of someone who had spent too long, at one time, in the tropics. He had spent two years editing a paper in Madras, from where he had gone, for another three years, to Calcutta. Yet the heat of the
Argus
office seemed to him impossibly terrific, unbearable. The back-glaze from the shining yellow varnish hurt his eyes, kindling the fatigue behind them.

‘All right,' he said. ‘If you don't know anything perhaps you can check these facts. Say “No” if I'm wrong.' He began to read from the paper: ‘Aged 71, founded
Argus
in 1892, chairman Liberal Association 1906-14, elected Urban District Council
1919, chairman 1925, continued in council till death, vice-chairman League of Nations Union Local Branch 1925-30, Church Trustee Baptist Church 1920-32, sidesman similar period, president Local Temperance Reform Committee 1895-1914, active interest Moral Welfare 1920 onwards, active interest Young Men's Christian Association similar period, Carnegie Library Committee 1923-30, speaker and later chairman Pleasant Saturday Evenings commencing 1893, surrendered editorship of paper 1930.'

He ceased reading. The works manager did not speak. ‘Well, all correct?'

The works manager said yes, he thought it was all correct.

‘But that's just his activities,' Stacey said. ‘I want the
man
. The personality. You know anything about that? I mean about how he was educated, how he started? He wasn't married, was he? You know why he came here? What made him choose this dead-alive hole to start a paper in?'

‘No, Mr. Stacey, I don't.'

‘Is there anybody in the works who would know?'

The works manager thought a moment. ‘Rankin might. He started here as a boy. He – '

‘All right! Send Rankin up.'

While the works manager had gone Stacey took off his coat and with his fists tried hard to bang open a window, to let in some air. The windows seemed as if screwed down and would not budge. He sat down at the table in an ill-temper and turned over papers not seeing what he read.

Then the door opened and Rankin, a small man of sixty, foreman of the downstairs room, came in. He was a man who did not say much and was even then a long time saying it. His words were like a jumble of pins, which he had to sort out, and then stick in, slowly, but sharply, so that there should be no mistaking their point.

‘You knew Mr. Montague a long time?' Stacey said.

‘Longer,' Rankin said, and slowly he stuck in the pins of his words, his eyes slightly ironic behind his black-rimmed glasses, ‘than you'd think.'

‘What was his personal history? You know anything about his activities in this town besides his Liberal Association and church affairs – things like that?'

Rankin, thought, then spoke. ‘He was our landlord.'

‘What's that got to do with it?'

‘You know,' Rankin said, ‘where I live? In Lime Street?'

Stacey had a vision of small bay-windows, fern-decorated, in a little boulevard of limes.

‘Not trees,' Rankin said. ‘Just lime – ordinary lime. There was a pit there once, and then it petered out, and a man named Hobbs put up two rows of houses. Mr. Montague owned that property.

‘That's interesting, but – '

‘You ought to see our house. I go to dinner,' Rankin said, ‘at half-past twelve. Come in and have a look at us about one.'

Stacey said, without really meaning it, that he would go in. The slow careful speech of Rankin bored him a little. He wanted to open the door on the pretext of getting some air and so let the man out, but suddenly Rankin was talking again, rather faster.

‘You wouldn't remember,' he said, ‘the soldiers we had billeted on us during the war, would you? The first battalion Royal Welch. They came in 1915. December, just before Christmas. They marched here – marched thirty-five miles, and it rained and sleeted all the way, nine hours.'

‘Yes,' Stacey said, ‘but what has it got to do with Mr. Montague?'

‘I'm trying to tell you,' Rankin said, in his slow pin-pricking voice. ‘You ever seen soldiers after a nine-hour march in the rain? Them chaps couldn't have been wetter if they walked all day in rivers. We had three billeted on us – kids, about eighteen. And Mr. Montague and his sister had three. It upset my missus, seeing them boys. She rushed out and got mutton bones and had hot stew ready by the time they'd had a bath in the kitchen. Of course you wasn't supposed to do things like that for 'em. They'd got regulation rations, and all that. But you couldn't sit still and see kids starved through and not do a thing.'

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