The Feminine Mystique (9 page)

The growing boredom of women with the empty, narrow image of the women's magazines may be the most hopeful sign of the image's divorce from reality. But there are more violent symptoms on the part of women who are committed to that image. In 1960, the editors of a magazine specifically geared to the happy young housewife—or rather to the new young couples (the wives are not considered separate from their husbands and children)—ran an article asking, “Why Young Mothers Feel Trapped” (
Redbook
, September, 1960). As a promotion stunt, they invited young mothers with such a problem to write in the details, for $500. The editors were shocked to receive 24,000 replies. Can an image of woman be cut down to the point where it becomes itself a trap?

At one of the major women's magazines, a woman editor, sensing that American housewives might be desperately in need of something to enlarge their world, tried for some months to convince her male colleagues to introduce a few ideas outside the home into the magazine. “We decided against it,” the man who makes the final decisions said. “Women are so completely divorced from the world of ideas in their lives now, they couldn't take it.” Perhaps it is irrelevant to ask, who divorced them? Perhaps these Frankensteins no longer have the power to stop the feminine monster they have created.

I helped create this image. I have watched American women for fifteen years try to conform to it. But I can no longer deny my own knowledge of its terrible implications. It is not a harmless image. There may be no psychological terms for the harm it is doing. But what happens when women try to live according to an image that makes them deny their minds? What happens when women grow up in an image that makes them deny the reality of the changing world?

The material details of life, the daily burden of cooking and cleaning, of taking care of the physical needs of husband and children—these did indeed define a woman's world a century ago when Americans were pioneers, and the American frontier lay in conquering the land. But the women who went west with the wagon trains also shared the pioneering purpose. Now the American frontiers are of the mind, and of the spirit. Love and children and home are good, but they are not the whole world, even if most of the words now written for women pretend they are. Why should women accept this picture of a half-life, instead of a share in the whole of human destiny? Why should women try to make housework “something more,” instead of moving on the frontiers of their own time, as American women moved beside their husbands on the old frontiers?

A baked potato is not as big as the world, and vacuuming the living room floor—with or without makeup—is not work that takes enough thought or energy to challenge any woman's full capacity. Women are human beings, not stuffed dolls, not animals. Down through the ages man has known that he was set apart from other animals by his mind's power to have an idea, a vision, and shape the future to it. He shares a need for food and sex with other animals, but when he loves, he loves as a man, and when he discovers and creates and shapes a future different from his past, he is a man, a human being.

This is the real mystery: why did so many American women, with the ability and education to discover and create, go back home again, to look for “something more” in housework and rearing children? For, paradoxically, in the same fifteen years in which the spirited New Woman was replaced by the Happy Housewife, the boundaries of the human world have widened, the pace of world change has quickened, and the very nature of human reality has become increasingly free from biological and material necessity. Does the mystique keep American woman from growing with the world? Does it force her to deny reality, as a woman in a mental hospital must deny reality to believe she is a queen? Does it doom women to be displaced persons, if not virtual schizophrenics, in our complex, changing world?

It is more than a strange paradox that as all professions are finally open to women in America, “career woman” has become a dirty word; that as higher education becomes available to any woman with the capacity for it, education for women has become so suspect that more and more drop out of high school and college to marry and have babies; that as so many roles in modern society become theirs for the taking, women so insistently confine themselves to one role. Why, with the removal of all the legal, political, economic, and educational barriers that once kept woman from being man's equal, a person in her own right, an individual free to develop her own potential, should she accept this new image which insists she is not a person but a “woman,” by definition barred from the freedom of human existence and a voice in human destiny?

The feminine mystique is so powerful that women grow up no longer knowing that they have the desires and capacities the mystique forbids. But such a mystique does not fasten itself on a whole nation in a few short years, reversing the trends of a century, without cause. What gives the mystique its power? Why did women go home again?

3

The Crisis in Woman's Identity

I
discovered a strange thing, interviewing women of my own generation over the past ten years. When we were growing up, many of us could not see ourselves beyond the age of twenty-one. We had no image of our own future, of ourselves as women.

I remember the stillness of a spring afternoon on the Smith campus in 1942, when I came to a frightening dead end in my own vision of the future. A few days earlier, I had received a notice that I had won a graduate fellowship. During the congratulations, underneath my excitement, I felt a strange uneasiness; there was a question that I did not want to think about.

“Is this really what I want to be?” The question shut me off, cold and alone, from the girls talking and studying on the sunny hillside behind the college house. I thought I was going to be a psychologist. But if I wasn't sure, what did I want to be? I felt the future closing in—and I could not see myself in it at all. I had no image of myself, stretching beyond college. I had come at seventeen from a Midwestern town, an unsure girl; the wide horizons of the world and the life of the mind had been opened to me. I had begun to know who I was and what I wanted to do. I could not go back now. I could not go home again, to the life of my mother and the women of our town, bound to home, bridge, shopping, children, husband, charity, clothes. But now that the time had come to make my own future, to take the deciding step, I suddenly did not know what I wanted to be.

I took the fellowship, but the next spring, under the alien California sun of another campus, the question came again, and I could not put it out of my mind. I had won another fellowship that would have committed me to research for my doctorate, to a career as professional psychologist. “Is this really what I want to be?” The decision now truly terrified me. I lived in a terror of indecision for days, unable to think of anything else.

The question was not important, I told myself. No question was important to me that year but love. We walked in the Berkeley hills and a boy said: “Nothing can come of this, between us. I'll never win a fellowship like yours.” Did I think I would be choosing, irrevocably, the cold loneliness of that afternoon if I went on? I gave up the fellowship, in relief. But for years afterward, I could not read a word of the science that once I had thought of as my future life's work; the reminder of its loss was too painful.

I never could explain, hardly knew myself, why I gave up this career. I lived in the present, working on newspapers with no particular plan. I married, had children, lived according to the feminine mystique as a suburban housewife. But still the question haunted me. I could sense no purpose in my life, I could find no peace, until I finally faced it and worked out my own answer.

I discovered, talking to Smith seniors in 1959, that the question is no less terrifying to girls today. Only they answer it now in a way that my generation found, after half a lifetime, not to be an answer at all. These girls, mostly seniors, were sitting in the living room of the college house, having coffee. It was not too different from such an evening when I was a senior, except that many more of the girls wore rings on their left hands. I asked the ones around me what they planned to be. The engaged ones spoke of weddings, apartments, getting a job as a secretary while husband finished school. The others, after a hostile silence, gave vague answers about this job or that, graduate study, but no one had any real plans. A blonde with a ponytail asked me the next day if I had believed the things they had said. “None of it was true,” she told me. “We don't like to be asked what we want to do. None of us know. None of us even like to think about it. The ones who are going to be married right away are the lucky ones. They don't have to think about it.”

But I noticed that night that many of the engaged girls, sitting silently around the fire while I asked the others about jobs, had also seemed angry about something. “They don't want to think about not going on,” my ponytailed informant said. “They know they're not going to use their education. They'll be wives and mothers. You can say you're going to keep on reading and be interested in the community. But that's not the same. You won't really go on. It's a disappointment to know you're going to stop now, and not go on and use it.”

In counterpoint, I heard the words of a woman, fifteen years after she left college, a doctor's wife, mother of three, who said over coffee in her New England kitchen:

The tragedy was, nobody ever looked us in the eye and said you have to decide what you want to do with your life, besides being your husband's wife and children's mother. I never thought it through until I was thirty-six, and my husband was so busy with his practice that he couldn't entertain me every night. The three boys were in school all day. I kept on trying to have babies despite an Rh discrepancy. After two miscarriages, they said I must stop. I thought that my own growth and evolution were over. I always knew as a child that I was going to grow up and go to college, and then get married, and that's as far as a girl has to think. After that, your husband determines and fills your life. It wasn't until I got so lonely as the doctor's wife and kept screaming at the kids because they didn't fill my life that I realized I had to make my own life. I still had to decide what I wanted to be. I hadn't finished evolving at all. But it took me ten years to think it through.

The feminine mystique permits, even encourages, women to ignore the question of their identity. The mystique says they can answer the question “Who am I?” by saying “Tom's wife . . . Mary's mother.” But I don't think the mystique would have such power over American women if they did not fear to face this terrifying blank which makes them unable to see themselves after twenty-one. The truth is—and how long it has been true, I'm not sure, but it was true in my generation and it is true of girls growing up today—an American woman no longer has a private image to tell her who she is, or can be, or wants to be.

The public image, in the magazines and television commercials, is designed to sell washing machines, cake mixes, deodorants, detergents, rejuvenating face creams, hair tints. But the power of that image, on which companies spend millions of dollars for television time and ad space, comes from this: American women no longer know who they are. They are sorely in need of a new image to help them find their identity. As the motivational researchers keep telling the advertisers, American women are so unsure of who they should be that they look to this glossy public image to decide every detail of their lives. They look for the image they will no longer take from their mothers.

In my generation, many of us knew that we did not want to be like our mothers, even when we loved them. We could not help but see their disappointment. Did we understand, or only resent, the sadness, the emptiness, that made them hold too fast to us, try to live our lives, run our fathers' lives, spend their days shopping or yearning for things that never seemed to satisfy them, no matter how much money they cost? Strangely, many mothers who loved their daughters—and mine was one—did not want their daughters to grow up like them either. They knew we needed something more.

But even if they urged, insisted, fought to help us educate ourselves, even if they talked with yearning of careers that were not open to them, they could not give us an image of what we could be. They could only tell us that their lives were too empty, tied to home; that children, cooking, clothes, bridge, and charities were not enough. A mother might tell her daughter, spell it out, “Don't be just a housewife like me.” But that daughter, sensing that her mother was too frustrated to savor the love of her husband and children, might feel: “I will succeed where my mother failed, I will fulfill myself as a woman,” and never read the lesson of her mother's life.

Recently, interviewing high-school girls who had started out full of promise and talent, but suddenly stopped their education, I began to see new dimensions to the problem of feminine conformity. These girls, it seemed at first, were merely following the typical curve of feminine adjustment. Earlier interested in geology or poetry, they now were interested only in being popular; to get boys to like them, they had concluded, it was better to be like all the other girls. On closer examination, I found that these girls were so terrified of becoming like their mothers that they could not see themselves at all. They were afraid to grow up. They had to copy in identical detail the composite image of the popular girl—denying what was best in themselves out of fear of femininity as they saw it in their mothers. One of these girls, seventeen years old, told me:

I want so badly to feel like the other girls. I never get over this feeling of being a neophyte, not initiated. When I get up and have to cross a room, it's like I'm a beginner, or have some terrible affliction, and I'll never learn. I go to the local hangout after school and sit there for hours talking about clothes and hairdos and the twist, and I'm not that interested, so it's an effort. But I found out I could make them like me—just do what they do, dress like them, talk like them, not do things that are different. I guess I even started to make myself not different inside.

I used to write poetry. The guidance office says I have this creative ability and I should be at the top of the class and have a great future. But things like that aren't what you need to be popular. The important thing for a girl is to be popular.

Now I go out with boy after boy, and it's such an effort because I'm not myself with them. It makes you feel even more alone. And besides, I'm afraid of where it's going to lead. Pretty soon, all my differences will be smoothed out, and I'll be the kind of girl that could be a housewife.

I don't want to think of growing up. If I had children, I'd want them to stay the same age. If I had to watch them grow up, I'd see myself growing older, and I wouldn't want to. My mother says she can't sleep at night, she's sick with worry over what I might do. When I was little, she wouldn't let me cross the street alone, long after the other kids did.

I can't see myself as being married and having children. It's as if I wouldn't have any personality myself. My mother's like a rock that's been smoothed by the waves, like a void. She's put so much into her family that there's nothing left, and she resents us because she doesn't get enough in return. But sometimes it seems like there's nothing there. My mother doesn't serve any purpose except cleaning the house. She isn't happy, and she doesn't make my father happy. If she didn't care about us children at all, it would have the same effect as caring too much. It makes you want to do the opposite. I don't think it's really love. When I was little and I ran in all excited to tell her I'd learned how to stand on my head, she was never listening.

Lately, I look into the mirror, and I'm so afraid I'm going to look like my mother. It frightens me, to catch myself being like her in gestures or speech or anything. I'm not like her in so many ways, but if I'm like her in this one way, perhaps I'll turn out like my mother after all. And that terrifies me.

And so the seventeen-year-old was so afraid of being a woman like her mother that she turned her back on all the things in herself and all the opportunities that would have made her a different woman, to copy from the outside the “popular” girls. And finally, in panic at losing herself, she turned her back on her own popularity and defied the conventional good behavior that would have won her a college scholarship. For lack of an image that would help her grow up as a woman true to herself, she retreated into the beatnik vacuum.

Another girl, a college junior from South Carolina told me:

I don't want to be interested in a career I'll have to give up.

My mother wanted to be a newspaper reporter from the time she was twelve, and I've seen her frustration for twenty years. I don't want to be interested in world affairs. I don't want to be interested in anything beside my home and being a wonderful wife and mother. Maybe education is a liability. Even the brightest boys at home want just a sweet, pretty girl. Only sometimes I wonder how it would feel to be able to stretch and stretch and stretch, and learn all you want, and not have to hold yourself back.

Her mother, almost all our mothers, were housewives, though many had started or yearned for or regretted giving up careers. Whatever they told us, we, having eyes and ears and mind and heart, knew that their lives were somehow empty. We did not want to be like them, and yet what other model did we have?

The only other kind of women I knew, growing up, were the old-maid high-school teachers; the librarian; the one woman doctor in our town, who cut her hair like a man; and a few of my college professors. None of these women lived in the warm center of life as I had known it at home. Many had not married or had children. I dreaded being like them, even the ones who taught me truly to respect my own mind and use it, to feel that I had a part in the world. I never knew a woman, when I was growing up, who used her mind, played her own part in the world, and also loved, and had children.

I think that this has been the unknown heart of woman's problem in America for a long time, this lack of a private image. Public images that defy reason and have very little to do with women themselves have had the power to shape too much of their lives. These images would not have such power, if women were not suffering a crisis of identity.

The strange, terrifying jumping-off point that American women reach—at eighteen, twenty-one, twenty-five, forty-one—has been noticed for many years by sociologists, psychologists, analysts, educators. But I think it has not been understood for what it is. It has been called a “discontinuity” in cultural conditioning; it has been called woman's “role crisis.” It has been blamed on the education which made American girls grow up feeling free and equal to boys—playing baseball, riding bicycles, conquering geometry and college boards, going away to college, going out in the world to get a job, living alone in an apartment in New York or Chicago or San Francisco, testing and discovering their own powers in the world. All this gave girls the feeling they could be and do whatever they wanted to, with the same freedom as boys, the critics said. It did not prepare them for their role as women. The crisis comes when they are forced to adjust to this role. Today's high rate of emotional distress and breakdown among women in their twenties and thirties is usually attributed to this “role crisis.” If girls were educated for their role as women, they would not suffer this crisis, the adjusters say.