The Fallen Angel (39 page)

‘The evidence,’ he began.

‘What evidence? I’ve slapped you in the face twice now. I’m not proud of that, if I’m honest. But are you surprised?’

‘I have a job to do,’ he insisted.

‘What you resolutely fail to appreciate,’ she went on, ‘is that I still do not believe any of these things. I knew my husband. I knew Joanne Van Doren. They were friends,
acquaintances. Nothing more.’ She hesitated, then said, ‘My husband was very ill. He had been for some time. Sex wasn’t easy for him, not without a little help.’

She stared at the tower of the Casina delle Civette rising from the lawn, checking to make sure that her daughter wasn’t at the window, Falcone assumed.

‘There,’ Cecilia Gabriel added. ‘You have an intimate confession. I trust it pleases you. Whatever your photographs say I find it impossible to believe that Malise was engaging
in some squalid tryst with Joanne.’

Yet Falcone remembered well the moment he’d suggested this.

‘You turned on your own daughter and asked her if it was true,’ he pointed out.

‘I did. I was being an idiotic mother. Mina’s a secretive girl sometimes. The way she doesn’t look you in the eye. I don’t know. It’s probably me. Probably what any
mother feels. Left out.’

She turned and stared at him intensely.

‘I don’t believe for one moment Malise abused Mina in any way. It’s impossible. He could be a difficult man. An argumentative one. He had a terrible temper. But he was
incapable of cruelty. The very thought of it appalled him. He loved her. He loved all of us. He adored Robert above all others, I think, because he was the most difficult of all to love. And now
you’re telling me he was some kind of a monster, and that Mina and Robert conspired to kill him.’

Grimaldi leaned forward and peered into her eyes.

‘Signora Gabriel,’ he said. ‘You must understand. It will be difficult for me to end this case without some answers to these very real questions.’

‘Answers?’ she interrupted. ‘Very well. Malise printed that first photograph of me from an older picture that was fading. He said he wanted to keep me that way. The way I was
when I was eighteen or so.’

Her fingers toyed nervously with a twig of sprawling oleander falling over the back of the bench.

‘The words on it, “
E pur si muove
” – I wrote them. You know where they come from already.’ Her eyes fell briefly on the tower again. ‘Galileo. You know
the circumstances. It was Galileo’s way of saying, “This I still believe, in spite of all the violence and pain you may bring to bear.”’

Her eyes were glassy. She wiped them carefully with a tissue from her sleeve.

‘That was the name of the project he was working on for Bernard. It upset him for some reason. He wouldn’t tell me why. These last few months . . . I sometimes felt I hardly knew
him. I hated seeing him depressed. The night before he died I found him rereading his own book, using that photograph as a bookmark. I wrote those words on the back of that picture. It was my way
of saying the same thing as Galileo. In spite of all the pain and heartache, in spite of the fact Malise was very ill, this I still believed. That I loved him and he loved me.’

She took a deep breath and then looked at each man in turn.

‘A few weeks ago Malise told me that he’d given up on the treatment for his cancer. I knew already, I think, in my own heart. It was written in his face. The way he acted. The
sadness. What little money we had was gone, which was what troubled him more than anything. The idea he would leave us alone, to fend for ourselves. He had a few months left, perhaps less. At some
stage he would have to enter some kind of charity hospice. He wanted to spend his last few weeks rereading his own book, pointing out all the errors, all the statements he wanted to correct, to
improve, to expand, and never would. He hoped I could sell it after his death.’ She smiled. ‘A ridiculous idea, of course, not that I told him so. All I wanted to say to him was that he
was loved and always would be.’

‘You could have told us that in the beginning,’ Falcone pointed out.

‘I could,’ she said with a smile. ‘But I thought it was none of your bloody business, Inspector. And I was right.’

Grimaldi shrugged and said with a wry smile, ‘Signora, the bookmark is not a piece of evidence that concerns us any more.’

‘Shouldn’t it?’ she asked. ‘Doesn’t it tell you something? What do you want of me? Ask. If it will bring this to an end . . .’

‘There were photographs taken in your daughter’s room,’ Falcone went on. ‘Evidence of sexual activity.’

‘Not Malise,’ she insisted. ‘That’s impossible. Mina’s seventeen. I don’t own her. I never did. Besides, when they’re that age these days . . .’
She laughed at herself, lightly, briefly. ‘Who am I fooling? I was sleeping with Malise when I wasn’t much older. Everything happens so quickly. One moment you feel this life will never
end. The next it’s running through your fingers like dust.’

The two men glanced at one another. This had to be said. Falcone wanted the words to come from Grimaldi.

‘We need your daughter to make some kind of statement,’ the lawyer told her. ‘It will never be made public. But the evidence that exists requires some kind of
clarification.’

Cecilia Gabriel shook her head and stared at them.

‘You still believe my son and daughter conspired to murder their own father, don’t you? That this Beatrice Cenci nonsense in all the papers is true?’

‘Your daughter knew all about the Cenci girl,’ Falcone reminded her.

‘That was for Joanne! Nothing else. Some childish fantasy, perhaps. Mina’s a dreamy girl, not quite one thing or the other. It’s impossible.’

‘Signora Gabriel,’ Grimaldi interrupted. ‘We cannot sit here arguing forever. The fact is this. If your daughter is willing to tell us the truth, and it’s a truth I can
bury, then I shall do so. If, for instance, she confirms the abuse by her father . . .’

She swore, an English word, a common one.

‘If she does this,’ Grimaldi went on, ‘and says, merely, that she passed on this building information to Robert because he asked for it, that she knew nothing of any
conspiracy, well . . .’

He watched her wringing her hands, waiting for the woman to calm down.

‘Then,’ he went on, ‘we’re finished here. I can write honestly that this is a family tragedy with an unfortunate conclusion. One with several victims. One that should not
waste the time of the courts, since the principal perpetrator, Robert, is now dead.’

‘You’re asking her to tell a lie! To make out her own father was some kind of animal!’

They waited for a moment.

‘We can only help the living,’ Toni Grimaldi said eventually. ‘I don’t know if you honestly believe Mina has told you the truth. From what you say, I suspect not.
Understand me, please. We’re not here for her confession. We’re here to beg her for sufficient information to allow us to declare this case closed in spite of the evidence that exists.
Surely you understand it would be better, for you and for her, that this bleak episode is laid to rest? A brief conversation is all I ask. Just us, you, your daughter. No lawyers, no friends. No
notes, no . . . commitments. Simply something I may use as a justification to end this once and for all.’

‘Even if it’s a lie?’ she asked.

Grimaldi didn’t answer. Falcone found himself looking into Cecilia Gabriel’s clear blue eyes and admiring what he saw there. This woman wished to protect her daughter more than
anything. As an individual he was deeply uncomfortable with the relentless bonds of family, the ties of closeness, which so often seemed unbreakable, resolute. From time to time Falcone had
privately wondered what kind of parent he would have made. A bad one, surely, willing to abandon a wayward child in the end. In Cecilia Gabriel’s stiff and determined face he saw something he
could never possess: a fiery sense of protective loyalty, whatever the circumstances. In terms of the law this was awkward and problematic. Yet it seemed to him that there was, in such blind,
unthinking devotion, a degree of decency and love that no law, no court, no sentence could possibly deliver. It was a private judgement, and one he would never commit to paper, but he was now
convinced that no good would come of dragging any of these people into court if that eventuality could be avoided.

‘Even if you feel it’s a lie,’ he responded. ‘It’s of no consequence. We cannot ignore the evidence we have. If Mina will give us reason to tell our own superiors
that there is insufficient material to continue with the investigation . . .’

He waited for her reaction.

Cecilia Gabriel stared at him candidly.

‘I’m rather sorry I slapped you, Inspector,’ she said. ‘We’ve all got a temper in this family unfortunately. Except Mina, of course.’

‘I’ve had much worse,’ he confessed, and found himself wondering if he would encounter this woman again. Some time beyond the black mist of mourning and despair that had hung
around her on every occasion they’d met, and would stay there until the moment Toni Grimaldi caused the fog to lift.

‘I imagine you have.’

She then did something which struck Falcone as curiously English. Cecilia Gabriel clapped them both simultaneously on the knee, palms down, like some schoolmistress from a period movie who had
come to some momentous decision.

‘I’ll ask Mina to talk to you,’ she declared, standing up, stretching, a long, lean athletic figure under the sun. ‘Just us. But I warn you now. I doubt she’ll
agree to some convenient fabrication. Not even to save herself.’

They were back in the squad room. Costa stood behind one of the intelligence officers working a couple of huge computer screens simultaneously. Teresa and Silvio Di Capua were
with him, liaising with forensic on the phone. Peroni was calling the UK, trying to locate Malise Gabriel’s brother. Finally, Costa thought, they might be on the brink of finding a way into
this case.

The young woman officer on the desk had just come off the phone to Scotland Yard. She looked at them and said, ‘There’s no one called Julian Urquhart at the address where the bike
was registered. The police in London say they went back two months after the theft was reported. The apartment was rented to someone else. The new people didn’t know anything about the
previous occupant. There was no mail, no forwarding address.’

‘Why would someone with a false identity want an expensive new motorbike?’ Costa demanded.

She peered at the screen. Emails kept coming in almost by the second.

‘A crook with money doesn’t steal any old junk off the street. You buy something new under a false ID then fake a theft to get it off the register. Take it abroad. Use it without
running the risk of getting stopped for driving something hot. Also . . .’ She tugged at her short dark hair. ‘Crooks are normal too. They like nice cars. Nice bikes. You can do things
to them. Tweak the engine. Build some compartment for explosives or guns or dope.’

Silvio Di Capua brightened.

‘We found cocaine in the frame.’

‘We know the bike’s supposed to have come from a drugs gang,’ Costa said. ‘Where’s the surprise there?’ He stared at the screen, trying to think.
‘We’re back on the same assumptions again. I hate that. Give me some different ones.’

Teresa Lupo got the idea straight away.

‘The photos in the basement were taken to incriminate or embarrass Malise Gabriel.’

‘Good,’ Costa told her. ‘I like that. But why? He didn’t have any money. He didn’t have anything. He was dying.’

‘The photos from the bedroom are real,’ said Di Capua, ignoring the question. ‘He’s our man.’

‘So who is he?’ Costa wondered, not expecting an answer.

Di Capua’s face was a picture of exasperation.

‘Give us time, Nic! I told you. We’ll get there.’

‘Why is it,’ Costa asked, ‘that I don’t think we’ve got time? We appear to be dealing with someone who can steal a Ducati in a different country and bring it into
Italy without a soul noticing. Falsify photographs, force a man like Malise Gabriel into sexual situations, possibly against his will. Murder two people, one a kid, one a cop, in the street and
disappear afterwards. Do you think he’s waiting around for us to knock on the door?’

They went quiet. This was not Costa’s normal, calm tone.

‘No,’ he went on. ‘Forget that question. Let me offer another assumption. Someone’s trying to put Mina Gabriel in the frame for her father’s death. Take another
step. If they’re trying to do that, aren’t they trying to set up her brother too? Easiest way in the world to cover a crime. Blame it on a dead man.’

‘His sister can still talk,’ Teresa added.

‘Except she’s too scared and has been all along.’

Ever since that night in the Via Beatrice Cenci, he thought. For any number of reasons. Fear. Shame. Something else. A terrified silence that would always, in the end, come to be interpreted as
complicity.

‘I still don’t understand. Why do any of this?’ he asked suddenly. ‘If it’s not for money . . .’

‘For the girl?’ Di Capua suggested.

Costa shook his head.

‘If you’ve got this kind of money and control you surely don’t need to go to all this trouble for a seventeen-year-old kid.’ He tried another tack. ‘What about the
Italian connection? Gabriel’s grandmother? She was called Wilhelmina something?’

‘Wilhelmina something doesn’t really help,’ the woman at the keyboard told him. ‘I’ve got someone trying to track back from the British births and deaths records to
ours. It’s going to take a while.’

‘Is there anything that doesn’t take a while?’

‘
Sovrintendente
,’ Teresa Lupo said firmly. ‘We’re all doing our best.’

‘I know that. But why didn’t we see this till now? Why?’

He knew the answer already: they thought they understood what this case was about. Beatrice Cenci brought back to life. Brute incest leading to murder. Even he’d begun to believe there was
something in that story after a while.

The intelligence officer was still hammering the keyboard.

‘What are you looking for now?’ Costa asked.