Authors: John Joseph Adams
Tags: #Science Fiction, #Anthologies, #Fantasy
I nodded and half-smiled, to show that I knew what he meant, but really I didn’t think I would be that surprised.
I thought about the oar that had gotten away from me, floating downriver toward freedom, as fast as it could go. Where would it end up?
Ricky said I shouldn’t worry about a repeat of what happened last time. We were both older and more experienced, and he’d gotten smarter since then. But the thing was, he said, people were still in shock — almost like little children, right now. And they needed their cartoony entertainment to keep their minds off things. So here was the deal: he would get us resources — resources like we couldn’t imagine, like our wildest dreams were this tablecloth and the actuality was up there on the ceiling. And in return, we would just portray authority in a kind way. Nothing too heavy, like everyone wearing the bandana or any army uniforms or anything. Just occasionally we see that the militia and Army are trustworthy, and the people in charge have everyone’s best interests at heart, etc. Most of the time, we’d have a free hand.
I had to get up and go wash my hands so I could type on Ricky’s laptop. I didn’t want to get his keyboard greasy. Then it took me a minute to hunt and peck:
“sally wont go for it she thinks you killed her boyfriend which duh you did.”
I swiveled it around before I could think twice about what I’d just typed.
Ricky’s eyes narrowed. He looked up at me, and for a moment he was the legbreaker again. I thought he was going to lunge across the booth and throttle me. Then he typed:
“the robot guy?”
I nodded.
“that was a situation. its complicated, and many people were to blame.”
I tried really really hard not to have any expression on my face, as if it didn’t matter to me one way or the other. I ran out of hamburger, so I ate my fries slow, skinning them and then nibbling at the mashed potatoes inside. Everything smelled meaty.
“tell u what, just dont tell sally im involved,”
Ricky typed.
“just tell her the government wants 2 support your work.”
It was easy for me to agree to that, because I knew my face was a giant cartoon emoticon as far as Sally was concerned, and she would know within seconds that I was hiding something.
Ricky didn’t threaten to break parts of us if we didn’t go along with his plan, but he didn’t need to, and he only made some gauzy promises about payment. He did say he could get me some rowing lessons.
• • • •
It took me two hours to find Sally. I almost texted her, but I had a bad feeling about my cell phone.
She was in a group of film students building a giant ramp that looked as if they were going to roll a mail cart into a snowbank. She saw me and then turned away to watch her pals slamming boards together. I nudged her, but she just ignored me. I remembered she’d said something about this movie they wanted to make about a guy who works in the mailroom and discovers a hidden doorway that leads to Hell’s interoffice mail system, and he has to deliver a bunch of letters to demons before he can get out. High fuckin’ concept. Anyway, she was pissed that I’d been blowing her off for weeks, so now I couldn’t get her attention.
Finally, I wrote just the name
“ricky a”
on my cell and shoved it in front of her without pressing send. Her eyes widened, and she made to text me back, but I stopped her. I grabbed a pad and a pen and wrote down the whole story for her, including the signs in Harvard Square. She shook her head a lot, then bit her lip. She thought I was exaggerating, but the guy who’d seen the signs showed up and confirmed that part.
“We’re so small time,” she wrote in neat cursive under my scrawls. “Why would Ricky care?”
Under that, I wrote: “1. He remembers us from hi skool, unfinished biz. 2. He likes us and wants to own us. 3. He hates us and wants to destroy us. 4. those guys are scared of losing their grip & they think we can help.”
It was a cold day, and I’d gotten kind of wet trying to escape in a Harvard boat, plus the sun was going down, so I started to shiver out there on the lawn in front of BU. Some students were straggling back in, just like at Harvard, and they stared at the set, abandoned half-finished against one wall. Sally gestured for her gang to get the ramp to Hell’s mailroom back into storage.
We piled ourselves into the back of the equipment van, with Zapp Stillman driving, and headed for the Turnpike, because the sooner we got out of town the better.
We got about half a mile before we hit the first checkpoint. There were soldiers with big dragonfly helmets standing in front of humvees, blocking off most of the lanes of Storrow Drive, and between the soldiers and the swiveling cameras on stalks, there was no way you would get past their makeshift barricades. They were checking everybody coming in and out of the city, and a hundred yards past them stood an exoskeleton thingy, or a mecha or whatever they call it, with thighs like Buicks and feet like dumpsters. I couldn’t really see its top half from my hiding place in the back of the van, but I imagined piston elbows and some kind of skull face. The kind of people who built a mech like this would not be able to resist having a skull face. My brother Holman had probably piloted one of these things in Central Asia or Central Eurasia, someplace Central. The pilots of these things had a high rate of going A.U.T.U., because of all the neural strain. This one wasn’t moving, but it was cranked up and operational because you could see the ground shivering around it, and there were fresh kills nearby: Cars still smoking, a few unlucky bodies.
Our van turned onto a side street as fast as possible, and we swerved back toward Boston University. By the time we got back there, Janelle had found some forum posts about the cordoning off of several major cities. It was part of a sweep to round up certain radical elements that threatened the shaky order: you had the red bandanas inside the cities, and the army outside.
We were still in the van, parked on a side street just off Dummer St., sheltered by a giant sad oak that leaned almost to the ground on one side. You could put a tire swing on that oak and swing underground and maybe there would be mole people. Mole people would be awesome, especially if they had their own dance routine, which I just figured they probably would because what else would you be doing stuck underground all the time?
I wasn’t sure if we should get out of the van, or if someone would spot us, but Sally went ahead and climbed out, and Janelle followed. I got out and stood on the sidewalk, shrugging in a sad ragdoll way. Sally stomped her foot and gritted her teeth. She tried some sign language on me, and I got the gist that she was saying we were trapped — every way out of the city would be the same thing. I just looked at her, waiting for her to say what we were going to do, and she looked weary but also pissed. This not-talking thing meant you really had to watch people, and maybe you could see people more clearly when you couldn’t hear them.
I studied Sally. She had the twitch in her forearms that usually meant she was about to throw something. She had the neck tendon that meant she was about to yell at someone, if yelling were still a thing that happened. Her mouse-brown hair was a beautiful mess bursting free of her scrunchie, her face so furious it circled back around to calm. Biting her tongue, the better to spit blood.
She wrote on her phone:
“the army outside + red bandanas inside. occupation. city is screwed. we r screwed. trapped.”
She erased it without hitting send.
I took the phone and wrote:
“red bandanas + army = opportunity.”
She just stared at me. I didn’t even know what I had in mind yet. This was the part of the conversation where I would normally start spitballing and suggesting that we get a hundred people in koala costumes and send them running down the street while someone else dropped hallucinogenic water balloons from a hang glider. But I couldn’t spitball as fast with my thumbs.
I paused and thought about Ricky, and the other bandanas I’d met, and how they were so desperate to be someone’s hero that they were even willing to ask someone like me for help representing them. I thought about Holman, and how much he looked down on civilians, even before he got the A.N.V.I.L. socket in his skull. I thought about how Ricky and his guys had engineered a clusterfuck at that peace protest, making the cops think the protestors were shooting at them so the cops shot back. I thought about how the bandanas weren’t leaving the city, and the army wasn’t coming in.
“i think I have a bad idea,”
I wrote.
• • • •
All my life, there had been a giant empty space, a huge existential void that had needed to be filled by something, and I had never realized that that thing was the Oscar Meyer Wienermobile.
With its sleek red hot-dog battering ram surrounded by a fluffy bun, it was like the Space Battleship Yamato made of bread and pork, made of metal. This MIT student named Matt had been suping it up with a high-performance electric engine and all-terrain wheels, just saving it for the right occasion. And somehow, Janelle had convinced Matt that our little adventure was it.
The tires were the perfect mud color to match the lower part of the chassis, which Matt had rescued from a scrapyard in Burlington. The chassis had a tip as red and round as a clown’s nose on either side of the long, sleek body. This baby had crisscrossed the country before I was born, proclaiming the pure love of Ballpark Franks to anyone with half an eye. Just staring at it made me hungry in my soul.
All around us, Sally’s film-student minions were doing engine checks and sewing parachutes and painting faces onto boomerangs and inflating sex-dolls and making pies for the pie-throwing machine. The usual, in other words. I felt an emotion I’d never felt before in my life, and I didn’t know how to label it at first. Sort of like excitement, sort of like regret — but it wasn’t either of those things. It was lodged down where I always pictured my spine and my colon shaking hands. I finally realized: I was afraid.
People had told me about fear, but I had never quite believed it existed in real life. I watched Zapp Stillman blowing up a blow-up doll, and something wobbled inside me. I had felt guilt and self-loathing, especially after Reginald, but now I felt worry-fear. Zapp saw me looking at him and gave me a cocky little nod. I nodded back.
Sally was busy studying a big road map with Janelle, charting the escape route and where we were all going to rendezvous if we made it out of town. Sally had taken my vague arm-wheeling notion and turned it into an actual plan, which would let us escape to the Concorde Turnpike and make for Walden Pond, that place where Henry David Thoreau had built a comedy waterslide two hundred years ago. And then maybe head west. Find a quiet place (so to speak) to wait things out. Sally handed her magic marker off to Janelle and came over to stand with me.
“What changed your mind,” she wrote in ballpoint on a pad, “about doing more stunts? You were ready to quit, before.”
I took the pad and pen. Chewed the cap. Wrote: “Ricky won’t leave us alone. We gotta blow town and this is the only way. Plus this is different than just making another weird movie. If this works, maybe we ruin the red bandanas’ day. Maybe we ruin their whole week even. PAYBACK.” That last word, I underlined three times. Sally took the pen back from me and drew little stars and hearts and rainbows and smiley faces around it, until it was the most decorated “PAYBACK” you’ve ever seen.
One of our lookouts shone a flashlight, and Janelle nodded, and Sally and I got stuffed into a little cubby under the floorboards with no light and almost no air, with all the cameras and filming equipment on top of us. We were scrunched together, so her knee was in my face and my left arm dug into her side. Every few moments, the floor over us shuddered, like someone was knocking things around. Sally shivered and twitched, so I gripped her tighter. I was starting to freak out from the lack of light and air and entertainment options, but just as I was ready to wobble myself silly, Janelle and Thor (Scottie?) lifted the lid off and pulled us out.
• • • •
So.
Ballpark Figure
was the last movie we ever made, and it was probably one of the last movies anybody ever made. It was a mixture of fiction, reality and improv, which Zapp Stillman said was pleasingly meta — we were counting on the bandanas and the army to play themselves in the story, but I was playing a fictional character, and so were Janelle and Zapp. My character was Horace Burton, the last baseball fan on Earth who had been heartbroken since the MLB shutdown and who was driving his giant hot dog vehicle to try and find the world’s greatest baseball players, in a
Field of Dreams
-with-lunch-meat kind of thing. Janelle was a former hot dog mascot who had turned Vegan but still wanted to keep dressing up as a hot dog, now just a meatless hot dog. And Zapp was some kind of coach. We filmed a sequence of the three of us piling into our hot dog car with some animated cue-card exposition, and posted it online with minimal editing, as a kind of prequel to the actual movie, which we promised would be posted live and streaming, right as it happened, on our video tumble.
By the time we were ready to leave town, an hour before dawn, the
Ballpark Figure
prologue had been up for a few hours, and we had a few thousand people refreshing our vumble over and over. I had slept a few hours, but Sally hadn’t slept at all and Janelle was guzzling really terrible coffee. Sally wasn’t going to be in the hot dog, she was going to be one of the people filming the action from — I hoped — a safe distance, using Matt’s remote-controlled camera drones, which I had insisted on. If nothing else came of this but Sally getting somewhere safe where she could start over, I could count that the biggest win ever.
As we rolled into the middle of the street and cranked the hot dog up to its maximum speed of fifty miles per hour, I had time as I clambered out onto the outermost front reaches of the metal bun to obsess over the contradiction between Horace Burton and myself. Horace’s goal, in this movie, was to take his hot dog out onto the open road and find the lost spirit of baseball. Horace didn’t want any trouble — but I, meanwhile, had no goal
other than
trouble, and (if I were being honest) no plans after today.