The Enchantress of Florence (19 page)

Now Prince Salim’s reasons for his alliance with Badauni were entirely adolescent; he sided with Abul Fazl’s adversary because Abul Fazl was his father’s close confidant. Puritanism was not his style, for he was a sybarite whose capacities would have horrified Badauni had the thin man been allowed to know of them. Salim was therefore unimpressed by Badauni’s theory that the emperor had somehow raised a demon of lust from Hell. He disliked Vespucci because, as patron of the House of Skanda, the foreigner was the only man permitted the freedom of Madame Skeleton’s person; and in spite of the increasingly frenzied ministrations of Lady Man Bai the Crown Prince’s yen for Mohini had only increased with the passage of time. “I am the next king,” he told himself furiously, “and yet that arrogant pleasure-house denies me the woman I require.” As for Lady Man Bai, her fury on learning that her fiancé was still desperate to fuck her former slave was very great. It merged with her resentment of the dream-princess that Vespucci had sneakily inserted into the dreams of everyone she knew, and formed an ugly suppurating boil on her psyche, which needed, somehow, probably violently, to be lanced.

When Salim next deigned to visit her she put on her most alluring manner and held grapes between her teeth for him to remove with his tongue. “If this Mogor persuades the emperor of his parentage,” she murmured to her beloved, “or if, which is more likely, the emperor pretends to believe him for reasons of his own, do you understand the consequences, my love, the complex and dangerous consequences for yourself?” Prince Salim usually needed other people to work out things like complex consequences on his behalf, so he asked her to spell them out. “Don’t you see, O King of Hindustan in waiting,” she purred, “that it would permit your father to say that another’s claim to the throne was better than yours? And even if that proves too far-fetched to believe, what if he decides to adopt that sycophant as his son? Does the throne no longer matter to you, or will you fight for it, my dearest? As the woman who wants nothing more than to be your queen, I would be sorry to learn that you were not a king in the making but only a spineless bug.”

Even those closest to the emperor had growing reservations and suspicions, about Mogor dell’Amore’s presence and true purposes at court. The queen mother Hamida Bano thought him an agent of the infidel West, sent to confuse and weaken their holy kingdom. In the opinion of both Birbal and Abul Fazl he was almost certainly a scoundrel, probably on the run from some dreadful deed back home, a confidence man needing to worm his way into a new life because the old one had ceased to be viable. Maybe he faced being burned to death, or hanged, or drawn and quartered, or at the very least tortured and jailed if he returned whence he came. “We should not be the innocent, gullible Easterners he takes us for,” said Abul Fazl. “In the matter of the death of Lord Hauksbank, for example, I have never ceased to be convinced of his guilt.” Birbal’s concern was for the emperor himself. “I do not think he means you any harm,” he said, “but he has woven a spell around you that may do you harm in the end, by distracting you from the great matters that should be your proper concern.”

The emperor was unconvinced, and inclined to be compassionate. “He is a homeless man looking for a place in the world,” he told them. “Down the hill at the House of Skanda he has created a kind of domesticity in a house of pleasure and made a sort of wife of a skeletal whore. How hungry for love he must be! Loneliness is the wanderer’s fate; he is a stranger wherever he goes, existing only through the power of his own will. When did a woman last praise him and call him her own? When did he last feel cherished, or worthy, or valuable? When a man is not yearned for there is a thing in him that begins to die. Optimism fades, our wise Birbal. Abul Fazl, our cautious protector, a man’s strength is not inexhaustible. A man needs other men to turn toward him by day and a woman to fold herself into his arms by night. We think he has not had such nourishment for a long time, our Mogor. There is a light in him that was almost extinguished when we met him, but it grows stronger by the day in our company, or in hers, the little Skeleton, Mohini. Maybe she is saving his life. It is true we do not know what that life has been. His name, Father Acquaviva told us, is illustrious in his own city, but if so then he has been excluded from its protection. Who knows why he was cast out? We find that we enjoy him and do not care, for the present, to unravel his mysteries. Maybe he has been a criminal, maybe even a murderer, we cannot say. What we know is that he has crossed the world to leave one story behind and to tell another, that the story he has brought us is his only baggage, and that his deepest desire is the same as poor vanished Dashwanth’s—that is, he wants to step into the tale he is telling and begin a new life inside it. In short, he is a creature of fables, and a good
afsanah
never did anybody any real damage.”

“Sire, I hope we do not live to learn the folly of that remark,” Birbal gravely replied.

The reputation of the late Khanzada Begum, elder sibling of the hidden princess, deteriorated as the city’s infatuation with her younger sister increased. That grand lady, who had become a heroine of the court of Akbar’s grandfather Babar when she returned home in triumph after her years of captivity with Shaibani Khan, and who had subsequently become a potent force in the Mughal household, consulted on all matters of state, now became, instead, the archetype of all cruel sisters, and her name, once so much revered, became an insult women flung at each other in anger when they wanted to make accusations of vanity, jealousy, pettiness, or betrayal. Many people began to harbor the belief that it was her treatment at the hands of Khanzada, as much as her infatuation with a foreign pasha, that had pushed the hidden princess away from her family, a choice that had led down enigmatic, unknown roads toward utter obscurity. As time went by the public mood of revulsion against the “wicked sister” began to have a more worrying consequence. Something quarrelsome rose out of the story, a green stenchy wisp of discord floated up out of the tale and infected the women of Sikri, so that reports began to reach the palace of bitter quarrels between previously loving sisters, suspicions and accusations, irreparable breaches and bitter estrangements, cat-fights and even knife-fights, the bubbling up of dislikes and resentments of which the women in question had barely been aware until the unmasking of Khanzada Begum by the foreigner with the yellow hair. Then the trouble spread more generally until it affected first cousins, then more distant relations, and finally all females, whether related or not; and even in the harem of the emperor the hubbub of enmity rose to unprecedented and wholly unacceptable levels.

“Women have always moaned about men,” Birbal said, “but it turns out that their deepest complaints are reserved for one another, because while they expect men to be fickle, treacherous, and weak, they judge their own sex by higher standards, they expect more from their own sex—loyalty, understanding, trustworthiness, love—and apparently they have all collectively decided that those expectations were misplaced.” Abul Fazl, with a sardonic edge to his voice, additionally remarked that the king’s belief in the alleged harmlessness of stories was becoming a more embattled position to defend. All three men, the courtiers and the king, knew that the war of the women was impossible for men to end. The queen mother Hamida Bano and old Princess Gulbadan were summoned to the Place of Dreams. They arrived jostling and shoving each other, each old lady complaining loudly of the secret perfidy of the other, and it became evident that the crisis had run out of control.

One of the few places in Sikri that remained immune to the phenomenon was the House of Skanda, and finally the Skeleton and Mattress marched up the hill and demanded an audience with the emperor, insisting that they had the solution to the problem. Self-preservation was their powerful motive for this outrageous act. “We have to do something,” the Skeleton had whispered to Mogor in bed at night, “otherwise five minutes from now somebody will decide that this whole commotion is your fault and then we’ll all be done for.” The emperor was both amused enough by the whores’ daring and worried enough about the situation to grant their request for an audience and summoned them to the edge of the Best of All Possible Pools. He sat in cushioned comfort on the
takht
in the middle of the pool and told the courtesans to get on with it. “
Jahanpanah,
Shelter of the World,” said the Skeleton, “you have to order all the women in Sikri to take all their clothes off.” The emperor sat up. This was interesting. “
All
their clothes?” he asked, just to make sure he had heard correctly. “Every stitch,” said the Mattress in deadly earnest. “Underwear, socks, even the ribbons in their hair. Let them walk around the city stark naked for one day and you’ll have no more of this nonsense.”

“The reason the trouble hasn’t spread to the whorehouses,” the Skeleton explained, “is that we ladies of the night have no secrets from each other, we wash each other’s private parts and we know exactly which bitches have the pox and which are clean. When the ladies of the city see each other naked in the street, naked in the kitchen, naked in the bazaar, naked everywhere, visible from every angle, all their faults and secret hairiness on display, they will start laughing at themselves and realize what fools they are being to think that these weird, funny creatures could be their foes.”

“As for the men,” said Mohini the Skeleton, “you must command them all to be blindfolded, and you yourself must do the same. For one day no man in Sikri will look upon a woman, while the women, seeing each other unhidden, so to speak, are coming to terms with one another once again.”

“If you think I’m doing that,” said Hamida Bano, “then that foreigner’s stories have truly softened your brain.” The emperor Akbar looked his mother in the eye. “When the emperor commands a thing,” he said, “the punishment for disobedience is death.”

The skies were kind on the day of the nakedness of the women. Clouds covered the sun all day, and a cool breeze blew. The men of Sikri did not work that day, no stores opened, the fields were empty, the doors to the studios of the artists and craftsmen were barred. Noblemen stayed in bed, musicians and courtiers alike turned their faces to the wall. And in the absence of the men the women of the capital learned all over again that they were not made of lies and treasons but only of hair and skin and flesh, that they were all as imperfect as each other, and that there was nothing special they were hiding from one another, no poisons, no plots, and that even sisters can, in the end, find a way of getting along. When the sun set the women dressed again, and the men removed their blindfolds, and a meal was eaten similar to the repast taken at the breaking of a fast, a supper of water and fruits. From that day on the house of the Skeleton and the Mattress became the only nocturnal establishment to be granted the emperor’s personal seal of approval, and the ladies themselves became honored advisers to the king. There were only two pieces of bad news. The first had to do with Crown Prince Salim. In his cups, that night, he boasted to anyone who would listen that he had ignored his father’s decree, removed his blindfold, and ogled the entire female population for hours. The news reached Akbar, who ordered his son’s immediate arrest. It was Abul Fazl who suggested the most appropriate punishment for the prince’s crime. The next morning in the open space outside the royal harem he had Salim stripped naked and then beaten by guards from the harem, both eunuchs and women built like male wrestlers. They pelted him with sticks, small stones, and clods of earth until he begged for mercy and forgiveness. After that it was inevitable that the drunkard, opium-addled prince would one day attempt to be avenged on Abul Fazl and on the Emperor of Hindustan as well.

The second sad consequence of the nakedness of the women was that old Princess Gulbadan caught a chill and subsided rapidly toward death. At the very last she summoned the emperor and attempted to rehabilitate the reputation of the late Khanzada Begum. “When your father returned from his long Persian exile and found you again,” she said, “it was Khanzada Begum who had been looking after you, because Hamida Bano was not there, of course. Khanzada loved you very much, don’t forget it. She would kiss your hands and feet and say they reminded her of the feet and hands of your grandfather. So whatever the story is about her dealings with Qara Köz, remember that this is also true. A bad sister can be a loving great-aunt.” Gulbadan had always sought precision in her memory of the past, but now she began to slip into confusion, sometimes calling Akbar by his father’s name,
Humayun,
and sometimes even by his grandfather’s. It was as though all the first three Mughal emperors had gathered at her bedside, contained in Akbar’s body, to stand guard over her soul’s passage out of this world. After Gulbadan died, Hamida Bano was filled with dreadful remorse. “I jostled her,” she said. “I shoved her so that she almost fell, and she was my senior. I did not honor her and now she is gone.” Akbar comforted his mother. “She knew you loved her,” he said. “She knew that a woman may be a bad jostler and a good friend as well.” But the queen mother was inconsolable. “She always seemed so young,” she said. “The angel made a mistake. I am the one who was just waiting to die.”