The Early Stories (78 page)

Read The Early Stories Online

Authors: John Updike

BOOK: The Early Stories
9.41Mb size Format: txt, pdf, ePub

Efficiently, Alice bent, released her bindings, and walked to the accident, making crisp boot prints. “Is she conscious?” she asked.

“It's the left,” the casket face said, not altering its rapt relation with the sky. The dab of red was the only color not drained from it. Tears trickled from the corner of one eye into a fringe of sandy permed hair.

“Do you think it's broken?”

There was no answer, and the girl impatiently prompted, “Mother, does it feel broken?”

“I can't feel a thing. Take off the boot.”

“I don't think we should take off the boot,” Alice said. She surveyed the woman's legs with a physical forthrightness that struck Caroline as
unpleasant. “We might disturb the alignment. It might be a spiral. Did you feel anything give?” The impact of the spill had popped both safety bindings, so the woman's skis were attached to her feet only by the breakaway straps. Alice stooped and unclipped these, and stood the skis upright in the snow, as a signal. She said, “We should get help.”

The daughter looked up hopefully. The face inside her polka-dot parka was round and young, its final form not quite declared. “If you're willing to stay,” she said, “I'll go. I know some of the boys in the patrol.”

“We'll be happy to stay,” Caroline said firmly. She was conscious, as she said this, of frustrating Alice and of declaring, in the necessary war between them, her weapons to be compassion and patience. She wished she could remove her skis, for their presence on her feet held her a little aloof; but she was not sure she could put them back on at this slant, in the middle of nowhere. The snow here had the eerie unvisited air of grass beside a highway. The young daughter, without a backward glance, snapped herself into her skis and whipped away, down the hill. Seeing how easy it had been, Caroline dared unfasten hers and discovered her own boot-prints also to be crisp intaglios. Alice tugged back her parka sleeve and frowned at her wristwatch. The third woman moaned.

Caroline asked, “Are you warm enough? Would you like to be wrapped in something?” The lack of a denial left them no choice but to remove their parkas and wrap her in them. Her body felt like an oversized doll sadly in need of stuffing. Caroline, bending close, satisfied herself that what looked like paint was a little pinnacle of sunburn.

The woman murmured her thanks. “My second day here, I've ruined it for everybody—my daughter, my son …”

Alice asked, “Where is your son?”

“Who knows? I bring him here and don't see him from morning to night. He says he's skiing, but I ski every trail and never see him.”

“Where is your husband?” Caroline asked; her voice sounded lost in the acoustic depth of the freezing air.

The woman sighed. “Not here.”

Silence followed, a silence in which wisps of wind began to decorate the snow-laden branches of pines with outflowing feathers of powder. The dense shadow thrown by the forest edging the trail was growing heavy, and cold pressed through the chinks of Caroline's sweater. Alice's thin neck strained as she gazed up at the vacant ridge for help. The woman in the snow began, tricklingly, to sob, and Caroline asked, “Would you like a cigarette?”

The response was prompt. “I'd adore a weed.” The woman sat up,
pulled off her mitten, and hungrily twiddled her fingers. Her nails were painted. She did not seem to notice, in taking the cigarette, that the pack became empty. Gesturing with stabbing exhalations of smoke, she waxed chatty. “I say to my son, ‘What's the point of coming to these beautiful mountains if all you do is rush, rush, rush, up the tow and down, and never stop to enjoy the scenery?' I say to him, ‘I'd rather be old-fashioned and come down the mountain in one piece than have my neck broken at the age of fourteen.' If he saw me now, he'd have a fit laughing. There's a patch of ice up there and my skis crossed. When I went over, I could feel my left side pull from my shoulders to my toes. It reminded me of having a baby.”

“Where are you from?” Alice asked.

“Melrose.” The name of her town seemed to make the woman morose. Her eyes focused on her inert boot.

To distract her, Caroline asked, “And your husband's working?”

“We're divorced. I know if I could loosen the laces it would be a world of relief. My ankle wants to swell and it can't.”

“I wouldn't trust it,” Alice said.

“Let me at least undo the knot,” Caroline offered, and dropped to her knees, as if to weep. She did not as a rule like complaining women, but here in this one she seemed to confront a voluntary dramatization of her own possibilities. She freed the knots of both the outer and inner laces—the boot was a new Nordica, and stiff. “Does that feel better?”

“I honestly can't say. I have no feeling below my knees whatsoever.”

“Shock,” Alice said. “Nature's anesthetic.”

“My brother will be furious. He'll have to hire a nurse for me.”

“You'll have your daughter,” Caroline said.

“At her age, it's all boys, boys on the brain.”

This seemed to sum up their universe of misfortune. In silence, as dark as widows against the tilted acres of white, they waited for rescue. The trail here was so wide skiers could easily pass on the far side. A few swooped close, then veered away, as if sensing a curse. One man, a merry ogre wearing steel-framed spectacles and a raccoon coat, smoking a cigar, and plowing down the fall line with a shameless sprawling stem, shouted to them in what seemed a foreign language. But the pattern of the afternoon—the sun had shifted away from the trail—yielded few skiers. Empty minutes slid by. The bitter air had found every loose stitch in Caroline's sweater and now was concentrating on the metal bits of brassiere that touched her skin. “Could I bum another coffin nail?” the injured woman asked.

“I'm sorry, that was my last.”

“Oh dear. Isn't that the limit?”

Alice, so sallow now she seemed Oriental, tucked her hands into her armpits and jiggled up and down. She asked, “Won't the men worry?”

Caroline took satisfaction in telling her, “I doubt it.” Looking outward, she saw only white, a tilted rippled wealth of colorlessness, the forsaken penumbra of the world. Her private desolation she now felt in communion with the other two women; they were all three abandoned, cut off, wounded, unwarmed, too impotent even to whimper. A vein of haze in the sky passingly dimmed the sunlight. When it brightened again, a tiny upright figure, male, in green and yellow chevron stripes, stood at the top of the cataracts of moguls.

“That took eighteen minutes,” Alice said, consulting her wristwatch again. Caroline suddenly doubted that Norman, whose pajama bottoms rarely matched his tops, could fall for anyone so finicking.

The woman in the snow asked, “Does my hair look awful?”

Down, down the tiny figure came, enlarging, dipping from crest to crest, dragging a sled, a bit clumsily, between its legs. Then, hitting perhaps the same unfortunate patch of ice, the figure tipped, tripped, and became a dark star, spread-eagled, a cloud of powder from which protruded, with electric rapidity, fragments of ski, sled, and arm. This explosive somersault continued to the base of the steep section, where the fragments reassembled and lay still.

The women had watched with held breaths. The woman from Melrose moaned, “Oh dear God.” Caroline discovered herself yearning, yearning with her numb belly, for their rescuer to stand. He did. The boy (he was close enough to be a boy, with lanky legs in his tight racing pants) scissored his skis above his head (miraculously, they had not popped off), hopped to his feet, jerkily sidestepped a few yards uphill to retrieve his hat (an Alpine of green felt, with ornamental breast feathers), and skated toward them, drenched with snow, dragging the sled and grinning.

“That was a real eggbeater,” Alice told him, like one boy to another.

“Who's hurt?” he asked. His red ears protruded and his face swirled with freckles; he was so plainly delighted to be himself, so clearly somebody's cherished son, that Caroline had to smile.

And as if this clown had introduced into vacuity a fertilizing principle, more members of the ski patrol sprang from the snow, bearing blankets and bandages and brandy, so that Caroline and Alice were pushed aside from the position of rescuers. They retrieved their parkas, refastened their
skis, and tamely completed their run to the foot of the mountain. There, Timmy and Norman, looking worried and guilty, were waiting beside the lift shed. Her momentum failing, Caroline Harris actually skated—what she had never managed to do before, lifted her skis in the smooth alternation of skating—in her haste to assure her husband of his innocence.

Plumbing
 

The old plumber bends forward tenderly, in the dusk of the cellar of my newly acquired house, to show me a precious, antique joint. “They haven't done them like this for thirty years,” he tells me. His thin voice is like a trickle squeezed through rust. “Thirty, forty years. When I began with my father, we did them like this. It's an old lead joint. You wiped it on. You poured it hot with a ladle and held a wet rag in the other hand. There were sixteen motions you had to make before it cooled. Sixteen distinct motions. Otherwise you lost it and ruined the joint. You had to chip it away and begin again. That's how we had to do it when I started out. A boy of maybe fifteen, sixteen. This joint here could be fifty years old.”

He knows my plumbing; I merely own it. He has known it through many owners. We think we are what we think and see when in truth we are upright bags of tripe. We think we have bought living space and a view when in truth we have bought a maze, a history, an archaeology of pipes and cut-ins and traps and valves. The plumber shows me some stout dark pipe that follows a diagonal course into the foundation wall. “See that line along the bottom there?” A line of white, a whisper of frosting on the dark pipe's underside—pallid oxidation. “Don't touch it. It'll start to bleed. See, they cast this old soil pipe in two halves. They were supposed to mount them so the seams were on the sides. But sometimes they got careless and mounted them so the seam is on the bottom.” He demonstrates with cupped hands; his hands part so the crack between them widens. I strain to see between his dark palms and become by his metaphor water seeking the light. “Eventually, see, it leaks.”

With his flashlight beam he follows the telltale pale line backward. “Four, five new sections should do it.” He sighs, wheezes; his eyes open wider than other men's, from a life spent in cellars. He is a poet. Where I
see only a flaw, a vexing imperfection that will cost me money, he gazes fondly, musing upon the eternal presences of corrosion and flow. He sends me magnificent ironical bills, wherein catalogues of tiny parts—

1 1¼″ x 1″ galv bushing
58¢
1 ⅜″ brass pet cock
90¢
3 ½″ blk nipple
23¢

—itemized with an accountancy so painstaking as to seem mad, are in the end belittled and swallowed by a torrential round figure attributed merely to “Labor”:

Labor
$550

I suppose that his tender meditations with me now, even the long pauses when his large eyes blink, are Labor.

The old house, the house we left, a mile away, seems relieved to be rid of our furniture. The rooms where we lived, where we staged our meals and ceremonies and self-dramatizations and where some of us went from infancy to adolescence—rooms and stairways so imbued with our daily motions that their irregularities were bred into our bones and could be traversed in the dark—do not seem to mourn, as I'd imagined they would. The house exults in its sudden size, in the reach of its empty corners. Floorboards long muffled by carpets shine as if freshly varnished. Sun pours unobstructed through the curtainless windows. The house is young again. It, too, had a self, a life, which for a time was eclipsed by our lives; now, before its new owners come to burden it, it is free. Now only moonlight makes the floor creak. When, some mornings, I return, to retrieve a few final oddments—andirons, picture frames—the space of the house greets me with virginal impudence. Opening the front door is like opening the door to the cat who comes in with the morning milk, who mews in passing on his way to the beds still warm with our night's sleep, his routine so tenuously attached to ours, by a single mew and a shared roof. Nature is tougher than ecologists admit. Our house forgot us in a day.

Other books

A Is for Alibi by Grafton, Sue
Flesh and Blood by Michael Cunningham
Touch of Evil by C. T. Adams, Cathy Clamp
Ascendant by Craig Alanson
Believing the Lie by Elizabeth George
Unformed Landscape by Peter Stamm
The Swing Book by Degen Pener
The Tatja Grimm's World by Vinge, Vernor