The Early Stories (43 page)

Yet, viewed allegorically, the difference seemed great. Something about all this, perhaps the chaste spring greenery of Central Park, which from these windows was spread out with the falcon's-eye perspective of a medieval map, suggested one of those crossroads in
The Faerie Queene
. Fred had loved
The Faerie Queene
—its tiny type, its archaic spellings, its perfect uselessness.

Besides, he had been very kind to Clayton—gotten him onto the
Quaff
, really. Sans
Quaff
, where would Clayton be? Not that Clayton need consider any of this. Hell, it wasn't as if Fred were asking for something; he was offering something. He pushed back the chair a few feet—so a full view of himself was available in the tilted mirror: a tall, ascetic youth, dressed in darkest gray. An unchurched Episcopalian, Fred was half in love with the clergy.

Entering, late, the appointed restaurant, he instantly spotted Clayton Clayton standing at the bar. That three years had passed, that the place was smoky and crowded with interchangeable men, did not matter; an eclipsing head bowed, and the fragment of cheek then glimpsed, though in itself nothing but a daub of white, not only communicated to Fred a single human identity but stirred in him warm feelings for the
Quaff
, college, his youth generally, and even America, with its freedom from Europe's stony class distinctions. Fred had inherited that trick of the rich of seeming to do everything out of friendship, but he was three generations removed from the founding of the wealth, and a manner of business had become, in him, a way of life; his dealings were in fact at the mercy of his affections. Grotesquely close to giggling, he walked up to his man and intoned,
“Egosum via, vita, Veritas.”

Clayton turned, grinned, and pumped Fred's hand. “How
are
you, Fred?”

Members of the
Quaff
did not ask one another how they were; Fred had supposed ex-members also did not. Finding they did baffled him. He could not think of the joke to turn such a simple attack aside. “Pretty well,” he conceded and, as if these words were an exorcism enabling the gods of fatuity to descend and dwell in his lips, heard himself add, in what seemed full solemnity, “How are
you?
”

“I'm doing”—Clayton paused, nodding once, giving the same words a new import—“pretty well.”

“Yes, everybody says.”

“I was glad I could make it today. I really am up to my ears this week.” Confidingly: “I'm in a crazy business.”

On one wall of the restaurant were Revolutionary murals, darkened perhaps by smoke and time but more likely by the painter's belief that history is murky. “Ah,” said Fred, gesturing. “The Renaissance Popes in Hell.”

“Would you like one of these?” Clayton touched the glass in front of him; it contained that collegiate brew, beer.

How tender of Clayton still to drink beer! By a trick of vision the liquid stood unbounded by glass. The sight of that suspended amber cylinder, like his magic first glimpse of Clayton's face, conjured in Fred an illusion of fondness. This time he curbed his tendency to babble and said, anxious to be honest, certain that the merest addition of the correct substance—the simple words exchanged by comrades—would reform the alchemy of the relationship, “Yes. I would like one. Quite a bit.”

“I tell you. Let's grab a table and order from there. They'll let us stand here all day.”

Fred felt not so much frustrated as deflected, as if the glass that wasn't around the beer was around Clayton.

“There's a table.” Clayton picked up his stein, placed a half-dollar in the center of the circle its base had occupied, and shouldered away from the bar. He led the way into a booth, past two old men brandishing their topcoats. Inside, the high partitions shielded them from much of the noise of the place. Clayton took two menus from behind the sugar and handed one to Fred. “We had better order the food first, then ask for the beer. If you ask for the drinks first, they just run off.” He was perfect: the medium-short dry-combed hair, the unimpeachable medium-gray suit, the buttonless collar, the genially dragged vowels, the little edges of efficiency bracing the consonants. A few traces of the scholarship freshman from some Maryland high school who had come down to the
Quaff
on Candidates' Night with an armful of framed sports cartoons remained—the not smoking, the tucked-in chin and the attendant uplook of the boyishly big eyes, and the skin condition that placed on the flank of each jaw a constellation of red dots. Even these vestiges fitted into the picture, by lending him the unthreatening youthful look desired in New York executives. It was just this suggestion of inexperience that in his genuine inexperience Clayton was working to suppress. “See anything you like,” he asked with a firmness not interrogative.

Fred decided to make a meal of it. The family apartment was low on provender.

“I think maybe a lamb chop.”

“I don't see them on the menu.”

“I don't either.”

Raising his hand to the level of his ear and snapping his fingers, Clayton summoned a waiter. “This gentleman wants a lamb chop. Do you have them?”

The waiter didn't bother to answer, just wrote it down.

“I think I might try,” Clayton went on, “the chopped sirloin with mushroom sauce. Beans instead of the peas, if you will. And I'm having another glass of Ballantine. Shall I make that two, Fred?”

“Do you have any decent German beer? Würzburger? Or Löwenbräu?”

The request materialized the man, who had been serving them with only his skimpy professional self. Now he smiled, and stood bodied forth as a great-boned Teuton in the prime of his fifties, with a segmented shining bald head and portentous ears covered by a diaphanous fuzz that brought to the dignity his head already possessed a certain silky glamour. “I believe, sir, we have the Löwenbräu. I don't think we stock the Würzburger, sir.”

“O.K. Whatever you do stock, then.”

Though Fred wanted this to be Clayton's show, he had called into being a genie—cloying, zealous, delighted to have his cavernous reserve of attentiveness tapped. The waiter bowed and indeed whispered, making an awkward third party of Clayton, “If not the Löwenbräu, would an English stout do? A nice Guinness, sir?”

“The Löwenbräu will be fine.” Trying to bring Clayton back into it, Fred asked him, “Do you want to try one? Fewer bubbles than Ballantine. Less tingle for more ferment.”

Clayton's answering laugh would have been agreeable if he had not, while uttering it, lowered his eyelids, showing that he conceived of this as a decision whereby he stood to gain or lose. “No, I think I'll stick to Ballantine.” He looked Fred needlessly in the eyes. When Clayton felt threatened, the middle sector of his face clouded over; the area between his brows and nostrils became sulky.

Fred was both repelled and touched. The expression was exactly that worn by the adolescent Clayton at the
Quaff
candidates' punches, when all the dues members, dead to the magazine, showed up resplendent in elbow-patched tweeds and tight collar pins, eager for martinis, as full of chatter and strut as a flock of whooping cranes bent on proving they were not extinct yet. Fred pitied Clayton, remembering the days when Fred alone, a respected if sophomore member, was insisting that the kid with the gag name be elected to the
Quaff
. The point was he could draw. Wonky, sure. He was right out of the funny papers. But at least his hands had fingers you could count. Pathetic, of course, to have the drawings framed, but his parents put him up to that—anybody who'd call a defenseless baby Clayton Clayton.… He wore cocoa-colored slacks and sport shirts. They'd wear out. If he was sullen, he was nervous. The point
was, If we don't get anybody on the magazine who can draw we'll be forced to run old daguerreotypes of Chester Arthur and the Conkling Gang.

“Do you see much of Anna Spooner?” Clayton asked, referring back, perhaps unconsciously, to Fred's earlier mistake, his mention of the badtaste income-tax plan of their friend A. D. Spooner, nicknamed “Anno Domini” and eventually “Anna.”

“Once or twice. I haven't been back that long. He said he kept running into you at the Old Grads' Marching Society.”

“Once in a while.”

“You don't sound too enthusiastic.”

“I hadn't meant to. I mean I hadn't meant not to. He's about the same. Same tie, same jokes. He never thanks me when I buy him a drink. I don't mean the money bothers me. It's one of those absurd little things. I shouldn't even mention it.”

The waiter brought the beers. Fred stared into his Löwenbräu and breathed the word “Yeah.”

“How long
have
you been back?”

“Two weeks, I guess.”

“That's right. You said. Well, tell me about it. What've you been doing for three years?” His hands were folded firmly on the table, conferencestyle. “I'm interested.”

Fred laughed outright at him. “There isn't that much. In the Army I was in Germany in the Quartermaster Corps.”

“What did you do?”

“Nothing. Typed. Played blackjack, faro, Rook.”

“Do you find it's changed you much?”

“I type faster. And my chest now is a mass of pornographic tattoos.”

Clayton laughed a little. “It just interests me. I know that psychologically the effect on me of
not
going in is—is genuine. I feel not exactly guilty, but it's something that most of the men of our generation have gone through. Not to seems incom
plete
.”

“It should, it should. I bet you can't even rev out a Bowling Bunting H-4 jet-cycle tetrameter. As for shooting a bazooka! Talk of St. Teresa's spiritual experiences—”

“It's impressive, how little it's changed you. I wonder if I'm changed. I do like the work, you know. People are always slamming advertising, but I've found out it's a pretty damn essential thing in our economy.”

•  •  •

When the waiter came and set their platters before them, Clayton set to with a disconcerting appetite, forking in the food as often with his left hand as his right, pausing only to ask questions. “Then you went back to Europe.”

“Then I went back to Europe.”

“Why? I mean what did you do? Did you do any writing?”

In recent years Fred's literary intelligence had exerted itself primarily in the invention of impeccable but fruitless puns. Parcel Proust. Or Supple Simon.
Supple Simon met a Neiman / Fellow at the Glee Club, gleamin'. / Said Supple Simon, “Tell me, Fellow / Who made yellow roses yellow?”

“Why, yes,” Fred told Clayton. “Quite a bit. I've just completed a three-volume biography of the great Hungarian actress, Juxta Pose.”

“No, actually. What did you do in Paris?”

“Actually, I sat in a chair. The same chair whenever I could. It was a straw chair in the sidewalk area of a restaurant on the Boulevard Saint-Germain. In the summer and spring the tables are in the open, but when it gets cold they enclose the area with large windows. It's best then. Everybody except you sits inside the restaurant, where it's warm. It's best of all at breakfast, around eleven of a nippy morning, with your
café
and
croissant avec du beurre
and your—what's the word?—
coude
all on a little table the size of a tray, and people outside the window trying to sell
ballons
to Christmas tourists.”

“You must know French perfectly. It annoys the hell out of me that I don't know any.”

“Oui, pardon, zut!
and
alors!
are all you need for ordinary conversation. Say them after me:
oui
—the lips so—
par-don—”

“The reason you probably don't write more,” Clayton said, “is that you have too much taste. Your critical sense is always a jump ahead of your creative urge.” Getting no response, he went on, “I haven't been doing much drawing either. Except roughing out ideas. But I plan to come back to it.”

“I know you do. I know you will.”

That was what Clayton wanted to hear. He loved work; it was all he knew how to do. His type saw competition as the spine of the universe. His
Quaff
career had been all success, all adaptation and good sense, so that in his senior year Clayton was president, and everybody said he alone was keeping silly old
Quaff
alive, when in fact the club, with its delicate ethic of frivolity, had withered under him. The right sort had stopped showing up.

Clayton had a forkful of hamburger poised between the plate and his mouth. “What does your father want?” In went the hamburger.

“My father seems to fascinate you. He is a thin man in his late fifties. He sits at one end of an enormous long room filled with priceless things. He is wearing a purple dressing gown and trying to read a book. But he feels the room is tipping. So he wants me to get in there with him and sit at the other end to keep the balance.”

“No. I didn't mean—”

“He wants me to get a job. Know of one?” So the crucial question was out, stated like a rebuke.

Clayton carefully chewed. “What sort?”

“I've already been offered a position in Brauer, Chappell & Platt. A fine old law firm. I'd have to go to law school, a three-year slog. I'm looking for something with a lower entry bar.”

“In publishing?”

Stalling, stalling. “Or advertising.”

Clayton set down his fork. “Gee. You should be able to get something.”

“I wouldn't know why. I have no experience. I can't use my father's contacts, that wouldn't be the game. Using him to pull out.”

“I wish you had been here about six months ago. There was an opening up at Carson, and I asked Bim Blackwood, but he didn't want to make the jump. Speaking of Bim, he's certainly come along.”