Authors: John Updike
He did not much revisit the past. His inner space, the space of his mind, seemed as alien as the space of his body. His father's hands, his mother's tears, his sister's voice shrilling across an itchy lawn, the rolls of dust beneath his bed that might, just might, be poisonous caterpillarsâthese glints only frightened him with the depth of the darkness in which they were all but smothered. He had forgotten almost everything. Everything in his life had been ordinary except its termination. His “life.” Considered as a finite noun, his life seemed vastly unequal to the infinitude of death. The preposterous inequality almost made a ledge where his hope could grip; but the unconscious sighing of his wife's sagging mouth dragged it down. Faithlessly she lay beside him in the arms of her survival. Her unheeding sleep deserved only dull anger and was not dreadful like the sleep of his children, whose dream-sprung coughs and cries seemed to line the mouth of death with teeth. The sudden shortness of his life seemed to testify to the greed of those he had loved. He should have been shocked by his indifference to them; he should have grubbed the root of this coldness from his brain. But introspection, like memory, sickened him with its steep perspectivesâafflicted him with the nausea of futile concentration, as if he were picking a melting lock. He was not
interested in his brain but in his soul, his soul, that outward simplicity embodied in the shards and diagonal panes of light that wheeled around his room when a car smoothly passed in the street below.
From three o'clock on, the traffic was thin. As if his isolation had turned him into God, he blessed, with stately wordlessness, whatever errant teen-ager or returning carouser relieved the stillness of the town. Then, toward four, all such visits ceased. There was a quietness. Unwanted images began to impinge on the dark: a pulpy many-legged spider was offered wriggling to him on a fork. His teeth ached to think of biting, of chewing, its eyes, its tiny intermeshing fluid-bearing parts, its fur.â¦
It was time to imagine the hand.
He, who since infancy had slept best on his stomach, could now endure lying only on his back. He wished his lids, even if they were closed, to be pelted and bathed by whatever eddies of light animated the room. As these eddies died, and the erosion of sleeplessness began to carve his consciousness fantastically, he had taken to conceiving of himself as lying in a giant hand, his head on the fingertips and his legs in the crease of the palm. He did not picture the hand with total clarity, denied it nails and hair, and with idle rationality supposed it was an echo from Sunday school, some old-fashioned print; nevertheless, the hand was so real to him that he would stealthily double his pillow to lift his head higher and thereby fit himself better to the curve of the great fingers. The hand seemed to hold him at some height, but he had no fear of falling nor any sense of display, of being gazed at, as a mother gazes at the baby secure in her arms. Rather, this giant hand seemed something owed him, a basis upon which had been drawn the contract of his conception, and it had the same extensive, impersonal life as the pieces of light that had populated, before the town went utterly still, the walls of his room.
Now the phosphor of these walls took on a blueness, as if the yellowness of the green tinge of the darkness were being distilled from it. Still safe in the hand, he dared turn, with cunning gradualness, and lie on his side and touch with his knees the underside of his wife's thighs, which her bunched nightie had bared. Her intermittently restless sleep usually resolved into a fetal position facing away from him; and in a parallel positionâready at any nauseous influx of terror to return to his backâhe delicately settled himself, keeping the soft touch of her flesh at his knees as a mooring. His eyes had closed. Experimentally he opened them, and a kind of gnashing, a blatancy, at the leafy window, which he now faced, led him to close them again. A rusty brown creaking, comfortable and antique, passed
along his body, merging with the birdsong that had commenced beyond the window like the melodious friction of a machine of green and squeaking wood.
He smiled at himself, having for an instant imagined that he was adjusting his stiff arms around a massive thumb beside his face.
Comfort ebbed from the position; his wife irritably stirred and broke the mooring. Carefully, as gingerly as if his body were an assemblage of components any one of which might deflect his parabolic course, he moved to lie on his stomach, pressing himself on the darkness beneath him, as if in wrestling, upon some weary foe.
Panic jerked his dry lids open. He looked backward, past his shoulder, at the pattern of patches that had kept watch with him. A chair, with clothes tossed upon it, had begun to be a chair, distinctly forward from the wall. The air, he saw, was being visited by another invader, a light unlike the others, entering not obliquely but frontally, upright, methodically, less by stealth than like a hired presence, like a fine powder very slowly exploding, scouring the white walls of their moss of illusion, polishing objects into islands. He felt in this arrival relief from his vigil and knew, his chest loosening rapidly, that in a finite time he would trickle through the fingers of the hand; he would slip, blissfully, into oblivion, as a fold is smoothed from a width of black silk.
I feared his visit. I was twenty-four, and the religious revival within myself was at its height. Earlier that summer, I had discovered Kierkegaard, and each week I brought back to the apartment one more of the Princeton University Press's elegant and expensive editions of his works. They were beautiful books, sometimes very thick, sometimes very thin, always typographically exhilarating, with their welter of title pages, subheads, epigraphs, emphatic italics, italicized catchwords taken from German philosophy and too subtle for translation, translator's prefaces and footnotes, and Kierkegaard's own endless footnotes, blanketing pages at a time as, crippled, agonized by distinctions, he scribbled on and on, heaping irony on irony, curse on curse, gnashing, sneering, praising Jehovah in the privacy of his empty home in Copenhagen. The demons with which he wrestledâHegel and his avatarsâwere unknown to me, so Kierkegaard at his desk seemed to me to be writhing in the clutch of phantoms, slapping at silent mosquitoes, twisting furiously to confront presences that were not there. It was a spectacle unlike any I had ever seen in print before, and it brought me much comfort during those August and September evenings, while the traffic on the West Side Highway swished tirelessly and my wife tinkled the supper dishes in our tiny kitchen.
We lived at the time on the sixth floor of a building on Riverside Drive, and overlooked the Hudson. The river would become black before the sky, and the little New Jersey towns on the far bank would be pinched between two massive tongs of darkness until only a row of sparks remained. These embers were reflected in the black water, and when a boat went dragging its wake up the river the reflections would tremble, double, fragment, and not until long after the shadow of the boat passed reconstruct themselves.
The astronomer was a remnant of our college days. Two years had passed since we had seen him. When Harriet and I were both undergraduates, another couple, a married couple, had introduced him to us. The wife of this couple had gone to school with Harriet, and the husband was a teaching associate of the astronomer; so Bela and I were the opposite ends of a chain of acquaintance. He was a Hungarian. His parents had fled the terror of Kun's regime; they were well-to-do. From Vienna they had come to London; from there Bela had gone to Oxford, and from there come to this country, years ago. He was forty, a short, thickset man with a wealth of stiff black hair, combed straight back without a parting, like a bicyclist bent over the handlebars. Only a few individual hairs had turned white. He gave an impression of abnormal density; his anatomical parts seemed set one on top of another without any loose space between for leeway or accommodation of his innards. A motion in his foot instantly jerked his head. The Magyar cheekbones gave his face a blunt, aggressive breadth; he wore steel-rimmed glasses that seemed several sizes too small. He was now teaching at Columbia. Brilliant, he rarely deigned to publish papers, so that his brilliance was carried around with him as undiminished potency. He liked my wife. Like Kierkegaard, he was a bachelor, and in the old days his flirtatious compliments, rolled out with a rich, slow British accent and a broad-mouthed, thoughtful smile across a cafeteria table or after dinner in our friends' living room, made me feel foolish and incapable; she was not my wife then. “Ah, Harri-et, Harri-et,” he would call, giving the last syllable of her name a full, French, roguish weight, “come and sit by me on this Hide-a-bed.” And then he would pat the cushion beside him, which his own weight had caused to lift invitingly. Somewhat more than a joke, it was nevertheless not rude to me; I did not have enough presence in his eyes to receive rudeness.
He had an air of seeing beyond me, of seeing into the interstellar structure of things, of having transcended, except perhaps in the niggling matter of sexual attraction, the clouds of human subjectivityâvaporous hopes supported by immaterial rationalizations. It was his vigorous, clear vision that I feared.
When he came into our apartment, directing warmth into all its corners with brisk handshakes and abrupt pivotings of his whole frame, he spotted the paperback
Meno
that I had been reading, back and forth on the subway, two pages per stop. It is the dialogue in which Socrates, to demonstrate the existence of indwelling knowledge, elicits some geometrical truths from a small boy. “My Lord, Walter,” Bela said, “why are you
reading this? Is this the one where he proves two and two equals four?” And thus quickly, at a mere wink from this atheist, Platonism and all its attendant cathedrals came tumbling down.
We ate dinner by the window, from which the Hudson seemed a massive rent opened in a tenuous web of light. Though we talked trivially, about friends and events, I felt the structure I had painstakingly built up within myself wasting away; my faith (Christian existentialism padded out with Chesterton and Teilhard de Chardin), my prayers, my churchgoing (to a Methodist edifice where the spiritual void of the inner city reigned above the fragile hats of a dozen old ladies and the minister shook my hand at the door with a startled look on his face), all dwindled to the thinnest filaments of illusion, and in one flash, I knew, they would burn to nothing. I felt behind his eyes immensities of space and gas; I saw with him through my own evanescent body into gigantic systems of dead but furious matterâsuns like match heads, planets like cinders, galaxies that were whirls of ash, and beyond them, more galaxies, and more, fleeing with sickening speed beyond the rim that our most powerful telescopes could reach. I had once heard him explain, in a cafeteria, how the dwarf star called the companion of Sirius is so dense that light radiating from it is tugged back by gravitation toward the red end of the spectrum.
My wife took our dessert dishes away; before she brought coffee, I emptied the last of the red wine into our glasses. Bela lit a cigar and, managing its fresh length and the wineglass with his electric certainty of touch, talked. Knowing that, since the principal business of my employment was to invent the plots of television commercials, I was to some extent a humorist, he told me of a parody he had seen of the BBC. Third Programme. It involved Bertrand Russell reading the first five hundred decimal places of Ï, followed by ten minutes of silent meditation led by Mr. T. S. Eliot, and then Bertrand Russell reading the
next
five hundred places of Ï.
If my laughter burst out excessively, it was because his acknowledgment, though minimal and oblique, that Bertrand Russell might by some conception be laughable and that meditation and the author of “Little Gidding” did at least
exist
momentarily relieved me of the strain of maintaining against the pressure of his latent opinions my own superstitious, faint-hearted self. This small remission of his field of force admitted worlds of white light, and my wife, returning to the room holding with bare arms at the level of our eyes a tray on which an old tin pot and three china demitasse cups stated their rectangular silhouettes, seemed a creature of intense beauty.