The Dragon Turn (5 page)

“Precisely.”

“I would deny it. And he would believe me.”

“I am in possession of many details of those crimes. Details only one with a —”

“All right!” snaps Lestrade.

“Where is it?”

“If you so much as move one —”

“Where
is
it?”

Lestrade looks back at Scotland Yard and then lowers his voice.

“The Cremorne Gardens.”

“Excuse me?”

It seems like a strange choice for a secret anything. The Cremorne is London’s loudest pleasure gardens, filled
nightly with couples in pursuit of fun, gentlemen in pursuit of ladies (or so they call themselves), and ladies in pursuit of them (and their money). Balloon ascensions, high-wire walks, educated dogs and monkeys, minstrels, freak shows, fireworks, and dancing and more dancing take place within its fancy wrought-iron gates — twelve acres of undiluted amusement.

“Hemsworth has a secret studio in the Cremorne Gardens?”

“At The World’s End Hotel, below stairs. It seems he inhabits it at night.”

“Thank you.”

“Sherlock, you cannot go there. We have it sealed. Constable Spears won’t let you through.”

“When does he leave?”

Lestrade hesitates. “He ensures that the doors are locked when he goes home each night. I am sorry.”

“Never mind that. When does he leave?”

“Uh … there will be no one there after one o’clock in the morning, though an officer shall return at six. So, you can’t —”

Sherlock begins to walk away, but pauses and turns back.

“Who found the body?”

“There was no body, Master Genius. We told you that.”

“I stand corrected. Who found the Wizard’s blood, the little bits of him, and his spectacles?”

“The hotel keeper.”

“He just happened to wander downstairs that day?”

“I shan’t tell you more.”

“Lestrade, you know I shall discover this anyway. Withholding evidence will only slow things down.”

The young detective sighs. “There is a boy, a street urchin who lives in the area and sleeps in the Cremorne. He sees everything. He used to watch for Hemsworth at night, who would slink through the Gardens in a long black coat and safari hat, looking around, sneaking his way toward the hotel. It amused the boy, so he’d watch for him every time. The child has an over-active imagination. He said he knew the man was a magician or a wizard of some sort because he saw him do strange things: he’d always enter through a secret outside door at the back, which he’d open simply by speaking to it, and summon some sort of creature inside … that sort of fantastic stuff.”

“So, it was the boy. He got inside? He found the blood?”

“He noticed that Hemsworth was accompanied by another man a few nights ago, but only Hemsworth came out. Then the magician didn’t appear again for a day or two. The boy simply mentioned this to the hotel keeper. So, the keeper went downstairs. There was no answer at the inner door that led to the studio from the hotel … he went inside.”

“And the boy knows for sure that the other man never appeared again, didn’t leave through an unknown door? He positively identified this long-black-coated man as Hemsworth?”

“Holmes, what wishful fantasy are you driving at? The second man wore clothing identified as Nottingham’s. The cloaked man wore a black safari hat, known to be favored by
Hemsworth. It was Hemsworth’s place. We know that. It was clear once we were inside. He took Nottingham in there and left without him, without his body, that is.”

“Did the
keeper
say it was Hem —”

“Don’t start making assumptions, like you are wont to do, trying to fit your theories to the crime. Criminal investigations are about facts, and facts alone. We are in possession of other evidence … which I shan’t share with you.” He pauses. “Sherlock, please, don’t go there. Leave this alone.”

Holmes departs Denmark Street about half past midnight that night, bearing one of Bell’s small blades — with a particularly sharp tip — to help pick the lock, or to protect himself, though he also has his horsewhip concealed up his sleeve. It has rained most of the day and the air is thick and humid. The yellow fog has returned. He will have a long walk tonight, but he knows the streets and how to keep clear of the criminals, the straggling drunks, and prostitutes. He moves stealthily through London, head on a swivel, first down the frightening, narrow streets near his neighborhood to a nearly-deserted Leicester Square, then along Piccadilly Street past The Egyptian Hall, spotting Buckingham Palace in the distance to his left. Then he is into upper-class Belgravia, turning off Knightsbridge Road before he reaches the unlikely area where Malefactor had his home. He checks for a pursuer more than once here and feels for his knife. Then he swings south, by leafy parks and racket courts, until
he reaches King’s Road, and goes west into Chelsea. Soon he can smell the river and see the Battersea Bridge and the lights of the saw mills and chemical works on the other side of the Thames. Moments later, he approaches the Cremorne Gardens.

Its gaslights are dimmed and all is quiet, which is eerie for such a place. It is as if death has come to the Cremorne — everything has been stilled.

The Gardens is surrounded by a wrought-iron fence and its main entrance is on King’s Road, a beautiful black gate with a gleaming star on top. Sherlock climbs the fence near the padlocked entrance and goes in. For a place that exists for entertainment, some of it the most crass in the empire, the Cremorne is beautiful. Elm trees hang over lush, emerald-green lawns and there are flowers everywhere. He heads into the misty jungle, under the few remaining lights, passes the big circus building, the Marionette Theatre, the American Bowling Saloon, and the central dancing platform. Then he creeps carefully through a more open area, along a tree-lined lane in the shape of a figure of eight, keeping his head down until he nears the south end of the park.

The hotel is looming there: The World’s End. It’s a fitting name. It looks spooky enough during the day, just two storeys high, but long and black, with turrets at each end, as if it were home to a colony of vampires. At night, with all its lights out, it seems even gloomier. He approaches. He hears crows cawing from its heights and rats scratching and squealing around its base.

His heart, much to his annoyance, begins to pound in
his chest. At the back, the building is lined with a wall of trees. They tower over him now — weeping willows and copper beeches, looking like monsters ready to defend the hotel from a rear attack. Suddenly, a wind comes up and moans through the branches.

Sherlock sees a shape moving toward him in the darkness.

AT THE WORLD’S END

S
herlock grips his knife. But as the figure moves closer, he can see that it isn’t very big. In fact, when the moon gives him a clear view, Holmes is sure it is a child. But what a strange child: it is difficult to tell, at first, if this person is a boy or a girl. It is not only short, not much more than four feet tall, but so slender as to be skeletal. The eyes are sunken, the brow and cheekbones stick out, and the complexion, marked with filth, is bluish-white, like bones underneath the skin. The hair, growing long and unkempt under a hat made of nothing but a brim, is the color of dirt. But those eyes are large and blue, and full of expression, the lips thick and active.

“Might a lad be of assistance, guvna?”

His voice isn’t as high-pitched as expected, though it quavers a little. He doesn’t seem to be able to stand still as he talks.

Older than he looks, perhaps twelve or thirteen, frightened but trying to appear not to be, grew up somewhere in the center of London, perhaps Seven Dials, homeless, orphaned. This is the boy Lestrade spoke of!

The lad’s shoes are barely shoes. All ten toes glow white in the moonlight. His once royal-blue trousers are full of holes, and three or four sizes too big, held up by green suspenders, which is the only clothing covering his upper body. Holmes can count every one of the little lad’s ribs on his milk-white torso.

“Yes, actually, you might be helpful,” smiles Sherlock, trying to put the other at ease.

“At your servicement. I am employed ’ere. Security, for the ’otel, you know.”

“Your name, sir?”

“Scuttle.”

“As in … Scuttle … butt?”

“No sir, just Scuttle, no family name presently attached.”

“It is a pleasure to meet you.”

“Kind of you to say, guvna, but Scuttle shan’t be swayed by gleams and pleasantries. I must ’ave your name and then repulse you away from The World’s End ’otel. I keeps them all away, I do, even the famous ones. No one is allowed ’ere late at night, courtesy of the unparallel patrolling of yours truly. And I makes no expections, I don’t. I’ve seen ’em all.”

“Them all?”

“Famous celebrantites comes by the Cremorne all the times, you know. Scuttle knows ’em all, speaks with ’em I do. I knows the queen.”

“The queen?”

“Spoke to ’er, Scuttle did, and she gabbed back. And I said ’ello to Mr. Dickens … twice.”

“
Charles
Dickens?”

“The wery one, Scuttle leered at the famous explorer Richard Francis Burton too. ’As spear wounds in ’is face, ’e does. Conversated with ’im. I’ve looked at the famous famed Florence Nightingale, and … the Spring ’eeled Jack … of course.”

“You don’t say?”

“Scuttle does say so, sir. Do you doubt me?”

“Not for a moment.”

“I needs your name and then you must excavate the premises.”

“I won’t be telling you my name. I am about to enter the hotel.”

“But … Scuttle wouldn’t allow the famous Miss Menken ’erself to enter, that woman who rode ’alf naked on the ’orse in the London opera named
The Wild ’orse of the Mazeppa
, which meant so much to all of English civilization. No, I wouldn’t allow …”

“You know there was murder here yesterday.”

“I …” the boy’s face somehow turns whiter than it was. “ ’Ow do you knows that, guvna?”

“Master Scuttle, I am a confidante of the police.”

The boy swallows. “Scottish Yard?”

“The very one.”

“Well, you must be, sir, because Mr. Starr, who runs the ’otel, ’e told me ’bout the murder just hours past, said no one else knew, told me on the QT, ’e did.”

“You are to inform no one that you saw me, not even other detectives. I am with a very special department.” Sherlock lowers his voice. “This is
extremely
secret.”

“Yes, sir.”

“I am in disguise. I am actually thirty-five years old.”

The boy looks at Sherlock in awe.

“Scottish Yard ’as solved many famous crimes, sir, they is renowned, sir. Scuttle’s lips is sealed, glued shut so as to never move again. I shall looks away and pertend as to ’ave not viewed you in the least.”

The boy turns his back and marches off, without once looking over his shoulder. In the dim light, Sherlock sees an open-ended dustbin, turned over in the trees nearby, the boy’s likely home for the night.

“I have a question for you, sir,” says Holmes, “before you retire.”

The small boy stops in his tracks. He still doesn’t look around. “Scuttle is at your commandment.”

“Where is the secret door?”

There is a long pause. “I am loathe to say, sir, but in the servicement of Scottish Yard, I shall unveil it. It’s the door the magician used.”

“Mr. Hemsworth?”

“Yes, ’is ’ighness ’emsworth, ’e of the great dragon trick that means so much to all of London, and to Scuttle, as well. I gabbed with ’im too, ’e who has broken our hearts by murdering the Wizard of Nottingham. ’e who —”

“Where’s the door?”

“Just walk straight up to the middle of the towering trees, sir. You will spy two copper beeches. Go in betwixt them. It is below stairs, big and wooden, big enough to shove a hippopottingmess through, covered with moss.”

“Thank you.”

“Be on your best guarding, sir, it is a place of magic and mysteryism. Scuttle believes this crime was the result of a war of wizards and somehow Nottingham, who is the best one, you know, lost … and ended up completely dead!”