The Difference Engine (33 page)

With a jolt, Mallory remembered Madeline’s clock. His sister’s wedding-gift was sitting in its brass-hasped carry-case in the safety-box of the Palace of Paleontology. The lovely fancy clock for dear Madeline, now grotesquely out of his reach. The Palace was seven miles from Whitechapel. Seven miles of roiling chaos.

There must be some way back, some way to cross that distance, surely. Mallory wondered if any of the city’s trains were running, or the omnibuses. Perhaps a hansom? Horses would choke in this foul mist. He was down to shank’s mare. Likely any effort to cross London was foolish, and likely it would be wisest to cower in some quiet cellar like a rat, hoping for Catastrophe to pass him over. And yet Mallory found his shoulders squaring, his legs tramping forward of their own accord. Even the throbbing in his parched head began to pass as his wits focused on a goal. Back to the Palace. Back to his life.

“Hullo! Say there! Sir!” The voice echoed over Mallory’s head like the cry of a bad conscience. He glanced up, startled.

From a third-floor window of Jackson Bros., Furriers & Hatters, protruded the black barrel of a rifle. Behind it, Mallory made out the balding head of a spectacled shopping-clerk, leaning from his open window now to reveal a striped shirt and scarlet braces.

“May I be of service?” Mallory called, the phrase emerging out of reflex.

“Thank you, sir!” the clerk cried, his voice cracking. “Sir, could you, please, have a look at our door there — just to the side, below the steps? I believe — there may be someone hurt!”

Mallory waved one hand in reply, walked to the shop’s entrance. Its double-doors were intact but badly battered, dripping splattered eggs. A young man in a sailor’s striped blouse and bell-bottomed trousers lay sprawled there, facedown, a pry-bar of forged iron near his hand.

Mallory seized the shoulder of the sailor’s coarse blouse and turned him over. A bullet had taken him through the throat. He was quite dead, and his nose had been mashed to one side by the pavement, giving his bloodless young face a bizarre cast, so that he seemed to have come from some nameless country of sea-going albinos.

Mallory straightened. “You’ve shot him dead!” he shouted upward.

The clerk, seeming rattled, began coughing loudly, and made no reply.

Mallory spied the wooden butt of a pistol tucked in the dead sailor’s intricately knotted sash; he tugged it out. A revolver of unfamiliar make, its massive cylinder curiously slotted and grooved. The long octagonal barrel, under-hung with a sort of piston, stank of black-powder. He glanced at the furrier’s battered door. Clearly an entire mob had been at it, an armed mob, bent on the worst kind of mischief. The wretches must have scattered when the sailor had been shot.

He stepped into the street, waving the pistol. “The rascal was armed!” he shouted. “You did well to —”

A bullet from the clerk’s rifle screamed off a cement stair-step, bleaching it white with impact and narrowly missing Mallory on the ricochet.

“God blame ye, ye cack-handed fool!” Mallory bellowed. “Stop that this instant!”

There was a moment’s silence. “Sorry, sir!” the clerk cried.

“What in hell do you think you’re doing?”

“I said I was sorry! You best throw away that gun, though, sir!”

“The hell I will!” Mallory roared, slipping the pistol into the waistband of his trousers. He meant to demand that the clerk come down and decently cover the dead man, but he thought better of it as other windows rattled up on their casters, four more rifle barrels appearing in defense of Jackson Bros.

Mallory backed up, showing empty hands and attempting to smile. When the fog had thickened around him, he turned and ran.

Now he moved more cautiously, keeping to the center of the street. He discovered a trampled cambric shirt and cut its baggy sleeve loose with the small saw-tooth blade of his Sheffield knife. It made a serviceable mask.

He examined the sailor’s revolver, and plucked a blackened cartridge-case from the cylinder. It still held five shots. It was a clumsy thing, foreign, unevenly blued, though the mechanism looked to have been executed with a decent degree of accuracy. He made out
BALLESTER-MOLINA
, stamped faintly on the side of the octagonal barrel, but there were no other markings.

Mallory emerged on Aldgate High Street, recalling it from his walk with Hetty from the London Bridge pier, though it looked, if anything, more eerie and horrid than it had in the middle of the night. The mob did not seem to have touched it as yet, in the inherent vagary of Chaos.

A rhythmic clanging of alarm sounded from the fog behind him. He stepped aside to watch a fire-gurney steam past, its red-painted sides battered and dented. Some London mob had brutally attacked the firemen, attacked the trained men and machines that stood between the city and mass conflagration. This struck Mallory as the acme of perverse stupidity, yet somehow it failed to surprise him. Exhausted firemen clung to the gurney’s running-boards, wearing bizarre rubber masks with gleaming eye-pieces and accordioned breathing-tubes. Mallory dearly wished for such a mask himself, for his eyes were misting so painfully now that he squinted like a pantomime pirate, but he tramped on.

Aldgate became Fenchurch, then Lombard, then Poultry Street, and still he was miles from his goal, if the Palace of Paleontology could be said to be one. His head pounded and swam with the sullen lees of bad whiskey and worse air, and he seemed to be nearer the Thames now, for a damp and viscous taint arose that sickened him.

On Cheapside, a city omnibus had been toppled on its side and set afire with its own boiler-coals. Every window in it had been shattered, and it had burnt to a blackened husk. Mallory hoped no one had died inside it. The smoking wreckage stank too fiercely for him to want to look more closely.

There were people in the churchyard of St. Paul’s. The air seemed somewhat clearer there, for the dome was visible, and a large crowd of men and boys had collected among the churchyard trees. Unaccountably, they seemed in the highest spirits. Mallory perceived to his astonishment that they were brazenly tossing dice on the very steps of Wren’s masterpiece.

A little farther on, and Cheapside itself was blocked by scattered crowds of eager and determined gamblers. Fairy-rings of rascals had sprouted left and right from the very pavement, men kneeling to guard their mounting stakes of coins and paper-money. Eager leaders in mischief, tough, squint-eyed cockneys who seemed to have leapt whole from the coagulated Stink of London, cried aloud, hoarsely, like patterers, as Mallory passed. “A shilling to open! Who’ll shoot? Who will shoot, my lads?” From the scattered rings came cries of triumph at winning, angry groans muffled by masks.

For each man boldly gambling, there were three who timidly watched. A carnival attraction, it seemed, a stinking and criminal carnival, but a London lark nonetheless. There were no police in sight, no authority, no decency. Mallory edged warily through the thin, excited crowd, a cautious hand on the butt of the sailor’s pistol. In an alley, two masked men booted a third, then relieved him of his watch and wallet. A crowd of at least a dozen watched the sight with only mild interest.

These Londoners were like a gas, thought Mallory, like a cloud of minute atomies. The bonds of society broken, they had simply flown apart, like the perfectly elastic gassy spheres in Boyle’s Laws of Physics. Most of them looked respectable enough by their dress; they were merely reckless now, stripped by Chaos to a moral vacuity. Most of them, Mallory thought, had never seen any event remotely like this one. They had no proper standards left for judgment or comparison. They had become puppets of base impulse.

Like the Cheyenne tribesmen of Wyoming, dancing in the devil’s grip of drink, the goodmen of civilized London had surrendered themselves to primitive madness. And by the patent look of surprised bliss on their shining faces, Mallory perceived that they enjoyed it. They enjoyed it very greatly indeed. It was exaltation to them, a wicked freedom more perfect and desirable than any they had ever known.

Along the edge of the crowd a line of gaudy handbills had been newly slapped-up across a formerly sacrosanct brick wall of Paternoster Row. They were adverts of the cheapest and most ubiquitous kind, the sort that pursued the eye all over London:
PROFESSOR
RENBOURNE’S
MAGNETIC
HEADACHE
PILLS
,
BEARDSLEY’S
SHREDDED
CODFISH
,
MCKESSON
& ROBBINS’
TARTARLITHINE
,
ARNICA
TOOTH
SOAP
. . . And some theatrical prints:
MADAME
SCAPIGLIONI
at the Saville House in Leicester Square, a
VAUXHALL
PANMELODIUM
SYMPHONY
. . . Events, Mallory thought, that would surely never come off, and indeed the sheets had been posted with a careless haste that had badly wrinkled the paper. Fresh glue dripped from beneath the bills in rivulets of white ooze, a sight that perturbed Mallory in a way he could not define.

But slapped amid these mundane bills, as if it belonged there by right, was a great three-sheet broadside, a thing the size of a horse-blanket. Engine-printed, rumpled in the hasty plastering. Indeed, its very ink seemed still damp.

A mad thing.

Mallory stopped dead before it, stricken by its crude bizarrity. It had been done in three colors — scarlet, black, and an ugly greyish-pink that seemed a muddle of the two.

A scarlet blindfolded woman — a Goddess of Justice? — in a blurry scarlet toga brandished a scarlet sword labeled
LUDD
over the pinkish-grey heads of two very crudely rendered figures, a man and a woman depicted in busts — a king and queen? Lord and Lady Byron perhaps? The scarlet goddess trampled the midsection of a large two-headed snake, or scaly dragon, its writhing body labeled
MERIT-LORDSHIP
. Behind the scarlet woman, the skyline of London was vigorously aflame in scarlet tongues of fire, while the sky all about the various demented figures was full of stylized scrolls of thick black cloud. Three men, clergymen or savants apparently, dangled from a gallows in the upper-right-hand corner, and in the upper-left a confused mass of ill-formed gesticulating figures waved flags and Jacobin pikes, advancing toward some unknown goal under the bearded star of a comet.

And this was not the half of it. Mallory rubbed at his aching eyes. The vast rectangular sheet seethed with smaller images like a billiard-table littered with random pool-balls. Here a dwarfish wind-god blew out a cloud labeled
PESTILENCE
. There a cannon-shell, or bomb, exploded in stylized spiky fragments, small black misshapen imps being flung aside by the blast. A coffin heaped with flowers held a noose atop it. A nude woman crouched at the feet of a monster, a well-dressed man with the head of a reptile. A tiny praying man in epaulets stood on a gallows, while the hangman, a little fellow with a hood and his sleeves rolled up, gestured brusquely at the noose . . . More of the smudgy smoke-clouds, flung onto the image like mud, connected the whole business like the dough of a fruit-cake. And there was text, too, near the bottom. A title, in large smudgy Engine-type: “
THE
SEVEN
CURSES
OF
THE
WHORE
OF BABYLONDON”!”

Babylondon. Baby what? What “curses,” and why “seven”? The sheet seemed flung together out of random chunks of Engine-imagery. Mallory knew that modern printers had special printers’ punch-cards, clacked-up to print specific blocky pictures, much like the cheap woodcut-blocks on old murder-ballads. In the Engine-work of the catchpenny prints you might see the same hackneyed picture a hundred times. But here the colors were hideous, the images jammed hither and thither in apparent madness, and worst of all the broadsheet seemed to be attempting to express something, in however halting and convulsive a way, that was simply and truly unspeakable.

“Be ye talkin’ a’ me?” demanded a man next to Mallory.

Mallory jumped a bit, startled. “Nothing,” he muttered.

The man loomed nearer at Mallory’s shoulder, a very tall, gaunt cockney, with lank, filthy yellow hair under a towering stovepipe hat. He was drunk, for his eyes were maddened and bright. His face was masked securely in polka-dot fabric. His dirty clothes were near-rags — save the shoes, which were stolen and spanking-new. The cockney reeked with days of unwashed sweat, the stink of dereliction, madness. He squinted hard at the broadsheet, then at Mallory again. “Friends of yours, squire?”

“No,” Mallory said.

“Tell me what it means!” the cockney insisted. “I heard you a-talking over it. You do know, don’t you?”

The man’s sharp voice trembled, and when he looked from the poster to Mallory again the bright accusing eyes above the mask seemed kindled with animal hate.

“Get away from me!” Mallory shouted.

“Blasphemin’ Christ the Savior!” the tall man screeched, his voice rising, his gnarled hands kneading the air. “Christ’s holy blood, what washed us free o’ sin —”

He reached for Mallory. Mallory knocked the grasping hand away.

“Kill ‘im!” an anonymous voice suggested eagerly. The gloating words charged the sullen air like a Leyden-jar. Suddenly, Mallory and his opponent were in the midst of a crowd — no longer random particles, but the focus of real trouble. The tall cockney, half-shoved perhaps, stumbled into Mallory. Mallory doubled him up with a punch to the breadbasket. Someone screamed then, a high hilarious bloodcurdling sound. A flung wad of mud missed Mallory’s head and splattered against the picture. As if this were a signal, there was a sudden blinding melee of shrieks, thudding bodies, flung punches.

Mallory, shoving, swearing, dancing on his trampled feet, yanked the revolver from his waistband, pointed it in the air, and squeezed the trigger.

Nothing. An elbow caught him hard in the ribs.

He cocked the hammer with his thumb, squeezed again. The report was shocking, deafening.