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Authors: Aldous Huxley

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If her directors took her seriously, it was either because they had their own, not too creditable reasons for believing in her extraordinary graces, or else because they were committed by temperament and
Weltanschauung
to this kind of illusion. How seriously, we may now ask, did she take herself? How seriously was she taken by her fellow nuns? We can only guess at the answers to these questions.
There must be times when, however word-perfect in their impressive rôles, the comedians of the spiritual life become uneasily conscious that something is not quite right, that perhaps, after all, God is not mocked and that even human beings may not (appalling thought!) be quite so dumb as one might be led to suppose.
This last truth seems to have dawned upon Sœur Jeanne at a fairly early stage in her long-drawn impersonation of St. Teresa. “God,” she writes, “very often permitted that things should happen to me at the hands of creatures, which gave me much pain.” Through the obscuring veils of this odd jargon we divine the ironic shrug with which Sister X received some specially eloquent discourse on the Spiritual Marriage, the hard-boiled comment made by Sister Y on Jeanne’s new trick, in church, of rolling up her eyes and pressing her hands, like some saint in a baroque picture, over a bosom wildly palpitating with extraordinary graces. We all imagine ourselves to be simultaneously clear-sighted and impenetrable; but, except when blinded by some infatuation, other people can see through us just as easily as we can see through them. The discovery of this fact is apt to be exceedingly disconcerting.
Fortunately for Sœur Jeanne—or perhaps very unfortunately—the first Prioress of the Loudun house was less perspicacious than those other creatures whose ironic scepticism had given her so much pain. Deeply impressed by her young pupil’s holy conversation and exemplary behaviour, the good mother had felt no hesitation in recommending Jeanne’s appointment as Prioress. And now the appointment had been made, and here she was—only twenty-five and the head of a house, the queen of a tiny empire, whose seventeen subjects were bound by Holy Obedience to take her orders and listen to her advice.
Now that victory had been won, now that the fruits of a long and arduous campaign were securely in her grasp, Sœur Jeanne felt that she was entitled to a holiday. She went on with her mystical reading, she continued, on occasion, to talk very learnedly about Christian perfection; but in the intervals she permitted herself—indeed, as Superior, she actually commanded herself—to take it easy. In the parlour, where she was now free to spend as much time as she liked, the new Prioress indulged in interminable conversations with her friends and acquaintances of the uncloistered world. Years later she piously expressed the wish that she might be permitted to set forth “all the faults I committed and caused to be committed in the course of conversations which were not strictly necessary; for then it would be seen how dangerous it is to expose young nuns with such facility at the grilles of their convent parlours, even though their talk may seem to be wholly spiritual.” Yes, even the most spiritual discourses, as the Prioress knew only too well, had a curious way of winding up as something very different. One started out with a series of edifying remarks about the devotion to St. Joseph, about meditation and the precise moment when it might be allowed to give place to the prayer of simple regard, about holy indifference and the practice of the presence of God—one started with these things and then, before one knew where one was or how precisely one had got there, one was discussing, yet again, the exploits of the fascinating and abominable M. Grandier.
“That shameless creature in the rue du Lion d’Or. . . . That young hussy who was M. Hervé’s housekeeper before he got married. . . . That cobbler’s daughter who was now in the service of Her Majesty, the Queen Mother, and who kept him posted about all that went on at court. . . . And his penitents. . . . One shudders to think. . . . Yes, in the sacristy, Reverend Mother, in the sacristy—not fifteen paces from the Blessed Sacrament. . . . And that poor little Trincant, seduced, you might say, under her father’s nose, in his own library. And now it was Mlle. de Brou. Yes, that prude, that precisian. So much attached to virginity that she would never marry. So devout that, when her mother died, she talked of turning Carmelite. Instead of which . . .”
Instead of which . . . In her own case, the Prioress reflected, there had been no ‘instead.’ A novice at nineteen, a nun when she was barely of age. And yet, after the death of her sisters and her two brothers, her parents had begged her to come home and get married and give them grandchildren. Why had she refused? Why, though she hated this dismal life between four walls, had she persisted in taking the final vows? Was it for the love of God, or out of dislike for her mother? Was it to spite M. de Coze or to please Jesus?
She thought with envy of Madeleine de Brou. No choleric father, no prying mother; plenty of money; and her own mistress, free to do as she pleased. And now she had Grandier.
Envy modulated into hatred and contempt.
This hypocrite, with her pale face like the face of a virgin martyr in a picture book! This soft-spoken dissembler, with her beads and her long prayers and her pocket edition of the Bishop of Geneva in red morocco! And all the time, under those black weeds, behind those downcast eyes, what a burning, what lechery! No better than that slut in the rue du Lion d’Or, no better than the cobbler’s daughter, or the little Trincant. And these at least had the excuse of being young or widowed; which was more than could be said for that old maid of thirty-five, with a figure like a maypole and no looks at all. Whereas she, the Prioress, was still in her twenties, and Sister Claire de Sazilly used to say that her face under its coif was like an angel’s peeping through a cloud. And what eyes! Everybody had always admired her eyes—even her mother, even her detestable old aunt, the Abbess. If only she could get him as far as the parlour! Then she would look at him through the grille—look at him fixedly, searchingly, with eyes that should reveal her soul in all its nakedness. Yes, in all its nakedness; for the grille was not the adjunct of modesty; it was in lieu of modesty. Restraint had been taken out of the mind and embodied in an iron lattice. Behind bars one could be shameless.
But, alas, the opportunity for shamelessness never presented itself. The parson had no reasons, either professional or personal, for visiting the convent. He was not the nuns’ director, he had no relatives among their pupils. His lawsuits and his parochial duties left him no leisure for mindless chatter, or talk about perfection, and his mistresses left him no appetite for new and hazardous ‘embarkations.’ Month succeeded month, year followed year, and the Prioress had still found no occasion for the deployment of those irresistible eyes of hers; so far as she was concerned, Grandier remained merely a name—but a name of power, a name that conjured up unavowable phantasies, spirits familiar and unclean, a demon of curiosity, an incubus of concupiscence.
A bad reputation is the mental equivalent of the purely physiological appeals issued by animals during their mating seasons—cries, odours and even, in the case of certain moths, infra-red radiation. In a woman, a name for promiscuity constitutes a standing invitation to every male within gossip-range. And how fascinating, even to the most respectable ladies, is the professional seducer, the hardened breaker of hearts! In the imagination of his female parishioners Grandier’s amorous exploits took on heroic proportions. He became a mythical figure, part Jupiter, part Satyr—bestially lustful and yet, or therefore, divinely attractive. At the time of his trial, a married lady, belonging to one of Loudun’s most honourable families, testified that, after administering communion, the parson had looked at her fixedly, whereupon she “was seized with a violent love for him, which began with a little thrill in all her members.” Another met him in the street and was incontinently overcome by “an extraordinary passion.” A third merely looked at him as he was entering a church and felt “exceedingly great emotions, together with impulses such that she would very much have liked to sleep with him there and then.” All these ladies were notoriously virtuous and of unblemished reputation. Each of them, moreover, had a home with a man in it and a growing family. The poor Prioress had nothing to do, no husband, no children and no vocation. What wonder if she too fell in love with the delicious monster! “
La mère prieure en fut tellement troublée, qu’elle ne parlait plus que de Grandier, qu’elle disait estre l’objet de touttes ses affections
.” That double
t
in
touttes
seems to raise
all
to a higher power, so that Grandier becomes the object of affections beyond the limit of experience, affections which it was impossible for anyone to feel—and yet she felt them in all their monstrous and perverse enormity. The thought of the parson haunted her continuously. Her meditations, which should have been a practice of the presence of God, were a practice, instead, of the presence of Urbain Grandier, or rather of the obscenely fascinating image which had crystallized, in her fancy, around his name. Hers was the unobjective and therefore limitless and insane desire of the moth for the star, of the schoolgirl for the crooner, of the bored and frustrated housewife for Rudolph Valentino. On such merely carnal sins as gluttony and lust, the body imposes, by its very nature and constitution, certain limits. But however weak the flesh, the spirit is always indefinitely willing. To sins of the will and the imagination kind nature sets no limits. Avarice and the lust for power are as nearly infinite as anything in this sublunary world can be. And so is the thing which D. H. Lawrence called “sex in the head.” As heroic passion, it is one of the last infirmities of noble mind. As imagined sensuality, it is one of the first infirmities of the insane mind. And in either case (being free of the body and the limitations imposed by fatigue, by boredom, by the essential irrelevance of material happenings to our ideas and fancies), it partakes of the infinite. Behind her bars the Prioress found herself the victim of an insatiable monster, her own imagination. In her own person she combined the trembling and lacerated quarry with an infernal analogue of the Hound of Heaven. As might have been expected, her health broke down and by 1629 Sœur Jeanne was suffering from a psycho-somatic “derangement of the stomach which,” according to Dr. Rogier and the surgeon Mannoury, “rendered her so weak that it was with difficulty that she could walk.”
All this time, let us remember, the Ursulines’
pensionnat
was purveying reading and writing, the catechism and deportment, to a growing enrolment of young girls. How, one wonders, did the pupils react to the ministrations of a head-mistress in the clutch of a sexual obsession, of teachers already infected by the hysteria of their principal? To this question the documents provide, unfortunately, no answer. All we know is that it was not until a later stage of the proceedings that indignant parents began to remove their children from the good sisters’ care. For the present, it would seem, the mental atmosphere of the convent was not so manifestly abnormal as to arouse alarm. Then, early in the fifth year of the Prioress’s reign, there occurred a series of events which, though unimportant in themselves, were destined to have enormous consequences.
The first of these events was the death of the Ursulines’ director, Canon Moussaut. A most worthy priest, the Canon had conscientiously done his best for the new community, but his best, since he was on the brink of second childhood, had not been very good. He understood nothing of his penitents; and his penitents, on their side, paid no attention to anything he said.
At the news of Moussaut’s death, the Prioress tried her hardest to look sad; but inwardly she was filled with an effervescent elation. At last, at last!
As soon as the old gentleman was safely buried, she despatched a letter to Grandier. It began with a paragraph about the irreparable loss sustained by the community, went on to stress her own and her sisters’ need for spiritual guidance by some director no less wise and holy than the dear defunct, and ended with an invitation to Grandier to step into the Canon’s shoes. Except for the spelling, which had always been Sœur Jeanne’s weakest point, the letter was altogether admirable. Reading through the fair copy, the Prioress could not see how he could possibly resist an appeal at once so heartfelt, so pious, so delicately flattering.
But Grandier’s answer, when it came, was a polite refusal. Not only did he feel himself unworthy of so high an honour; he was also much too busy with his duties as a parish priest.
From the pinnacle of joy, the Prioress tumbled headlong into a disappointment in which grief was mingled with hurt pride, and out of which there grew, as she ruminated the bitter cud of her defeat, a cold persistent rage, a steady malignancy of hatred.
To implement this loathing was by no means easy; for the parson inhabited a world into which it was impossible for a cloistered nun to penetrate. She could not go to him; and he would not go to her. Their nearest approach to a personal contact came when Madeleine de Brou called at the convent to visit her niece, who was one of the boarders. Entering the parlour, Madeleine found the Prioress confronting her on the other side of the grille. She uttered a polite greeting and was answered by a torrent of abuse that became more shrilly violent with every passing moment. “Whore, strumpet, debaucher of priests, committer of the ultimate sacrilege!” Through the bars the Prioress spat at her rival. Madeleine turned and fled.
The last hope of a personal, face-to-face vengeance was now gone. But one thing, at least, Sœur Jeanne could still do: she could associate herself and the whole community under her charge with Grandier’s avowed enemies. Without delay she sent for the man who, of all the local clerics, had the most cogent reasons for detesting him. Ill-favoured, congenitally lame, devoid of talent no less than of charm, Canon Mignon had always envied the parson’s good looks, quick wit and easy successes. To this general and, so to say, antecedent antipathy had been added, over the years, a number of more specific grounds for dislike—Grandier’s sarcasms, the seduction of Mignon’s cousin, Philippe Trincant, and, more recently, a quarrel over a piece of property disputed between the collegial church of Sainte-Croix and the parish of Saint-Pierre. Acting against the advice of his fellow canons, Mignon had taken the case to court and, as they had all prophesied, lost it. He was still smarting under this humiliation when the Prioress summoned him to the convent parlour, and, after talking at large about the spiritual life and in particular of the parson’s scandalous behaviour, invited him to become the nuns’ confessor. The offer was immediately accepted. A new ally had joined the forces leagued against Grandier. Precisely how that ally was to be made use of, Mignon did not yet know. But, like a good general, he was prepared to seize every opportunity that might present itself.
BOOK: The Devils of Loudun
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