The Death of Lucy Kyte (39 page)

22

Marta was in the bar, but her smile faded as soon as she saw the look on Josephine's face. ‘What on earth's the matter?' she asked. ‘You're as white as a sheet. Oh Christ, I wasn't right was I? You didn't walk into Tod Slaughter's dressing room and see a load of Hester's stuff?'

She slid her gin across the table, and Josephine was grateful for it. ‘No, nothing like that. He was lovely, but I know now who hated Hester enough to hurt her.'

‘Who?'

‘Her name is Jane Peck. She's my solicitor's secretary.'

‘In Inverness?'

‘Yes.'

‘But how . . .'

‘Why didn't I come and see him earlier, Marta? All this time that woman was pretending to be so bloody respectful of Hester, making me feel as though I were the one behaving badly, sorting out Hester's will, for God's sake, and going to her funeral . . .'

The shock of the discovery had caught up with Josephine, and she knew she was making no sense. Marta put a hand gently on her arm. ‘Calm down and tell me slowly, from the beginning.'

‘All right, but can we go somewhere else? I can't talk to you in here.'

‘Of course we can. Forget about dinner. We'll go back to Holly Place and I'll make us something to eat there. Lydia's going straight to the cottage after the show,' she added clairvoyantly. ‘I told you we'd have the place to ourselves.'

It wasn't quite the evening that Josephine had had in mind, but she nodded and they found a taxi in the Strand to take them back to Hampstead. It was a year ago almost to the day that she had first made this journey, with every intention then of telling Marta that there could be nothing between them – but she had not been able to walk away. Twelve months later, she blessed her own weakness.

In spite of Marta's reassurances, she could not relax until she saw that the house really was in darkness. Marta put a match to the ready-laid fire and opened a bottle of wine, and Josephine looked round the sitting room, curious to see how it had changed since she was last here, when Marta had only recently moved in. She had lived alone then – even now, she and Lydia kept separate homes – and the house had been sparse but comfortable, a mirror of who Marta was and filled only with what was most important to her; now, the rooms were still beautiful and distinctive, but there were signs of compromise everywhere that Josephine looked – ornaments she knew Marta would never have chosen, books she did not read and spirits she did not drink, a play script left open on the chaise longue where Lydia had been learning her lines. Lydia did not have to be there in person to make her presence felt, and Josephine wished they could have gone back to Suffolk, or even to a hotel, where she would not have felt like an intruder.

Marta poured the wine and sat down. ‘Right – tell me how this Peck woman is connected to Hester.'

‘She's the secretary in my solicitor's office, and she's worked there on and off for years. She's lived in Inverness all her life – one of those people who's always been around, although I never got to know her very well. We even lived in the same street for a bit. She was younger than Hester and my mother, but the families all got along together – you know what it's like with tradesmen in a small town – so it made perfect sense to me that she would follow Hester's career and be interested in what happened to her, but I didn't know it was more personal than that.' She told Marta what Slaughter had said about the scene at the Little Theatre all those years ago. ‘I knew Hester had jilted somebody to marry Walter Paget, and I knew Jane Peck had been caring for an invalid brother, but I never realised that it was one and the same person.'

‘You
have
only got Slaughter's description to go on, though.'

‘I can check to make sure. My mother talks about what happened in her letters to Hester. I can easily find out what the fiancé's name was.'

‘All right, so assuming it
is
her, it doesn't necessarily follow that she had anything more to do with Hester after the scene at the theatre. Yes, she was hacked off with her lot and wanted to humiliate Hester in front of all her famous friends. I'm not sure I blame her. But there's no proof that she was ever in Suffolk, and certainly nothing to link her to Hester's death.'

‘So why did she never tell me that they were connected in that way?'

‘Why should she? Perhaps she was ashamed of what she did and wanted to forget it, or perhaps she was just being professional and separating her personal life from her job.'

‘And she lied about the funeral. She told me she'd had a friendly conversation with Tod Slaughter when she hadn't and invented this other woman, and I'm sure she was the one who sold Lucy Kyte's diary to John Moore.'

‘You don't know that.'

‘Of course I do. He said the woman was like me – he meant she was Scottish. Then there was the business with my father. She implied on the telephone that he was at death's door, but it was only a sprained wrist. Why would she do that, if it wasn't to get me home and give me something other than Hester to worry about?'

‘Jealousy, probably. I imagine she feels the same way about you as she did about Hester. A successful, attractive woman, able to come and go as she pleases, achieving things in her life that the Jane Pecks of this world could never do, invalid brother or not. It could just be spite, Josephine – taking the high and mighty Miss Tey down a peg or two, reminding you that life isn't all glamour and glory. It's vicious, I agree, but it's a long way short of what you're branding her with.'

Marta's level-headedness was beginning to get on Josephine's nerves, mainly because it was so convincing. Everything had seemed very clear to her in the heat of the moment, but now, away from the theatre and from the living, breathing Hester whom Slaughter had conjured up so beautifully for her, the conclusions she had drawn seemed less obvious. Even so, her determination to get justice for Hester did not allow her to give up easily. ‘The money from Hester's treasures would have come in handy,' she continued defiantly. ‘Her brother's treatment left her practically destitute. Everyone says so. She had to sell the house.'

Marta gave the point the scorn it merited. ‘You of all people can't judge someone on the basis of idle gossip in Inverness. You haven't got a shred of evidence to link her with that.'

‘Then I'll get some.'

‘How?'

‘I'll go and see her, ask her outright.'

‘Jesus, Josephine, you can't go round accusing people of killing old ladies, especially when you don't even know that an old lady
has
been killed.'

‘Then what do you suggest I do? She's a solicitor's secretary, for God's sake. She's got everybody's business in the palm of her hand. Who knows what else she might be planning?'

‘So now she's a criminal mastermind? You're getting this completely out of proportion. If this is
anything
– and I do mean if – it's personal to Hester. You said so yourself.'

‘You wouldn't think I was exaggerating if you'd been there when Bert Willis was describing Hester's body, or when Rose was talking about how frightened she was.'

‘All right, I'm sorry, but how . . .'

‘I don't know, Marta.' She put her glass down and took Marta's hands in her own, as if that might make her argument more convincing. ‘I have no idea how any of this happened, but I know deep down that Jane Peck is in some way responsible for the way that Hester died, and I can't ignore it. Please try and understand that.'

Marta nodded reluctantly. ‘Of course I understand. I'd be exactly the same. But I still say you need to be careful. You don't know what you're dealing with.'

A car pulled up in the street outside, and Josephine heard the sound of a key in the lock and laughter in the hallway. ‘That's all we bloody need,' she said impatiently, giving Marta a look which suggested that the whole day was her fault. ‘I thought Lydia was going straight to the cottage.'

‘So did I.'

Marta stood up to get another drink and Josephine braced herself for the loss of peace and privacy. ‘Change of plan,' Lydia announced, giving Josephine a hug and blowing a kiss to Marta. ‘The damned car wouldn't start, so we had no choice but to get a taxi back here.'

‘You could have stayed in town,' Marta said ungraciously, and Lydia's companions – two men and a woman, all of whom Josephine knew vaguely from past productions of her plays – looked uncomfortable.

‘Don't be silly. I'm not really in the mood for the cottage this weekend, and anyway, I was dying to see Josephine – it's been ages.'

Lydia made drinks for everyone, and the evening descended rapidly into a round of theatre talk and bitchy speculation. Josephine tried to take part, if only for appearance's sake, but her mind was still on Hester and eventually she could stand it no longer. ‘I have to go,' she said, with an apologetic glance at Marta. ‘I need to get back to the club.'

‘Well, next time we'll do it properly and have dinner,' Lydia insisted. ‘And you must come to the cottage with us for Christmas.' Josephine opened her mouth to make an excuse, but Lydia was adamant. ‘Marta said your father's going to be away this year, so there's no reason why you shouldn't come down, is there? Alec and Dodie will be there, and I'm hoping Caroline and Peggy will be able to make it, too.' The prospect was so horrific that it took Josephine a few seconds to compose an answer that was both firm and polite, but her delay proved fatal. ‘Excellent. That's settled then. And perhaps we can drive over to see this cottage of yours while we're there. I've heard so much about it, and we're practically neighbours now.'

‘Yes, I suppose we are.'

‘Let me call you a cab,' Marta said, resigned to the end of the evening.

‘Don't bother. I can pick one up in the high street.'

‘All right. I'll walk you there.' She fetched their coats and followed Josephine out into the street. ‘What a fucking disaster,' she said when the door was firmly closed behind them. ‘I'm so sorry.'

‘It's not your fault, but it does feel as though fate's trying to tell us something. I thought you were going to throw them all out at one point. Poor Ben looked mortified.'

Marta caught her eye, and somehow managed to laugh. ‘Was I terribly rude?'

‘Quite rude, yes. But don't think I wasn't cheering you on.' They stopped just before the end of the road, out of the glare of the street lamp, and Josephine pulled Marta close. ‘We'll try again, I promise.' The tenderness of their kiss made her crave the evening they had planned; she shivered in the darkness, reminded of what it was like to feel Marta's skin against her own, to fall asleep to the smell and the taste of her. ‘I'll even forgive you for Christmas,' she whispered.

‘I just wanted to see you.'

‘Even if it is across a war zone? Dodie and Lydia scoring points over a turkey – that doesn't quite work for me.'

‘It's better than nothing.'

Josephine smiled. ‘Yes, I suppose it is.'

‘I'm coming with you, though. I've been thinking about it and I won't have any argument.'

‘You want me to smuggle you through the back door of the Cowdray Club in the middle of the night?' It was a tempting idea: the last thing Josephine wanted tonight was to be parted from Marta. ‘I suppose I could think of something.'

‘I meant to Inverness. I'm not letting you go up there and confront this woman on your own. If you're right, God knows what might happen and I'd never forgive myself.'

Josephine drew back a little so that Marta could see her face. ‘I can't be with you there,' she said seriously. ‘We agreed. This has to be left behind when I go home.'

‘You're going to see a woman who might have killed someone, and you're worried about your reputation? That makes no sense at all.'

‘I know how silly it sounds, but I can't front that one out, Marta. I'm simply not brave enough.'

‘But no one need know. You can have a friend, can't you?'

‘You're forgetting who's the actress. I love you. I couldn't hide that any longer with Lydia just now, and I certainly wouldn't be able to hide it in Inverness.' She bit her lip, wondering how to explain. ‘You're always true to yourself, more so than anyone else I know. I wish I could be more like you, but I'm someone different there and you'd hate me for it. I don't want you to see that. It would destroy us.'

To Josephine's relief, Marta seemed to understand, but she wouldn't give in. ‘Take Archie, then. Or at least talk to him about it, see if he can help.'

‘No, Marta – that would compromise him too much.' She was also afraid that Archie might tell her she was wrong, and she didn't want to hear that or even admit to Marta that she thought it was a possibility. ‘I've asked too many favours of Archie already, and this is something
I
need to do – for Hester, and for myself.' She tried to look reassuring. ‘You're right – this
is
personal.'

‘So when will you go home?'

‘Tomorrow. I need to face her while I'm still angry.'

‘If you're leaving as soon as that, then you
are
going to have to smuggle me into the Cowdray Club.'

Josephine looked at her in disbelief, but she was serious. ‘What will you tell Lydia?'

‘The truth. That the last thing I need is a night with the West End. It's nothing she hasn't heard before.'

Something in her tone made Josephine stop walking. She waited for Marta to turn back, and studied her face for a moment. ‘Lydia knows, doesn't she?'

‘We've never talked about it.'

‘That's not what I asked.' The thought that Marta and Lydia might have reached even an unspoken agreement about her – the freedom which that offered and the betrayal it laid bare – both elated and horrified Josephine.