Read The Dead Love Longer Online

Authors: Scott Nicholson

Tags: #Fiction, #Fantasy, #Paranormal, #Mystery & Detective, #Hard-Boiled, #Ghost, #Horror, #General

The Dead Love Longer (12 page)

BOOK: The Dead Love Longer
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Her eyes brimmed moistly in the glimmer of the sallow moon. I shook my
head,
sure someone was playing a prank on me. They must have seen me and taken advantage of the isolation at my expense. I fully expected her companions to emerge from the darkness, laughing boisterously,
then
inviting me for drinks.

But her eyes stared, beautifully haunted eyes, eyes that bore into me like harpoons. No mirth was hidden in them. She touched my arm, and her fingers were cool. "Help them," she said. "Help
him
."

"Him?"
I said stupidly.

"My Benjamin," she said.
"At helm of the lead rescue boat."

I held my hands apart. "I... I don't understand."

She pulled on my sleeve, her hair shielding her eyes. "There's another boat by the bay," she said. "Perhaps you and I, working the oars together, can reach them in time. Please hurry, before the storm takes them all."

There was no storm. The waves broke on the shore in their eternal, soft wash of sound. The wind was hardly strong enough to raise a kite. But something in her voice made my heart beat faster at the same time that my blood chilled. The moon was suddenly swallowed by the high clouds.

"Follow me," she said, turning and heading between the gravestones into darkness.

I stood where I was, then glanced back at the three-story house where I was staying. A dim light shone there, perhaps the candle I had used for reading. When I looked back, she was gone, and though I ran some distance through the sand, I couldn't find her.

Just then the wind gained speed, the clouds divided, and the quarter-moon's glare bathed the beach. The bay was barren and calm. There was no sign of the lady in white, not even a footprint in the wet sand.

Somewhat disconcerted, I finally made my way back to the house. I went upstairs to the room where I had spread my sleeping bag and laid out my books and laptop. The candle had burned down to half its length. I must have been out on the beach for hours. Numb, I crawled into the bag and sought refuge in sleep, images of her beautiful face dominating my restless thoughts.

In the morning, I laughed at my strange dreams and laid out a few more of my supplies. I opened a tin of fish and ate an apple, then spent an hour at the keyboard, typing my impressions of yesterday's
debarkment
. Satisfied that I had given my editor a good start for her money, I changed into shorts and a light shirt and headed into the heart of the ghost town.

As I walked past the vacant homes and blank windows, I felt as if eyes were upon me. I even shouted once, a great questioning "Hello," still not convinced that the island was completely uninhabited. Nothing answered me but a keening gull's cry.

I found the ranger station, but it was securely locked, the doors and windows barred with steel. Next to it was a building that must have been a general store, for it had benches and a watering trough out front, and assorted rusty hooks and hangers covered its front wall. The interior was desolate, though. I walked past the long, collapsed counter to where the rear of the building opened onto a pier.

I pushed the door aside from where it dangled on warped hinges,
then
went to the end of the pier. The
Atlantic
was laid out before me, bejeweled and glorious, a million diamonds on its surface. I looked out across the bay to the protective cup of dunes four hundred yards away. Then I recalled the previous night, and for the briefest of moments, I saw a clipper, its bulkheads shattered, the prow tilted toward the sun, the sails like tattered ghosts. I blinked and the illusion passed. I laughed to myself, though sweat pooled under my arms.

The day grew rapidly warm, and since the tide was calm, I removed my shirt and shoes and jumped into the water. After a swim, I returned to my makeshift studio, regretting the lack of a shower. I ate a ready-made lunch,
then
gathered my camera to make the four-mile journey to the island's southern tip.

As I walked that narrow barrier island, I discovered why all the settlement was on the upper end. The land was little more than a grim cluster of dunes, with swampy pockets of trapped water scattered here and there along the interior. They weren't the vibrant, teeming swamps such as those in
Florida
. These were bleak, lifeless pools where only mosquitoes seemed to thrive. The parasitic insects set upon me in clouds, and I spent more time beating them away than I did finding suitable photography subjects.

I gave up barely halfway to my destination because the scenery was so hopelessly unvarying. I decided I'd capture some sunsets and sunrises instead, to focus more on the grandly archaic buildings and the
Portsmouth
beaches. I slogged back to the abandoned town, hoping to write a little more before dark. But I couldn't concentrate on my work. Instead, I stared out the window as the fingers of night reached across the town, thinking of my dream woman and comparing her beauty to that of all the other women I'd known.

Restless, I walked the beach at gray dusk. I kept to the Atlantic side, along the bay. I was nearing the old store when she came from the darkness beneath the pier. She wore the same dress that had graced her gentle curves on the previous night. Her fine hair fluttered in the wind, and rarely had I seen such a fine creature. Her pallid skin was the only flaw, the only thing that separated her from perfection.

Once again her dark eyes searched me, silently begging. "Can we go now?" she said. "They must surely be near drowning."

I had decided that perhaps she had lived on the island for some time. And though I had convinced myself that the night before had been a dream, a part of me had been hoping it was real, that I might have a chance to gaze upon her lovely likeness again. And there she was before me. "Where are they?" I asked, nearly breathless.

She raised her hand and pointed across the bay to where a streak of moonlight rippled across the water. "See them, oh, what a terrible storm."

And for an instant, I saw, waves rearing fully fifteen feet high, the rain falling in solid silver sheets, the longboats tossed on the angry ocean like bits of cork in a storm grate. I felt the blood drain from my face.

"Please hurry, sir," she said. "My poor Benjamin is out there."

She brushed past me, grabbing my hand. She was solid, not a mere captivating vision. My senses swirled, sound, touch, and sight all confused. I was as enthralled by her beauty and nearness as I was mortified by the vision of the storm. I let her pull me along, her hurried entreaties competing with the roar of the vicious wind. In those moments when I could take my eyes from here, I glanced at the shoreline ahead of us.

A boat lay beached on the sand, the tide frothing around the stern. The waves grew in force, slapping angrily and reaching farther and farther up the beach. The first drops of rain needled my skin, but the sky was nearly cloudless. I didn't question any of the impossible events. I thought of nothing but the delicate yet strong hand that gripped
mine,
and how I hoped it would never let go.

We reached the boat, and she made to shove off. The rain's intensity had increased, and her wet dress clung closely to her corseted body, her hair draped in wild tangles about her shoulders and back. I must have watched transfixed for some moments, because she turned to me and shouted, "Come, help me. We've not much time."

I ran to her side, bent my energies against the bow, and felt the boat slide into the water. A tremendous wave lapped up and pulled it free of the sand. She clambered over the side, motioning for me to follow. The storm raged about us, the wind now so strong that I could scarcely stand against it. In the darkness, I could no longer see the broken, tilted ship or the would-be rescuers.

She reached her hand to me. "Come, I can't work the oars alone. Benjamin is out there."

I lifted my hand to take hers,
then
dropped it suddenly. I shook my head, more to myself than to her. This was madness.
All madness.

A great wave crashed and rolled back into the sea, the current pulling her away in the boat. The last I saw was her open mouth and startled eyes, stark against the whiteness of her exquisite features. Then she disappeared into the howling storm. I backed away from the rising waters, my arms thrown over my face to block the blinding rain. I came to the dunes and scrambled onto and over them, and found myself among the houses of
Portsmouth
. I collapsed in exhaustion.

The storm abated as suddenly as it had arisen. When I finally opened my eyes again, the moon was out and the wind softly blew the tickling
seagrass
against me. I stood, disoriented, and looked over the bay. The water was as smooth as dark glass.

I walked between those silent houses, back to my room. Surely I was dreaming, I would wake up and find my article half-written, a litter of empty cans and dirty clothes around me, my face
stubbled
and in need of a shave. Surely I was dreaming.

Yet I awoke in clothes soaked with saltwater.

I spent the next day wandering around the town. I forgot all about my assignment, and left my camera sealed in its bag. I told myself over and over that I only had to get through one more night, and then a boat would arrive to ferry me back to the sane, ordinary world. I wouldn't let myself go mad there in that isolated and grim ghost town of
Portsmouth
.

I came upon the cemetery and impulsively passed through its fallen corroded gates. I went to that place where I had first seen the young woman. In that brilliant light of day, the sun reflecting off sea and sand, I saw the details on the markers I had not observed on my first night on the island. The two tombstones were identical in both shape and the amount of erosion.

The first read "Benjamin Elijah Johnson, 1826-1846." Under that, in smaller script: "Taken
By The
Sea." The one beside it, etched in alabaster, read "Mary Claire Dixon, 1828-1846." Hers bore a subscript identical to the neighboring
marker's
.

What
was
most striking about the stones were the engraved hands. The hand on Benjamin Johnson's marker, though well-worn by a century-and-a-half of exposure, was clearly reaching to the left, toward Mary Dixon's marker. Mary's hand, slimmer and more graceful in bas-relief, reached to the right, as if yearning for a final touch. The poignancy was plainly writ in that eternal arrangement.

Mary's hand.
I bent forward and placed my fingers on it, lightly explored it. I knew those curves and hollows, those slender fingers, the sculptor's skill too finely honed. I had held that hand before.

I don't know how long I stood in the graveyard. The shadows eventually grew long, the breeze changed direction, and I knew that if I didn't move soon I might be forever rooted in that spot. I tore myself away from the twin graves and raced back to my room. I would not leave it, I decided. I would remain there, in the sleeping bag or rocking chair, until my boat arrived.

That night the clouds massed from the southeast and the wind rattled the few remaining shutters of the ancient house. I hoped with all my might that the weather would hold clear, lest my boatman lose his nerve. But as I watched from my high window, the storm raged toward the island, the wind screaming as the rain began. Suddenly a bolt of lightning ripped across the charred sky, and I saw her in the yard below the house.

My Mary.

She looked up at me with those familiar, ravishing eyes, that long hair darkened by rain, her comely form encased in that grand dress. My heart beat faster and my pulse throbbed with equal parts dread and desire. On a second lightning strike that followed closely on the heels of the first, I saw that she was motioning for me. I tried to pull my eyes away, but I could not.

Though I commanded my flesh to remain by the window, my legs found a will of their own and carried me to the stairs. I went down, a step at a time, my heart racing with dreadful anticipation. When I reached the first floor, the rain had increased, and the whole house shook on its flimsy pilings. She was waiting on the porch for me.

"Will you come?" she asked.

"Mary," I said.

She nodded, then, without a word, she turned and ran into the brunt of the storm.

I jumped after her, dashing madly through the dead town of
Portsmouth
, shouting at the sky, my curses lost against the fury. The wind among the hollow houses sounded like the laughter of a great crowd. I ran on, toward the beach where I knew the longboat would be.

She had already worked the boat into the water, and beckoned me with an oar. I fought through the turbulent sea, finally gaining the stern and climbing aboard. She had locked two of the oars and arched her back, dipping the oars into the churning sea. I found two more oars in the bottom and locked them into place, clumsily trying to match my strokes with hers.

It was useless, I knew. We were two against the ocean's might, two against nature, two alone. But I didn't care. All that mattered was Mary, pleasing Mary, being with Mary.

Lightning lashed again, and I saw the now-familiar tableau of sinking clipper and endangered rowboats. It may have been my imagination, but I thought I saw a man standing in the fore of one of the rowboats, waving his arms in our direction. Certainly I imagined it.

BOOK: The Dead Love Longer
9.26Mb size Format: txt, pdf, ePub
ads

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