The Creators: A History of Heroes of the Imagination (13 page)

BOOK: The Creators: A History of Heroes of the Imagination
9.53Mb size Format: txt, pdf, ePub

If it [the Koran] were eternal there would be two eternals.… What makes the eternity of speech impossible is that if the speech which is command and prohibition were eternal God would have had to lay commands on Himself.… The words “Take off thy shoes,” [Koran, Surah XX, 12] addressed to Moses when he did not exist.… is speech with the non-existent, and how can a non-entity be addressed? Therefore all commands and narrations in the Koran must be speech originated at the time the person addressed was spoken to. Therefore the speech is in time.

The Mu’tazilites even risked questioning the literal truth of the Koranic texts, which said that God possessed hands and eyes.

What most angered the orthodox was this suggestion that the Koran had actually been created in time. But behind this heterodoxy was the Mu’tazilites’ sincere hope of vindicating the power and unity of Allah. In the dogma of the
un
created Koran the Mu’tazilites saw a nest of perils for Muslim theology. If the Koran had not been created by God, how then had it come into being? Did that suggest—horror of horrors!—that there was some other power capable of such a luminous product? And would not that impugn the axiomatic unity and omnipotence of Allah?

The struggle over whether the Koran was uncreated and existed from eternity or whether it was created at a particular time by God and hence not eternal was no arcane quibble. This explosive question would not be left to theologians. It became a crisis in Islam. Men suffered torture and death for asserting that the Koran was or was not created.

It was during the brilliant and turbulent reign (724–743) of Caliph Hisham of Damascus, the tenth of the great Umayyad caliphs in the East, that the dangerous notion of the
created
Koran was first seriously proposed. In some ways Hisham himself was experimental. As he pushed his conquest out from Syria, defeating the Khazars and conquering Georgia, he tried to make his Arab troops part of the local communities. Pointing his ambitions eastward, he presided over the first Arabic translations of Iranian literature, and welcomed the foreign motifs from Persian architecture and decoration.
He recruited talent wherever he could find it, even enlisting the Christian theologian John of Damascus as his financial officer.

Hisham braved strange and powerful enemies across the Middle East, ingeniously enlisting them in his empire of the faithful. But he was a scrupulous guardian of the faith. In the cosmopolitan atmosphere of his reign we begin to hear suggestions that the Koran was created. John of Damascus reported that this novel idea was considered “a contemptible abomination.” Caliph Hisham had Ja’d b. Dirham, the rebellious teacher of the suspect doctrine, put to death. After the fall of the Umayyad dynasty, the very name of Umayyad became anathema. The Umayyad tombs were violated. The corpse of Caliph Hisham himself was exhumed and publicly scourged.

With the rise of the Abbasid dynasty, the Muslim community was split. The authority of the new caliphate, never recognized in Spain nor in Morocco, reached westward only as far as Algiers. The traditional popular view of the uncreated Koran continued to be officially protected. When the famous Harun al-Rashid (786–809), fifth Abbasid caliph, heard one of the learned men of his realm (Bishr al-Marisi) say that the Koran was created, he threatened to “kill him in such a way as he had never yet killed anyone.” The unfortunate rebel went into hiding for twenty years, until Harun al-Rashid had died.

It was in the Golden Age of the caliphate, in the reign of Al-Mamun (813–833), Mamun the Great, that the House of Islam became newly receptive to the creative novelties of the outside world of unbelievers. Then, too, the dogma of the created Koran was newly tolerated. For a few years it actually became the official doctrine.

Under Mamun the Great, culture flourished as never before in the closed community of Islam. He opened windows to the world, especially to the West. In his new capital of Baghdad, Mamun set up his House of Wisdom, or more precisely a House of Knowledge. There he collected scholars, seeking out from remote capitals like Constantinople great works of the “foreign” sciences, and he brought translators to put works from Greek, Syriac, Persian, and Sanskrit into Arabic. Now Believers could read works of Aristotle, Galen, Ptolemy, Hippocrates, and Euclid in their own language. Mamun had an observatory built by the great astronomer-astrologer Al-Farghani, who wrote treatises on Ptolemaic astronomy, on the mathematical theory of the astrolabe, and made a new estimate of the circumference of the earth. The great Al-Khwarizmi wrote a treatise on algebra, introduced Hindu numerals (later misnamed “Arabic”), and surveyed Greek and Hindu science. Never before and probably never since, was the community of Islam so receptive to creativity and novelty wherever found.

It is not surprising, then, that Mamun the Great welcomed the suggestion
that the Koran itself offered another proof of the creativity of Allah. In 827 he publicly adopted and proclaimed the doctrine of the Mu’tazilites that the Koran was created.

Mamun the Great attached such importance to this dogma that he instructed his governors to query judges and scholars and enforce belief in the dogma of the created Koran. This became his test of orthodoxy. With threats of torture he made some Muslim martyrs among those who refused. The most famous of these, Ahmad Ibn Hanbal (780–855), had been a scholar from his boyhood in Baghdad. He traveled about the holy cities, studied with famous Muslim scholars in Mecca, Medina, Syria, Mesopotamia, Kufa, and Basra, and returned to settle in Baghdad, where he became the very model of everyday orthodoxy. He offered many more than the required number of prayers daily, and recited the whole Koran once every seven days. People called his life a continuous fast. He refused to budge from his traditional faith that the Koran was Allah’s
un
created word. When chains and prison would not persuade him, in 834 Mamun’s successor Caliph Mutasim had him scourged in the palace. As the angry crowd outside were about to attack the palace the caliph stopped the punishment. Soon thereafter Ibn Hanbal was freed.

Popular feeling for the tradition of the uncreated Koran was so strong that no later caliph dared insist on the contrary dogma. In 848 Caliph Al-Mutawakkil proclaimed that no one should be required to subscribe to the doctrine of the created Koran. The name of Hanbal became sacred and thousands attended his funeral. His compilation of forty thousand traditions related to the sunnah (the words and deeds) of the Prophet survived as an authority for Muslim law and sciences. His disciples, the Hanbalites, became one of the main schools of Muslim law. The caliphs had learned that the believing masses would not give up their faith in the uncreatedness of the Koran, which remained orthodox Muslim dogma.

Over the centuries again and again this position has been officially fortified. Mullahs gave this mysterious dignity of uncreatedness even to the everyday utterance of the words of the Koran by the faithful. “Agreement has established,” orthodox mullahs affirmed, “that what is between the two covers is the word of God, and what we read and write is the very speech of God. Therefore the words and letters are themselves the speech of God. Since the speech of god is uncreate, the words must be eternal uncreate.” So Islam rests firmly on Inlibration.

The more we read of the Koran and the Muslim God, the more natural it seems that Islam exempted their Holy Script from the world of creation. For the Muslim God, though a kind of Creator, had a character quite different from the God of the Hebrews and the Christians. As we have seen,
Muslims allowed that the Bible was originally a sacred scripture. In several places, the Koran, too, mentions the six days of Creation. But in the Koran the role of the Creator is transformed. The familiar words of Genesis record that God spent six days on the Creation. “And on the seventh day God ended his work which he had made; and he rested on the seventh day from all his work which he had made. And God blessed the seventh day, and sanctified it: because that in it he had rested from all his work which God created and made” (Genesis 2:2 and 3).

In the Koran God never rests, for he can never be tired.

We created the heavens

And the earth and all

Between them in Six Days

Nor did any sense

Of weariness touch Us.

(Surah L, 38)

It is no wonder that the Koranic God was not wearied. For He created not by making but by ordering, not by work but by command. The creation of anything occurs when He decrees it into being.

To Him is due

The primal origin

Of the heavens and the earth:

When He decreeth a matter,

He saith to it: “Be,”

And it is.

(Surah II, 117)

Again and again the Koran describes God’s fiat.

There are some similar expressions in Genesis of God creating by fiat. “And God said, Let there be light: and there was light” (Genesis 1:3). But there is a vast difference in emphasis between the acts of Creation in the Bible and in the Koran. And between the character of the Hebrew-Christian God the Maker, and the Muslim God of Fiat. In the Bible, the Creation in the first chapter of Genesis is a historic event, prologue to all the rest of history chronicled in the Book. In the Koran the six “days” of Creation are not the beginning of a story but “signs” of God’s omnipotence and his claim on our obedience. Everything about us today, how man is benefited by animals, how the sun and moon and stars shine, how the winds blow and change, how the rain falls to nourish the crops, how ships move, and how mountains remain in place—all these command our obedience and our awe of God.

The Muslim Creator-God is notable not only, nor even mainly, for His work in the Beginning, but as an orderer, a commander, of life and death in our present. The Judeo-Christian God is awesome for the uniqueness of His work in the Beginning. Then He may intervene by divine providence. But the Muslim God awes us by the continuity, the omnipresence, the immediacy, the inscrutable arbitrariness of his decrees.

It is He Who gives Life

And Death; and when He

Decides upon an affair,

He says to it, “Be,”

And it is.

(Surah XL, 68)

After the six days of God’s ukases, the six days of fiat, the God of the Koran, having no reason to rest, simply mounted the Throne of authority. From there he continued to rule by decree over life and death and every earthly act.

The relation of the Muslim God to his creature man, then, is quite unbiblical. The uniqueness of the biblical Creator-God was in his powers of making; the uniqueness of man and woman too would be in their power to imitate their God and after their fashion to exercise the power of creation. After God created the species in the Beginning, he blessed them to be fruitful and multiply; He made them so that each procreated after its kind (Genesis 1:22). This spectacle of Creation shaped and limited Western man’s thinking.

In the Koran, God’s fiat recurs in the conception and gestation of every human being, in every repetitive phenomenon of nature. Again and again God gives his order, “Be,” and it is, for each stage in man’s growth. Every such decree of re-creation provides an additional “sign” of God’s power and authority.

Why did God create man? The God of the Bible would judge man by his fulfillment of his godlike image. Not so in Islam.

“I have only created

Jinns and men, that

They may serve Me.

I created the Jinn and humankind only that they might worship Me.”

(Surah LI, 56)

Since Allah would judge men only by their attitude toward Him, Muslims do not like to be called Mohammedans. This is a kind of sacrilege, implying that any man, even the Prophet himself, could claim the submission due to
God alone. The People of the Koran prefer to call themselves Muslims, from “Islam,” the Arabic word for submission or obedience. The Koran repeatedly reminds us that Allah’s creatures are also his “servants” or “slaves.” What clearer warning against reaching for the new? For a believing Muslim, to create is a rash and dangerous act.

BOOK ONE
CREATOR
MAN

The artist’s whole business is to make something out of nothing
.


PAUL VALÉRY
(c.1930)

Mystified by the power to create, it is no wonder that man should imagine the artist to be godlike. In the West, belief in a Creator-God was a way of confessing that the power to make the new was beyond human explanation. By deifying the Creator, the West somehow encouraged and endorsed the new. Of course man’s power to create did not depend on a theory, and the human need to create has transcended the powers of explanation. Peoples of ancient Egypt, Greece, and Rome who did not know a Creator-God, who made something from nothing, still created works unexcelled of their kind. And peoples of the East who saw a cosmos of cycles created works of rare beauty in all the arts. Across the world, the urge to create needed no express reason and conquered all obstacles.

Still the West, whose unusual hospitality to the new was rooted in many causes and many mysteries, found added incentive in the vision of a Creator-God and a creator man. Creators in the West found their own ways to make a legacy, our heritage of the arts. In this book I describe the who, when, where, and what. But the
why
has never ceased to be a mystery.

Man’s power to make the new was the power to outlive himself in his creations. He found the materials of immortality in the stone around him or the artificial stone that he could make. He flexed his muscles of creativity in structures whose purpose would remain a mystery, and in temples of community. He dared to make images of himself and of the life around him. He made his words into worlds, to relive his past and reshape his future.

PART THREE

THE POWER
OF
STONE

Lend me the stone strength of the past

and I will lend you

The wings of the future, for I have them
.


ROBINSON JEFFERS
(1924)

Other books

Rebel Betty by Michaels, Carla
Tempting by Alex Lucian
Saxon Fall by Griff Hosker
FanGirl Squeal (RockStars of Romance Book 1) by Jackie Chanel, Madison Taylor
Pillow Talk by Hailey North
Abruption by Riley Mackenzie
A Cast of Stones by Patrick W. Carr