The Count of Monte Cristo (97 page)

"'"Because, sir," said the president, "you have insulted a man, and that man will not go one step farther without demanding honorable reparation.""

"'"Another method of assassination?" said the general, shrugging his shoulders."

"'"Make no noise, sir, unless you wish me to consider you as one of the men of whom you spoke just now as cowards, who take their weakness for a shield. You are alone, one alone shall answer you; you have a sword by your side, I have one in my cane; you have no witness, one of these gentlemen will serve you. Now, if you please, remove your bandage." The general tore the handkerchief from his eyes. "At last," said he, "I shall know with whom I have to do." They opened the door and the four men alighted.'"

Franz again interrupted himself, and wiped the cold drops from his brow; there was something awful in hearing the son read aloud in trembling pallor these details of his father's death, which had hitherto been a mystery. Valentine clasped her hands as if in prayer. Noirtier looked at Villefort with an almost sublime expression of contempt and pride. Franz continued:—

"'It was, as we said, the fifth of February. For three days the mercury had been five or six degrees below freezing and the steps were covered with ice. The general was stout and tall, the president offered him the side of the railing to assist him in getting down. The two witnesses followed. It was a dark night. The ground from the steps to the river was covered with snow and hoarfrost, the water of the river looked black and deep. One of the seconds went for a lantern in a coal–barge near, and by its light they examined the weapons. The president's sword, which was simply, as he had said, one he carried in his cane, was five inches shorter than the general's, and had no guard. The general proposed to cast lots for the swords, but the president said it was he who had given the provocation, and when he had given it he had supposed each would use his own arms. The witnesses endeavored to insist, but the president bade them be silent. The lantern was placed on the ground, the two adversaries took their stations, and the duel began. The light made the two swords appear like flashes of lightning; as for the men, they were scarcely perceptible, the darkness was so great."

"'General d'Epinay passed for one of the best swordsmen in the army, but he was pressed so closely in the onset that he missed his aim and fell. The witnesses thought he was dead, but his adversary, who knew he had not struck him, offered him the assistance of his hand to rise. The circumstance irritated instead of calming the general, and he rushed on his adversary. But his opponent did not allow his guard to be broken. He received him on his sword and three times the general drew back on finding himself too closely engaged, and then returned to the charge. At the third he fell again. They thought he slipped, as at first, and the witnesses, seeing he did not move, approached and endeavored to raise him, but the one who passed his arm around the body found it was moistened with blood. The general, who had almost fainted, revived. "Ah," said he, "they have sent some fencing–master to fight with me." The president, without answering, approached the witness who held the lantern, and raising his sleeve, showed him two wounds he had received in his arm; then opening his coat, and unbuttoning his waistcoat, displayed his side, pierced with a third wound. Still he had not even uttered a sigh. General d'Epinay died five minutes after.'"

Franz read these last words in a voice so choked that they were hardly audible, and then stopped, passing his hand over his eyes as if to dispel a cloud; but after a moment's silence, he continued:—

"'The president went up the steps, after pushing his sword into his cane; a track of blood on the snow marked his course. He had scarcely arrived at the top when he heard a heavy splash in the water—it was the general's body, which the witnesses had just thrown into the river after ascertaining that he was dead. The general fell, then, in a loyal duel, and not in ambush as it might have been reported. In proof of this we have signed this paper to establish the truth of the facts, lest the moment should arrive when either of the actors in this terrible scene should be accused of premeditated murder or of infringement of the laws of honor."

""Signed, Beaurepaire, Deschamps, and Lecharpal.""

When Franz had finished reading this account, so dreadful for a son; when Valentine, pale with emotion, had wiped away a tear; when Villefort, trembling, and crouched in a corner, had endeavored to lessen the storm by supplicating glances at the implacable old man,—"Sir," said d'Epinay to Noirtier, "since you are well acquainted with all these details, which are attested by honorable signatures,—since you appear to take some interest in me, although you have only manifested it hitherto by causing me sorrow, refuse me not one final satisfaction—tell me the name of the president of the club, that I may at least know who killed my father." Villefort mechanically felt for the handle of the door; Valentine, who understood sooner than anyone her grandfather's answer, and who had often seen two scars upon his right arm, drew back a few steps. "Mademoiselle," said Franz, turning towards Valentine, "unite your efforts with mine to find out the name of the man who made me an orphan at two years of age." Valentine remained dumb and motionless.

"Hold, sir," said Villefort, "do not prolong this dreadful scene. The names have been purposely concealed; my father himself does not know who this president was, and if he knows, he cannot tell you; proper names are not in the dictionary."

"Oh, misery," cried Franz: "the only hope which sustained me and enabled me to read to the end was that of knowing, at least, the name of him who killed my father! Sir, sir," cried he, turning to Noirtier, "do what you can—make me understand in some way!"

"Yes," replied Noirtier.

"Oh, mademoiselle,—mademoiselle!" cried Franz, "your grandfather says he can indicate the person. Help me,—lend me your assistance!" Noirtier looked at the dictionary. Franz took it with a nervous trembling, and repeated the letters of the alphabet successively, until he came to M. At that letter the old man signified "Yes."

"M," repeated Franz. The young man's finger, glided over the words, but at each one Noirtier answered by a negative sign. Valentine hid her head between her hands. At length, Franz arrived at the word MYSELF.

"Yes!"

"You?" cried Franz, whose hair stood on end; "you, M. Noirtier—you killed my father?"

"Yes!" replied Noirtier, fixing a majestic look on the young man. Franz fell powerless on a chair; Villefort opened the door and escaped, for the idea had entered his mind to stifle the little remaining life in the heart of this terrible old man.

Meanwhile M. Cavalcanti the elder had returned to his service, not in the army of his majesty the Emperor of Austria, but at the gaming–table of the baths of Lucca, of which he was one of the most assiduous courtiers. He had spent every farthing that had been allowed for his journey as a reward for the majestic and solemn manner in which he had maintained his assumed character of father. M. Andrea at his departure inherited all the papers which proved that he had indeed the honor of being the son of the Marquis Bartolomeo and the Marchioness Oliva Corsinari. He was now fairly launched in that Parisian society which gives such ready access to foreigners, and treats them, not as they really are, but as they wish to be considered. Besides, what is required of a young man in Paris? To speak its language tolerably, to make a good appearance, to be a good gamester, and to pay in cash. They are certainly less particular with a foreigner than with a Frenchman. Andrea had, then, in a fortnight, attained a very fair position. He was called count, he was said to possess 50,000 livres per annum; and his father's immense riches, buried in the quarries of Saravezza, were a constant theme. A learned man, before whom the last circumstance was mentioned as a fact, declared he had seen the quarries in question, which gave great weight to assertions hitherto somewhat doubtful, but which now assumed the garb of reality.

Such was the state of society in Paris at the period we bring before our readers, when Monte Cristo went one evening to pay M. Danglars a visit. M. Danglars was out, but the count was asked to go and see the baroness, and he accepted the invitation. It was never without a nervous shudder, since the dinner at Auteuil, and the events which followed it, that Madame Danglars heard Monte Cristo's name announced. If he did not come, the painful sensation became most intense; if, on the contrary, he appeared, his noble countenance, his brilliant eyes, his amiability, his polite attention even towards Madame Danglars, soon dispelled every impression of fear. It appeared impossible to the baroness that a man of such delightfully pleasing manners should entertain evil designs against her; besides, the most corrupt minds only suspect evil when it would answer some interested end—useless injury is repugnant to every mind. When Monte Cristo entered the boudoir,—to which we have already once introduced our readers, and where the baroness was examining some drawings, which her daughter passed to her after having looked at them with M. Cavalcanti,—his presence soon produced its usual effect, and it was with smiles that the baroness received the count, although she had been a little disconcerted at the announcement of his name. The latter took in the whole scene at a glance.

The baroness was partially reclining on a sofa, Eugenie sat near her, and Cavalcanti was standing. Cavalcanti, dressed in black, like one of Goethe's heroes, with varnished shoes and white silk open–worked stockings, passed a white and tolerably nice–looking hand through his light hair, and so displayed a sparkling diamond, that in spite of Monte Cristo's advice the vain young man had been unable to resist putting on his little finger. This movement was accompanied by killing glances at Mademoiselle Danglars, and by sighs launched in the same direction. Mademoiselle Danglars was still the same—cold, beautiful, and satirical. Not one of these glances, nor one sigh, was lost on her; they might have been said to fall on the shield of Minerva, which some philosophers assert protected sometimes the breast of Sappho. Eugenie bowed coldly to the count, and availed herself of the first moment when the conversation became earnest to escape to her study, whence very soon two cheerful and noisy voices being heard in connection with occasional notes of the piano assured Monte Cristo that Mademoiselle Danglars preferred to his society and to that of M. Cavalcanti the company of Mademoiselle Louise d'Armilly, her singing teacher.

It was then, especially while conversing with Madame Danglars, and apparently absorbed by the charm of the conversation, that the count noticed M. Andrea Cavalcanti's solicitude, his manner of listening to the music at the door he dared not pass, and of manifesting his admiration. The banker soon returned. His first look was certainly directed towards Monte Cristo, but the second was for Andrea. As for his wife, he bowed to her, as some husbands do to their wives, but in a way that bachelors will never comprehend, until a very extensive code is published on conjugal life.

"Have not the ladies invited you to join them at the piano?" said Danglars to Andrea. "Alas, no, sir," replied Andrea with a sigh, still more remarkable than the former ones. Danglars immediately advanced towards the door and opened it.

The two young ladies were seen seated on the same chair, at the piano, accompanying themselves, each with one hand, a fancy to which they had accustomed themselves, and performed admirably. Mademoiselle d'Armilly, whom they then perceived through the open doorway, formed with Eugenie one of the tableaux vivants of which the Germans are so fond. She was somewhat beautiful, and exquisitely formed—a little fairy–like figure, with large curls falling on her neck, which was rather too long, as Perugino sometimes makes his Virgins, and her eyes dull from fatigue. She was said to have a weak chest, and like Antonia in the "Cremona Violin," she would die one day while singing. Monte Cristo cast one rapid and curious glance round this sanctum; it was the first time he had ever seen Mademoiselle d'Armilly, of whom he had heard much. "Well," said the banker to his daughter, "are we then all to be excluded?" He then led the young man into the study, and either by chance or manoeuvre the door was partially closed after Andrea, so that from the place where they sat neither the Count nor the baroness could see anything; but as the banker had accompanied Andrea, Madame Danglars appeared to take no notice of it.

The count soon heard Andrea's voice, singing a Corsican song, accompanied by the piano. While the count smiled at hearing this song, which made him lose sight of Andrea in the recollection of Benedetto, Madame Danglars was boasting to Monte Cristo of her husband's strength of mind, who that very morning had lost three or four hundred thousand francs by a failure at Milan. The praise was well deserved, for had not the count heard it from the baroness, or by one of those means by which he knew everything, the baron's countenance would not have led him to suspect it. "Hem," thought Monte Cristo, "he begins to conceal his losses; a month since he boasted of them." Then aloud,—"Oh, madame, M. Danglars is so skilful, he will soon regain at the Bourse what he loses elsewhere."

"I see that you participate in a prevalent error," said Madame Danglars. "What is it?" said Monte Cristo.

"That M. Danglars speculates, whereas he never does."

"Truly, madame, I recollect M. Debray told me—apropos, what is become of him? I have seen nothing of him the last three or four days."

"Nor I," said Madame Danglars; "but you began a sentence, sir, and did not finish."

"Which?"

"M. Debray had told you"—

"Ah, yes; he told me it was you who sacrificed to the demon of speculation."

"I was once very fond of it, but I do not indulge now."

"Then you are wrong, madame. Fortune is precarious; and if I were a woman and fate had made me a banker's wife, whatever might be my confidence in my husband's good fortune, still in speculation you know there is great risk. Well, I would secure for myself a fortune independent of him, even if I acquired it by placing my interests in hands unknown to him." Madame Danglars blushed, in spite of all her efforts. "Stay," said Monte Cristo, as though he had not observed her confusion, "I have heard of a lucky hit that was made yesterday on the Neapolitan bonds."

"I have none—nor have I ever possessed any; but really we have talked long enough of money, count, we are like two stockbrokers; have you heard how fate is persecuting the poor Villeforts?"

"What has happened?" said the count, simulating total ignorance.

"You know the Marquis of Saint–Meran died a few days after he had set out on his journey to Paris, and the marchioness a few days after her arrival?"

"Yes," said Monte Cristo, "I have heard that; but, as Claudius said to Hamlet, "it is a law of nature; their fathers died before them, and they mourned their loss; they will die before their children, who will, in their turn, grieve for them.""

"But that is not all."

"Not all!"

"No; they were going to marry their daughter"—

"To M. Franz d'Epinay. Is it broken off?"

"Yesterday morning, it appears, Franz declined the honor."

"Indeed? And is the reason known?"

"No."

"How extraordinary! And how does M. de Villefort bear it?"

"As usual. Like a philosopher." Danglars returned at this moment alone. "Well," said the baroness, "do you leave M. Cavalcanti with your daughter?"

"And Mademoiselle d'Armilly," said the banker; "do you consider her no one?" Then, turning to Monte Cristo, he said, "Prince Cavalcanti is a charming young man, is he not? But is he really a prince?"

"I will not answer for it," said Monte Cristo. "His father was introduced to me as a marquis, so he ought to be a count; but I do not think he has much claim to that title."

"Why?" said the banker. "If he is a prince, he is wrong not to maintain his rank; I do not like any one to deny his origin."

"Oh, you are a thorough democrat," said Monte Cristo, smiling.

"But do you see to what you are exposing yourself?" said the baroness. "If, perchance, M. de Morcerf came, he would find M. Cavalcanti in that room, where he, the betrothed of Eugenie, has never been admitted."

"You may well say, perchance," replied the banker; "for he comes so seldom, it would seem only chance that brings him."

"But should he come and find that young man with your daughter, he might be displeased."

"He? You are mistaken. M. Albert would not do us the honor to be jealous; he does not like Eugenie sufficiently. Besides, I care not for his displeasure."

"Still, situated as we are"—

"Yes, do you know how we are situated? At his mother's ball he danced once with Eugenie, and M. Cavalcanti three times, and he took no notice of it." The valet announced the Vicomte Albert de Morcerf. The baroness rose hastily, and was going into the study, when Danglars stopped her. "Let her alone," said he. She looked at him in amazement. Monte Cristo appeared to be unconscious of what passed. Albert entered, looking very handsome and in high spirits. He bowed politely to the baroness, familiarly to Danglars, and affectionately to Monte Cristo. Then turning to the baroness: "May I ask how Mademoiselle Danglars is?" said he.

"She is quite well," replied Danglars quickly; "she is at the piano with M. Cavalcanti." Albert retained his calm and indifferent manner; he might feel perhaps annoyed, but he knew Monte Cristo's eye was on him. "M. Cavalcanti has a fine tenor voice," said he, "and Mademoiselle Eugenie a splendid soprano, and then she plays the piano like Thalberg. The concert must be a delightful one."

"They suit each other remarkably well," said Danglars. Albert appeared not to notice this remark, which was, however, so rude that Madame Danglars blushed.

"I, too," said the young man, "am a musician—at least, my masters used to tell me so; but it is strange that my voice never would suit any other, and a soprano less than any." Danglars smiled, and seemed to say, "It is of no consequence." Then, hoping doubtless to effect his purpose, he said,—"The prince and my daughter were universally admired yesterday. You were not of the party, M. de Morcerf?"

"What prince?" asked Albert. "Prince Cavalcanti," said Danglars, who persisted in giving the young man that title.

"Pardon me," said Albert, "I was not aware that he was a prince. And Prince Cavalcanti sang with Mademoiselle Eugenie yesterday? It must have been charming, indeed. I regret not having heard them. But I was unable to accept your invitation, having promised to accompany my mother to a German concert given by the Baroness of Chateau–Renaud." This was followed by rather an awkward silence. "May I also be allowed," said Morcerf, "to pay my respects to Mademoiselle Danglars?""Wait a moment," said the banker, stopping the young man; "do you hear that delightful cavatina? Ta, ta, ta, ti, ta, ti, ta, ta; it is charming, let them finish—one moment. Bravo, bravi, brava!" The banker was enthusiastic in his applause.

"Indeed," said Albert, "it is exquisite; it is impossible to understand the music of his country better than Prince Cavalcanti does. You said prince, did you not? But he can easily become one, if he is not already; it is no uncommon thing in Italy. But to return to the charming musicians—you should give us a treat, Danglars, without telling them there is a stranger. Ask them to sing one more song; it is so delightful to hear music in the distance, when the musicians are unrestrained by observation."

Danglars was quite annoyed by the young man's indifference. He took Monte Cristo aside. "What do you think of our lover?" said he.

"He appears cool. But, then your word is given."

"Yes, doubtless I have promised to give my daughter to a man who loves her, but not to one who does not. See him there, cold as marble and proud like his father. If he were rich, if he had Cavalcanti's fortune, that might be pardoned. Ma foi, I haven't consulted my daughter; but if she has good taste"—

"Oh," said Monte Cristo, "my fondness may blind me, but I assure you I consider Morcerf a charming young man who will render your daughter happy and will sooner or later attain a certain amount of distinction, and his father's position is good."

"Hem," said Danglars.

"Why do you doubt?"

"The past—that obscurity on the past."

"But that does not affect the son."

"Very true."

"Now, I beg of you, don't go off your head. It's a month now that you have been thinking of this marriage, and you must see that it throws some responsibility on me, for it was at my house you met this young Cavalcanti, whom I do not really know at all."

"But I do."

"Have you made inquiry?"

"Is there any need of that! Does not his appearance speak for him? And he is very rich."