The Corrections: A Novel (2 page)

To the west of the Ping-Pong table was Alfred’s great blue chair. The chair was overstuffed, vaguely gubernatorial. It was made of leather, but it smelled like the inside of a Lexus. Like something modern and medical and impermeable that you could wipe the smell of death off easily, with a damp cloth, before the next person sat down to die in it.

The chair was the only major purchase Alfred had ever made without Enid’s approval. When he’d traveled to China to confer with Chinese railroad engineers, Enid had gone
along and the two of them had visited a rug factory to buy a rug for their family room. They were unaccustomed to spending money on themselves, and so they chose one of the least expensive rugs, with a simple blue design from the Book of Changes on a solid field of beige. A few years later, when Alfred retired from the Midland Pacific Railroad, he set about replacing the old cow-smelling black leather armchair in which he watched TV and took his naps. He wanted something really comfortable, of course, but after a lifetime of providing for others he needed more than just comfort: he needed a monument to this need. So he went, alone, to a non-discount furniture store and picked out a chair of permanence. An engineer’s chair. A chair so big that even a big man got lost in it; a chair designed to bear up under heavy stress. And because the blue of its leather vaguely matched the blue in the Chinese rug, Enid had no choice but to suffer its deployment in the family room.

Soon, however, Alfred’s hands were spilling decaffeinated coffee on the rug’s beige expanses, and wild grandchildren were leaving berries and crayons underfoot, and Enid began to feel that the rug was a mistake. It seemed to her that in trying to save money in life she had made many mistakes like this. She reached the point of thinking it would have been better to buy no rug than to buy this rug. Finally, as Alfred’s naps deepened toward enchantment, she grew bolder. Her own mother had left her a tiny inheritance years ago. Interest had been added to principal, certain stocks had performed rather well, and now she had an income of her own. She reconceived the family room in greens and yellows. She ordered fabrics. A paperhanger came, and Alfred, who was napping temporarily in the dining room, leaped to his feet like a man with a bad dream.

“You’re redecorating
again
?”

“It’s my own money,” Enid said. “This is how I’m spending it.”

“And what about the money
I
made? What about the work
I
did?”

This argument had been effective in the past—it was, so to speak, the constitutional basis of the tyranny’s legitimacy—but it didn’t work now. “That rug is nearly ten years old, and we’ll never get the coffee stains out,” Enid answered.

Alfred gestured at his blue chair, which under the paperhanger’s plastic dropcloths looked like something you might deliver to a power station on a flatbed truck. He was trembling with incredulity, unable to believe that Enid could have forgotten this crushing refutation of her arguments, this overwhelming impediment to her plans. It was as if all the unfreedom in which he’d spent his seven decades of life were embodied in this six-year-old but essentially brand-new chair. He was grinning, his face aglow with the awful perfection of his logic.

“And what about the chair, then?” he said. “
What about
the chair?
”

Enid looked at the chair. Her expression was merely pained, no more. “I never liked that chair.”

This was probably the most terrible thing she could have said to Alfred. The chair was the only sign he’d ever given of having a personal vision of the future. Enid’s words filled him with such sorrow—he felt such pity for the chair, such solidarity with it, such astonished grief at its betrayal—that he pulled off the dropcloth and sank into its arms and fell asleep.

(It was a way of recognizing places of enchantment: people falling asleep like this.)

When it became clear that both the rug and Alfred’s chair had to go, the rug was easily shed. Enid advertised in the free local paper and netted a nervous bird of a woman who was still making mistakes and whose fifties came out of her purse in a disorderly roll that she unpeeled and flattened with shaking fingers.

But the chair? The chair was a monument and a symbol and could not be parted from Alfred. It could only be relocated, and so it went into the basement and Alfred followed. And so in the house of the Lamberts, as in St. Jude, as in the country as a whole, life came to be lived underground.

Enid could hear Alfred upstairs now, opening and closing drawers. He became agitated whenever they were going to see their children. Seeing their children was the only thing he seemed to care about anymore.

In the streaklessly clean windows of the dining room there was chaos. The berserk wind, the negating shadows. Enid had looked everywhere for the letter from the Axon Corporation, and she couldn’t find it.

Alfred was standing in the master bedroom wondering why the drawers of his dresser were open, who had opened them, whether he had opened them himself. He couldn’t help blaming Enid for his confusion. For witnessing it into existence. For existing, herself, as a person who could have opened these drawers.

“Al? What are you doing?”

He turned to the doorway where she’d appeared. He began a sentence: “I am—” but when he was taken by surprise, every sentence became an adventure in the woods; as soon as he could no longer see the light of the clearing from which he’d entered, he would realize that the crumbs he’d dropped for bearings had been eaten by birds, silent deft darting things which he couldn’t quite see in the darkness but which were so numerous and swarming in their hunger that it seemed as if
they
were the darkness, as if the darkness weren’t uniform, weren’t an absence of light but a teeming and corpuscular thing, and indeed when as a studious teenager he’d encountered the word “crepuscular” in
McKay’s
Treasury of English Verse
, the corpuscles of biology had bled into his understanding of the word, so that for his entire
adult life he’d seen in twilight a corpuscularity, as of the graininess of the high-speed film necessary for photography under conditions of low ambient light, as of a kind of sinister decay; and hence the panic of a man betrayed deep in the woods whose darkness was the darkness of starlings blotting out the sunset or black ants storming a dead opossum, a darkness that didn’t just exist but actively
consumed
the bearings that he’d sensibly established for himself, lest he be lost; but in the instant of realizing he was lost, time became marvelously slow and he discovered hitherto unguessed eternities in the space between one word and the next, or rather he became trapped in that space between words and could only stand and watch as time sped on without him, the thoughtless boyish part of him crashing on out of sight blindly through the woods while he, trapped, the grownup Al, watched in oddly impersonal suspense to see if the panic-stricken little boy might, despite no longer knowing where he was or at what point he’d entered the woods of this sentence, still manage to blunder into the clearing where Enid was waiting for him, unaware of any woods—“packing my suitcase,” he heard himself say. This sounded right. Verb, possessive, noun. Here was a suitcase in front of him, an important confirmation. He’d betrayed nothing.

But Enid had spoken again. The audiologist had said that he was mildly impaired. He frowned at her, not following.

“It’s
Thursday
,” she said, louder. “We’re not leaving until
Saturday
.”

“Saturday!” he echoed.

She berated him then, and for a while the crepuscular birds retreated, but outside the wind had blown the sun out, and it was getting very cold.

Down the long concourse
they came unsteadily, Enid favoring her damaged hip, Alfred paddling at the air with loose-hinged hands and slapping the airport carpeting with poorly controlled feet, both of them carrying Nordic Pleasurelines shoulder bags and concentrating on the floor in front of them, measuring out the hazardous distance three paces at a time. To anyone who saw them averting their eyes from the dark-haired New Yorkers careering past them, to anyone who caught a glimpse of Alfred’s straw fedora looming at the height of Iowa corn on Labor Day, or the yellow wool of the slacks stretching over Enid’s outslung hip, it was obvious that they were midwestern and intimidated. But to Chip Lambert, who was waiting for them just beyond the security checkpoint, they were killers.

Chip had crossed his arms defensively and raised one hand to pull on the wrought-iron rivet in his ear. He worried that he might tear the rivet right out of his earlobe—that the maximum pain his ear’s nerves could generate was less pain than he needed now to steady himself. From his station by the metal detectors he watched an azure-haired girl overtake his parents, an azure-haired girl of college age, a very want-able stranger with pierced lips and eyebrows. It struck him that if he could have sex with this girl for one second he could face his parents confidently, and that if he could keep on having sex with this girl once every minute for as long as his parents were in town he could survive their entire visit. Chip was a tall, gym-built man with crow’s-feet and sparse
butter-yellow hair; if the girl had noticed him, she might have thought he was a little too old for the leather he was wearing. As she hurried past him, he pulled harder on his rivet to offset the pain of her departure from his life forever and to focus his attention on his father, whose face was brightening at the discovery of a son among so many strangers. In the lunging manner of a man floundering in water, Alfred fell upon Chip and grabbed Chip’s hand and wrist as if they were a rope he’d been thrown. “Well!” he said. “Well!”

Enid came limping up behind him. “Chip,” she cried, “what have you done to your
ears
?”

“Dad, Mom,” Chip murmured through his teeth, hoping the azure-haired girl was out of earshot. “Good to see you.”

He had time for one subversive thought about his parents’ Nordic Pleasurelines shoulder bags—either Nordic Pleasurelines sent bags like these to every booker of its cruises as a cynical means of getting inexpensive walk-about publicity or as a practical means of tagging the cruise participants for greater ease of handling at embarkation points or as a benign means of building esprit de corps; or else Enid and Alfred had deliberately saved the bags from some previous Nordic Pleasurelines cruise and, out of a misguided sense of loyalty, had chosen to carry them on their upcoming cruise as well; and in either case Chip was appalled by his parents’ willingness to make themselves vectors of corporate advertising—before he shouldered the bags himself and assumed the burden of seeing LaGuardia Airport and New York City and his life and clothes and body through the disappointed eyes of his parents.

He noticed, as if for the first time, the dirty linoleum, the assassinlike chauffeurs holding up signs with other people’s names on them, the snarl of wires dangling from a hole in the ceiling. He distinctly heard the word “motherfucker.” Outside the big windows on the baggage level, two
Bangladeshi men were pushing a disabled cab through rain and angry honking.

“We have to be at the pier by four,” Enid said to Chip. “And I think Dad was hoping to see your desk at the
Wall
Street Journal
.” She raised her voice. “Al? Al?”

Though stooped in the neck now, Alfred was still an imposing figure. His hair was white and thick and sleek, like a polar bear’s, and the powerful long muscles of his shoulders, which Chip remembered laboring in the spanking of a child, usually Chip himself, still filled the gray tweed shoulders of his sport coat.

“Al, didn’t you say you wanted to see where Chip worked?” Enid shouted.

Alfred shook his head. “There’s no time.”

The baggage carousel circulated nothing.

“Did you take your pill?” Enid said.

“Yes,” Alfred said. He closed his eyes and repeated slowly, “I took my pill. I took my pill. I took my pill.”

“Dr. Hedgpeth has him on a new medication,” Enid explained to Chip, who was quite certain that his father had not, in fact, expressed interest in seeing his office. And since Chip had no association with the
Wall Street Journal
—the publication to which he made unpaid contributions was the
Warren Street Journal: A Monthly of the Transgressive Arts
; he’d also very recently completed a screenplay, and he’d been working part-time as a legal proofreader at Bragg Knuter & Speigh for the nearly two years since he’d lost his assistant professorship in Textual Artifacts at D——College, in Connecticut, as a result of an offense involving a female undergraduate which had fallen just short of the legally actionable and which, though his parents never learned of it, had interrupted the parade of accomplishments that his mother could brag about, back home in St. Jude; he’d told his parents that he’d quit teaching in order to pursue a career in writing, and when, more recently, his mother had pressed
him for details, he’d mentioned the
Warren Street Journal
, the name of which his mother had misheard and instantly begun to trumpet to her friends Esther Root and Bea Meisner and Mary Beth Schumpert, and though Chip in his monthly phone calls home had had many opportunities to disabuse her he’d instead actively fostered the misunderstanding; and here things became rather complex, not only because the
Wall
Street Journal
was available in St. Jude and his mother had never mentioned looking for his work and failing to find it (meaning that some part of her knew perfectly well that he didn’t write for the paper) but also because the author of articles like “Creative Adultery” and “Let Us Now Praise Scuzzy Motels” was conspiring to preserve, in his mother, precisely the kind of illusion that the
Warren Street Journal
was dedicated to exploding, and he was thirty-nine years old, and he blamed his parents for the person he had become—he was happy when his mother let the subject drop.

“His tremor’s much better,” Enid added in a voice inaudible to Alfred. “The only side effect is that he
may
hallucinate.”