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a Caitanya. He rapidly became renowned for his ecstatic devotion, expressed in dance and song, and was believed to be an
avat
ra
of the joint figure of K
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a and
R
dh
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. His ecstatic, even wild, forms of devotion were later thought (by his disciple, R
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pa Gosv
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m
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) to be a participation in the divine
l
l
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, or play, the source of creativity itself. The so-called ‘Six Gosv
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m
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s’ were disciples who gave some order and structure to the inspiration which Caitanya left, and which continue to the present, not least in the Hare Krishna (see