(Skt., ‘Lord of the dance’).
![](/files/02/59/75/f025975/public/00020.jpg)
iva, the cosmic dancer, especially in the T
![](/files/02/59/75/f025975/public/00006.jpg)
![](/files/02/59/75/f025975/public/00026.jpg)
![](/files/02/59/75/f025975/public/00019.jpg)
ava
dance
. His dance manifests creation, sustenance, destruction, balance, and liberation.
![](/files/02/59/75/f025975/public/00020.jpg)
iva as N
![](/files/02/59/75/f025975/public/00006.jpg)
![](/files/02/59/75/f025975/public/00015.jpg)
ar
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ja appears in his familiar dancing form from the 5th cent. CE onwards, at e.g.
Ellora
and
Elephanta
.
N
th
or N
tha
(Skt., ‘Lord’). A medieval
yoga
tradition of India, influenced by
Tantrism
,
aivism
, and Buddhism. The tradition traces its origin to Matsyendran
![](/files/02/59/75/f025975/public/00006.jpg)
th, one of the eighty-four
siddhas
, who is regarded as its
adiguru
, and his pupil
Gorakhn
th
(
c.
1200 CE). Originating in N. and NE India, the tradition became pan-Indian, tending to adopt the religious forms of a particular region. Thus most N
![](/files/02/59/75/f025975/public/00006.jpg)
ths follow
![](/files/02/59/75/f025975/public/00020.jpg)
aiva practices, though in W. India N
![](/files/02/59/75/f025975/public/00006.jpg)
ths tend towards
Vai
![](/files/02/59/75/f025975/public/00014.jpg)
avism
, and in Nepal towards Buddhism.
The aim of N
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th yoga is liberation in this life (
j
vanmukti
) which is attained in a perfected or divine body (siddha/
divya deha
). The practice of developing the body (
k
y
s
dhan
![](/files/02/59/75/f025975/public/00006.jpg)