The Complete Works of Leo Tolstoy (25+ Works with active table of contents) (656 page)

BOOK: The Complete Works of Leo Tolstoy (25+ Works with active table of contents)
5.3Mb size Format: txt, pdf, ePub
 

"Rugay, here's a pad for you!" he said, throwing down the hare's muddy pad. "You've deserved it, that's it, come on!"

 

"She'd tired herself out, she'd run it down three times by herself," said Nicholas, also not listening to anyone and regardless of whether he were heard or not.

 

"But what is there in running across it like that?" said Ilagin's groom.

 

"Once she had missed it and turned it away, any mongrel could take it," Ilagin was saying at the same time, breathless from his gallop and his excitement. At the same moment Natasha, without drawing breath, screamed joyously, ecstatically, and so piercingly that it set everyone's ear tingling. By that shriek she expressed what the others expressed by all talking at once, and it was so strange that she must herself have been ashamed of so wild a cry and everyone else would have been amazed at it at any other time. "Uncle" himself twisted up the hare, threw it neatly and smartly across his horse's back as if by that gesture he meant to rebuke everybody, and, with an air of not wishing to speak to anyone, mounted his bay and rode off. The others all followed, dispirited and shamefaced, and only much later were they able to regain their former affectation of indifference. For a long time they continued to look at red Rugay who, his arched back spattered with mud and clanking the ring of his leash, walked along just behind "Uncle's" horse with the serene air of a conqueror.

 

"Well, I am like any other dog as long as it's not a question of coursing. But when it is, then look out!" his appearance seemed to Nicholas to be saying.

 

When, much later, "Uncle" rode up to Nicholas and began talking to him, he felt flattered that, after what had happened, "Uncle" deigned to speak to him.

 

CHAPTER VII

 

Toward evening Ilagin took leave of Nicholas, who found that they were so far from home that he accepted "Uncle's" offer that the hunting party should spend the night in his little village of Mikhaylovna.

 

"And if you put up at my house that will be better still. That's it, come on!" said "Uncle." "You see it's damp weather, and you could rest, and the little countess could be driven home in a trap."

 

"Uncle's" offer was accepted. A huntsman was sent to Otradnoe for a trap, while Nicholas rode with Natasha and Petya to "Uncle's" house.

 

Some five male domestic serfs, big and little, rushed out to the front porch to meet their master. A score of women serfs, old and young, as well as children, popped out from the back entrance to have a look at the hunters who were arriving. The presence of Natasha- a woman, a lady, and on horseback--raised the curiosity of the serfs to such a degree that many of them came up to her, stared her in the face, and unabashed by her presence made remarks about her as though she were some prodigy on show and not a human being able to hear or understand what was said about her.

 

"Arinka! Look, she sits sideways! There she sits and her skirt dangles.... See, she's got a little hunting horn!"

 

"Goodness gracious! See her knife?..."

 

"Isn't she a Tartar!"

 

"How is it you didn't go head over heels?" asked the boldest of all, addressing Natasha directly.

 

"Uncle" dismounted at the porch of his little wooden house which stood in the midst of an overgrown garden and, after a glance at his retainers, shouted authoritatively that the superfluous ones should take themselves off and that all necessary preparations should be made to receive the guests and the visitors.

 

The serfs all dispersed. "Uncle" lifted Natasha off her horse and taking her hand led her up the rickety wooden steps of the porch. The house, with its bare, unplastered log walls, was not overclean--it did not seem that those living in it aimed at keeping it spotless--but neither was it noticeably neglected. In the entry there was a smell of fresh apples, and wolf and fox skins hung about.

 

"Uncle" led the visitors through the anteroom into a small hall with a folding table and red chairs, then into the drawing room with a round birchwood table and a sofa, and finally into his private room where there was a tattered sofa, a worn carpet, and portraits of Suvorov, of the host's father and mother, and of himself in military uniform. The study smelt strongly of tobacco and dogs. "Uncle" asked his visitors to sit down and make themselves at home, and then went out of the room. Rugay, his back still muddy, came into the room and lay down on the sofa, cleaning himself with his tongue and teeth. Leading from the study was a passage in which a partition with ragged curtains could be seen. From behind this came women's laughter and whispers. Natasha, Nicholas, and Petya took off their wraps and sat down on the sofa. Petya, leaning on his elbow, fell asleep at once. Natasha and Nicholas were silent. Their faces glowed, they were hungry and very cheerful. They looked at one another (now that the hunt was over and they were in the house, Nicholas no longer considered it necessary to show his manly superiority over his sister), Natasha gave him a wink, and neither refrained long from bursting into a peal of ringing laughter even before they had a pretext ready to account for it.

 

After a while "Uncle" came in, in a Cossack coat, blue trousers, and small top boots. And Natasha felt that this costume, the very one she had regarded with surprise and amusement at Otradnoe, was just the right thing and not at all worse than a swallow-tail or frock coat. "Uncle" too was in high spirits and far from being offended by the brother's and sister's laughter (it could never enter his head that they might be laughing at his way of life) he himself joined in the merriment.

 

"That's right, young countess, that's it, come on! I never saw anyone like her!" said he, offering Nicholas a pipe with a long stem and, with a practiced motion of three fingers, taking down another that had been cut short. "She's ridden all day like a man, and is as fresh as ever!"

 

Soon after "Uncle's" reappearance the door was opened, evidently from the sound by a barefooted girl, and a stout, rosy, good-looking woman of about forty, with a double chin and full red lips, entered carrying a large loaded tray. With hospitable dignity and cordiality in her glance and in every motion, she looked at the visitors and, with a pleasant smile, bowed respectfully. In spite of her exceptional stoutness, which caused her to protrude her chest and stomach and throw back her head, this woman (who was "Uncle's" housekeeper) trod very lightly. She went to the table, set down the tray, and with her plump white hands deftly took from it the bottles and various hors d'oeuvres and dishes and arranged them on the table. When she had finished, she stepped aside and stopped at the door with a smile on her face. "Here I am. I am she! Now do you understand 'Uncle'?" her expression said to Rostov. How could one help understanding? Not only Nicholas, but even Natasha understood the meaning of his puckered brow and the happy complacent smile that slightly puckered his lips when Anisya Fedorovna entered. On the tray was a bottle of herb wine, different kinds of vodka, pickled mushrooms, rye cakes made with buttermilk, honey in the comb, still mead and sparkling mead, apples, nuts (raw and roasted), and nut-and-honey sweets. Afterwards she brought a freshly roasted chicken, ham, preserves made with honey, and preserves made with sugar.

 

All this was the fruit of Anisya Fedorovna's housekeeping, gathered and prepared by her. The smell and taste of it all had a smack of Anisya Fedorovna herself: a savor of juiciness, cleanliness, whiteness, and pleasant smiles.

 

"Take this, little Lady-Countess!" she kept saying, as she offered Natasha first one thing and then another.

 

Natasha ate of everything and thought she had never seen or eaten such buttermilk cakes, such aromatic jam, such honey-and-nut sweets, or such a chicken anywhere. Anisya Fedorovna left the room.

 

After supper, over their cherry brandy, Rostov and "Uncle" talked of past and future hunts, of Rugay and Ilagin's dogs, while Natasha sat upright on the sofa and listened with sparkling eyes. She tried several times to wake Petya that he might eat something, but he only muttered incoherent words without waking up. Natasha felt so lighthearted and happy in these novel surroundings that she only feared the trap would come for her too soon. After a casual pause, such as often occurs when receiving friends for the first time in one's own house, "Uncle," answering a thought that was in his visitors' mind, said:

 

"This, you see, is how I am finishing my days... Death will come. That's it, come on! Nothing will remain. Then why harm anyone?"

 

"Uncle's" face was very significant and even handsome as he said this. Involuntarily Rostov recalled all the good he had heard about him from his father and the neighbors. Throughout the whole province "Uncle" had the reputation of being the most honorable and disinterested of cranks. They called him in to decide family disputes, chose him as executor, confided secrets to him, elected him to be a justice and to other posts; but he always persistently refused public appointments, passing the autumn and spring in the fields on his bay gelding, sitting at home in winter, and lying in his overgrown garden in summer.

 

"Why don't you enter the service, Uncle?"

 

"I did once, but gave it up. I am not fit for it. That's it, come on! I can't make head or tail of it. That's for you--I haven't brains enough. Now, hunting is another matter--that's it, come on! Open the door, there!" he shouted. "Why have you shut it?"

 

The door at the end of the passage led to the huntsmen's room, as they called the room for the hunt servants.

 

There was a rapid patter of bare feet, and an unseen hand opened the door into the huntsmen's room, from which came the clear sounds of a balalayka on which someone, who was evidently a master of the art, was playing. Natasha had been listening to those strains for some time and now went out into the passage to hear better.

 

"That's Mitka, my coachman.... I have got him a good balalayka. I'm fond of it," said "Uncle."

 

It was the custom for Mitka to play the balalayka in the huntsmen's room when "Uncle" returned from the chase. "Uncle" was fond of such music.

 

"How good! Really very good!" said Nicholas with some unintentional superciliousness, as if ashamed to confess that the sounds pleased him very much.

 

"Very good?" said Natasha reproachfully, noticing her brother's tone. "Not 'very good' it's simply delicious!"

 

Just as "Uncle's" pickled mushrooms, honey, and cherry brandy had seemed to her the best in the world, so also that song, at that moment, seemed to her the acme of musical delight.

 

"More, please, more!" cried Natasha at the door as soon as the balalayka ceased. Mitka tuned up afresh, and recommenced thrumming the balalayka to the air of My Lady, with trills and variations. "Uncle" sat listening, slightly smiling, with his head on one side. The air was repeated a hundred times. The balalayka was retuned several times and the same notes were thrummed again, but the listeners did not grow weary of it and wished to hear it again and again. Anisya Fedorovna came in and leaned her portly person against the doorpost.

 

"You like listening?" she said to Natasha, with a smile extremely like "Uncle's." "That's a good player of ours," she added.

 

"He doesn't play that part right!" said "Uncle" suddenly, with an energetic gesture. "Here he ought to burst out--that's it, come on!- ought to burst out."

 

"Do you play then?" asked Natasha.

 

"Uncle" did not answer, but smiled.

 

"Anisya, go and see if the strings of my guitar are all right. I haven't touched it for a long time. That's it--come on! I've given it up."

 

Anisya Fedorovna, with her light step, willingly went to fulfill her errand and brought back the guitar.

 

Without looking at anyone, "Uncle" blew the dust off it and, tapping the case with his bony fingers, tuned the guitar and settled himself in his armchair. He took the guitar a little above the fingerboard, arching his left elbow with a somewhat theatrical gesture, and, with a wink at Anisya Fedorovna, struck a single chord, pure and sonorous, and then quietly, smoothly, and confidently began playing in very slow time, not My Lady, but the well-known song: Came a maiden down the street. The tune, played with precision and in exact time, began to thrill in the hearts of Nicholas and Natasha, arousing in them the same kind of sober mirth as radiated from Anisya Fedorovna's whole being. Anisya Fedorovna flushed, and drawing her kerchief over her face went laughing out of the room. "Uncle" continued to play correctly, carefully, with energetic firmness, looking with a changed and inspired expression at the spot where Anisya Fedorovna had just stood. Something seemed to be laughing a little on one side of his face under his gray mustaches, especially as the song grew brisker and the time quicker and when, here and there, as he ran his fingers over the strings, something seemed to snap.

 

"Lovely, lovely! Go on, Uncle, go on!" shouted Natasha as soon as he had finished. She jumped up and hugged and kissed him. "Nicholas, Nicholas!" she said, turning to her brother, as if asking him: "What is it moves me so?"

 

Nicholas too was greatly pleased by "Uncle's" playing, and "Uncle" played the piece over again. Anisya Fedorovna's smiling face reappeared in the doorway and behind hers other faces...

 

Fetching water clear and sweet, Stop, dear maiden, I entreat-

 

played "Uncle" once more, running his fingers skillfully over the strings, and then he stopped short and jerked his shoulders.

 

"Go on, Uncle dear," Natasha wailed in an imploring tone as if her life depended on it.

Other books

The Certainty of Deception by Jeanne McDonald
Indigo Road by RJ Jones
Greywalker by Kat Richardson
Class by Jilly Cooper
Strawberry Sisters by Candy Harper
Barmy Britain by Jack Crossley
Frostborn: The Master Thief by Jonathan Moeller
Jaxson by Kris Keldaran