The Complete Works of Leo Tolstoy (25+ Works with active table of contents) (649 page)

"Oh, there was childish love?" suddenly asked Prince Andrew, blushing unexpectedly.

"Yes, you know between cousins intimacy often leads to love. Le cousinage est un dangereux voisinage.* Don't you think so?"

*"Cousinhood is a dangerous neighborhood."

"Oh, undoubtedly!" said Prince Andrew, and with sudden and unnatural liveliness he began chaffing Pierre about the need to be very careful with his fifty-year-old Moscow cousins, and in the midst of these jesting remarks he rose, taking Pierre by the arm, and drew him aside.

"Well?" asked Pierre, seeing his friend's strange animation with surprise, and noticing the glance he turned on Natasha as he rose.

"I must... I must have a talk with you," said Prince Andrew. "You know that pair of women's gloves?" (He referred to the Masonic gloves given to a newly initiated Brother to present to the woman he loved.) "I... but no, I will talk to you later on," and with a strange light in his eyes and restlessness in his movements, Prince Andrew approached Natasha and sat down beside her. Pierre saw how Prince Andrew asked her something and how she flushed as she replied.

But at that moment Berg came to Pierre and began insisting that he should take part in an argument between the general and the colonel on the affairs in Spain.

Berg was satisfied and happy. The smile of pleasure never left his face. The party was very successful and quite like other parties he had seen. Everything was similar: the ladies' subtle talk, the cards, the general raising his voice at the card table, and the samovar and the tea cakes; only one thing was lacking that he had always seen at the evening parties he wished to imitate. They had not yet had a loud conversation among the men and a dispute about something important and clever. Now the general had begun such a discussion and so Berg drew Pierre to it.

CHAPTER XXII

Next day, having been invited by the count, Prince Andrew dined with the Rostovs and spent the rest of the day there.

Everyone in the house realized for whose sake Prince Andrew came, and without concealing it he tried to be with Natasha all day. Not only in the soul of the frightened yet happy and enraptured Natasha, but in the whole house, there was a feeling of awe at something important that was bound to happen. The countess looked with sad and sternly serious eyes at Prince Andrew when he talked to Natasha and timidly started some artificial conversation about trifles as soon as he looked her way. Sonya was afraid to leave Natasha and afraid of being in the way when she was with them. Natasha grew pale, in a panic of expectation, when she remained alone with him for a moment. Prince Andrew surprised her by his timidity. She felt that he wanted to say something to her but could not bring himself to do so.

In the evening, when Prince Andrew had left, the countess went up to Natasha and whispered: "Well, what?"

"Mamma! For heaven's sake don't ask me anything now! One can't talk about that," said Natasha.

But all the same that night Natasha, now agitated and now frightened, lay a long time in her mother's bed gazing straight before her. She told her how he had complimented her, how he told her he was going abroad, asked her where they were going to spend the summer, and then how he had asked her about Boris.

"But such a... such a... never happened to me before!" she said. "Only I feel afraid in his presence. I am always afraid when I'm with him. What does that mean? Does it mean that it's the real thing? Yes? Mamma, are you asleep?"

"No, my love; I am frightened myself," answered her mother. "Now go!"

"All the same I shan't sleep. What silliness, to sleep! Mummy! Mummy! such a thing never happened to me before," she said, surprised and alarmed at the feeling she was aware of in herself. "And could we ever have thought!..."

It seemed to Natasha that even at the time she first saw Prince Andrew at Otradnoe she had fallen in love with him. It was as if she feared this strange, unexpected happiness of meeting again the very man she had then chosen (she was firmly convinced she had done so) and of finding him, as it seemed, not indifferent to her.

"And it had to happen that he should come specially to Petersburg while we are here. And it had to happen that we should meet at that ball. It is fate. Clearly it is fate that everything led up to this! Already then, directly I saw him I felt something peculiar."

"What else did he say to you? What are those verses? Read them..." said her mother, thoughtfully, referring to some verses Prince Andrew had written in Natasha's album.

"Mamma, one need not be ashamed of his being a widower?"

"Don't, Natasha! Pray to God. 'Marriages are made in heaven,'" said her mother.

"Darling Mummy, how I love you! How happy I am!" cried Natasha, shedding tears of joy and excitement and embracing her mother.

At that very time Prince Andrew was sitting with Pierre and telling him of his love for Natasha and his firm resolve to make her his wife.

That day Countess Helene had a reception at her house. The French ambassador was there, and a foreign prince of the blood who had of late become a frequent visitor of hers, and many brilliant ladies and gentlemen. Pierre, who had come downstairs, walked through the rooms and struck everyone by his preoccupied, absent-minded, and morose air.

Since the ball he had felt the approach of a fit of nervous depression and had made desperate efforts to combat it. Since the intimacy of his wife with the royal prince, Pierre had unexpectedly been made a gentleman of the bedchamber, and from that time he had begun to feel oppressed and ashamed in court society, and dark thoughts of the vanity of all things human came to him oftener than before. At the same time the feeling he had noticed between his protegee Natasha and Prince Andrew accentuated his gloom by the contrast between his own position and his friend's. He tried equally to avoid thinking about his wife, and about Natasha and Prince Andrew; and again everything seemed to him insignificant in comparison with eternity; again the question: for what? presented itself; and he forced himself to work day and night at Masonic labors, hoping to drive away the evil spirit that threatened him. Toward midnight, after he had left the countess' apartments, he was sitting upstairs in a shabby dressing gown, copying out the original transaction of the Scottish lodge of Freemasons at a table in his low room cloudy with tobacco smoke, when someone came in. It was Prince Andrew.

"Ah, it's you!" said Pierre with a preoccupied, dissatisfied air. "And I, you see, am hard at it." He pointed to his manuscript book with that air of escaping from the ills of life with which unhappy people look at their work.

Prince Andrew, with a beaming, ecstatic expression of renewed life on his face, paused in front of Pierre and, not noticing his sad look, smiled at him with the egotism of joy.

"Well, dear heart," said he, "I wanted to tell you about it yesterday and I have come to do so today. I never experienced anything like it before. I am in love, my friend!"

Suddenly Pierre heaved a deep sigh and dumped his heavy person down on the sofa beside Prince Andrew.

"With Natasha Rostova, yes?" said he.

"Yes, yes! Who else should it be? I should never have believed it, but the feeling is stronger than I. Yesterday I tormented myself and suffered, but I would not exchange even that torment for anything in the world, I have not lived till now. At last I live, but I can't live without her! But can she love me?... I am too old for her.... Why don't you speak?"

"I? I? What did I tell you?" said Pierre suddenly, rising and beginning to pace up and down the room. "I always thought it.... That girl is such a treasure... she is a rare girl.... My dear friend, I entreat you, don't philosophize, don't doubt, marry, marry, marry.... And I am sure there will not be a happier man than you."

"But what of her?"

"She loves you."

"Don't talk rubbish..." said Prince Andrew, smiling and looking into Pierre's eyes.

"She does, I know," Pierre cried fiercely.

"But do listen," returned Prince Andrew, holding him by the arm. "Do you know the condition I am in? I must talk about it to someone."

"Well, go on, go on. I am very glad," said Pierre, and his face really changed, his brow became smooth, and he listened gladly to Prince Andrew. Prince Andrew seemed, and really was, quite a different, quite a new man. Where was his spleen, his contempt for life, his disillusionment? Pierre was the only person to whom he made up his mind to speak openly; and to him he told all that was in his soul. Now he boldly and lightly made plans for an extended future, said he could not sacrifice his own happiness to his father's caprice, and spoke of how he would either make his father consent to this marriage and love her, or would do without his consent; then he marveled at the feeling that had mastered him as at something strange, apart from and independent of himself.

"I should not have believed anyone who told me that I was capable of such love," said Prince Andrew. "It is not at all the same feeling that I knew in the past. The whole world is now for me divided into two halves: one half is she, and there all is joy, hope, light: the other half is everything where she is not, and there is all gloom and darkness...."

"Darkness and gloom," reiterated Pierre: "yes, yes, I understand that."

"I cannot help loving the light, it is not my fault. And I am very happy! You understand me? I know you are glad for my sake."

"Yes, yes," Pierre assented, looking at his friend with a touched and sad expression in his eyes. The brighter Prince Andrew's lot appeared to him, the gloomier seemed his own.

CHAPTER XXIII

Prince Andrew needed his father's consent to his marriage, and to obtain this he started for the country next day.

His father received his son's communication with external composure, but inward wrath. He could not comprehend how anyone could wish to alter his life or introduce anything new into it, when his own life was already ending. "If only they would let me end my days as I want to," thought the old man, "then they might do as they please." With his son, however, he employed the diplomacy he reserved for important occasions and, adopting a quiet tone, discussed the whole matter.

In the first place the marriage was not a brilliant one as regards birth, wealth, or rank. Secondly, Prince Andrew was no longer as young as he had been and his health was poor (the old man laid special stress on this), while she was very young. Thirdly, he had a son whom it would be a pity to entrust to a chit of a girl. "Fourthly and finally," the father said, looking ironically at his son, "I beg you to put it off for a year: go abroad, take a cure, look out as you wanted to for a German tutor for Prince Nicholas. Then if your love or passion or obstinacy--as you please--is still as great, marry! And that's my last word on it. Mind, the last..." concluded the prince, in a tone which showed that nothing would make him alter his decision.

Prince Andrew saw clearly that the old man hoped that his feelings, or his fiancee's, would not stand a year's test, or that he (the old prince himself) would die before then, and he decided to conform to his father's wish--to propose, and postpone the wedding for a year.

Three weeks after the last evening he had spent with the Rostovs, Prince Andrew returned to Petersburg.

Next day after her talk with her mother Natasha expected Bolkonski all day, but he did not come. On the second and third day it was the same. Pierre did not come either and Natasha, not knowing that Prince Andrew had gone to see his father, could not explain his absence to herself.

Three weeks passed in this way. Natasha had no desire to go out anywhere and wandered from room to room like a shadow, idle and listless; she wept secretly at night and did not go to her mother in the evenings. She blushed continually and was irritable. It seemed to her that everybody knew about her disappointment and was laughing at her and pitying her. Strong as was her inward grief, this wound to her vanity intensified her misery.

Once she came to her mother, tried to say something, and suddenly began to cry. Her tears were those of an offended child who does not know why it is being punished.

The countess began to soothe Natasha, who after first listening to her mother's words, suddenly interrupted her:

"Leave off, Mamma! I don't think, and don't want to think about it! He just came and then left off, left off..."

Her voice trembled, and she again nearly cried, but recovered and went on quietly:

"And I don't at all want to get married. And I am afraid of him; I have now become quite calm, quite calm."

The day after this conversation Natasha put on the old dress which she knew had the peculiar property of conducing to cheerfulness in the mornings, and that day she returned to the old way of life which she had abandoned since the ball. Having finished her morning tea she went to the ballroom, which she particularly liked for its loud resonance, and began singing her solfeggio. When she had finished her first exercise she stood still in the middle of the room and sang a musical phrase that particularly pleased her. She listened joyfully (as though she had not expected it) to the charm of the notes reverberating, filling the whole empty ballroom, and slowly dying away; and all at once she felt cheerful. "What's the good of making so much of it? Things are nice as it is," she said to herself, and she began walking up and down the room, not stepping simply on the resounding parquet but treading with each step from the heel to the toe (she had on a new and favorite pair of shoes) and listening to the regular tap of the heel and creak of the toe as gladly as she had to the sounds of her own voice. Passing a mirror she glanced into it. "There, that's me!" the expression of her face seemed to say as she caught sight of herself. "Well, and very nice too! I need nobody."