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Authors: Flannery O'Connor

The Complete Stories (34 page)

BOOK: The Complete Stories
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“It warn't like it was what he should ought or oughtn't,” he muttered. “It was like what nobody else don't do.”

“You don't have anything against him,” she said shortly, “and he's here to stay.”

“We ain't never had one like him before is all,” he murmured and gave his polite laugh.

“Times are changing,” she said. “Do you know what's happening to this world? It's swelling up. It's getting so full of people that only the smart thrifty energetic ones are going to survive,” and she tapped the words, smart, thrifty, and energetic out on the palm of her hand. Through the far end of the stall she could see down the road to where the Displaced Person was standing in the open barn door with the green hose in his hand. There was a certain stiffness about his figure that seemed to make it necessary for her to approach him slowly, even in her thoughts. She had decided this was because she couldn't hold an easy conversation with him. Whenever she said anything to him, she found herself shouting and nodding extravagantly and she would be conscious that one of the Negroes was leaning behind the nearest shed, watching.

“No indeed!” she said, sitting down on one of the feed racks and folding her arms, “I've made up my mind that I've had enough trashy people on this place to last me a lifetime and I'm not going to spend my last years fooling with Shortleys and Ringfields and Collins when the world is full of people who
have
to work.”

“Howcome they so many extra?” he asked.

“People are selfish,” she said. “They have too many children. There's no sense in it any more.”

He had picked up the wheelbarrow handles and was backing out the door and he paused, half in the sunlight and half out, and stood there chewing his gums as if he had forgotten which direction he wanted to move in.

“What you colored people don't realize,” she said, “is that I'm the one around here who holds all the strings together. If you don't work, I don't make any money and I can't pay you. You're all dependent on me but you each and every one act like the shoe is on the other foot.”

It was not possible to tell from his face if he heard her. Finally he backed out with the wheelbarrow. “Judge say the devil he know is better than the devil he don't,” he said in a clear mutter and trundled off.

She got up and followed him, a deep vertical pit appearing suddenly in the center of her forehead, just under the red bangs. “The Judge has long since ceased to pay the bills around here,” she called in a piercing voice.

He was the only one of her Negroes who had known the Judge and he thought this gave him title. He had had a low opinion of Mr. Crooms and Mr. McIntyre, her other husbands, and in his veiled polite way, he had congratulated her after each of her divorces. When he thought it necessary, he would work under a window where he knew she was sitting and talk to himself, a careful roundabout discussion, question and answer and then refrain. Once she had got up silently and slammed the window down so hard that he had fallen backwards off his feet. Or occasionally he spoke with the peacock. The cock would follow him around the place, his steady eye on the ear of corn that stuck up from the old man's back pocket or he would sit near him and pick himself. Once from the open kitchen door, she had heard him say to the bird, “I remember when it was twenty of you walking about this place and now it's only you and two hens. Crooms it was twelve. McIntyre it was five. You and two hens now.”

And that time she had stepped out of the door onto the porch and said, “MISTER Crooms and MISTER McIntyre! And I don't want to hear you call either of them anything else again. And you can understand this: when that peachicken dies there won't be any replacements.”

She kept the peacock only out of a superstitious fear of annoying the Judge in his grave. He had liked to see them walking around the place for he said they made him feel rich. Of her three husbands, the Judge was the one most present to her although he was the only one she had buried. He was in the family graveyard, a little space fenced in the middle of the back cornfield, with his mother and father and grandfather and three great aunts and two infant cousins. Mr. Crooms, her second, was forty miles away in the state asylum and Mr. McIntyre, her last, was intoxicated, she supposed, in some hotel room in Florida. But the Judge, sunk in the cornfield with his family, was always at home.

She had married him when he was an old man and because of his money but there had been another reason that she would not admit then, even to herself: she had liked him. He was a dirty snuff-dipping Court House figure, famous all over the county for being rich, who wore hightop shoes, a string tie, a gray suit with a black stripe in it, and a yellowed panama hat, winter and summer. His teeth and hair were tobacco-colored and his face a clay pink pitted and tracked with mysterious prehistoric-looking marks as if he had been unearthed among fossils. There had been a peculiar odor about him of sweaty fondled bills but he never carried money on him or had a nickel to show. She was his secretary for a few months and the old man with his sharp eye had seen at once that here was a woman who admired him for himself. The three years that he lived after they married were the happiest and most prosperous of Mrs. McIntyre's life, but when he died his estate proved to be bankrupt. He left her a mortgaged house and fifty acres that he had managed to cut the timber off before he died. It was as if, as the final triumph of a successful life, he had been able to take everything with him.

But she had survived. She had survived a succession of tenant farmers and dairymen that the old man himself would have found hard to outdo, and she had been able to meet the constant drain of a tribe of moody unpredictable Negroes, and she had even managed to hold her own against the incidental bloodsuckers, the cattle dealers and lumber men and the buyers and sellers of anything who drove up in pieced-together trucks and honked in the yard.

She stood slightly reared back with her arms folded under her smock and a satisfied expression on her face as she watched the Displaced Person turn off the hose and disappear inside the barn. She was sorry that the poor man had been chased out of Poland and run across Europe and had had to take up in a tenant shack in a strange country, but she had not been responsible for any of this. She had had a hard time herself. She knew what it was to struggle. People ought to have to struggle. Mr. Guizac had probably had everything given to him all the way across Europe and over here. He had probably not had to struggle enough. She had given him a job. She didn't know if he was grateful or not. She didn't know anything about him except that he did the work. The truth was that he was not very real to her yet. He was a kind of miracle that she had seen happen and that she talked about but that she still didn't believe.

She watched as he came out of the barn and motioned to Sulk, who was coming around the back of the lot. He gesticulated and then took something out of his pocket and the two of them stood looking at it. She started down the lane toward them. The Negro's figure was slack and tall and he was craning his round head forward in his usual idiotic way. He was a little better than half-witted but when they were like that they were always good workers. The Judge had said always hire you a half-witted nigger because they don't have sense enough to stop working. The Pole was gesticulating rapidly. He left something with the colored boy and then walked off and before she rounded the turn in the lane, she heard the tractor crank up. He was on his way to the field. The Negro was still hanging there, gaping at whatever he had in his hand.

She entered the lot and walked through the barn, looking with approval at the wet spotless concrete floor. It was only nine-thirty and Mr. Shortley had never got anything washed until eleven. As she came out at the other end, she saw the Negro moving very slowly in a diagonal path across the road in front of her, his eyes still on what Mr. Guizac had given him. He didn't see her and he paused and dipped his knees and leaned over his hand, his tongue describing little circles. He had a photograph. He lifted one finger and traced it lightly over the surface of the picture. Then he looked up and saw her and seemed to freeze, his mouth in a half-grin, his finger lifted.

“Why haven't you gone to the field?” she asked.

He raised one foot and opened his mouth wider while the hand with the photograph edged toward his back pocket.

“What's that?” she said.

“It ain't nothing,” he muttered and handed it to her automatically.

It was a photograph of a girl of about twelve in a white dress. She had blond hair with a wreath in it and she looked forward out of light eyes that were bland and composed. “Who is this child?” Mrs. McIntyre asked.

“She his cousin,” the boy said in a high voice.

“Well what are you doing with it?” she asked.

“She going to mah me,” he said in an even higher voice.

“Marry you!” she shrieked.

“I pays half to get her over here,” he said. “I pays him three dollar a week. She bigger now. She his cousin. She don't care who she mah she so glad to get away from there.” The high voice seemed to shoot up like a nervous jet of sound and then fall flat as he watched her face. Her eyes were the color of blue granite when the glare falls on it, but she was not looking at him. She was looking down the road where the distant sound of the tractor could be heard.

“I don't reckon she goin to come nohow,” the boy murmured.

“I'll see that you get every cent of your money back,” she said in a toneless voice and turned and walked off, holding the photograph bent in two. There was nothing about her small stiff figure to indicate that she was shaken.

As soon as she got in the house, she lay down on her bed and shut her eyes and pressed her hand over her heart as if she were trying to keep it in place. Her mouth opened and she made two or three dry little sounds. Then after a minute she sat up and said aloud, “They're all the same. It's always been like this,” and she fell back flat again. “Twenty years of being beaten and done in and they even robbed his grave!” and remembering that, she began to cry quietly, wiping her eyes every now and then with the hem of her smock.

What she had thought of was the angel over the Judge's grave. This had been a naked granite cherub that the old man had seen in the city one day in a tombstone store window. He had been taken with it at once, partly because its face reminded him of his wife and partly because he wanted a genuine work of art over his grave. He had come home with it sitting on the green plush train seat beside him. Mrs. McIntyre had never noticed the resemblance to herself. She had always thought it hideous but when the Herrins stole it off the old man's grave, she was shocked and outraged. Mrs. Herrin had thought it very pretty and had walked to the graveyard frequently to see it, and when the Herrins left the angel left with them, all but its toes, for the ax old man Herrin had used to break it off with had struck slightly too high. Mrs. McIntyre had never been able to afford to have it replaced.

When she had cried all she could, she got up and went into the back hall, a closet-like space that was dark and quiet as a chapel and sat down on the edge of the Judge's black mechanical chair with her elbow on his desk. This was a giant roll-top piece of furniture pocked with pigeon holes full of dusty papers. Old bankbooks and ledgers were stacked in the half-open drawers and there was a small safe, empty but locked, set like a tabernacle in the center of it. She had left this part of the house unchanged since the old man's time. It was a kind of memorial to him, sacred because he had conducted his business here. With the slightest tilt one way or the other, the chair gave a rusty skeletal groan that sounded something like him when he had complained of his poverty. It had been his first principle to talk as if he were the poorest man in the world and she followed it, not only because he had but because it was true. When she sat with her intense constricted face turned toward the empty safe, she knew there was nobody poorer in the world than she was.

She sat motionless at the desk for ten or fifteen minutes and then as if she had gained some strength, she got up and got in her car and drove to the cornfield.

The road ran through a shadowy pine thicket and ended on top of a hill that rolled fan-wise down and up again in a broad expanse of tassled green. Mr. Guizac was cutting from the outside of the field in a circular path to the center where the graveyard was all but hidden by the corn, and she could see him on the high far side of the slope, mounted on the tractor with the cutter and wagon behind him. From time to time, he had to get off the tractor and climb in the wagon to spread the silage because the Negro had not arrived. She watched impatiently, standing in front of her black coupe with her arms folded under her smock, while he progressed slowly around the rim of the field, gradually getting close enough for her to wave to him to get down. He stopped the machine and jumped off and came running forward, wiping his red jaw with a piece of grease rag.

“I want to talk to you,” she said and beckoned him to the edge of the thicket where it was shady. He took off the cap and followed her, smiling, but his smile faded when she turned and faced him. Her eyebrows, thin and fierce as a spider's leg, had drawn together ominously and the deep vertical pit had plunged down from under the red bangs into the bridge of her nose. She removed the bent picture from her pocket and handed it to him silently. Then she stepped back and said, “Mr. Guizac! You would bring this poor innocent child over here and try to marry her to a half-witted thieving black stinking nigger! What kind of a monster are you!”

He took the photograph with a slowly returning smile. “My cousin,” he said. “She twelve here. First Communion. Six-ten now.”

Monster! she said to herself and looked at him as if she were seeing him for the first time. His forehead and skull were white where they had been protected by his cap but the rest of his face was red and bristled with short yellow hairs. His eyes were like two bright nails behind his gold-rimmed spectacles that had been mended over the nose with haywire. His whole face looked as if it might have been patched together out of several others. “Mr. Guizac,” she said, beginning slowly and then speaking faster until she ended breathless in the middle of a word, “that nigger cannot have a white wife from Europe. You can't talk to a nigger that way. You'll excite him and besides it can't be done. Maybe it can be done in Poland but it can't be done here and you'll have to stop. It's all foolishness. That nigger don't have a grain of sense and you'll excite…”

BOOK: The Complete Stories
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