The Complete Short Stories (36 page)

“A nasty heathen ipe what don't never say nothing sensible and cheerful, same as pore Polly did,” was the unfavourable verdict of the kitchen quarters.

One Sunday morning, some twelve or fourteen months after the visit of Colonel John and the parrot-tragedy, Miss Wepley sat deoorously in her pew in the parish church, immediately in front of that occupied by Groby Lington. She was, comparatively speaking, a new-comer in the neighbourhood, and was not personally acquainted with her fellow-worshipper in the seat behind, but for the past two years the Sunday morning service had brought them regularly within each other's sphere of consciousness. Without having paid particular attention to the subject, she could probably have given a correct rendering of the way in which he pronounced certain words occurring in the responses, while he was well aware of the trivial fact that, in addition to her prayer book and handkerchief, a small paper packet of throat lozenges always reposed on the seat beside her. Miss Wepley rarely had recourse to her lozenges, but in case she should be taken with a fit of coughing she wished to have the emergency duly provided for. On this particular Sunday the lozenges occasioned an unusual diversion in the even tenor of her devotions, far more disturbing to her personally than a prolonged attack of coughing would have been. As she rose to take part in the singing of the first hymn, she fancied that she saw the hand of her neighbour, who was alone in the pew behind her, make a furtive downward grab at the packet lying on the seat; on turning sharply round she found that the packet had certainly disappeared, but Mr. Lington was to all outward seeming serenely intent on his hymn-book. No amount of interrogatory glaring on the part of the despoiled lady could bring the least shade of conscious guilt to his face.

“Worse was to follow,” as she remarked afterwards to a scandalized audience of friends and acquaintances. “I had scarcely knelt in prayer when a lozenge, one of
my
lozenges, came whizzing into the pew, just under my nose. I turned round and stared, but Mr. Lington had his eyes closed and his lips moving as though engaged in prayer. The moment I resumed my devotions another lozenge came rattling in, and then another. I took no notice for a while, and then turned round suddenly just as the dreadful man was about to flip another one at me. He hastily pretended to be
turning over the leaves of his book, but I was not to be taken in that time. He saw that he had been discovered and no more lozenges came. Of course I have changed my pew.”

“No gentleman would have acted in such a disgraceful manner,” said one of her listeners; “and yet Mr. Lington used to be so respected by everybody. He seems to have behaved like a little ill-bred schoolboy.”

“He behaved like a monkey,” said Miss Wepley.

Her unfavourable verdict was echoed in other quarters about the same time. Groby Lington had never been a hero in the eyes of his personal retainers, but he had shared the approval accorded to his defunct parrot as a cheerful, well-dispositioned body, who gave no particular trouble. Of late months, however, this character would hardly have been endorsed by the members of his domestic establishment. The stolid stable-boy, who had first announced to him the tragic end of his feathered pet, was one of the first to give voice to the murmurs of disapproval which became rampant and general in the servants' quarters, and he had fairly substantial grounds for his disaffection. In a burst of hot summer weather he had obtained permission to bathe in a modest-sized pond in the orchard, and thither one afternoon Groby had bent his steps, attracted by loud imprecations of anger mingled with the shriller chattering of monkey-language. He beheld his plump diminutive servitor, clad only in a waistcoat and a pair of socks, storming ineffectually at the monkey which was seated on a low branch of an apple tree, abstractedly fingering the remainder of the boy's outfit, which he had removed just out of his reach.

“The ipe's been an' took my clothes,” whined the boy, with the passion of his kind for explaining the obvious. His incomplete toilet effect rather embarrassed him, but he hailed the arrival of Groby with relief, as promising moral and material support in his efforts to get back his raided garments. The monkey had ceased its defiant jabbering, and doubtless with a little coaxing from its master it would hand back the plunder.

“If I lift you up,” suggested Groby, “you will just be able to reach the clothes.”

The boy agreed, and Groby clutched him firmly by the waistcoat, which was about all there was to catch hold of, and lifted him clear of the ground. Then, with a deft swing he sent him crashing into a clump of tall nettles, which closed receptively round him. The victim
had not been brought up in a school which teaches one to repress one's emotions—if a fox had attempted to gnaw at his vitals he would have flown to complain to the nearest hunt committee rather than have affected an attitude of stoical indifference. On this occasion the volume of sound which he produced under the stimulus of pain and rage and astonishment was generous and sustained, but above his bellowings he could distinctly hear the triumphant chattering of his enemy in the tree, and a peal of shrill laughter from Groby.

When the boy had finished an improvised St. Vitus caracole, which would have brought him fame on the boards of the Coliseum, and which indeed met with ready appreciation and applause from the retreating figure of Groby Lington, he found that the monkey had also discreetly retired, while his clothes were scattered on the grass at the foot of the tree.

“They'm two ipes, that's what they be,” he muttered angrily, and if his judgment was severe, at least he spoke under the sting of considerable provocation.

It was a week or two later that the parlour-maid gave notice, having been terrified almost to tears by an outbreak of sudden temper on the part of the master anent some under done cutlets. “'E gnashed 'is teeth at me, 'e did reely,” she informed a sympathetic kitchen audience.

“I'd like to see 'im talk like that to me, I would,” said the cook defiantly, but her cooking from that moment showed a marked improvement.

It was seldom that Groby Lington so far detached himself from his accustomed habits as to go and form one of a house-party, and he was not a little piqued that Mrs. Glenduff should have stowed him away in the musty old Georgian wing of the house, in the next room, moreover, to Leonard Spabbink, the eminent pianist.

“He plays Liszt like an angel,” had been the hostess's enthusiastic testimonial.

“He may play him like a trout for all I care,” had been Groby's mental comment, “but I wouldn't mind betting that he snores. He's just the sort and shape that would. And if I hear him snoring through those ridiculous thin-panelled walls, there'll be trouble.”

He did, and there was.

Groby stood it for about two and a quarter minutes, and then made his way through the corridor into Spabbink's room. Under
Groby's vigorous measures the musician's flabby, redundant figure sat up in bewildered semi-consciousness like an ice-cream that has been taught to beg. Groby prodded him into complete wakefulness, and then the pettish self-satisfied pianist fairly lost his temper and slapped his domineering visitant on the hand. In another moment Spabbink was being nearly stifled and very effectually gagged by a pillow-case tightly bound round his head, while his plump pyjama'd limbs were hauled out of bed and smacked, pinched, kicked, and bumped in a catch-as-catch-can progress across the floor, towards the flat shallow bath in whose utterly inadequate depths Groby perseveringly strove to drown him. For a few moments the room was almost in darkness: Groby's candle had overturned in an early stage of the scuffle, and its flicker scarcely reached to the spot where splashings, smacks, muffled cries, and splutterings, and a chatter of ape-like rage told of the struggle that was being waged round the shores of the bath. A few instants later the one-sided combat was brightly lit up by the flare of blazing curtains and rapidly kindling panelling.

When the hastily aroused members of the house-party stampeded out on to the lawn, the Georgian wing was well alight and belching forth masses of smoke, but some moments elapsed before Groby appeared with the half-drowned pianist in his arms, having just bethought him of the superior drowning facilities offered by the pond at the bottom of the lawn. The cool night air sobered his rage, and when he found that he was innocently acclaimed as the heroic rescuer of poor Leonard Spabbink, and loudly commended for his presence of mind in tying a wet cloth round his head to protect him from smoke suffocation, he accepted the situation, and subsequently gave a graphic account of his finding the musician asleep with an overturned candle by his side and the conflagration well started. Spabbink gave
his
version some days later, when he had partially recovered from the shock of his midnight castigation and immersion, but the gentle pitying smiles and evasive comments with which his story was greeted warned him that the public ear was not at his disposal. He refused, however, to attend the ceremonial presentation of the Royal Humane Society's life-saving medal.

It was about this time that Groby's pet monkey fell a victim to the disease which attacks so many of its kind when brought under the influence of a northern climate. Its master appeared to be profoundly
affected by its loss, and never quite recovered the level of spirits that he had recently attained. In company with the tortoise, which Colonel John presented to him on his last visit, he potters about his lawn and kitchen garden, with none of his erstwhile sprightliness; and his nephews and nieces are fairly well justified in alluding to him as “Old Uncle Groby.”

First Collected, 1914

L
EONARD BILSITER
was one of those people who have failed to find this world attractive or interesting, and who have sought compensation in an “unseen world” of their own experience or imagination—or invention. Children do that sort of thing successfully, but children are content to convince themselves, and do not vulgarize their beliefs by trying to convince other people. Leonard Bilsiter's beliefs were for “the few,” that is to say, any one who would listen to him.

His dabblings in the unseen might not have carried him beyond the customary platitudes of the drawing-room visionary if accident had not reinforced his stock-in-trade of mystical lore. In company with a friend, who was interested in a Ural mining concern, he had made a trip across Eastern Europe at a moment when the great Russian railway strike was developing from a threat to a reality; its outbreak caught him on the return journey, somewhere on the
further side of Perm, and it was while waiting for a couple of days at a wayside station in a state of suspended locomotion that he made the acquaintance of a dealer in harness and metalware, who profitably whiled away the tedium of the long halt by initiating his English travelling companion in a fragmentary system of folklore that he had picked up from Trans-Baikal traders and natives. Leonard returned to his home circle garrulous about his Russian strike experiences, but oppressively reticent about certain dark mysteries, which he alluded to under the resounding title of Siberian Magic. The reticence wore off in a week or two under the influence of an entire lack of general curiosity, and Leonard began to make more detailed allusions to the enormous powers which this new esoteric force, to use his own description of it, conferred on the initiated few who knew how to wield it. His aunt, Cecilia Hoops, who loved sensation perhaps rather better than she loved the truth, gave him as clamorous an advertisement as any one could wish for by retailing an account of how he had turned a vegetable marrow into a wood-pigeon before her very eyes. As a manifestation of the possession of supernatural powers, the story was discounted in some quarters by the respect accorded to Mrs. Hoops' powers of imagination.

However divided opinion might be on the question of Leonard's status as a wonder-worker or a charlatan, he certainly arrived at Mary Hampton's house-party with a reputation for pre-eminence in one or other of those professions, and he was not disposed to shun such publicity as might fall to his share. Esoteric forces and unusual powers figured largely in whatever conversation he or his aunt had a share in, and his own performances, past and potential, were the subject of mysterious hints and dark avowals.

“I wish you would turn me into a wolf, Mr. Bilsiter,” said his hostess at luncheon the day after his arrival.

“My dear Mary,” said Colonel Hampton, “I never knew you had a craving in that direction.”

“A she-wolf, of course,” continued Mrs. Hampton; “it would be too confusing to change one's sex as well as one's species at a moment's notice.”

“I don't think one should jest on these subjects,” said Leonard.

“I'm not jesting, I'm quite serious, I assure you. Only don't do it today; we have only eight available bridge players, and it would
break up one of our tables. Tomorrow we shall be a larger party. Tomorrow night, after dinner—”