sion of following Ariadne's threadthe golden string that, if wound into a ball, "will lead you in at Heavens gate, / Built in Jerusalems wall" (plate 77). The difference is that, like the Human Forms of the end of the poem, having found our way out, we will want to find our way in again.
|
 | Adams, Hazard.
William Blake: A Reading of the Shorter Poems
. Seattle: University of Washington Press, 1963.
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| Bentley, G. E., Jr., ed.
Blake Records
. Oxford: Clarendon, 1969.
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| Beer, John.
Blake's Visionary Universe
. Manchester: University of Manchester Press, 1969.
|
| Damon, S. Foster.
A Blake Dictionary
. Rev. ed. Hanover, N.H.: University Press of New England, 1988.
|
| Damrosch, Leopold.
Symbol and Truth in Blake's Myth
. Princeton: Princeton University Press, 1980.
|
| De Luca, Vincent Arthur.
Words of Eternity
. Princeton: Princeton University Press, 1991.
|
| Erdman, David V.
Blake: Prophet Against Empire
. 3d ed. Princeton: Princeton University Press, 1977.
|
| Essick, Robert N.
William Blake and the Language of Adam
. Oxford: Clarendon, 1989.
|
| Frye, Northrop.
Fearful Symmetry
. Princeton: Princeton University Press, 1947.
|
| Gilchrist, Alexander.
Life of William Blake
. Edited by Ruthven Todd. 2d ed. London: Dent, 1945.
|
| Gleckner, Robert F.
The Piper and the Bard
. Detroit: Wayne State University Press, 1959.
|
| Hilton, Nelson.
Liberal Imagination: Blake's Vision of Words
. Berkeley: University of California Press, 1983.
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