The Collected Works of Chögyam Trungpa: Volume Eight (62 page)

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Authors: Chögyam Trungpa

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BOOK: The Collected Works of Chögyam Trungpa: Volume Eight
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We don’t want to become tricky warriors, with all kinds of tricks up our sleeves and ways to cut people’s logic down when we don’t agree with them. Then there is no cultivation of either ourselves or others. When that occurs, we destroy any possibilities of enlightened society. In fact, there will be no society, just a few people hanging out. Instead, the fearless warriors of Shambhala are very ordinary, simpleminded warriors. That is the starting point for developing true bravery.

T
HE
P
ATH

The starting point on the path of fearlessness is the discovery of fear. We find ourselves fearful, frightened, even petrified by circumstances. This ubiquitous nervousness provides us with a stepping-stone, so that we can step over our fear. We have to make a definite move to cross over the boundary from cowardice to bravery. If we do so properly, the other side of our cowardice contains bravery.

We may not discover bravery right away. Instead, beyond our nervousness, we find a shaky tenderness. We are still quivering, but we are shaking with tenderness rather than bewilderment. That shaky vulnerability contains an element of sadness, but not in the sense of feeling badly about ourselves or feeling deprived. Rather, we feel a natural sense of fullness which is tender and sad.

It’s like the feeling you have when you are about to shed a tear. You feel somewhat wealthy because your eyes are full of tears. When you blink, tears begin to roll down your cheeks. There is also an element of loneliness, but again it is not based on deprivation, inadequacy, or rejection. Instead you feel that you alone can understand the truth of your own loneliness, which is quite dignified and self-contained. You have a full heart, you feel lonely, but you don’t feel particularly bad about it. It is like an island in the middle of a lake. The island is self-contained; therefore it looks lonely in the middle of the water. Occasionally, ferryboats carry commuters back and forth from the shore to the island, but that doesn’t particularly help. In fact, it expresses the loneliness or the aloneness of the island further.

Discovering these facets of fearlessness is preparation for the further journey on the warrior’s path. If the warrior does not feel alone and sad, then he or she can be corrupted very easily. In fact, such a person may not be a warrior
at all
. To be a good warrior, one has to feel sad and lonely, but rich and resourceful at the same time. This makes the warrior sensitive to every aspect of phenomena: to sights, smells, sounds, and feelings. In that sense, the warrior is also an artist, appreciating whatever goes on in the world. Everything is extremely vivid. The rustling of your armor or the sound of raindrops falling on your coat is very loud. Because you are so sensitive, the fluttering of occasional butterflies around you is almost an insult.

Such a sensitive warrior can then go further on the path of fearlessness. There are three tools or practical guides that the warrior uses on this journey. The first is the development of discipline, or shila in Sanskrit, which is represented by the analogy of the sun. Sunshine is all-pervasive. When the sun shines on the land, it doesn’t neglect any area. It does a thorough job. Similarly, as a warrior, you never neglect your discipline.

We’re not talking about military rigidity here. Rather, in all your mannerisms, every aspect of behavior, you maintain your openness to the environment. You constantly extend yourself to things around you. There is a complete absence of laziness. Even if what you are seeing, hearing, or perceiving becomes very difficult and demanding, the warrior never gives up. You go along with the situation. You don’t withdraw. This allows you to develop your loyalty and connection to others, free from fear. You can relate with other sentient beings who are trapped in the confused world, perpetuating their pain. In fact, you realize that it is your duty. You feel warmth, compassion, and even passion toward others. First you develop your own good conduct, and then you can extend yourself fearlessly to others. That is the concept of the sun.

The second guide on the warrior’s path is represented by the analogy of an echo, which is connected with meditative awareness, or samadhi. When you try to take time off from being a warrior, when you want to let go of your discipline or indulge mindlessly in some activity, your action produces an echo. It’s like a sound echoing in a canyon, bouncing back on itself, producing more echoes that bounce off of one another. Those echoes or reflections happen all the time, and if we pay attention to them, they provide constant reminders to be awake. At first, the reminder might be fairly timid, but then the second, third, and fourth times you hear it, it’s a much louder echo. These echoes remind you to be on the spot, on the dot. However, you can’t just wait for an echo to wake you up. You have to put your awareness out into the situation. You have to put effort into being aware.

Becoming a warrior means that you are building a world that does not give you the setting-sun, or degraded, concept of rest, which is purely indulging in your confusion. Sometimes you are tempted to return to that cowardly world. You just want to flop and forget the echo of your awareness. It seems like a tremendous relief not to have to work so hard. But then you discover that this world without even an echo is too deadly. You find it refreshing to get back to the warrior’s world because it is so much more alive.

The warrior’s third tool is actually a weapon. It is represented by the analogy of a bow and arrow, which is connected with developing wisdom, or prajna, and skillful means, or upaya. In this case we are talking about the wisdom of discriminating awareness, which is experiencing the sharpness of sense perceptions and developing psychological accuracy. You can’t develop this kind of sharpness unless some experience of egolessness has manifested in your mind. Otherwise, your mind will be preoccupied, full of its own ego. But when you have made a connection with basic goodness, you can relate with both the actual sharpness of the arrow and with the skillful means provided by the bow. The bow allows you to harness or execute the sharpness of your perceptions.

The development of this discriminating awareness wisdom also allows you to accurately detect the enemy. A real enemy is someone who propagates and promotes ultimate selfishness, or ego. Such enemies promote basic badness rather than basic goodness. They try to bring others into their realm, tempting them with anything from a cookie up to a million dollars.

In the Shambhala warrior tradition, we say that you should only have to kill an enemy once every thousand years. We mean here the real enemy, the basic rudra principle, which is the personification of ego-hood, of ego run wild. You can work with other enemies by subjugating them, talking to them, buying them out, or seducing them. However, according to this tradition, once in a thousand years a real assassination of the enemy is necessary. We’re talking about someone who can’t be reached by any other means. You might use a sword or an arrow, whatever means you need to overpower them, so their ego is completely popped. Such an assassination has to be very direct and personal. It’s not like dropping bombs on people. If we pop the enemy, and only then, they might be able to connect with some basic goodness within themselves and realize that they made a gigantic mistake. It’s like having rotten teeth in your mouth. Eventually you have to have all your teeth removed, replacing them with false teeth. After that, you might be able to appreciate the teeth that you lost.

Overall, these three principles—the sun, the echo, and the bow and arrow—are all connected with the natural process, or path, of working with our basic intelligence. Beyond that, they describe the fundamental decorum and decency of the warrior’s existence. A warrior should be capable of artfully conducting his or her life in every action, from drinking tea to running a country. Learning how to handle fear, both how to utilize one’s own fear and that of others, is what allows us to brew the beer of fearlessness. You can put all of those situations of fear and doubt into a gigantic vat and ferment them.

The path of fearlessness is connected with what we do right now, today, rather than with anything theoretical or waiting for a cue from somewhere else. The basic vision of warriorship is that there is goodness in everyone. We are all good in ourselves. So we have our own warrior society within our own body. We have everything we need to make the journey already.

F
RUITION

Fearlessness has a starting point, it includes discipline, it makes a journey, and it reaches a conclusion. It is like the Great Eastern Sun: the sun rises, it radiates light, and this benefits people by dispelling the darkness and allowing the fruit to ripen and the flowers to blossom.

The fruition of fearlessness is also connected with three analogies. The first is that fearlessness is like a reservoir of trust. This trust arises from the experience of basic goodness, which we have already discussed. When we feel basically good, rather than degraded or condemned, then we become very inquisitive, looking into every situation and examining it. We don’t want to fool ourselves by relying on belief alone. Rather, we want to make a personal connection with reality.

This is a very simple, straightforward idea. If we accept a challenge and take certain steps to accomplish something, the process will yield results—either success or failure. When you sow a seed or plant a tree, either the seed will germinate and the tree will grow, or they will die. Similarly, for the inquisitive warrior, trust means that we know that our actions will bring a definite response from reality. We know that we will get a message. Failure generally is telling us that our action has been undisciplined and inaccurate in some way. Therefore, it fails. When our action is fully disciplined, it usually is fulfilled; we have success. But those responses are not regarded as either punishment or congratulations.

Trust, then, is being willing to take a chance, knowing that what goes up must come down, as they say. When a warrior has that kind of trust in the reflections of the phenomenal world, then he or she can trust his or her individual discovery of goodness. Communication produces results, either success or failure. That is how the fearless warrior relates with the universe: not by remaining alone and insecure, hiding away, but by constantly being exposed to the phenomenal world and constantly being willing to take that chance.

The reservoir of trust is a bank of richness from which the warrior can always draw conclusions. We begin to feel that we are dealing with a rich world, one that never runs out of messages. The only problem arises if we try to manipulate the situation in our favor. You are not supposed to fish in the reservoir or swim in it. The reservoir has to remain unconditional, unpolluted. So you don’t put your one-sidedness, your bias or conditionality, into it. Then the reservoir might dry up.

Normally, trust means that we think that our world is trustworthy. We think that it’s going to produce a good result, success. But in this case, we’re talking about having a continual relationship with the phenomenal world that is not based on either a good or bad result. We have unconditional trust in the phenomenal world to always give us a message, either success or failure. The fruition of our action will always provide us with information. Such trust in the reservoir keeps us from being too arrogant or too timid. If you’re too arrogant, you’ll find yourself bumping into the ceiling. If you’re too timid, you’ll be pushed up by the floor. Roughly speaking, that’s the concept of the reservoir.

The ancient Chinese
Book of Changes,
or
I Ching,
often talks about success being failure and failure being success. Success sows the seeds of future failure, and failure may bring a later success. So it’s always a dynamic process. As warriors, fearlessness doesn’t mean that we cheer up by saying, “Look! I’m on the side of the right. I’m a success.” Nor do we feel that we’re being punished when we fail. In any case, success and failure are saying the same thing.

That brings us to the next analogy, which is music. Music is connected with the idea of continuously being joyful. The feedback, or the result, that comes from the warrior’s practice is never a dead end. It presents another path. We always can go on, go beyond. So while the result of action is fruition, beyond that, the result is the seed for the next journey. Our journey continues, cycling between success and failure, path and fruition, just as the four seasons alternate. There is always a sense of creativity, so there is always joy on the journey, joy in the result.

Why are you so joyful? You are guided on the path by the disciplines of the sun, the echo, and the bow and arrow. You have witnessed your basic goodness, taking joy in having nothing to hang on to. You have realized the fundamental NO. You are free from doubt and you have experienced a sense of renunciation. So whether the situation brings success or failure, it brings an unconditional good understanding. Therefore, your mind and body are constantly synchronized; there is no deficit of any kind in the body or the mind. Your experience becomes like music, which has rhythm and a melody that is constantly expanding and being recreated. So the sense of celebration is constant, inbuilt, in spite of the ups and downs of one’s personal life. That is continuously being joyful.

Having developed trust and appreciation, you can finally conquer fear, which is connected with the analogy of a saddle. In the Buddhist teachings we talk about developing such a good sense of mental balance that, if you become mindless, your awareness automatically brings you back, just as in the process of skidding on the ice and losing your balance, your body automatically rebalances itself to keep you from falling. As long as you have good posture and a good seat in the saddle, you can overcome any startling or unexpected moves your horse makes. So the idea of the saddle is taking a good seat in your life.

An overreaction or an exaggerated reaction to situations shouldn’t happen at this level. You have trust, you are constantly being joyful, and therefore you can’t be startled, either. This doesn’t mean that your life is monotone, but rather you feel established in this world. You belong here. You are one of the warriors in this world, so even if little unexpected things happen, good or bad, right or wrong, you don’t exaggerate them. You come back to your seat in the saddle and maintain your posture in the situation.

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