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Authors: Lorrie Moore

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The Collected Stories of Lorrie Moore (45 page)

BOOK: The Collected Stories of Lorrie Moore
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"what are you doing?"
Adrienne asked Ilke the next afternoon. The lamps were particularly low, though there was a spotlight directed onto a picture of Ilke's mother, which she had placed on an end table, for the month, in honor of Mother's Day. The mother looked ghostly, like a sacrifice. What if Ilke were truly a witch? What if fluids and hairs and nails were being collected as offerings in memory of her mother?

"I'm fluffing your aura," she said. "It is very dark today, burned down to a shadowy rim." She was manipulating Adrienne's toes, and Adrienne suddenly had a horror-movie vision of Ilke with jars of collected toe juice in a closet for Satan, who, it would be revealed,
was
Ilke's mother. Perhaps Ilke would lean over suddenly and bite Adrienne's shoulder, drink her blood. How could Adrienne control these thoughts? She felt her aura fluff like the fur of a screeching cat. She imagined herself, for the first time, never coming here again.
Good-bye. Farewell
. It would be a brief affair, a little nothing; a chat on the porch at a party.

 

fortunately,
there were other things to keep Adrienne busy.

She had begun spray-painting the spiders, and the results were interesting. She could see herself explaining to a dealer back home that the work represented the spider web of solitude—a vibration at the periphery reverberates inward (experiential, deafening) and the spider rushes out from the center to devour the gonger and the gong. Gone. She could see the dealer taking her phone number and writing it down on an extremely loose scrap of paper.

And there was the occasional after-dinner singsong, scholars and spouses gathered around the piano in various states of inebriation and forgetfulness. "Okay, that may be how you learned it, Harold, but that's
not
how it goes."

There was also the Asparagus Festival, which, at Carlo's suggestion, she and Kate Spalding, in one of her T-shirts—
all right, already with the T-shirts, Kate
—decided to attend. They took a hydrofoil across the lake and climbed a steep road up toward a church square. The road was long and tiring and Adrienne began to refer to it as the "Asparagus Death Walk."

"Maybe there isn't really a festival," she suggested, gasping for breath, but Kate kept walking, ahead of her.

"Go for the burn!" said Kate, who liked exercise too much.

Adrienne sighed. Up until last year, she had always thought people were saying "Go for the
bird."
Now off in the trees was the ratchety cheep of some, along with the competing hourly chimes of two churches, followed later by the single offtone of the half hour. When she and Kate finally reached the Asparagus Festival, it turned out to be only a little ceremony where a few people bid very high prices for clutches of asparagus described as "
bello, bello
," the proceeds from which went to the local church.

"I used to grow asparagus," said Kate on their walk back down. They were taking a different route this time, and the lake and its ocher villages spread out before them, peaceful and far away. Along the road, wildflowers grew in a pallet of pastels, like soaps.

"I could never grow asparagus," said Adrienne. As a child, her favorite food had been "asparagus with holiday sauce."

"I did grow a carrot once, though. But it was so small, I just put it in a scrapbook."

"Are you still seeing Ilke?"

"This week, at any rate. How about you?"

"She's booked solid. I couldn't get another appointment. All the scholars, you know, are paying her regular visits."

"Really?"

"Oh, yes," said Kate very knowingly. "They're tense as dimes." Already Adrienne could smell the fumes of the Fiats and the ferries and delivery vans, the Asparagus Festival far away.

"Tense as dimes?"

 

back at the villa,
Adrienne waited for Martin, and when he came in, smelling of sandalwood, all the little deaths in her bones told her this: he was seeing the masseuse.

She sniffed the sweet parabola of his neck and stepped back. "I want to know how long you've been getting massages. Don't lie to me," she said slowly, her voice hard as a spike. Anxiety shrank his face: his mouth caved in, his eyes grew beady and scared.

"What makes you think I've been getting—" he started to say. "Well, just once or twice."

She leapt away from him and began pacing furiously about the room, touching the furniture, not looking at him. "How could you?" she asked. "You know what my going there has meant to me! How could you not tell me?" She picked up a book on the dressing table—
Industrial Relations Systems
—and slammed it back down. "How could you horn in on this experience? How could you be so furtive and untruthful?"

"I am terribly sorry," he said.

"Yeah, well, so am I," said Adrienne. "And when we get home, I want a divorce." She could see it now, the empty apartment, the bad eggplant parmigiana, all the Halloweens she would answer the doorbell, a boozy divorcee frightening the little children with too much enthusiasm for their costumes. "I feel so fucking
dishonored
." Nothing around her seemed able to hold steady; nothing held.

Martin was silent and she was silent and then he began to speak, in a beseeching way, there it was the beseech again, rumbling at the edge of her life like a truck. "We are both so lonely here," he said. "But I have only been waiting for you. That is all I have done for the last eight months. To try not to let things intrude, to let you take your time, to make sure you ate something, to buy the goddamn Spearsons a new picnic bench, to bring you to a place where anything at all might happen, where you might even leave me, but at least come back into life at last—"

"You did?"

"Did what?"

"You bought the Spearsons a
new picnic bench?"

"Yes, I did."

She thought about this. "Didn't they think you were being hostile?"

"Oh… I think, yes, they probably thought it was hostile."

And the more Adrienne thought about it, about the poor bereaved Spearsons, and about Martin and all the ways he tried to show her he was on her side, whatever that meant, how it was both the hope and shame of him that he was always doing his best, the more she felt foolish, deprived of reasons. Her rage flapped awkwardly away like a duck. She felt as she had when her cold, fierce parents had at last grown sick and old, stick-boned and saggy, protected by infirmity the way cuteness protected a baby, or should, it should protect a baby, and she had been left with her rage—vestigial girlhood rage—inappropriate and intact. She would hug her parents good-bye, the gentle, emptied sacks of them, and think
Where did you go
?

Time, Adrienne thought. What a racket.

Martin had suddenly begun to cry. He sat at the bed's edge and curled inward, his soft, furry face in his great hard hands, his head falling downward into the bright plaid of his shirt.

She felt dizzy and turned away, toward the window. A fog had drifted in, and in the evening light the sky and the lake seemed a singular blue, like a Monet. "I've never seen you cry," she said.

"Well, I cry," he said. "I can even cry at the sports page if the games are too close. Look at me, Adrienne. You never really look at me."

But she could only continue to stare out the window, touching her fingers to the shutters and frame. She felt far away, as if she were back home, walking through the neighborhood at dinnertime: when the cats sounded like babies and the babies sounded like birds, and the fathers were home from work, their children in their arms gumming the language, air shaping their flowery throats into a park of singing. Through the windows wafted the smell of cooking food.

"We are with each other now," Martin was saying. "And in the different ways it means, we must try to make a life."

Out over the Sfondrata chapel tower, where the fog had broken, she thought she saw a single star, like the distant nose of a jet; there were people in the clayey clouds. She turned, and for a moment it seemed they were all there in Martin's eyes, all the absolving dead in residence in his face, the angel of the dead baby shining like a blazing creature, and she went to him, to protect and encircle him, seeking the heart's best trick,
oh, terrific heart
. "Please, forgive me," she said.

And he whispered, "Of course. It is the only thing. Of course."

STORIES FROM
Like Life
(1990)
Two Boys

for the first time
in her life, Mary was seeing two boys at once. It involved extra laundry, an answering machine, and dark solo trips in taxicabs, which, in Cleveland, had to be summoned by phone, but she recommended it in postcards to friends. She bought the ones with photos of the flats, of James Garfield's grave, or an Annunciation from the art museum, one with a peacock-handsome angel holding up fingers and whispering,
One boy, two boys
. On the back she wrote,
You feel so attended to! To think we all thought just one might amuse, let alone fulfill. Unveil thyself. Unblacken those teeth and minds! Get more boys in your life
!

Her nervous collapse was subtle. It took the form of trips to a small neighborhood park, for which she dressed all in white: white blouses, white skirts, white anklets, shoes flat and white as boat sails. She read Bible poetry in the shade on the ground or else a paperback she had found about someone alone on a raft in the ocean, surviving for forty days and nights on nail parings and fish. Mary spoke to no one. She read, and tried not to worry about grass stains, though sometimes she got up and sat on a bench, particularly if there was a clump of something nearby, or a couple making out. She needed to be unsullied, if only for an afternoon. When she returned home, she clutched her books and averted her gaze from the men unloading meat in front of her building. She lived in a small room above a meat company—Alexander Hamilton Pork—and in front, daily, they wheeled in the pale, fatty carcasses, hooked and naked, uncut, unhooved. She tried not to let the refrigerated smell follow her in the door, up the stairs, the vague shame and hamburger death of it, though sometimes it did. Every day she attempted not to step in the blood that ran off the sidewalk and collected in the gutter, dark and alive. At five-thirty she approached her own building in a halting tiptoe and held her breath. The trucks out front pulled away to go home, and the Hamilton Pork butchers, in their red-stained doctors' coats and badges printed from ten-dollar bills, hosed down the sidewalk, leaving the block glistening like a canal. The squeegee kids at the corner would smile at Mary and then, low on water, rush to dip into the puddles and smear their squeegees, watery pink, across the windshields of cars stopped for the light. "Hello," they said. "Hello, hello."

"Where have you been?" asked Boy Number One on the phone in the evening. "I've been trying to reach you." He was running for a local congressional seat, and Mary was working for him. She distributed fliers and put up posters on kiosks and trees. The posters consisted of a huge, handsome photograph with the words
Number One
underneath. She usually tried to staple him through the tie, so that it looked like a clip, but when she felt tired, or when he talked too much about his wife, she stapled him right in the eyes, like a corpse. He claimed to be separating. Mary knew what
separating
meant: The head and the body no longer consult; the wife sleeps late, then goes to a shrink, a palm reader, an acupuncturist; the fat rises to the top. Number One was dismantling his life. Slowly, he said. Kindly. He had already fired his secretary, gotten a new campaign manager, gone from stocks to bonds to cash, and sold some lakefront property. He was liquidating. Soon the sleeping wife. "I just worry about the boys," he said. He had two.

"Where have I been?" echoed Mary. She searched deep in her soul. "I've been at the park, reading."

"I miss you," said Number One. "I wish I could come see you this minute." But he was stuck far away in a house with a lid and holes punched in for air; there was grass at the bottom to eat. He also had a small apartment downtown, where the doorman smiled at Mary and nodded her in. But this evening One was at the house with the boys; they were sensitive and taciturn and both in junior high.

"Hmmm," said Mary. She was getting headaches. She wondered what Number Two was doing. Perhaps he could come over and rub her back, scold the pounding and impounding out of her temples, lay on hands, warm and moist. "How is your wife?" asked Mary. She looked at her alarm clock.

"Sleeping," said One.

"Soon you will join her cold digits," said Mary. One fell silent. "You know, what if I were sleeping with somebody else too?" she added. One plus one. "Wouldn't that be better? Wouldn't that be even?" This was her penchant for algebra. She wasn't vengeful. She didn't want to get even. She wanted to be even already.

"I mean, if I were sleeping with somebody else also, wouldn't that make everyone happy?" She thought again of Boy Number Two, whom too often she denied. When she hung up, she would phone him.

"
Happy
?" hooted Number One. "More than happy. We're talking delirious." He was the funny one. After they made love, he'd sigh, open his eyes, and say, "Was that you?" Number Two was not so hilarious. He was tall and depressed and steady as rain. Ask him, "What if we both saw other people?" and he'd stare out the window, towering and morose. He'd say nothing. Or he'd shrug and say, "Fthatz…"

"Excuse me?"

"Fthatz what you want." He'd kiss her, then weep into his own long arm. Mary worried about his health. Number One always ate at restaurants where the food—the squid, the liver, the carrots—was all described as "young and tender," like a Tony Bennett song. But Number Two went to coffee shops and ate things that had nitrites and dark, lacy crusts around the edges. Such food could enter you old and sticking like a bad dream. When Two ate, he nipped nothing in the bud. It could cause you to grow weary and sad, coming in at the tail end of things like that.

"You have everything," she said to Number One. "You have too much: money, power, women." It was absurd to talk about these things in a place like Cleveland. But then the world was always small, no matter what world it was, and you just had to go ahead and say things about it. "Your life is too crowded."

BOOK: The Collected Stories of Lorrie Moore
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