The City and the Stars / The Sands of Mars (7 page)

BOOK: The City and the Stars / The Sands of Mars
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They exchanged index numbers, so that they could call each other whenever they wished. Alvin was anxious to see more of the Jester, though he fancied that his company might prove exhausting if it was too prolonged. Before they met again, however, he wanted to find what his friends, and particularly Jeserac, could tell him about Khedron.

“Until our next meeting,” said Khedron, and promptly vanished. Alvin was somewhat annoyed. If you met anyone when you were merely projecting yourself, and were not present in the flesh, it was good manners to make that clear from the beginning. It could sometimes put the party who was ignorant of the facts at a considerable disadvantage. Probably Khedron had been quietly at home all the time— wherever his home might be. The number that he had given Alvin would insure that any messages would reach him, but did not reveal where he lived. That at lest was according to normal custom. You might be free enough with index numbers, but your actual address was something you disclosed only to your intimate friends.

As he made his way back into the city, Alvin pondered over all that Khedron had told him about Diaspar and its social organization. It was strange that he had met no one else who had ever seemed dissatisfied with their mode of life. Diaspar and its inhabitants had been designed as part of one master plan; they formed a perfect symbiosis. Throughout their long lives, the people of the city were never bored. Though their world might be a tiny one by the standard of earlier ages, its complexity was overwhelming, its wealth of wonder and treasure beyond calculation. Here Man had gathered all the fruits of his genius, everything that had been saved from the ruin of the past. All the cities that had ever been, so it was said, had given something to Diaspar; before the coming of the Invaders, its name had been known on all the worlds that Man had lost. Into the building of Diaspar had gone all the skill, all the artistry of the Empire. When the great days were coming to an end, men of genius had remolded the city and given it the machines that made it immortal. Whatever might be forgotten, Diaspar would live and bear the descendants of Man safely down the stream of time.

They had achieved nothing except survival, and were content with that. There were a million things to occupy their lives between the hour when they came, almost full-grown, from the Hall of Creation and the hour when, their bodies scarcely older, they returned to the Memory Banks of the city. In a world where all men and women possess an intelligence that would once have been the mark of genius, there can be no danger of boredom. The delights of conversation and argument, the intricate formalities of social intercourse— these alone were enough to occupy a goodly portion of a lifetime. Beyond those were the great formal debates, when the whole city would listen entranced while its keenest minds met in combat or strove to scale those mountain peaks of philosophy which are never conquered yet whose challenge never palls.

No man or woman was without some absorbing intellectual interest. Eriston, for example, spent much of his time in prolonged soliloquies with the Central Computer, which virtually ran the city, yet which had leisure for scores of simultaneous discussions with anyone who cared to match his wits against it. For three hundred years, Eriston had been trying to construct logical paradoxes which the machine could not resolve. He did not expect to make serious progress before he had used up several lifetimes.

Etania’s interests were of a more esthetic nature. She designed and constructed, with the aid of the matter organizers, three-dimensional interlacing patterns of such beautiful complexity that they were really extremely advanced problems in topology. Her work could be seen all over Diaspar, and some of her patterns had been incorporated in the floors of the great halls of choreography, where they were used as the basis for evolving new ballet creations and dance motifs.

Such occupations might have seemed arid to those who did not possess the intellect to appreciate their subtleties. Yet there was no one in Diaspar who could not understand something of what Eriston and Etania were trying to do and did not have some equally consuming interest of his own.

Athletics and various sports, including many only rendered possible by the control of gravity, made pleasant the first few centuries of youth. For adventure and the exercise of the imagination, the sagas provided all that anyone could desire. They were the inevitable end product of that striving for realism which began when men started to reproduce moving images and to record sounds, and then to use these techniques to enact scenes from real or imaginary life. In the sagas, the illusion was perfect because all the sense impressions involved were fed directly into the mind and any conflicting sensations were diverted. The entranced spectator was cut off from reality as long as the adventure lasted; it was as if he lived a dream yet believed he was awake.

In a world of order and stability, which in its broad outlines had not changed for a billion years, it was perhaps not surprising to find an absorbing interest in games of chance. Humanity had always been fascinated by the mystery of the falling dice, the turn of a card, the spin of the pointer. At its lowest level, this interest was based on mere cupidity— and that was an emotion that could have no place in a world where everyone possessed all that they could reasonably need. Even when this motive was ruled out, however, the purely intellectual fascination of chance remained to seduce the most sophisticated minds. Machines that behaved in a purely random way— events whose outcome could never be predicted, no matter how much information one had— from these philosopher and gambler could derive equal enjoyment.

And there still remained, for all men to share, the linked worlds of love and art. Linked, because love without art is merely the slaking of desire, and art cannot be enjoyed unless it is approached with love.

Men had sought beauty in many forms— in sequences of sound, in lines upon paper, in surfaces of stone, in the movements of the human body, in colors ranged through space. All these media still survived in Diaspar, and down the ages others had been added to them. No one was yet certain if all the possibilities of art had been discovered; or if it had any meaning outside the mind of man.

And the same was true of love.

CHAPTER

6

J
eserac sat motionless within a whirlpool of numbers. The first thousand primes, expressed in the binary scale that had been used for all arithmetical operations since electronic computers were invented, marched in order before him. Endless ranks of 1’s and 0’s paraded past, bringing before Jeserac’s eyes the complete sequence of all those numbers that possessed no factors except themselves and unity. There was a mystery about the primes that had always fascinated Man, and they held his imagination still.

Jeserac was no mathematician, though sometimes he liked to believe he was. All he could do was to search among the infinite array of primes for special relationships and rules which more talented men might incorporate in general laws. He could find how numbers behaved, but he could not explain why. It was his pleasure to hack his way through the arithmetical jungle, and sometimes he discovered wonders that more skillful explorers had missed.

He set up the matrix of all possible integers, and started his computer stringing the primes across its surface as beads might be arranged at the intersections of a mesh. Jeserac had done this a hundred times before, and it had never taught him anything. But he was fascinated by the way in which the numbers he was studying were scattered, apparently according to no laws, across the spectrum of the integers. He knew the laws of distribution that had already been discovered, but always hoped to discover more.

He could scarcely complain about the interruption. If he had wished to remain undisturbed, he should have set his annunciator accordingly. As the gentle chime sounded in his ear, the wall of numbers shivered, the digits blurred together, and Jeserac returned to the world of mere reality.

He recognized Khedron at once, and was none too pleased. Jeserac did not care to be disturbed from his ordered way of life, and Khedron represented the unpredictable. However, he greeted his visitor politely enough and concealed all trace of his mild concern.

When two people met for the first time in Diaspar— or even for the hundredth— it was customary to spend an hour or so in an exchange of courtesies before getting down to business, if any. Khedron somewhat offended Jeserac by racing through these formalities in a mere fifteen minutes and then saying abruptly: “I’d like to talk to you about Alvin. You’re his tutor, I believe.”

“That is true,” replied Jeserac. “I still see him several times a week— as often as he wishes.”

“And would you say that he was an apt pupil?”

Jeserac thought that over; it was a difficult question to answer. The pupil-tutor relationship was extremely important and was, indeed, one of the foundations of life in Diaspar. On the average, ten thousand new minds came into the city every year. Their previous memories were still latent, and for the first twenty years of their existence everything around them was fresh and strange. They had to be taught to use the myriad machines and devices that were the background of everyday life, and they had to learn their way through the most complex society Man had ever built.

Part of this instruction came from the couples chosen to be the parents of the new citizens. The selection was by lot, and the duties were not onerous. Eriston and Etania had devoted no more than a third of their time to Alvin’s upbringing, and they had done all that was expected of them.

Jeserac’s duties were confined to the more formal aspects of Alvin’s education; it was assumed that his parents would teach him how to behave in society and introduce him to an ever-widening circle of friends. They were responsible for Alvin’s character, Jeserac for his mind.

“I find it rather hard to answer your question,” Jeserac replied. “Certainly there is nothing wrong with Alvin’s intelligence, but many of the things that should concern him seem to be a matter of complete indifference. On the other hand, he shows a morbid curiosity regarding subjects which we do not generally discuss.”

“The world outside Diaspar, for example?”

“Yes— but how did you know?”

Khedron hesitated for a moment, wondering how far he should take Jeserac into his confidence. He knew that Jeserac was kindly and well-intentioned, but he knew also that he must be bound by the same taboos that controlled everyone in Diaspar— everyone except Alvin.

“I guessed it,” he said at last.

Jeserac settled down more comfortably in the depths of the chair he had just materialized. This was an interesting situation, and he wanted to analyze it as fully as possible. There was not much he could learn, however, unless Khedron was willing to co-operate.

He should have anticipated that Alvin would one day meet the Jester, with unpredictable consequences. Khedron was the only other person in the city who could be called eccentric— and even his eccentricity had been planned by the designers of Diaspar. Long ago it had been discovered that without some crime or disorder, Utopia soon became unbearably dull. Crime, however, from the nature of things, could not be guaranteed to remain at the optimum level which the social equation demanded. If it was licensed and regulated, it ceased to be crime.

The office of Jester was the solution— as first sight naïve, yet actually profoundly subtle— which the city’s designers had evolved. In all the history of Diaspar there were less than two hundred persons whose mental inheritance fitted them for this peculiar role. They had certain privileges that protected them from the consequences of their actions, though there had been Jesters who had overstepped the mark and paid the only penalty that Diaspar could impose— that of being banished into the future before their current incarnation had ended.

On rare and unforeseeable occasions, the Jester would turn the city upside-down by some prank which might be no more than an elaborate practical joke, or which might be a calculated assault on some currently cherished belief or way of life. All things considered, the name “Jester” was a highly appropriate one. There had once been men with very similar duties, operating with the same license, in the days when there were courts and kings.

“It will help,” said Jeserac, “if we are frank with one another. We both know that Alvin is a Unique— that he has never experienced any earlier life in Diaspar. Perhaps you can guess, better than I can, the implications of that. I doubt if anything that happens in the city is totally unplanned, so there must be a purpose in his creation. Whether he will achieve that purpose— whatever it is— I do not know. Nor do I know whether it is good or bad. I cannot guess what it is.”

“Suppose it concerns something external to the city?”

Jeserac smiled patiently; the Jester was having his little joke, as was only to be expected.

“I have told him what lies there; he knows that there is nothing outside Diaspar except the desert. Take him there if you can; perhaps
you
know a way. When he sees the reality, it may cure the strangeness in his mind.”

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