The Cin Fin-Lathen Mysteries 1-3 (29 page)

BOOK: The Cin Fin-Lathen Mysteries 1-3
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“Miles fainted when he saw Carl and fell on me, and we both
ended up on the floor.”  I pointed to the area under Carl.  “Two security
guards helped pull that big wuss off me.  You can ask one of them.  I also
tracked quite a bit of blood leaving my chair and walking to the rest room.”

“Hold on a minute.”  He turned around and waved the
photographer over.  While he was waiting for her, he jotted down some more
notes.  I craned my neck to see what he was writing.  I thought, if only I
could get a bit closer I might be able to make out what was on that clipboard
of his.  Not that I was curious.  No, I was very curious because I was feeling
more like a suspect than a witness.

“Amy, could you get some pictures of Ms. Fin-Lathen and find
some clothes for her because we will be taking hers with us.”

“Hold on, Curtis.  Detective.  This is a Ralph Lauren tux.  Why
do you want my clothes?”

“Do you watch crime shows on television Ms. Fin-Lathen?

“Yes, sometimes, CSI and Law and Order, Criminal Minds...”  I
started to list more but he held up his hand.

“Let’s just say we need to properly collect as much evidence
as we can get to find out exactly what happened to Mr. Campbell, Carl.”  He
took a deep breath and blew the excess air out of his nose.  “I want to assure
you, I am not a, quote, brain trust, unquote.”  His face was serious and even
though I could see a touch of humor in his brown eyes, I decided to comply with
his wishes. 

“Detective, what about our instruments,” I asked as I
surveyed the empty stage.  “You’re not going to “collect” them are you?”

“Don’t worry.  After everyone has been questioned, and the
scene totally photographed you can take your instrument home.”  He started to
walk away but hesitated.  Turning back, he asked, “Tell me, did you like Carl?”

“I hated him.  Still do.”

“I guess we will be talking further.”

“Guess so.”

I waited there until Amy returned with my new ensemble.  Looking
around I observed that more officers had arrived, and Detective Curtis had
headed to the coffee room with them.  I imagined that they had a frustrating
evening ahead of them getting statements from the band.  Not to mention a long
night considering that there were fifty-five or so members of the band, one
conductor, and one guest announcer.

Amy returned with an apologetic look. She handed me a blood
red choir gown.  She mentioned that I would have to return it to the theater,
dry-cleaned.  I gave her a look of disdain, and followed her into a dressing
room, where she photographed me.  The blood had seeped into the back of my
white tux shirt.  My bra and underpants were ruined, as were my socks and
shoes.   As I washed up at the sink, after getting permission to do so, I
watched Amy via the mirror.  She handled everything with gloved hands.  Each
item of clothing was placed in a plastic bag and labeled.

“Do you have to take my shoes?”

“Sorry, they’re ruined anyway.”  She said holding up the bag
containing them.

I felt a wave of sadness wash over me.  One would assume it
was for Carl.  I knew it was for my shoes.  You see, I have a problem with
shoes or them with me.  I have yet to actually wear out a pair of shoes or even
get through a season with them.  My last trip to England was a costly one, shoe
wise.  The Devon/Cornwall Constabulary have a few pair residing in evidence
bags, as did the Met in London.  The pair I just lost was purchased there while
I awaited the trial that had exonerated me for the accidental death of a
beautiful transvestite and the self-defense death of her paramour.

I checked out my new choir ensemble in the mirror before
following Amy back on to the stage.  I looked down at my toenails and regretted
the earlier impulse to paint them fuchsia.  Thank God, I shaved my legs
recently.

Carl had finally been removed.  His saxophone rested upside
down in a plastic bag and carelessly placed in a cardboard box at the feet of
Detective Curtis, who was bagging the end of the microphone stand that until a
few minutes ago had rested inside Carl’s chest. 

“What now?” I asked as I arrived, tapping my pink big toe on
the floor.

He looked over at me, and I think he winced.  “Red’s not
your color.”

“I wasn’t aware of that.  Thank you for pointing that out,”
I said sarcastically.  “And since you have now become my fashion consultant,
would you mind if I told you that you are ruining that saxophone?”

“I don’t think Carl will mind.”

“His heirs may.  That’s a 1970s Selmer series Mark 6, which
is a very expensive instrument.  His case must be around here somewhere.”

“I don’t understand, case?”

“Pardon me for telling you your job, but shouldn’t you be
looking into his belongings?”  I started to pace, being careful not to step in
any blood with my bare feet.  “He didn’t drive here with his saxophone in his
hands.  Where are his case, his keys, his jacket, and his tape recorder?  He
always taped his performances.” 

“How do you know so much about this guy that you ‘hated’?”

“I have been playing in this band for ten years.  And in
that ten years Carl has arrived late to everything.  He makes his presence
known, he never stops talking.  I would have to be deaf and blind not to notice
things about Carl.  Hell, I bet you most of the old folks in that audience
tonight know about that arrogant fuss pot!”

“Well, since I am Carl-trivia challenged at the moment, how
about you and I take a walk around and see if we can spot his things before I
release the other members of the band.”

“Fine, if you would please turn Carl’s saxophone over.  I
may have disliked Carl but his saxophone deserves better treatment.”

“Good one?”

“The best, it’s just a shame Carl never knew how to play
it.”

Chapter Three

 

Detective Curtis and I found Carl’s Saxophone case and gig
bag not far from the back entrance to the stage.  His car was in the loading
zone with the keys still in the ignition.  By the way it was parked Carl must
have been really late.  A breeze picked up my gown, and I grabbed it before it
gave Detective Curtis another adjective to write next to my name.  Tall,
middle-aged, saggy, nude woman with fuchsia painted toenails who could lose a
few pounds was not the impression I wanted to give, even if it appeared that I
was now suspect number one. 

We didn’t find the tape recorder, and Detective Curtis noted
to ask Mrs. Campbell whether or not he intended to tape the performance.  With
Carl’s belongings photographed, tagged and put into evidence bags, and instructions
left to tow his car, Detective Curtis turned his attention back to me.

“Coffee?”

“I would love some, black.”

“Why don’t you pack up your instrument, gather your things
and sit over by the announcer’s podium?”

“Not done with me yet?”

“No, I think I may need your expertise on some other
questions I have. Oh, do you have someone waiting for you?”

“Here? No.”

“At home?  Are you married?”

“Not anymore.”

“So, you could stick around for a while?”

“Hell, why not, I seem to be dressed for it.”  I smiled and
curtseyed.

I think he may have started to laugh, just a little.  Maybe
he was starting to understand just how ridiculous I felt.

“Black coffee coming up.”

Of course he didn’t bring it.  It was Dudley Do-Right that
delivered it with a grunt. I sat there with my now-cased alto, folded-up stand
and purse.  I had turned on my cell phone to see if I had any messages, and
there were none.  My social life had hit the skids not long after my adventure
in England.  Not that I had many friends, mind you, but after the headlines
died down and I was no longer a novelty for dinner parties, I ceased to exist
in all but my band mates eyes, who, truth be known, always regarded me with
suspicion and a little disdain.

From my seat I had a great view of the stage without being
seen.  I could see each person as they left the coffee/interrogation room and
went and packed up their instrument.  I noticed that I wasn’t the only one
watching.  I saw Detective Curtis standing in the wings on the other side of
the stage. 

The officers must have interviewed the band members
according to their instrumental section because I noticed the first people to
come out were all tuba and bass players.  The baritones, euphoniums and
trombones followed starting with the first chair trombone who had been sitting
right behind where Carl would have sat if he had arrived on time.  The cornets
and trumpets came next.

The French horns and bassoons sat in front of them.  The two
bassoonists had a considerable amount of gear between their massive instruments
and stands.  The gentlemen loaded their equipment on a luggage trolley and
rolled away chattering to themselves.  The saxophone section was next to pack
up.  The baritone sax player, the two tenors and the three altos that remained
were actually quite jovial.  They waited for each other at the back entrance,
and I think I overheard that they were going out to “celebrate”.

The flutes came out quietly, packed up quickly and left
without looking over at the spot in which Carl had been found.  The flutes sat
in the front, starting on the left in front of Carl and curving around to the
right, butting up against the two oboe players.  Our first chair oboe player,
Mark, was fabulous.  I believe that he had been a studio musician in New York
before he retired.  I liked him as much as I disliked the second chair oboe,
Cheryl.  She thought she was as good if not better than Mark and whined
constantly about having to play the second oboe part.  Sometimes Mark would be
generous and give her a solo or two, but frequently the conductor would take
them away after Cheryl botched them in rehearsal. 

Cheryl was convinced that she knew best and would constantly
talk back to the conductor, which wasted rehearsal time.  Socially I didn’t
have much to do with her.  She was a chain-talker and never really said
anything.  A couple of years ago, Bernice noticed that Cheryl had been copying
my sense of style and would point out each infraction to me at rehearsal. 
“Isn’t that your bracelet?  Look, there’s your tote bag.”  And the worst of
all, “She’s wearing your outfit.”  What amazed me was why she would dress like
me.  I am a tall, busty redhead, thirty pounds overweight and dress
accordingly.  Cheryl is a petite brunette with a size four behind. 

All I could figure out was that Cheryl copied everyone that
she knew in some way or another.  I think she stopped trying to be me this last
Christmas when I celebrated my husband leaving me for an heiress and gave
myself a BMW Z3 topaz blue roadster.  Cheryl and her husband are presently on
the outs, so she would have to be happy with her old green Honda.

Mark came onstage and gathered his equipment.  He had taken
his oboe with him at intermission so all that remained for him to collect was
his oboe stand and the water cup that he used to soak his backup reed during
performance.  Cheryl, on the other hand, had gadgets galore.  Some musicians
feel that the more stuff they have the better they will play.  Swabs and tissue
paper for the removal of the moisture that accumulates are necessary, as the
tone does suffers the wetter the inside of the instrument gets.  But Cheryl
also had a porcelain cup to soak her three backup reeds, a cup holder that
attached to her stand so she wouldn’t need to exert herself by reaching to the
floor, a tuner, music clips (for holding music outside, why she needed them
indoors was a puzzlement to me), and a black cloth to drape over her skirt. 
Maybe if Cheryl spent less time reading accessory catalogs and more time
practicing she would be sitting in Mark’s chair.  No, probably not.

After Cheryl had finished putting away her reeds, she did
something so totally gross.  She flung the water in her cup out into the
auditorium.  For the brief moment it took the drops to fly by me I smelled
flowers.  That was a new one.  I hadn’t heard of perfumed reed water.  She put
everything in a bag that was attached to a luggage trolley, no doubt copied
from the bassoon players, and rolled it right through the crime scene, ignoring
the protests of the officers as she left the building.

The clarinet section came onto the stage en masse.  Three
first, four second, six third clarinetists and two bass clarinet players
gossiped as they hurriedly packed up.  An officer, who had learned by Cheryl’s
bad graces, stepped up and assisted Bernice and Art by handing their
instruments to them so that they did not venture any closer to the crime
scene.  Bernice looked around the stage and asked Art if he had seen me, but
since I didn’t want to expose myself to all those people I kept quiet in my hiding
spot.  I would call her later and explain my absence.  Maybe it would be my one
call from the police station, I thought sourly, wondering if I would also have
to ask her to find me a lawyer.

The percussionists took their time packing up the equipment
and moving it off the six-inch risers into the storage room at the back of the
stage.  Our conductor Doctor Sanders walked out to his stand, gathered his
scores and walked back into the coffee room.  Detective Curtis must have
decided to join in on the fun because he followed him.  They were gone for some
time before Doctor Sanders reemerged.  He seemed angry, and I noticed his hand
shook as he grabbed his baton off the podium before leaving the stage.  I
wondered how he was feeling.  Did he despair at the failed concert or revel in
the, although untimely, exit of a major thorn in his side.

Our announcer, news anchor David Thebes, came onto the stage
and nodded curtly to me as he gathered his notes from the podium.  He took in
how I was dressed with a practiced eye.  I was surprised he didn’t ask me any
questions.  He just turned and nosed around the crime scene while complaining
to no one in particular that he should have been notified of the crime - something
about civic duty and wanting everyone’s badge number.  Dudley Do-Right escorted
him out with the help of the remaining two security officers.

All that were left in the theater were Miles, the cast of
characters who called themselves police officers, and me.  Now, I admit my last
thought was the result of my increasingly surly mood.  Waiting didn’t help
matters.  The group of officers that had conducted the interviews and Detective
Curtis were comparing notes in the coffee room when I walked in.

“Can I leave now?”

“Yes, but don’t leave the county, country, planet.  You know
the drill,” Detective Curtis said dismissing me.

“Excuse me.”

“Yes?”

“Do you know where you can reach me?”  I saw the blank looks
and the papers flying as he scanned for the information.  “I thought so. Good
night, gentlemen.”  I backed out the door.

“Wait!”

“Too late,” I called over my shoulder.  Dudley tried to
catch up with me before I had gathered my stuff and was on the way out.

“We need information, your address.”

“Really.  Tell you what.  You help carry my stuff out to my
car and I will spill my guts.  Or you can get it from the DMV if you’re quick
enough to copy down my plate as I drive out of here.”

I think the moron actually went for his gun before I heard
Detective Curtis’ voice command, “Officer Dudley, walk the lady out.”

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