The Chronicles of Elantra 5 - Cast in Silence (53 page)

Read The Chronicles of Elantra 5 - Cast in Silence Online

Authors: Michelle Sagara

Tags: #General, #Epic, #Fiction, #Romance, #Fantasy

BOOK: The Chronicles of Elantra 5 - Cast in Silence
12.7Mb size Format: txt, pdf, ePub

When you had a duty, and you failed it, what then? Guilt. Grief. Regret. Self-loathing. These were harder to find, and she searched a long time because it was important. You had to see them, you had to name them, if you wanted to escape them. She struggled until she found the right word for flawed; it felt like the word for
life,
for just a moment. She knew she would never be able to repeat it to Tara, not even with her help.

But once done, she could offer acceptance. The past was the past. The future was still open, and it was still possible to find the strength to return, changed, to your calling. Hiding the past, pretending it had never happened, wasn’t accepting it—and Kaylin had done that for years.

She accepted it here and now. She had done what she had done. She was not—would never be—proud of it, but the thirteen-year-old girl that had stupidly, foolishly, desperately destroyed so much was gone. She would never be that girl again; she understood the costs too damn well. Time, then, to let her go.

All the while she thought, she worked, the deliberate choice of words and runes becoming repetitive, like people said knitting was. Kaylin had only tried it once, during someone else’s arrested labor, and she had somehow managed to end up with far more stitches than she’d started with, which caused no end of amusement to the rest of the midwives, and the expectant mother’s mother.

She hadn’t Tiamaris’s eye, but she no longer saw the runic patterns as carvings; she saw them, instead, as a surface beneath which meaning lay. It was the meaning she now sought, as if it were small wells of light in the gloom and the red-tinged shadows, and when she reached them, she drew them out, wedding them to her narrative of what it meant to be alive.

Of what living meant, of the way it shored you up and the way it wore you down; of what love meant—yes, love, because in the end, it defined so much of Kaylin’s life, both by presence and absence—to those who lived, and floundered, and fumbled and fell flat on their butts, and then got up and tried again. These were Tara’s people, whether she knew it or not, and they lived in the streets yards away from the fence that circled her; they were the people she had, unknowing, been set in place to protect.

Are they?
the more analytical part of her mind asked. She often resented it. She resented it now.

Does it matter? These are the people who live here now, and these are the people who need her. And we
all
need to be needed. We need to be useful. We need to know what our role and our responsibilities are.

She’s not human.

No. But she can do what we can’t.

And what can we do for her?

This was the worst part of the analytical mind. Kaylin knew enough about people—of any race—to know that you couldn’t ask them to work for free. They had to get something out of the experience, or the work stopped. Things broke down. No one except maybe a mother—and even then she wasn’t certain—could give and give and give without getting something in return; it was like having leeches you couldn’t remove. In the end, there would be nothing left of you but an empty husk—if you were lucky.

What, she asked herself, her hands stilling, can we
give
to her in return for what we’re asking? How can we appreciate what she offers if we don’t see it, and don’t understand it? How can we speak to her at all?

We aren’t meant to, she thought. It was a slow realization. We were never meant to speak with her. The fief lord was. And is. The Lord of the Tower is the interface between the Tower, the anchor of the Ancients, and the people who take root around her.

But this fief lord was not that bridge. All he left was a gap; he showed how sharp and bitter the divide was. When she completed whatever it was she was doing, would there be any room for him at all? No, she thought. He could not love the mean streets and the meaner mortals that managed to scrape out a living beneath his windows. He could not—as Nightshade did not—care for them.

But Nightshade existed.

Illien did not.

Why?

She shook her head. It didn’t matter. In the end, it didn’t matter. Nightshade’s Castle was not Tara, had never been Tara; what he loved—or hated or claimed or owned—was not here. It wasn’t relevant. Here, she had offered the Tower a glimpse of ideal, and idealized love. Idealized because it was gone; it was what loss made of her early life.

She could change that, now. She could almost see the way to do it. She could reshape the words, shifting their meaning until they resembled what she thought the original purpose of the Tower had been. She even started to do so. But she couldn’t. She
couldn’t.

This Tower—
this
Tower—was awake. It was alive, in just the same way Kaylin was, if you made allowances for the lack of limbs and the ability to move or breathe. This Tower…

Wasn’t, she realized, a Tower. Not in the metaphorical sense of the word. Not an island. Not a stone fortress. From the moment she had touched Kaylin, or Kaylin had touched her, she had ceased to be some magical, mysterious construct that was at a remove from her inhabitants. She couldn’t live alone for all of her immortal existence. She couldn’t function in complete isolation.

And she knew it, the way Kaylin at
five
had known it. Isolation meant death; like any living thing, death was something to be feared. Tara had turned that knowledge into some sort of weird and broken way of relating to the Tower Lord, wedding her reason for existence to her awareness of her own emotional needs.

But for the City, lack of this Tower was death. It had already begun.

Kaylin found that she had arranged the white haze—for it was that, now—of words in a ring around her, as if she had touched the spirit of the walls and drawn them toward her, condensing their size and shape. She understood what the mix of runes meant—to her—although she lost her own words for them as soon as they began to move.

But she understood, as she stood at their heart, that they were not yet complete, and she understood, as well, what was missing at their center. She paled, drew breath, rose. Turning, she saw the room that existed beyond the work she’d done; her arms and legs ached, as if she’d been carrying sandbags on an endurance run devised by the most sadistic of the Halls’ many trainers.

The shadows were there. The creature that had arrived through the cracks—literal and emotional—in the Tower’s armor was now a twitching and burning mass. Tiamaris was not in his Dragon form but he didn’t need to be to burn things. Severn was standing to one side of the Dragon, favoring his left leg. But he didn’t look at her; he looked, instead, at what should have been a corpse.

Out of the smoke that rose from this carcass, another creature was taking shape and form. It moved like mist or fog, which was a problem for the Dragon and the Hawk.

But the mist sparkled as if the particles it were composed of were made of obsidian, and it headed straight toward Kaylin.

 

It had no head, no body, no obvious limbs, nor did folds of mist open to reveal eyes. She watched it glide through the space between Severn and Tiamaris, passing unharmed through the wall of Severn’s moving chain. She heard Severn shout, saw Tiamaris turn, and saw Tara lift her arms, as if in denial.

Kaylin tensed as it approached the words she’d formed. It slowed as it approached, as if it saw the words as a wall or a barrier. Circling, in as much as slow-moving mist could, it attempted to seep between the spaces in the words itself.

It shifted what was there, nudging a line to the side, a stroke or a dot to the center. She had seen Tiamaris do something similar, and she had let him. But the Dragon had not attempted to alter meaning; he had attempted to make it clearer, somehow.

“Kaylin—what is it attempting to do?” the Dragon shouted.

“I don’t know—I don’t think it can change the meaning of these words.”

“Not the meaning, no,” Lord Illien said. He had been silent for the whole of the battle, on either front. “But the meaning that you have laid out does not exist in isolation.”

Kaylin’s eyes narrowed just before they widened in alarm.

“Yes,” Illien said softly. “The pattern is not complete. The shadows will seek to complete it, now. If they can, they will control the shape of the whole.”

“No—that’s
not
the point of these words—”

“Point or no, Chosen, the Tower is, and was always meant to be, armor. Armor is donned, it is worn. You cannot turn armor into the man that wears it. No more can you make it a soldier or a leader. It is what it is, if it is to serve its function.” He nodded, his face once again completely without expression. “But I can no longer stand in the space you have left. I cannot complete your pattern in any way.

“Neither can the shadows.”

“You do not understand the nature of shadow,” he replied. “Watch it now. Can you not see what it is forming?”

She watched. The mist had condensed, and what was left was something that should have looked serpentine. It didn’t. It looked like black, black ink, and it was flexing itself into lines, and those lines pressed themselves against the exact shape of the lines Kaylin had pulled from the memory of stone.

She felt the sudden intrusion as a painful, cold pressure against her skin, and looked at the insides of her arms; nothing was touching them. It didn’t matter. She felt the line she had drawn retract and shift under the pressure of this very unexpected attack, its shape changing as it shrunk and pulled away. She saw the word go with it, changing its form, and slowly altering its meaning.

Reaching out, she grabbed the line in her hands—and her hands went numb almost instantly. It was a familiar numbness.
Tara,
she thought.
Illien. What did you do?
The line was not malleable, but she could bend it, stretch it, force it—while she held it—to maintain something like the same shape.

But it
wasn’t
the same damn shape. She knew it, and wondered if this certainty was what Tiamaris had meant when he talked about harmony and pattern. She wrestled with shadows here, felt the cold, and realized, bitterly, that she had wrestled with shadows for most of her life.

And that she would continue to wrestle with shadows for the rest of it, no matter how long that was. She took a deep breath. What was the option? It was wrestle or give up.

But you’re tired. You’re exhausted. You’ll do nothing but struggle until you die.

Yes.
She grimaced.
But I know what the alternative is.
Fingers numb, she peeled the shadow back; it clung for a moment to her fingers, crawling up her hands like a living glove. But when it reached the edge of her wrists, it stopped, and she heard the faintest of hisses as it suddenly withdrew.

She realized as it did that it was not a single thing; sleek lines, bright dashes, gleaming, hard dots, had attached themselves to parts of her work while she had struggled with
one damn line
. Yes, struggle was inevitable. But there was stupid struggle and smart struggle. She didn’t even reach for the blackness, this time.

She knew what to do to drive it out.

She was afraid to do it. What Tara needed, she wasn’t certain she could give. Yes, she could work—without pay—for the midwives. She could supervise the foundlings, take them on tours of the office, teach them to read and write, in as much as she was capable. But in both of those cases, she helped people who needed her help, and then she got to go home. Home, where she could relax and worry about what
she
needed—which, admittedly, was usually food and enough sleep to make her very late for work.

Taking the Tower—and that was the only alternative, the only way to defend it—meant that
this
would be home. Tara would be hers, to care for, to defend, to protect; there would be no place to retreat.

But she would
be
here. The fiefs would be standing. The rest of the City would be safe for a while.

She whispered Tara’s name, and then, she whispered her own. Elianne. Kaylin. These two came easily: the one that she had been given at birth by the woman after whom she’d so carelessly named the Tower, and the one that she had chosen in haste and without thought, which she had taken for her own, and grown into.

But when she tried to speak the third name, and the most recent, she found her tongue almost too heavy and too thick to utter the syllables.
Ellariayn
. The name she had taken from the High Halls. The name by whose grace she was a Lord of the Barrani High Court.

A name she could give to the Tower that would allow her to hold it. She would
be
Ellariayn, a mortal with an immortal name. She would be fief lord. Illien would no longer matter. She knew it.

The shadows knew it. They pressed in against the words she had so carefully constructed and drawn—out of memory, out of experience, out of empathy—and they stained them and attempted to twist their parts so that the runes had a meaning far, far different than the one Kaylin had intended. She knew it because, even changed, they
did
have meaning, and that meaning was also a part of her experience and her truth.

She couldn’t deny that truth; she accepted it. She accepted, as well, that the parts of her that had broken would never be whole and unbroken again, but they were foundation; she built on them. She tried to learn enough from them to understand other people better. She wasn’t always good at it. Most days, she was damn bad. But…she tried, and that counted for something.

She struggled, now, to
give
the Tower the third of her names. But it was a name that didn’t feel like it was truly her own; she’d never lived in it. She barely acknowledged it.

But the shadows did. They couldn’t take it; they tried, but this was a true name; it wasn’t given to them. They struggled; she saw their frenzy; felt a hint of something that might be anger or fear or some blend of both. She worked through it; felt pressure, like a hand against her mouth.

Other books

Lone Star by Ed Ifkovic
Discovering Pleasure by Marie Haynes
By The Sea, Book Two: Amanda by Stockenberg, Antoinette
A Boy and His Bunny by Sean Bryan
Triple Threat by H. L. Wegley
Diary of a Wanted Woman by Patrese, Donnee
Jackson Pollock by Deborah Solomon
Umbrella Summer by Graff, Lisa