Fisher was in the village now. It consisted mostly of log cabins,
izbas,
whose doors, window frames, and flower boxes were all of the same blue. “People’s Paint Factory Number Three is overfilling quota on blue paint number two. Yes?” The entire village stretched along both sides of the highway for a half kilometer or so, like some elongated Kozy Kabin motel in the Adirondacks. He saw a few elderly people and children digging root vegetables from their kitchen gardens in the small fenced-in front yards. An old man was forcing mortar into the chinks between two logs of an
izba
while a group of children were gleefully terrorizing a flock of chickens.
Everyone stopped, turned, and watched as the metallic blue Trans Am rolled by. Fisher gave a cursory wave and began accelerating as soon as he passed the last cabin. He glanced over his right shoulder and saw a glimpse of the sun hanging lower on the southwest horizon.
Some half hour later he turned off the highway onto a smaller parallel route that had once been the principal western road out of Moscow. In a few minutes he found himself on the outskirts of Mozhaisk, 128 kilometers from Moscow, and he slowed to the urban speed limit. His Intourist guidebook informed him this was a thirteenth-century town of old Muscovy, but there weren’t any signs of antiquity evident in the plain concrete and wooden buildings. His map showed a monastery somewhere in the area, and he saw the spire of the Cathedral of St. Nicholas, but he didn’t have the time or the inclination to sightsee. There was a flip side to being an American in a Pontiac Trans Am in deepest, darkest Russia. There were limits to the amount of attention one could comfortably take.
He continued through Mozhaisk, affecting a nonchalance behind the wheel, avoiding the stare of the State motor policeman directing traffic through the only major intersection.
Finally, with the town behind him, he saw what he was looking for, a petrol station,
the
petrol station, on the eastern end of Mozhaisk, marked by a picture of a pump. He pulled onto the immaculate, white concrete and stopped beside a yellow pump. A man in clean blue overalls sat in a chair outside a white concrete-block building reading a book. The man peered over the book. Fisher got out of the car and approached him. “How’s business?” Fisher handed him Intourist coupons for thirty-five liters of 93-octane. “Okay?”
The man nodded. “Oo-kay.”
Fisher went back to his car and began pumping gas. The man followed and looked over his shoulder at the meter. Fisher did not wonder why all petrol stations were self-service if the attendant stood there watching you. Fisher had stopped wondering about such things. He hit thirty-five liters, but the tank wasn’t full, so he squeezed in another four liters before he put the hose back. The attendant was peering inside the Pontiac now and didn’t seem to notice.
Fisher got into his car, started the big engine, and raced the motor. He lowered the electric windows and handed the attendant a packet of postcards from New York City. “Everyone is being homeless there. Yes?”
The attendant flipped slowly through the cards. Fisher put a Bruce Springsteen tape in the deck, popped the clutch, and left six feet of rubber on the white concrete. He made a tight, hard U-turn and accelerated up the road. “Surreal. Really.”
He rolled up the windows and lost himself in the music.
Fisher pressed on the gas pedal until he was well past the speed limit. “Haven’t
seen
a traffic cop in the last thousand miles. They never
heard
of radar here.”
He thought about the Rossiya Hotel in Moscow. That would be his first decent accommodation since Warsaw. “I need a steak and scotch whiskey.” He wondered what he was going to do with the fruits and vegetables in the rear seat.
Another thought popped into his mind. “Avoid sexual entanglements.” That was what the embassy man in Bonn had told him when he’d gone there to pick up his Soviet visa, and so far he’d avoided it, though not by much in Warsaw. Still, he had fifteen pairs of panty hose and a dozen tubes of lip gloss. “We’ll see what shakes out at the Rossiya.”
Fisher kept looking for a sign directing him back to the main highway. “The sun has riz, and the sun has set, and here we is in Roosha yet.”
Greg Fisher pulled off to the side of the deserted road. A stone kilometer post read 108 K, and an arrow pointed back to the main highway via a one-lane road with crumbling blacktop. An arrow to the left pointed toward a rising road in better condition. The sign was in Cyrillic, but he could make out the word “Borodino.” He looked at his dashboard clock: 4:38. Impulsively he accelerated, swinging onto the Borodino road, heading west into the setting sun.
He didn’t know what he expected to see at Borodino, but something told him it was a not-to-be-missed opportunity. In June he had stood on the beach at Normandy and had been moved by what had happened there. Similarly, he thought, he would like to see the place where Napoleon and Kutuzov had faced off, where fifty years later Leo Tolstoy had stood and pondered his epic,
War and Peace.
Fisher thought perhaps he owed the Russians at least that before he entered Moscow.
* * *
The road curved gently and rose gradually. Poplars flanked either side, and Fisher found it pleasant. He drove slowly through a set of stone pillars with open iron gates. The road crested a small hill, and he saw spread before him Borodino Field, where Napoleon’s
Grande Armée
met the Russian army led by Field Marshal Kutuzov. The road led down to a small parking area beyond which was a white limestone building with a red-tiled roof and a neoclassical portico. On either side of the portico were wings in which were set arched French windows. Two old, muzzle-loading cannons flanked the entranceway. This building, Fisher knew from his Intourist booklet, was the Borodino museum. He rummaged through his tapes and found Tchaikovsky’s “1812 Overture.” He slid in the tape, turned up the volume, and got out of the car, leaving the door open. The overture reverberated over the quiet battlefield, and a flock of wild geese took to the air.
Fisher mounted the steps of the museum and tried the doors, but they were locked. “Typical.” He turned and looked out at the grass-covered fields and hillocks where a quarter-million French and Russian soldiers met on a September day in 1812, the French intent on taking Moscow, the Russians on defending it. For fifteen hours, according to his guidebook, the two sides fired at each other, and in the evening the Russians withdrew toward Moscow, and the French were in possession of Borodino Field and the little village of the same name. A hundred thousand men lay dead and wounded.
In the distance Fisher saw the memorial to the French soldiers and officers who fought there in 1812, and further away was a newer monument dedicated to the Russian defenders who tried to stop the Germans in this same place in 1941. Fisher noted there was no monument to the Germans.
Greg Fisher was suddenly overcome by a sense of history and tragedy as he gazed out over the now peaceful fields, deathly still in the autumn dusk. The cold east wind blew tiny birch leaves over the granite steps where he stood, and the cannon of Tchaikovsky’s overture boomed over the quiet countryside. “Russia,” he said softly to himself. “
Rodina
—the motherland. Bleeding Russia. But you made them all bleed too. You gave them death in seven-digit numbers.”
Fisher walked slowly back to his car. It was much colder now, and a chill passed through his body. He shut the door and turned the tape lower as he drove slowly on the lanes, past the black granite obelisk honoring Kutuzov, past the common grave of the Soviet Guardsmen who fell in action in 1941, past the monument dedicated to the
Grande Armée
of 1812, and past the dozens of smaller markers dedicated to the Russian regiments of both 1812 and 1941. In the deepening dusk Fisher fancied he could hear the muted sounds of battle and the cries of men.
I’m too hard on them,
he decided.
They got shafted bad. Screwed by the West once too often.
He had lost track of time, and it had become noticeably darker. He tried to retrace his route through the low hills and clusters of birch trees, but he realized he was lost.
Fisher found himself going upgrade in a towering pine forest and reluctantly continued on the narrow, paved lane, looking for a wide place to turn around. He put on his headlights, but they revealed only walls of dark green pine on either side. “Oh, Christ Almighty. . . .”
Suddenly the head beams illuminated a large wooden sign attached to a tree, and Fisher stopped the car. He stared out the windshield at the Cyrillic lettering and was able to make out the familiar word
STOP
. The rest of the sign was incomprehensible except for the also familiar
CCCP
. Government property. But what wasn’t these days? “Do I need this?” He thought he detected a quaver in his voice, so he said more forcibly, “I don’t need this crap. Right?”
As he sat considering what to do next, he noticed what appeared to be a small opening in the trees off the right shoulder. The opening lay beyond the sign, and he didn’t want to pass the sign with the car, so he took a flashlight from under his seat and got out. He walked the ten meters to the opening. It was a graveled patch, not five meters square, but obviously meant as a turnaround, a means of allowing the unwary motorist to obey the sign. “Russian efficiency.” He kicked at the crushed stone and decided it would be all right. He turned back toward his car, then froze.
Over the hum of the engine he heard branches rustling. He remained motionless and breathed through his nose, noticing the resinous scent of the trees. The air was cold and damp, and he shivered in his windbreaker. He heard it again, the brushing of pine boughs, closer this time.
The headlights attracted a deer,
he thought.
Right.
He took a step toward his car. Somewhere in the distance a dog barked—an unfriendly bark, he decided.
The glare of his headlights blinded him, and he shielded his eyes as he walked in long strides the ten meters back toward his car;
one, two, three, four, five
—
“Russian efficiency,” said a voice a few feet to his right.
Fisher felt his knees go weak.
Lisa Rhodes noted it was five o’clock, and she poured a shot of bourbon into her paper Coke cup. She walked to the window of her office in the Press Attaché’s section of the American embassy. The seventh-floor windows faced west and looked over the Moskva River. Across the river rose the Ukraina Hotel, a twenty-nine-story structure of bombastic Stalinist architecture that fronted on the Taras Shevchenko Embankment.
The district that was contained within the loop across the Moskva had been one of the poorer quarters of nineteenth-century Moscow. Extensive razing and building under the Soviets had transformed it into a cleaner if less interesting place. In the two years since she’d been in Moscow, she’d seen not only wooden structures demolished, but magnificent stone mansions and churches destroyed. The government seemed to consult no one regarding these matters. Somewhere, she assumed, was a master plan for changing the face of Moscow, but the citizens who lived in the city had never been asked their opinion. “What a screwed-up social contract they’ve got here,” she said aloud.
Spanning the river below was the Kalinin Bridge, connecting into Kutuzov Prospect, which ran west alongside the Ukraina Hotel and continued on, becoming the Minsk–Moscow highway. She followed the road with her eyes until it disappeared into the pale sinking sun over the flat horizon. “Russia. . . .” An immense and inhospitable expanse, more suitable for wild horsemen and ruminants, an unlikely place to find a powerful empire of Europeans and their cities. Certainly, she thought, the most frozen empire that ever existed; a civilization whose roots seemed tenuously sunk into the thin soil like the fragile white birch.
The internal phone rang. She turned from the window and answered it. “Rhodes.”
“Hello,” the male voice said. “Today is the first day of Sukkot.”
“Is that so?”
“I’ve been invited to a party in Sadovniki. Religious dissidents. You might enjoy it.”
“I’m D.O. tonight.”
“I’ll get you switched.”
“No . . . no, thanks, Seth.”
“Is it completely and finally over?”
“I think so.”
“Will you take a polygraph on that?”
“I have to finish a press release now.”
“Well, at least you won’t be able to get in trouble tonight. Think about it, Lisa.”
She didn’t know if Seth Alevy meant about them or the party. She replied, “Sure will.”
“Good night.”
She hung up, slipped off her shoes, and put her feet on the desk. Holding the bourbon in her lap, she lit a cigarette and contemplated the acoustical-tile ceiling. The new American embassy, she reflected, sitting on ten acres of bad bog land about equidistant between the Moskova River and the old embassy on Tchaikovsky Street, had been more than a decade in the building. The work had been done mostly by a West German firm under subcontract to an American concern in New York. If the Soviet government was insulted by this snub to socialist labor and building expertise, they never expressed it verbally. Instead they’d indulged themselves in petty harassments and bureaucratic delays of monumental proportions, which was one of the reasons the project had taken about five times as long as it should have.