The Castle in the Forest (61 page)

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Authors: Norman Mailer

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BOOK: The Castle in the Forest
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Snyder, Louis L.
Hitler’s Elite: Nineteen Biographical Sketches of Nazis Who Shaped the Third Reich.
New York: Hippocrene Books, 1989.

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Inside the Third Reich.
New York: Macmillan, 1970.

Speer, Albert.
Spandau: The Secret Diaries.
New York: Macmillan, 1976.

Stein, George H., ed.
Hitler.
Englewood Cliffs, NJ: Prentice-Hall, 1968.

* Stunner, Michael.
The German Empire (1870-1918).
New York: The
Modern Library, 2000.

Taylor, Telford, introduction and editor.
Hitler’s Secret Book.
New York: Grove Press, 1961.

Toland, John.
Adolf Hitler
(vol. 1). New York: Doubleday, 1976.

Tolstoy, Leo.
The Death of Ivan Ilych.
New York: Signet, 1960.

Tolstoy, Leo.
Anna Karenina.
New York: Viking, 2001.

* Trevor-Roper, H. R., ed.
Hitler’s Secret Conversations (1941-1944).
New
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Trevor-Roper, H. R., ed.
The Bormann Letters.
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* Trevor-Roper, Hugh.
The Last Days of Hitler.
Chicago: University of
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My Life.
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The Ochrana.
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Hitler Close-up.
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The Secretary. Martin Bormann: The Man Who Manipulated Hitler.
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* Waite, Robert G. L.
The Psychopathic God: Adolf Hitler.
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Inside Hitler’s Headquarters 1939-45.
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Rasputin and the Fall of the Romanovs.
New York: Farrar, Straus and Co., 1964.

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Himmler.
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* Youssoupoff, Prince Felix.
Rasputin.
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Youssoupoff, Prince Felix.
Lost Splendor.
Reprint. Chappaqua, NY: Helen Marx Books, 2003.

 

 

 

 

ABOUT THE AUTHOR

 

 

Norman Mailer
was born in 1923 and published his first book,
The Naked and the Dead,
in 1948.
The Armies of the Night
won the National Book Award and the Pulitzer Prize in 1969; Mailer received another Pulitzer in 1980 for
The Executioner

s Song.
He lives in Provincetown, Massachusetts.

 

 

 

ABOUT
THE TYPE

 

 

The text of this book was set in Janson, a misnamed typeface designed in about 1690 by Nicholas Kis, a Hungarian in Amsterdam. In 1919 the matrices became the property of the Stempel Foundry in Frankfurt. It is an old-style book face of excellent clarity and sharpness. Janson serifs are concave and splayed; the contrast between thick and thin strokes is marked.

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