The Cabinet of Curiosities (43 page)

He turned. “Lieutenant Detective Cannell, take three officers and have these gentlemen show you to the staff entrance. I want everyone leaving the premises to be ID’d and checked against personnel records. Get phone numbers, cell numbers, and addresses. I want everyone available to be called back at a moment’s notice, if necessary.”

“Yes, sir.”

“Lieutenant Detective Piles, you come with me.”

“Yes, sir.”

Custer turned a stern eye back on Manetti. “Show us the way to Dr. Collopy’s office. We have business to discuss.”

“Follow me,” said the security director, even more unhappily.

Custer motioned to the rest of his men, and they followed him through great echoing halls, up several floors in a giant elevator, and along yet more halls filled with displays—Christ, this place had more than its share of weird shit—until at last they reached a grand paneled door leading to an even grander paneled office. The door was half open, and beyond sat a small woman at a desk. She rose at their approach.

“We’re here to see Dr. Collopy,” said Custer, looking around, wondering why a secretary had such a fancy office.

“I’m sorry, sir,” the woman said. “Dr. Collopy’s not here.”

“He’s not?” Custer and Manetti said in chorus.

The secretary shook her head, looking flustered. “He hasn’t been back since lunch. Said he had some important business to take care of.”

“But lunch was hours ago,” Custer said. “Isn’t there some way he can be reached?”

“There’s his private cell phone,” the secretary said.

“Dial it.” Custer turned to Manetti. “And you, call around to some of the other top brass. See if they know where this Collopy is.”

Manetti moved off to another desk, picked up a phone. The large office fell silent, save for the beep of numbers being dialed. Custer looked around. The space was paneled in very dark wood, and it was chock-full of bleak oil paintings and forbidding-looking displays parked behind glass-fronted cabinets. Christ, it was like a house of horrors.

“The cell phone’s turned off, sir,” the secretary said.

Custer shook his head. “Isn’t there any other number you can call? His house, for example?”

The secretary and Manetti exchanged looks. “We aren’t supposed to call there,” she said, looking even more flustered.

“I don’t care what you’re
supposed
to do. This is urgent police business. Call his house.”

The secretary unlocked a desk drawer, rummaged through a file of index cards, plucked one out. She looked at it a moment, shielding it from Custer’s and Manetti’s view. Then she replaced the card, locked the drawer, and dialed a number.

“Nobody’s picking up,” she said after a moment.

“Keep ringing.”

Half a minute went by. Finally, the secretary replaced the phone in its cradle. “There’s no answer.”

Custer rolled his eyes. “All right, listen. We can’t waste any more time. We have good reason to believe that the key to the serial killer known as the Surgeon—perhaps even the killer himself—will be found here in the Museum. Time is of the essence. I’m going to personally supervise a thorough search of the Archives. Lieutenant Detective Piles will be in charge of questioning certain staff members.”

Manetti was silent.

“With the Museum’s cooperation, I think we can get through this by midnight, if not sooner. We’ll need a room for interrogation. We will require power for our recording machinery, a sound engineer, and an electrician. I will require identification from everyone, and access to personnel files on an ongoing basis.”

“Just which staff members are you going to question?” Manetti asked.

“We will determine that from the files.”

“We have two thousand five hundred employees.”

This temporarily floored Custer.
Twenty-five hundred people to run a museum? What a welfare program.
He took a breath, carefully recomposing his features. “We will deal with that. As a start, we’ll need to interview, let’s see… night watchmen who might have noticed any unusual comings or goings. And that archaeologist who excavated those skeletons, found the others down on Doyers Street, and—”

“Nora Kelly.”

“Right.”

“The police have already spoken with her, I believe.”

“So we’ll be speaking with her again. And we’ll want to talk to the head of security—that’s you—about your security arrangements, in the Archives and elsewhere. I want to question everyone connected with the Archives and the discovery of, ah, Mr. Puck’s body. How’s that for a start?” He gave a quick, artificial smile.

There was a silence.

“Now, direct me to the Archives, please.”

For a moment, Manetti just stared at him, as if the situation was beyond his powers of comprehension.

“Direct me to the Archives, Mr. Manetti, and make it now, if you please.”

Manetti blinked. “Very well, Captain. If you’ll follow me.”

As they walked down the storied halls, cops and administrators in tow, Custer felt a huge swelling of excitement at his newly found self-confidence. He’d finally discovered his true calling. Homicide was where he should have been all along. It was obvious he was a natural; he had a knack for the work. His being put in charge of this case had not been a fluke. It had been destiny.

S
MITHBACK STOOD IN THE DARK HALL, STRUGGLING TO CONTROL HIS
fright. It was fright that was his problem here, not locked doors. Clearly, at least one of them must be unlocked: he had just come through it.

As deliberately as he could, he went down the hall once again, trying all the doors, shaking harder this time, even at the cost of making some noise, pushing at the jambs, making sure they weren’t simply stuck. But no, it wasn’t his imagination. They were all securely locked.

Had somebody locked the door behind him? But that was impossible: the room had been empty. A gust of wind had closed it. He shook his head, searching unsuccessfully for amusement in his own paranoia.

The doors, he decided, must lock automatically when shut. Maybe that was a feature of old houses like this. No problem: he would find another way out of the house. Downstairs, through the reception hall and out a first floor window or door. Perhaps out the porte-cochère door, which had every appearance of being functional—in fact it was probably the very door used by the custodian. Relief coursed through him at this thought. It would be easier; it would save him the trouble of having to climb back down that outside wall.

All he had to do was find his way to it through the dark house.

He stood in the hall, waiting for his heartbeat to slow. The place was so quiet, so unusually quiet, that he found his ears alert for the faintest sound. The silence, he told himself, was a good sign. No custodian was around. He probably came only once a week, at most; or maybe only once a year, given all the dust in the place. Smithback had all the time in the world.

Feeling a little sheepish, he made his way back to the head of the stairs and peered down. The carriage door, it seemed to him, should be to the left, somewhere off the reception hall. He descended the stairs and paused warily at the bottom, peering again at the strange, endless displays. Still, no sound. The place was clearly deserted.

He remembered Pendergast’s theory.
What if Leng really
had
succeeded…?

Smithback forced himself to laugh out loud. What the hell was he thinking about? Nobody could live 150 years. The darkness, the silence, the mysterious collections were getting to him.

He paused, taking stock. A passage ran off from the hall to the left, in what he thought was the right direction. It lay in complete darkness, yet it seemed the most promising. He should have thought to bring a damn flashlight. No matter: he would try that first.

Stepping carefully, avoiding the display cases and sheeted objects, he walked across the hall and into the side passage. His pupils refused to dilate further and the corridor remained pitch black, the darkness an almost palpable presence around him. He fumbled in his pocket, found the box of matches he’d picked up at the Blarney Stone. He lit one, the scraping and flaring of the match unpleasantly loud in the still air.

The flickering light revealed a passage leading into another large room, also crammed with wooden cabinets. He took a few steps forward until the matchlight died away. Then he went on as far as he dared into the blackness, felt around with his hand, found the doorframe of the room, drew himself forward again. Once he was inside, he lit another match.

Here was a different kind of collection: rows and rows of specimens in jars of formaldehyde. He caught a quick glimpse of rows of gigantic, staring eyeballs in jars—whale eyeballs? Trying not to waste the light, he hurried forward, stumbling over a large glass jeroboam on a marble pedestal, filled with what looked like a huge floating bag. As he got back on his feet and lit another match, he caught a glimpse of the label:
Mammoth stomach, containing its last meal, from the icefields of Siberia…

He went quickly on, passing as fast as he could between the rows of cabinets, until he arrived at a single wooden door, battered and scarred. There was a sudden sharp pain as the match burned his fingers. Cursing, he dropped it, then lit another. In the renewed flare of light, he opened the door. It led into a huge kitchen, tiled in white and black. There was a deep stone fireplace set into one wall. The rest of the room was dominated by a huge iron stove, a row of ovens, and several long tables set with soapstone sinks. Dozens of pots of greenish copper were suspended from ceiling hooks. Everything looked decayed, covered with a thick layer of dust, cobwebs, and mouse droppings. It was a dead end.

The house was huge. The matches wouldn’t last forever. What would he do when they ran out?

Get a grip, Smithback,
he told himself. Clearly, no one had cooked in this kitchen in a hundred years. Nobody lived in the house. What was he worrying about?

Relying on memory, without lighting any more matches, he backtracked into the large room, feeling his way along the glass-fronted cases. At one point he felt his shoulder brush against something. A second later, there was a tremendous crash at his feet, and the sudden biting stench of formaldehyde. He waited, nerves taut, for the echoes to abate. He prepared to light a match, thought better of it—was formaldehyde flammable? Better not experiment now. He took a step, and his stockinged foot grazed something large, wet, and yielding.
The specimen in the jar.
He gingerly stepped around it.

There had been other doors set into the passageway beyond. He would try them one at a time. But first, he paused to remove his socks, which were sodden with formaldehyde. Then, stepping into the passageway, he ventured another match. He could see four doors, two on the left wall, two on the right.

He opened the closest, found an ancient, zinc-lined bathroom. Sitting in the middle of the tiled floor was the grinning skull of an allosaurus. The second door fronted a large closet full of stuffed birds; the third, yet another closet, this one full of stuffed lizards. The fourth opened into a scullery, its walls pocked and scarred, ravaged by traceries of mildew.

The match went out and Smithback stood in the enfolding darkness. He could hear the sound of his own stertorous breathing. He felt in the matchbook, counted with his fingers: six left. He fought back—less successfully this time—the scrabbling panic that threatened to overwhelm him. He’d been in tough situations before, tougher than this.
It’s an empty house. Just find your way out.

He made his way back to the reception hall and its shrouded collections. Being able to see again, no matter how faintly, calmed him a little—there was something utterly terrifying about absolute darkness. He looked around again at the astounding collections, but all he could feel now was a rising dread. The foul smell was stronger here: the sickly-sweet odor of decay, of something that by all rights belonged under several feet of earth…

Smithback took a series of deep, calming breaths. The thick layers of undisturbed dust on the floor proved the place was deserted; that even the caretaker, if there was one, hardly ever came.

He glanced around again, eyes wide against the faint light. On the far side of the hall, a shadowy archway led into what looked like a large room. He walked across the hall, bare feet padding on the parquet floor, and passed beneath the archway. The walls of the room beyond were paneled in dark wood, rising to a coffered ceiling. This room, too, was filled with displays: some shrouded, others raised on plinths or armatures. But the displays themselves were utterly different from what he had seen before. He stepped forward, looking around, bafflement mixing with the sharp sense of trepidation. There were large steamer trunks, some with glass sides, bound in heavy leather straps; galvanized containers like antique milk cans, their lids studded with heavy bolts; an oddly shaped, oversized wooden box, with copper-lined circles cut out of its top and sides; a coffin-shaped crate, pierced by half a dozen swords. On the walls hung ropes, strings of moldering kerchiefs tied end-to-end; straitjackets, manacles, chains, cuffs of various sizes. It was an inexplicable, eerie display, made the more unsettling by its lack of relation to what he had seen before.

Smithback crept on into the center of the room, keeping away from the dark corners. The front of the house, he figured, would be straight ahead. The other side of the house had proven a dead end; surely he would have better luck this way. If need be, he would batter down the front door.

At the far end of the room, another passageway led off into darkness. He stepped gingerly into it, feeling his way along one wall, sliding his feet forward with small, tentative steps. In the faintest of light he could see the hall ended in another room, much smaller and more intimate than the ones he had passed through before. The specimens were fewer here—just a few cabinets filled with seashells and some mounted dolphin skeletons. It seemed to have once been a drawing room or parlor of some kind. Or perhaps—and at the thought, fresh hope surged within him—an entryway?