The Broken God (16 page)

Danlo thought about this for a while. Drisana's tea room was a good place for reflection. In some ways it reminded him of a snow hut's interior: clean, stark and lit by natural flames. High on the granite walls, atop little wooden shelves, were ten silver candelabra. All around the room, candles burned with a familiar yellow light. The smells of hot wax and carbon mingled with pine and the sickly sweet fetor which old people exude when they are almost ready to go over. Danlo traced his finger along his forehead and wondered aloud, 'Is it possible for a man to become a god? For a civilized man? How can such a thing be possible? Men are men; why should a man want to be a god?'

He wondered if Old Father was lying or speaking metaphorically. Or perhaps, in such a shaida place as a city, a man really could aspire to godhood. Danlo really didn't understand civilized people, nor could he conceive of the kinds of gods they might become. And then he had a startling thought: it wasn't necessary for him to understand everything in order to accept Drisana's and Old Father's story. As his first conscious act as an asarya, he would say 'yes' to this fantastic notion of a man's journey godward, at least until he could see things more clearly.

He turned to Old Father and asked, 'What are the Elder Eddas?'

'Oh ho, the Elder Eddas! No one is quite sure. Once there was a race of gods, the Ieldra, once, once, three million years ago. When human beings lived in trees; when the Fravashi still warred with each other, clan against clan. The Ieldra, it's said, discovered the secret of the universe. The Philosopher's Stone. The One Tree, the Burning Bush, Pure Information, the Pearl of Great Price. Aha, the River of Light, the Ring of Scutarix, the Universal Program, the Eschaton. And the Golden Key, the Word, even the Wheel of Law. So, it's so: the Elder Eddas. God. In a way, the Ieldra became God, or became as one with God. It's said that they carked their minds – ah, ah, their very consciousness – into the singularity at the galaxy's core. Into a spinning black hole. But before their final evolution, a gift. A bequest from the Ieldra to their chosen successors. Not the Fravashi, it's said. Not the Darghinni. Nor the Scutari, nor the Farahim, nor the Friends of Man. It's said that the Ieldra carked their secrets into human beings only; long ago they encoded the Elder Eddas into the human genome. Wisdom, madness, infinite knowledge, racial memory – all of these and more. It's thought that certain segments of human DNA code the Elder Eddas as pure memory. And so, inside all human beings, a way of becoming gods.'

While Danlo stared at the flame shadows dancing atop the floor, he smiled with curiosity and amusement. Finally, he asked, 'And what is DNA?'

'Ah, so much to learn, but you needn't learn it just now. The main point is this: The Ringess showed the way to remember the Elder Eddas, and people hated him for that. Why? All is one, you say, and man shall be as gods?

Creation and memory – God is memory? So, it's so: there's a way for anyone to remember the Elder Eddas, but here is the most ironic of ironies: many can hear the Eddas within themselves but few can understand.'

Danlo closed his eyes, listening. The only sound inside was the beating of his heart. 'I do not hear anything,' he said.

Old Father smiled, and as Danlo had, closed both his eyes.

Drisana was savouring her fourth glass of wine, and she finally spoke to Danlo in his language, 'Kareeska, Danlo, grace beyond grace. It's been a long time since I spoke Alaloi; please forgive me if I make mistakes.' After a long sip of wine, she continued, 'There are techniques of remembering, of listening. You chose an exciting time to enter the Order. Everyone is trying to learn the remembrancing art, certainly they are. If you're accepted into Borja, perhaps you'll learn it, too.'

Her voice was slurry with wine and bitterness. Once, at the beginning of the Great Schism, because she had believed the Order was corrupt and doomed, she had renounced her position as master imprimatur. And now, twelve years later, there was a renewal of spirit and vision in the towers of the Academy, and the Order was more vital than it had been in a thousand years. If given the chance, she would have rejoined the Order, but for those who abjure their vows, there is never a second chance.

Danlo, who was quite unafraid to touch old people, took Drisana's hand and held it as he would his grandmother's. He liked the acceptance he saw in her sad, lovely eyes, though he wondered why she would be so bitter. 'The gods have imprinted human beings with the Elder Eddas, yes?'

'No, certainly not!' Drisana did not explain that it was she, herself, who had once imprinted Mallory Ringess, and therefore she was partly responsible for creating the Ringess and all the chaos of the war. 'The memory of the Eddas lies deeper than the brain. When we speak of an imprinting, we speak merely of changing the metabolic pathways and the neural network. It's all a matter of redefining the synapses of the brain.'

'Fixing the synapses like strands of silk in glacier ice?'

Drisana stared at him as she took a sip of wine. Then she started laughing, and the bitterness suddenly left her. 'Dear Danlo, you don't understand anything about what we're going to do here today, do you?'

'No,' he said. 'I always thought the brain was just a store of pink fat.'

Drisana laughed nicely and pulled at his hand. 'Come,' she said. 'Danlo, and my Honoured Fravashi – you'll have to help me because I've drunk too much wine.'

She led them through a wooden door into the imprinting room, or her chamber of impressions, as she liked to call it. In the centre of the imprinting room, atop the Fravashi carpet that Old Father had once given her, was a padded chair covered with green velvet. Aside from a couple of hologram stands behind the chair, it was the only article of furniture in the room. On each of the six walls, from ceiling to floor, were polished shelves holding up what looked like gleaming, metal skulls. There were six hundred and twenty-two of these skulls, arrayed neatly in their rows. 'These are the heaumes,' Drisana explained as she sat Danlo down on this chair. 'You've certainly seen a heaume before?'

Danlo sat stiffly in the chair, craning his neck, looking at the heaumes. Ahira, Ahira, he silently called, why would anyone collect metal skulls?

Drisana wobbled on her feet as she ran her hands through his hair, roughly sizing his head. He had a large head for a boy fourteen years old, large and broad, and she turned to select a heaume from the third row from the top. 'First, we have to make a model of your brain,' she said.

'A model?'

'A picture. Like a painting.'

While Old Father sat down on the rug in the Fravashi fashion to watch, she fit the heaume over Danlo's head. Danlo held his breath, then slowly let it out. The heaume was cold, even through his thick hair. The heaume was hard and cold, and it tightly squeezed his skull. Something important was about to happen, he thought, though he couldn't quite tell what. Through the dark hallways of Drisana's shop, he had kept his sense of direction. He was sure he was facing east. One must piss to the south, sleep with one's head to the north, but all important ceremonies must occur facing east. How could Drisana know this?

'A painting of your brain,' Drisana slurred out. Her breath was heavy over his face and smelled of wine. 'We'll paint it with light.'

Directly behind Danlo's chair, one of the hologram stands suddenly lit up with a model of his brain. There, seemingly floating above the stand, were the glowing folds of his cerebral cortex, the cerebellum and medulla and the vivid chasm splitting the brain into halves. Danlo felt nothing, but he sensed a gleam of light from his side and turned to look.

'Stop!' Drisana cried out.

It was too late. Danlo had been blindly obedient only once in his life, during his passage into manhood, on pain of death. How could he help looking at a painting of his brain? He looked, and in the back of the model of his brain, the visual cortex flared with orange light. He looked at his own visual cortex, painted bright with orange and orange-red, and the very act of looking caused the neurons within the cortex to fire. As he looked and looked, suddenly the light was blindingly, brilliantly red. The light was a red spearpoint through his eyes into his brain. The pain was quick, sharp and intense. Old Father had been wrong; there was a hideous pain. He closed his eyes and looked away. The pain fell off into a white heat and a burning, terrible pain.

Drisana grasped his face in her withered hands and gently turned him facing forward. 'You mustn't look at your brain's own model! Soon, we'll go deeper, down to the neurons. The neuro-transmitter flow, the electricity. Your thoughts – you would be able to see your own thoughts. And that's so dangerous. Seeing your thoughts as they form up – that itself would create another thought for you to see. The feedback, the infinities. Certainly, the process could go on to infinity, but you'd be insane or dead long before then.'

Danlo stared straight ahead. He held himself very still. He was sweating now, beads of salt water squeezed between his forehead and the heaume. 'Ahira, Ahira,' he whispered. 'O blessed Ahira!'

'Now be still. Before we can make an imprinting, we must see where to imprint.'

Even though Drisana was half drunk, she laid his brain bare as deftly and easily as he might slit open a snow hare's belly. Before she had learned the art of imprinting, she had been an akashic. As an akashic, she had done many thousands of brain mappings. All imprimaturs are also akashics, though few akashics know much about the art of imprinting. In truth, it is easier to map and read a brain than it is to imprint it. For no good reason – and this is a bitter irony – the akashics possess a much higher status in the Order than do the lowly imprimaturs.

'Close your eyes, now,' Drisana called out softly.

Danlo closed his eyes. Behind him, his brain's model rippled with light waves. The language clusters in the left hemisphere were magnified and highlighted. The neural network was dense and profoundly complex. Millions of individual neurons, like tiny, glowing red spiders, were packed into a three-dimensional web. From each neuron grew thousands of dendrites, thousands of red, silken strands which sought each other out and connected at the synapses.

'Danlo, ni luria la shantih,' Drisana said, and his association cortex fairly jumped with light. And then, 'Ti asto yujena oyu, you have eyes that see too deeply and too much.'

'Oh ho, that's true!' Old Father broke in. 'Yujena oyu – so, it's so.'

Drisana held up a hand to silence him, and she spoke other words in other languages, words that failed to bring Danlo's association cortex to life. In a few moments, Drisana determined that Alaloi was his milk tongue, and more, that he knew no others except Moksha and a smattering of the Language. It was an extraordinary thing to discover, and she probably longed to immediately spread this news in the various cafes and bars, but as an imprimatur she was obliged to keep secrets.

'Now we have the model; now we will make the actual imprinting.'

She removed the heaume from Danlo's head. While he brushed back his sodden hair, she walked over to the far wall behind Old Father to search for a particular heaume. She tried to explain the fundamentals of her art, though it must have been difficult to find words in the Alaloi language to convey her meaning. Danlo quickly became confused. In truth, imprinting is both simple and profound. Every child is born with a certain array of synapses connecting neuron to neuron. This array is called the primary repertoire and is determined partly by the genetic programs and partly by the self-organizing properties of the growing brain. Learning occurs, simply, when certain synapses are selected and strengthened at the expense of others. The blueness of the sky, the pain of ice against the skin – every colour, each crackling twig, smell, idea or fear burns its mark into the synapses. Gradually, event by event, the primary repertoire is transformed into the secondary repertoire. And this transformation – the flowering of a human being's selfness and essence, one's very soul – is evolutionary. Populations of neurons and synapses compete for sensa and thoughts. Or rather, they compete to make thoughts. The brain is its own universe and thoughts are living things which thrive or die according to natural laws.

Drisana eased the new heaume over Danlo's head. It was thicker than the first heaume and heavier. Above the second hologram stand, a second model of Danlo's brain appeared. Next to it, the first model remained lit. As the imprinting progressed, Drisana would continually compare the second model to the first, down to the molecular level; she would need to see both models – as well as the tone of Danlo's blue-black eyes – to determine when he had imprinted enough for one day.

'So many synapses,' Drisana said. 'Ten trillion synapses in the cortex alone.'

Danlo made a fist and asked, 'What do the synapses look like?'

'They're modelled as points of light. Ten trillion points of light.' She didn't explain how neurotransmitters diffuse across the synapses, causing the individual neurons to fire. Danlo knew nothing of chemistry or electricity. Instead, she tried to give him some idea of how the heaume's computer stored and imprinted language. The computer remembers the synapse configuration of other brains, brains that hold a particular language. This memory is a simulation of that language. And then in your brain, Danlo, select synapses are excited directly and strengthened. The computer speeds up the synapses' natural evolution.'

Danlo tapped the bridge of his nose; his eyes were dark and intent upon a certain sequence of thought. 'The synapses are not allowed to grow naturally, yes?'

'Certainly not. Otherwise imprinting would be impossible.'

'And the synapse configuration – this is really the learning, the essence of another's mind, yes?'

'Yes, Danlo.'

'And not just the learning – isn't this so? You imply that anything in the mind of another could be imprinted in my mind?'

'Almost anything.'

'What about dreams? Could dreams be imprinted?'

'Certainly.'

'And nightmares?'

Drisana squeezed his hand and reassured him. 'No one would imprint a nightmare into another.'