Read The Book of Goodbyes Online
Authors: Jillian Weise
begin long before you hear them
and gain speed and come out of
the same place as other words.
They should have their own
place to come from, the elbow
perhaps, since elbows look
funny and never weep. Why
are you proud of me? I said
goodbye to you forty times.
I see your point. That is
an achievement unto itself.
My mom wants me to write
a goodbye poem. It should fit
inside a card and use the phrase,
“You are one powerful lady.”
There is nothing powerful
about me though you might
think so from the way I spit.
I don't want to say goodbye
to you anymore. I heard
the first wave was an accident.
It happened in the Cave
of the Hands in Santa Cruz.
They were drinking and someone
killed a wild boar and someone
said, “Hey look, I put my hand
in it.” Saying goodbye is like that.
You put your hand in it and then
you take your hand back.
Maybe it's because you're cut off
from your roots, and you need to go
to Spain, be with your forefathers,
the Diego Logos, whose remains lie
in the sea surrounding Majorca.
There you'd feel more
insula maior
,
less
insula flatbrain
. There you'd rest
in a hammock, mid-afternoon, writing.
Except such peace makes awful poetry.
There would appear a beetle
by the ill-begotten name of Hydraboo.
He is angry, scaled, with pokey things
like fingers if fingers were shiny blades
of poison. He is evolved beyond
our Horatian notion of beetles. He sees
your left ear and it tenders him,
calms him the fuck down. I can't
blame him for that. Your ear, lined
as it is, like the marks he made by the sea,
and it is soft, with a secret spot
for getting into. Don't you think
he had a day of flat brain?
You bet. But not this day, the day
you swing in the hammock, composing
a much too peaceful crown of sonnets
or just a crown inside a sonnet
or just a curtal sonnet about a king
who lost his ending, an ending who lost
her king, when suddenly beside you
Hydraboo the Beetle wants in your ear.
What will you do? You are a monist.
Bisabuelo Logos was a monist.
Indeed you are a monad. Sometimes
this is what I do when I am especially
missing you: I pretend you are hiding
behind everyone in the world's face
and I have to say the code to reveal you.
This is why I buy so much fruit
from so many different vendors.
I guess I'm on the island too.
Do you mind? I wonder how I got here.
I must've taken a whale.
I say to the vendors, “You are a royal
pumpkin. You are a five-dollar chicken.
Are you not?” No, he is not, and he is not,
and neither is he. On I walk, eating
pomegranates and berries. As Diego
Logos used to say,
Esperanza mis niños
,
and as he spoke he saw Hydraboo,
back when he was half-a-pint,
half-a-toothpick, flat without brain,
pinch without body, scuttle here,
scuttle there. Diego watched him
with your very own eyes before they
were your eyes, when they were still
Diego's eyes watching Hydraboo,
who was not yet boo, and not yet beetle,
more like
be
, only an inkling, before
poems happened, when all writing
was wish and whizgig in sand.
He called her number, after many months,
and reached a man named Pete. “This is Pete,”
the man said. “Don't nobody answer here
but me.” So she had changed her number.
It was almost like she wanted him to suffer.
It was almost like having her new number
would give him something that belonged
to him anyway. During other hours of the day,
he didn't want her new number and would
content himself without it, until he got drunk,
and thinking, and online found her faculty page.
She never should have said where she worked
if she didn't want him to call her at work.
He dialed and a mechanical voice said, “We
are not available. Please leave a message.”
What college had such primitive devices
as standard answering machines? Where
was she? Furthermore, what was this
we
bullshit? Did the voice know something?
Was she seeing someone? It was just like
leaving any other message except his heart
beat differently. Had it always? Why yes,
hello, you are no longer at the number I had
for you. I spoke to some guy named Pete.
It has been a while but I still miss you.
This is pointless. Once he left the first
message, it was easier to leave the second,
third and fourth. He made a regular habit
of calling her. It was like they talked.
He told her about his student who, by
his recommendation, won the Duquesne
Fellowship. He told her about his reading,
in the Lower East Village, the audience
loved his poetry. He told her about his colleague
who farted, regularly, in the office. It was
always the same. “We are not available.
Please leave a message.” The voice was firm.
The voice forced him to leave messages.
He told her about his mom who sent
an Advent calendar with windows full
of Xanax. He told her his mom always said
he was a good eater. He told her to call
and gave his number, though he knew she had it.
Where do you get off changing your number
and not giving me the new one? Not reading
Endless Love
by Scott Spencer? Not taking
me up on any of my recommendations
like when I recommend you call me back?
He kept waiting for the tape on the machine
to run out. Every time he called, tenth,
eleventh, and twelfth now, he waited for
the tape to run out. Weeks passed. He took
a Xanax. He drank a beer. It was raining.
There was a song. Someone said something.
He didn't put it that way on the machine.
He didn't say I'm stoned I'm shitfaced
I'm calling because they were playing James
Blunt in the Whole Foods Market. Instead
he told her about the view from his office.
The tops of roofs. The smoke plumes.
The clouds. He was Li Po sometimes
and Catullus others. He made sure to get
sweet after he got vulgar. It must have been
an independent machine, sitting next to
the phone, on her desk in her office.
So he was on her desk talking. This isn't
very nice. It isn't very nice of you to go
away and not tell me how to reach you.
I'm starting to doubt the whole enterprise.
He told her about a podcast and a movie.
Once, after reading Wittgenstein, he left
a message of silence punctuated by
a nipple clamp. Sweet again. Thursday.
It's me. You check this machine. You and me
both know it. The tape never runs out.
Don't ask any questions of me. Stay on
your side of the tape. We're fucked.
I don't love you. I'm sleeping with various
women from the boroughs, professional
and amateur. I miss you. Come see me.
I saw a therapist. Her voice was like a cartoon.
She wore pantyhose with tennis shoes.
I said this is the deal. I'm beginning
to doubt the whole enterprise. There is
no one I've seen that you need know about.
I had a bad dream last night. We died
and came back to find each other in the
Dulles airport bar. That is why it won't
go away. You took me to the Great
Sadness. You look cute even when
emaciated. We were going to survive.
We fully intended to be survivors.
All our poems went up in smoke. Us too.
I'm not writing. I haven't written since
I saw you. I can't write. The therapist
wasn't too worried about it. I couldn't
take her seriously. I lied continuously.
Pick up the phone. You must be checking
your machine. Your students wonder
where you are. Your boss left word.
Don't you have appointments to keep?
Stop erasing me. Keep this one at least.
This is a good one.
Zahra Baker is missing. “I don't know. You all know more than I know,” says her father. The news on five websites tells the story the same clausal way. A girl, who wears hearing aids and a prosthetic leg, went missing.
Why bring Lacan into it?
I dated this guy who liked to make unannounced visits. “Whaddya know,” he would say. “I was just in the area.” When we broke up, he said, “You must have had childhood trauma.”
I called my mom. “Did I have childhood trauma?”
Where is Zahra Baker's mom?
Zahra Baker was born in 2000. Her parents divorced in 2001. No one can find her mom. They are both missing.
Wednesday. Poetry Workshop. Here I am again talking without thinking. “I have a fake leg and I saw this clip on the news about Zahra Baker who may be dead with a fake leg and it didn't make me cry. It's very hard to make someone cry in poems or on the news.”
After I said the words
fake leg
, everyone in the class looked at my feet.
I do not have bone cancer or anything that easy. People know what bone cancer means. She was ten years old. And, if she is still alive, she is still ten years old.
“Zahra was last seen in her bed at 2:30 a.m. on Saturday morning according to her stepmother.” âFox News
“I am gothic and proud.” âStepmother's MySpace page.
“Mr. Coffey, you like being in control now who is in control we have your daughter no cops.” âRansom Note
Her leg was found in the woods. They matched the serial number from leg to medical records. This is how it begins. Serial numbers on our parts. Only our doctors can tell you who we are.
What am I doing with my life?
The commercial starts with a celebrity. The celebrity turns into a potbellied man with a missing leg surrounded by empty beer bottles. “Be thee amputated, drunk and alone? Play Rock Star.”
In the spring issue of
Pony Swoon
, Nadine Neeze has a poem titled “Lame Sonnet.” Hugh sent the issue. What am I going to do about it? Tell Hugh the word
lame
is offensive? Do I actually care or is this another of my baseless campaigns?
“You used the word lame on the phone the other day,” Josh says. “Sometimes I use it just to see how it makes me feel,” I say.
In regards to the song “Pretty Boy Swag” by Soulja Boy: It is about a lame boy who goes to the club and because of his limp, which is called “swag,” all the women want him.
I am watching
Pawn Stars
. It is about how much something is worth.
How much would you pay me to say the name of the condition I have? Would I just need to say the name or would you require an examination? How much for the box of legs in the attic?
I start calling myself a cyborg.
I find a website called
Gimps Gone Wild
. “I could make a lot of money selling photo sets,” I tell Josh. “Probably a hundred dollars for a set.”
“Don't do that,” he says. “I would never do that,” I say even though I'm not sure if I would do it or not.
“Have you seen the Suicide Girls?” I ask Josh. He says, “No. What's that?” It seems impossible that he has not seen the Suicide Girls. “It's porn but the girls are really different with tattoos, librarian glasses, emo, indie, that kind of thing. If the girls on
Gimps Gone Wild
were pretty like the Suicide Girls then maybe.”
What is pretty?
I read the novel
Fay
by Larry Brown. I read it fast and pretend Fay has a fake leg. This is a recurring approach I take.
Zahra Baker's stepmother has been arrested for 1) assault with a deadly weapon 2) failure to return rental property 3) writing worthless checks and 4) some other charges not reported. Her father has been released after posting bond.
In the Netherlands, if you are disabled, the government gives you 12 free sessions with a prostitute each year. “For women too?” Josh asks.
A man at a coffee shop. I thought he had a condition that caused him to shake uncontrollably. Later, the emails roll in. “I got turned-on seeing you walk to the stage. I bought your book. Do you like making love?”
The emails got so bad I had to forward them to my professor. He would read them and let me know if I needed a restraining order. Or a gun.
If I enrolled on
Gimps Gone Wild
, I would wear a wig. I would dress up in a ball gown. Employ various speakers. Is it any different than poetry?
Zahra: Here's the drill. There have been so many laws against us. Laws that say we can't go out in public and we can't marry. Laws that mandate the splicing of our wombs and parts of our brains. I was going to lay it out for you in poetry, all the laws against us, but there were just too many.
On the cover of the book Josh is reading: BEST BLACK WRITER. Josh says, “Bet that pisses him off.”
Zahra Baker is still missing. I better write some more notes to her before she's dead.
It is weird that I have all these legs in the attic but they would not let me keep the real leg. The real leg they cut off and I guess it went somewhere like to a shelf or an incinerator. Sometimes I wish it had a proper burial.
“Probably has to do with medical waste,” Josh says. “There must be laws.”
Yesterday was fine. I was straightforward with them. I told them why I wrote the things I wrote. I read with a Native American poet.
Someone asked, “Do you feel the burden of your identities?” I said yeah, I feel it. The Native American said he doesn't think of it as a burden. His first language was Cherokee. He doesn't speak it anymore.
I am writing my acceptance speech for the Best Disabled Writer Award. The speech begins: I need some new words.
Tell us. How is it getting around? It's awful. You have to negotiate with so many people on the sidewalks and you can hear their thoughts, like “Hurry up” and “Why are you walking so slow?” and “Move out of my way.”
Zahra: You'll get better at passing. It's a pain in the ass, I know. You'll learn, I promise. Just make it out of the woods.