The Bone Vault - Linda Fairstein (47 page)

"What's in it for me, Mr. Wallace? You're going to allow me to go home?" Poste laughed.

"I'm going to find out what has you so upset, and see if we can fix it. Mamdouba says--"

"Don't give me any crap about Elijah Mamdouba. Nobody can fix it, Wallace. It's a different world now. My father was their hero. The men who were putting this place together thought he was the best thing that ever happened to them. Today, he's a pariah here. I'd come with him as a child, when we sailed back from Africa. Everyone who worked in the museum worshiped the ground he walked on."

"That's still true."

"They're all about saving the planet and preserving the species now. You think it was scientists who brought back all those creatures downstairs? They were hunters, for Chrissakes. They did it for sport. At least my father was honest about it. Rich Brits and Americans. Piles of money to throw away on trips to the heart of darkness. If these people didn't like to kill the beasts, Wallace, how the hell do you think they filled the dioramas downstairs?"

Mercer didn't have an answer. "Did you go with him on safari when you were a kid?" "It had all changed by then. When my father was young, before `civilization' reached Africa," Poste said mockingly, "the supply of wildlife seemed inexhaustible. He learned to shoot to defend his home and family, to put food on the table."

I could hear scuffling now, as though he was changing position.

"Those fools who came over on expedition would shoot whatever they could find. `You've got your elephant,' my father would say. `You've got what you came here for.' `We'll have another one then. One for the museum, two for me. And after that, Willem, we'll take some gorillas. Maybe shoot a cannibal or two.'You might have been in danger, Wallace. The old T.R. spirit. Bully. Everything was bully."

Mercer had him going. The way I understood it, this was a good thing, for Clem's sake.

"And your father?"

"He warned the sportsmen, the museum trustees, all about the situation. Told them there weren't enough animals to satisfy them. Nobody listened to him."

"But his things, his collections are all--"

"They're all forgotten is what they are. I used to hold on to his great hands, all callused and hard, and walk through the halls with him. His name was everywhere, on all the display labels. He was a giant to these people--the board, the administrators. `That one's mine, Erik,' he used to tell me. And then the story to go with it. `That crowned eagle, see it? It had picked up a monkey--a full-grown one--to carry off for a feast. Got it with one shot, right in its own nest.' Now Willem Van der Poste is taboo. Everything that once was his is stuck in a box or a closet. Mamdouba? He couldn't find an elephant tusk if his life depended on it."

"Is that what you want, Erik? You want to--"

"I have what I want, Detective. I found exactly what I want."

He was walking now, in the confined space. We could all hear the steps.

"The girl," Mercer said, his voice louder and more firm. "Don't touch the girl."

41

Everyone moved at once.

Mercer stood up and stepped closer to Poste's enclosure. Kerry left us and eased herself in behind his position. Above us, the two snipers lifted their guns to their shoulders.

"Take it slow, Erik. Step back from the girl. Leave Clem alone. I want to hear what you have to say." Within seconds, Poste must have complied with the order to get away from Clem. Mercer held his arm up in the air, circling his forefinger and thumb to signal things were okay for the moment.

Kerry walked back to us. "He's got something in his hand. Like a small arrow, best they can tell. He's been rubbing it up and down his forearm, sort of scratching himself, while he was speaking to Mercer. That last time? He leaned over behind Clem and began to dig the point of it into the back of her hand."

"The guns?"

"He put them down when he started to talk."

"Which is worse?" I said aloud to no one in particular.

"There's a whole shelf full of sharp objects that the camera's picking up. It's scanning around now, while he's pacing. Arrows of all sizes. A lot of primitive weapons," Kerry said, listening to the transmission that was going to her and to Mercer.

"Poison-tipped hunting darts," Mike said. "Probably part of Papa's stash."

"Your friend wanted bones?" Kerry asked. "All around her. Human skulls, shelf on top of shelf. A couple of skeletons hanging right over her head."

"Be careful what you wish for," Mike muttered. "He's spooked now," Kerry said. "He's trying to figure out how Mercer knew he was so close to your witness."

"Can't he see the camera?"

"It's lens is smaller than a pea, Coop. It's just above him, flush against the wooden boards. With good light he'd have trouble spotting it, and he's got no light at all."

Mercer tried to connect to him again. "You gotta let Clem out of there. Then you and I can strike a deal, okay?"

"It's too late for a deal. I know that."

"Why? You haven't hurt her, have you? She'll be okay."

"And you'll just forget about her timid little friend? Katrina? Will you do that for me?" He was teasing Mercer now, knowing we were as stymied as he was.

Mercer put his hands on his waist and stretched his neck back. He had tried for an hour to keep Poste from mentioning the dead girl. Once Katrina got in the mix, Poste knew he was looking at a long haul in state prison. No one-way ticket home.

"He's picked up a head from the shelf. Nope, put it down. Back to the weapons. Some kind of ax or hatchet." Kerry's commentary was chilling. With all the sophisticated weaponry in the hands of the cops who ringed the museum attic, Poste had Clem locked inside with a stockpile of primitive death tools.

"Katrina figured it out. Well, that's not really true. It was Clementine here who planted the seed. D'you know what happened to the big-game hunters when the animals died out? When the men who were glorified by this museum--Akeley and Lang and Chapin--were finished killing them off, quite unnecessarily?"

"Why don't you tell me, Erik."

"They became grave diggers. That's what she calls them, don't you?"

"He's back at her side," Kerry whispered. "He's prodding her in the spine with an arrow. A different one this time." She slipped from our alcove and walked into place a foot or two away from Mercer, ready to assist him.

"You're dead meat if you move from here, Coop. My orders," Mike said, following behind Kerry.

From each corner of the room, teams started to move closer to where we were centered. No one was going to let Poste do any damage to Clem. Some boss was struggling to decide how and when to break in on him. At some point, when the talking stalled and the hostage was at risk of serious physical harm, the team would resort to brute force. "I don't understand what you mean, Erik. Tell me what you're talking about."

"Came a time when there were no longer animals to sell to the great museums of America and Europe. The greedy bastards had wiped out some of the most extraordinary creatures on the face of the earth. White rhinos, okapi, forest gorillas. You can count them on your fingers today."

"That's not your father's fault. That didn't--"

"We've got company, haven't we, Wallace? A lot of company listening in on our chat? The acoustics up here don't favor you, Detective. Sounds like you've got all your cops back in place."

"What's your beef against Clem? Just open the door and we'll get Mamdouba up here to talk to you. He'll give you anything of your father's that you want."

"Imagine what the man was reduced to, Wallace. All his skill, all his passion. You do something unique, do it for a lifetime, better than anybody in the entire world. All of a sudden your universe implodes, your heart's torn out of you, you become an anachronism, and you can't even support your family. The animals may have become scarce, Mercer, but there was no shortage of human remains."

Now I had no one to repeat to me the transmissions of the visual scene of Erik Poste and Clem inside the enclosure as I stood alone in my slim alcove. I could only judge danger by the reflex reactions of the men above me on the catwalk. Erik must have been right on top of Clem.

"Everybody wanted them, every museum in the world. Not just here. Even in Africa. Paid the hunters--paid anyone who'd do it, actually--to dig up the graves. Old ones, new ones. Made no difference. Clem knows it, don't you? These proud institutions competed against each other for human remains."

"Clem knew about your father?"

"No, no, she never made that connection until today. How could she? They'd taken his name off everything in this place long ago. She was close, though. Awfully close."

"Katrina, did she realize it?"

"That last night in December. Fell into her lap, really."

More noise now, coming from the stairwell. Four men, like a quartet of weight lifters, were carrying a battering ram down the long corridor. They were moving into position to break down the door to Poste's hideout. Clearly they felt Clem was at greater risk inside, with the guns, the axes, and the killer.

Mercer, Mike, and Kerry stepped farther back and made way for the Emergency Services team. I froze as I saw them each draw their guns, Kerry and Mercer gesturing as they received directions through their earpieces about how to take the room behind the battering ram. "Want to tell me how that happened, Erik?"

"Not really, Wallace. Then what else will we have to talk about? That might end our conversation--"

The ram crashed through the door. I clenched my teeth, waiting for the sound of gunshots.

42

"C'mon, Alex. Clem's okay. She's going to be fine." Kerry waved me over to the room. No shots had been fired as Mercer and the others had charged into the small space.

One of the ESU men had cuffed Poste and removed him so that Clem did not have to be near him. Mike and Mercer were untying her bonds as two medics rushed in behind me to check her vital signs and ask about injuries.

I stopped long enough to tell Poste that I'd like the chance to talk to him when we went downstairs in a few minutes. No need to read him his Miranda rights now and give him time to think about lawyering up.

"Don't waste your time, Miss Cooper. I've got nothing to say to you. If you'd stayed locked in the basement all night, none of this need have happened."

I didn't have to tell Mike that I had been right. He glanced at me and I knew he understood. Clem was crying now. She was upright with her back against a rack full of human skulls, a blood pressure cuff around her arm, Mercer massaging her wrists.

Mike got out of the way and made room for me. "I'm great with stiffs. Tears, tea, and sympathy is your turf."

I kneeled down beside her and she reached her free arm around my neck. "Take it easy, Clem. It's all over."

I could feel the scratches on her forearm as I embraced her. I showed them to the medic.

Clem managed a laugh. "You know how many times I've dropped one of those arrows on my foot? Margaret Mead would be appalled at how often the interns did that. That poison has a shorter shelf life than a carton of milk. They've probably been in this room for thirty or forty years. It's the guns that terrified me."

Mike had stepped out into the hallway to examine the firearms. "Not loaded. None of 'em. I'm not even sure they would work at this point."

"I feel so stupid," Clem said, looking up at him. "I would never have done what he told me if I'd known."

"Hey, you're alive. Whatever you did was right. We thought the same thing you did," Mike said. "We're gonna take her over to Roosevelt," one of the medics said, referring to the nearest hospital. "You can talk to her there. We gotta have her checked out."

"I'll go with you in a few minutes. I need to talk to the detectives first. Please?"

The medics weren't happy but they picked up their equipment and stepped out into the hallway.

Clem was sitting on the floor, cross-legged, rubbing her ankles while she talked. "He told me some things about Katrina. About why--"

She looked up at me, biting her lower lip hard with her teeth, as though that would shut off the flow of tears. "That's why I thought he was really going to kill me. And kill himself. He had the guns. Then the arrows, which he knew had poison tips. Then he picked up one of the hatchets."

That hatchet had probably caused the chief of detectives to give ESU the order to break in.

"Did you know about the staircase in Mamdouba's office?"

"No. Never heard about it. Those turrets are coveted space. Honchos only. Never spent much time up there."

"Did he have the gun when he surprised you?" "I didn't see him coming. Of course"--she smiled --"when Mamdouba took you out of the office, to the anteroom, I couldn't resist the chance to get up and go behind his desk. Look over the papers he had there while you guys were arguing with him. That's the bit of me that will never change, I suppose."

"And Poste?"

"The door opened. I turned my head and he was pointing the gun right at me. Grabbed my hand and told me if I made a sound I was dead."

"He knew you were there?"

"No, I'd guess he knewyou were there. He's probably the only person who would have known about the staircases. He played in them when he was a boy, visiting the museum with his father. That's what he told me when we got up here. Even knew whose office it used to be."

"But why was he there?"

"Listening to your conversation with Mamdouba, trying to overhear what you had figured out about the murder so far. Especially once Zimm told him I might be coming tonight. Just listening. He didn't expect to find me there alone. That's why he had no escape route planned. No idea how to get rid of me. Just a place to hide me until he thought it out. Just this, this --" Clem struggled to put a name on this gruesome assemblage of human remains. "This bone vault," Mike said.

"Did Erik know about what his father had done?" I asked.

"About desecrating the graves, you mean? Not when he was a kid. Not until about a year ago, when he started to work on the joint exhibit. It was his brother who told him."