The Big Rock Candy Mountain (99 page)

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Authors: Wallace Stegner

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Into the grave. Into lot 6, block 37, beside Elsa Mason and Chester Mason, and let the bodies of the united family unite more intimately in the deep earth than they ever did in life. There is the makings of a man in that family, and more of it than I ever thought will have to come out of the tissues of my father.
The preacher stopped. Bruce had not heard him for several minutes. Now he saw him fold his hands and bend his head. From the pews behind, where a sprinkling of acquaintances, nondescript pall-bearers recruited from his father's old intimates, banker and broker and bootlegger and pimp, sat and listened to the preacher's words, there came a light sniffle. The attendants came to the edge of the curtains and stood ready. The minister finished his short prayer, the chapel organ began to cough and mourn. Dry-eyed, Bruce stood up and stepped three steps forward to where the coffin lay open. He had not yet brought himself to look at his father's body.
The heavy square hands were crossed on the neatly-pressed coat-front. The thinning hair was brushed back, and the right temple, where the bullet had entered, was so smoothly patched with wax that only a knowing eye could have detected it. The mouth was gentle, almost humorously curved; the jaw was blunt and strong. Whatever violence had been in the face had been erased.
But what he noticed most strongly, before the attendants stepped forward and lowered the lid of the casket, was the enormous, powerful arch of his father's chest, and the width of the shoulders in the satin-lined box.
As he followed the handful of people out through the entrance into the sun of the court, he could feel no grief for his father, nor for his mother and brother whose graves were grassy beside the new raw hole at the cemetery. He could think only of the brightness of the sun, an excessive sparkling brightness, as if there were some meaning in it, or a blessing, and he saw the sweep of the spring-green slopes up to the worn peaks above Dry Canyon. His past was upon him, the feeling he had had two or three times that he bore his whole family's history in his own mind, and he remembered the time when he had gone with his mother and father on a picnic to the Bearpaw Mountains, the wonder and delight of his childhood, and the shadow behind it of the things that his mind had caught from infancy, from other times, from some dim remoteness that gave up its meaning slowly and incompletely. He remembered the great snake his father had killed by the roadside, and the gopher that had come slimy and stretched from the snake's mouth, and the feeling he had had then was like the feeling he had now: it was a good thing to have been along and seen, a thing to be remembered and told about, a thing that he and his father shared.
Perhaps that was what it meant, all of it. It was good to have been along and to have shared it. There were things he had learned that could not be taken away from him. Perhaps it took several generations to make a man, perhaps it took several combinations and re-creations of his mother's gentleness and resilience, his father's enormous energy and appetite for the new, a subtle blending of masculine and feminine, selfish and selfless, stubborn and yielding, before a proper man could be fashioned.
He was the only one left to fulfill that contract and try to justify the labor and the harshness and the mistakes of his parents' lives, and that responsibility was so clearly his, was so great an obligation, that it made unimportant and unreal the sight of the motley collection of pall-bearers staggering under the weight of his father's body, and the back door of the hearse closing quietly upon the casket and the flowers.
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FOR THE BEST IN PAPERBACKS, LOOK FOR THE
More Penguin books by Wallace Stegner, “one of our greatest contemporary writers”—
The Washington Post
 
□
ALL THE LITTLE LIVE THINGS
 
The sequel to the National Book Award—winning
The Spectator Bird
finds Joe Allston and his wife in California, scarred by the senseless death of their son and baffled by the engulfing chaos of the 1960s. “A great novel of our generation”—
Virginia Quarterly Review ISBN 0-14-015441-8
 
□
ANGLE OF REPOSE
 
Stegner's Pulitzer Prize-winning masterpiece—the story of a century in the life of an American family and of America itself. “Reading it is an experience to be treasured.”—
The Boston Globe ISBN 0-14-016930-X
 
□ BEYOND THE HUNDREDTH MERIDIAN
John Wesley Powell and the Second Opening of the West
A fascinating look at the old American West and the man who prophetically warned against the dangers of settling it. “This book goes far beyond biography, into the nature and soul of the American West.”—Ivan Doig
ISBN 0-14-015994-0
 
□ THE BIG ROCK CANDY MOUNTAIN
 
Stegner portrays more than thirty years in the life of the Mason family in this harrowing saga of people trying to survive during the lean years of the early twentieth century. “Stands out beautifully and unforgettably”—
The New Yorker ISBN 0-14-013939-7
 
□ COLLECTED STORIES OF WALLACE STEGNER
 
Thirty-one stories, written over half a century, demonstrate why Stegner is acclaimed as one of America's master storytellers. “The reader ... is immediately reminded of an essential America ... a distinct place, a unique people, a common history, and a shared heritage remembered as only Stegner can.”—
Los Angeles Times ISBN 0-14-014774-8
 
□
CROSSING TO SAFETY
 
This grand, rich, beautifully written story of a lifelong, not-always-easy friendship between two couples is “magnificently crafted and brimming with wisdom”—
The Washington Post ISBN 0-14-013348-8
FOR THE BEST IN PAPERBACKS, LOOK FOR THE
܀
JOE HILL
Blending fact with fiction, Stegner creates a full-bodied portrait of Joe Hill, the Wobbly labor organizer who became a legend after he was executed for murder in 1915. “A genuinely powerful novel of labor as it once was in the U.S.”
—San Francisco Chronicle ISBN 0-14-013941-9
 
□
REMEMBERING LAUGHTER
 
In the novel that marked his literary debut, Stegner depicts the dramatic, moving story of an Iowa farm wife whose spirit is tested by a series of events as cruel and inevitable as the endless prairie winters. “Adroit and moving”—
The New York Times ISBN 0-14-025240-1
 
□ A SHOOTING STAR
 
Sabrina Castro, a wealthy, attractive woman, is married to an older society physician. When an almost accidental misstep leads her down the path of moral disintegration, she must come to terms with her life in this “masterly and engaging” tale.—Carlos Baker,
The New York Times Book Review
ISBN 0-14-025241-X
 
□ THE SPECTATOR BIRD
 
Stegner's National Book Award-winning novel portrays retired literary agent Joe Allston, who passes through life as a spectator—until he rediscovers the journals of a trip he took to his mother's birthplace years before.
ISBN 0-14-013940-0
 
□ WHERE THE BLUEBIRD SINGS TO THE LEMONADE SPRINGS
Living and Writing in the West
Sixteen brilliant essays about the people, the land, and the art of the American West. “The essential Stegner ... The brilliant crystallization of his lifetime of thinking about the American West.”—
Los Angeles Times Book Review ISBN 0-14-017402-8
 
□ WOLF WILLOW
A
History, a Story, and a Memory of the Last Plains Frontier
In a recollection of his boyhood in southern Saskatchewan, Stegner creates a wise and enduring portrait of a pioneer community existing on the verge of the modern world. “Enchanting, heartrending, and eminently enviable” —Vladimir Nabokov
ISBN 0-14-013439-5

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