The Big Book of Sherlock Holmes Stories (31 page)

My diagnosis that the dear old fellow was badly shaken was confirmed when I suggested, “Shall we be getting on?” and he answered, “Certainly.” And I must say that I was trebly pleased when, first, Mr. Mycroft took my extended hand to pull him to his feet, then accepted my arm as we went up the bridge and down its other side, and once we were outside the gate let me hold the door of the cab open for him. At that moment from an alcove in the gate-arch popped a small man with a book. Would we care to purchase any of the colored photographs he had for sale, and would we sign the visitors' book? I bought a couple and said to Mr. Mycroft, “May I sign Mr. Silchester and friend?”—for this was a ready way for him to preserve his anonymity, when he remarked, “I will sign,” and in that large stately hand the most famous signature was placed on the page.

As we swirled down the canyon, Mr. Mycroft gave his attention to our new surroundings. Suddenly he exclaimed, “Stop!” The cab bumped to a standstill. The spot he had chosen
was certainly a contrast to our last stop. Of course, once outside the houses of the rich, this countryside
is
pretty untidy. We had just swished round one of those hairpin curves all these canyon roads make as they wiggle down the central cleft. The cleft itself was in slow process of being filled by the cans and crocks that fall from the rich man's kitchen. Something, disconcerting to a sane eye even at this distance, had caught Mr. Mycroft's vulture gaze. Even before the cab was quite still, he was out and went straight for the garbage heap. I need not say that not only did I stay where I was, I turned away. For that kind of autopsy always makes me feel a little nauseated. Mr. Mycroft knows my reasonable limits. He had not asked me to go with him and when he came back he spared me by not displaying his trophy, whatever it might be. I caught sight of him stuffing a piece of some gaudy colored wrapping-paper into his pocket as he climbed into the seat beside me, but I was certainly more anxious not to notice than he to conceal.

Nor, when we reached home, did Mr. Mycroft become any more communicative. Indeed, he went straight to his study and there, no doubt, unloaded his quarry. He did not, as a matter of fact, put in an appearance till dinner. Nor did the dinner rouse him. I can hardly blame him for that. For I, too, was a little abstracted and so have to confess that I had ordered a very conventional repast, the kind of meal that you can't remember five minutes after you have ordered it or five minutes after it has been cleared away—a dinner so lacking in art that it can arouse neither expectation nor recollection.

Truth to tell, I was not a little disconcerted at the tameness of our “adventure.” Mr. M. had as good as told me that he would disclose a plot and a pretty ugly one, but all we had seen was a charming enough stage, set for comedy rather than tragedy. And not a soul in view, far less a body.

The only incident, and surely that was tamely comic and I had to enjoy even that by myself, was Mr. Mycroft's skid. Indeed, as we sat on in silence I was beginning to think I might say something—perhaps a little pointed—about pointless suspicion. But on looking across at Mr. M. who was sitting dead still at the other side of the table, I thought the old fellow looked more than a little tired. So I contented myself with the feeling that his fall had shaken him considerably more than he chose to allow.

But as I rose to retire, after reading my half-chapter of Jane Austen—for me an unfailing sedative—the old fellow roused himself.

“Thank you for your company, Mr. Silchester. Quite a fruitful day.” Perhaps he saw I was already “registering surprise.” For he added, “I believe we sowed and not only reaped this afternoon but if you will again give me your company, we will go tomorrow to gather the harvest.”

“But I thought today was Visitors' Day?”

“Oh,” he carelessly remarked, “I expect the proprietor will be glad of callers even the day after. The place was quite deserted, wasn't it? Maybe he's thinking of closing it. And that would be a pity before we had seen all that it may have to offer.”

Well, I had enjoyed the little place and was not averse to having one more stroll round it. So, as it was certain we should go anyhow, I agreed with the proviso, “I must tell you that though I agree the place is worth a second visit for its beauty, nevertheless I am still convinced that to throw a cloud of suspicion over its innocent brightness might almost be called professional obsessionalism.”

I was rather pleased at that heavy technical-sounding ending and even hoped it might rouse the old man to spar back. But he only replied, “Excellent, excellent. That's what I hoped you'd think and say. For that, of course, is the reaction I trust would be awakened in any untrained—I mean, normal mind.”

The next afternoon found us again in the garden, I enjoying what was there and Mr. M. really liking it as much as I did but having to spin all over its brightness the gossamer threads of his suspicions and speculations. The water was flashing in the sun, the small spray-fountain playing, birds dancing—yes, the place was the
nicest
mis-en-scène
for a meditation on murder that anyone could ask. Again we had the place to ourselves. Indeed, I had just remarked on the fact to Mr. M. and he had been gracious enough to protrude from his mystery mist and reply that perhaps people felt there might still be a shadow over the place, when a single other visitor did enter. He entered from the other end. I hadn't thought there was a way in from that direction but evidently behind the bridge and the thicket there must have been. He strolled down the same side of the small lake as we were advancing up. But I didn't have much chance to study him for he kept on turning round and looking at the bridge and the fountain. I do remember thinking what a dull and ugly patch his dreary store suit made against the vivid living tapestries all around us. The one attempt he made to be in tune was rather futile: he had stuck a bright red hibiscus flower in his button-hole. And then that thought was put out of my mind by an even juster judgment. Mr. M. was loitering behind—sometimes I think that I really do take things in rather more quickly than he—at least, when what is to be seen is what is meant to be seen. He pores and reflects too much even on the obvious. So it was I who saw what was going forward and being of a simple forthright nature took the necessary steps at once. After all, I did not feel that I had any right to be suspicious of our host who was certainly generous and as certainly had been put in a very unpleasant limelight by police and press. My duty was to see that what he offered so freely to us should not be abused or trespassed on. As the man ahead turned round again to study the fountain and the arch I saw what he was doing. He had a small color camera pressed against him and was going to take a photo of the fountain and the bridge. Now, as we knew, visitors were asked expressly not to do this. So I stepped forward and tapped him on the shoulder, remarking that as guests of a public generosity we should observe the simple rule requested of us. He swung round at my tap. My feelings had not been cordial at first sight, his action had alienated them further, and now a close-up clinched the matter. His hat was now pushed back and showed a head of billiard-baldness; his eyes were weak and narrowed-up at me through glasses, rimless glasses that like some colorless fly perched on his nose—that hideous sight-aid called rightly a
pince-nez
.

Suddenly his face relaxed. It actually smiled, and he said, “That is really very kind of you. It is a pity when the rule is not kept for it does deprive the pension house for pets of a little income—almost all that one can spare for that excellent work. I am grateful, grateful.” I was taken aback, even more so with the explanation. “I have the responsibility for this place. Owing to a very ungenerous press campaign we are not getting the visitors we used to. So I thought I would take a few more photos for the sales-rack at the gate. Yes, I am the owner of this little place, or as I prefer to say, the trustee of it in the joint interests of the public and philanthropy. May I introduce myself?—I am Hiram Hess, Jr.”

After my
faux pas
I stumbled out some kind of apology.

“Please don't make any excuse. I only wish all my guests felt the same way in our common responsibility,” he replied. “Indeed, now that you have done me one kindness, you embolden me to ask for another. I believe that the public has been scared away and this seems a heaven-sent opportunity.”

All this left me somewhat in the dark. I am not averse to being treated as an honored guest and murmured something about being willing to oblige. Then I remembered Mr. M. and that I was actually taking the leading part in a scene and with the “mystery character” to whom he had in fact introduced me. I turned round and found Mr. M. at my heels. I think I made the introduction well and certainly the two of them showed no signs of not wishing to play the parts in which I was now the master of ceremonies. Mr. Hess spoke first: “I was just about to ask your friend…”—“Mr. Silchester,” I prompted—“whether he would add another kindness. I was told only yesterday by a friend that natural history photos sell better if they can
be combined with human interest of some sort. Of course when I was told that, I saw at once he was right. It must be, mustn't it?” Mr. M. made a “Lord Burleigh nod.” “I am glad you agree. So I suggested that I might ask a movie star to pose. But my friend said No, I should get a handsome young man whose face has not been made wearisome to the public and that would give a kind of mystery element to the photo. People would ask, ‘In what movie did that face appear?' ” I own that at this personal reference—I am a Britisher, you know—I felt a little inclined to blush. “And,” hurried on Mr. Hess, “now, the very day after I am told what to do, I am offered the means to do it!”

Frankness has always been my forte. Like many distinguished and good-looking people, I like being photographed and these new colored ones are really most interesting. “I would be most happy to oblige,” I said, and turned to see how Mr. M. would react to my taking the play out of his hands. Of course this odd little man couldn't be a murderer. I'm not a profound student of men but that was now perfectly clear to me. Mr. M. merely treated us to another of his “Lord Burleigh nods” and then, “While you are posing Mr. Silchester, may I walk about?”

“Please look upon the place as your own” left Mr. M. free to stroll away and he seemed quite content to use his fieldglasses looking at the birds and blooms.

“Now,” said Mr. Hess, all vivacity and I must confess, getting more likable every moment, “my idea is that we put the human interest, if I may so describe my collaborator, right in the middle of the scene. You will be the focus round which the garden is, as it were, draped.” Then he paused and exclaimed, “Why, of course, that's the very word—why didn't I think of it before? I wonder whether you would be kind enough to agree—it would make the picture really wonderful.”

Again I was a little at a loss, but the small man's enthusiasm was quite infectious. “How can I help further?” I asked.

“Well, it was the word
drape
that shot the idea into my head, darting like one of these sweet birdkins. Don't you think, Mr. Silchester, that men's clothes rather spoil the effect here?”

He looked down on his own little store suit and smiled. It was true enough but a sudden qualm shook my mind. The thought of stripping and posing, with Mr. Mycroft in the offing—well, I felt that awkward blush again flowing all over me. Whether my little host guessed my confusion or not, his next words put me at ease. “Do you think that you'd consent to wear just for the photo a robe I have?”

My relief that I was not to be asked to disrobe but to robe made me say, “Of course, of course,” and without giving me any further chance to qualify my consent, off hurried little Hess. He was not gone more than a couple of minutes—not enough time for me to go back to where Mr. Mycroft was loitering near the gate at the other end of the pool—before once again he appeared, but nearly hidden even when he faced me. For what he was holding in his arms and over his shoulder was one of those Polynesian feather cloaks of which I had remarked to Mr. Mycroft that I thought they were one of the finest of all dresses ever made by man.

“Of course,” Hess said, “this isn't one of the pieces that go to museums. I always hoped that somehow I would make a picture of this place in which this cloak would play the leading part.”

All the while he said this he was holding out the lovely wrap for me to examine and as he finished he lightly flung the robe over my shoulder. “Oh, that's it, that's it!” he said, standing back with his head on one side like a bird. And looking down, I could not help thinking that I too was now like a bird and, to be truthful, a very handsome one.

So, without even casting a look behind me to see if Mr. Mycroft was watching and perhaps smiling, I followed Mr. Hess as he led the way, saying over his shoulder, heaped with the Polynesian robe, “I said right in the centre and I mean to keep my word.” It was clear what he meant, for already he was mounted on the steps of the horseshoe-arch bridge and was going up them. Yes, I was to be the
clou
of the whole composition.
When we reached the very apex of the arch, he held out the cloak to me, remarking, “You will find it hangs better if you'll just slip off your coat.” I agreed and obeyed. I had already laid aside my cane. He was evidently quite an artist and was determined to pose me to best possible effect. He tried a number of poses and none seemed to him good enough. “I have it!” he finally clicked out. “Oh, the thing gets better and better! Why you aren't in the movies…But of course after this…photogenic—why, it's a mild word! I'm not asking for anything theatrical—only an accent, as it were—just the natural inevitable drama, one might say. The cloak itself sets the gesture. You see, the sun is high above and you are the centre of this pool of flowers and birds. And so we would get perfect action, perfect face lighting, and perfect hang of drapery if you would just stretch up your arms to the sun and let the light pour on your face. You stand here, with your back to the garden—its high-priest offering all its life to the sun.”