The Best New Horror 2 (6 page)

For this is a Midwestern city, northern, with violent changes of season. The extremes of climate, from ten or twenty below zero to up around one hundred in the summer, cultivate an attitude of acceptance in its citizens, of insularity—it looks inward, not out, and few of its children leave for the more temperate, uncertain, and experimental cities of the eastern or western coasts. The city is proud of its modesty—it cherishes the ordinary, or what it sees as the ordinary, which is not. (It has had the same mayor for twenty-four years, a man of limited-to-average intelligence who has aged gracefully and has never had any other occupation of any sort.)

Ambition, the yearning for fame, position, and achievement, is discouraged here. One of its citizens became the head of a small foreign state, another a famous bandleader, yet another a Hollywood staple who for decades played the part of the star’s best friend and confidant; this, it is felt, is enough, and besides, all of these people are now dead. The city has no literary tradition. Its only mirror is provided by its two newspapers, which have thick sports sections and are comfortable enough to be read in bed.

The city’s characteristic mode is
denial
. For this reason, an odd fabulousness permeates every quarter of the city, a receptiveness to fable, to the unrecorded. A river runs through the center of the business district, as the Liffey runs through Dublin, the Seine through Paris, the Thames through London, and the Danube through Budapest, though our river is smaller and less consequential than any of these.

Our lives are ordinary and exemplary, the citizens would say. We take part in the life of the nation, history courses through us for all our immunity to the national illnesses: it is even possible that in our ordinary lives . . . We too have had our pulse taken by the great national seers and opinion-makers, for in us you may find . . .

Forty years ago, in winter, the body of a woman was found on the banks of the river. She had been raped and murdered, cast out of the human community—a prostitute, never identified—and the noises of struggle that must have accompanied her death went unnoticed by the patrons of the Green Woman Taproom, located directly above that point on the river where her body was discovered. It was an abnormally cold winter that year, a winter of shared misery, and within the Green Woman the music was loud, feverish, festive.

In that community, which is Irish and lives above its riverfront shops and bars, neighborhood children were supposed to have found a winged man huddling in a packing case, an aged man, half-starved, speaking a strange language none of the children knew. His wings were ragged and dirty, many of the feathers as cracked and threadbare as those of an old pigeon’s, and his feet were dirty and swollen.
Ull! Li! Gack
! the children screamed at him, mocking the sounds that came from his mouth. They pelted him with rocks and snowballs, imagining that he had crawled up from that same river which sent chill damp—a damp as cold as cancer—into their bones and bedrooms, which gave them earaches and chilblains, which in summer bred rats and mosquitos.

One of the city’s newspapers is Democratic, the other Republican. Both papers ritually endorse the mayor, who though consummately political has no recognizable politics. Both of the city’s newspapers also support the Chief of Police, crediting him with keeping the city free of the kind of violence that has undermined so many other American cities. None of our citizens goes armed, and our church attendance is still far above the national average.

We are ambivalent about violence.

We have very few public statues, mostly of Civil War generals. On the lakefront, separated from the rest of the town by a six-lane expressway, stands the cubelike structure of the Arts Center, otherwise called the War Memorial. Its rooms are hung with mediocre paintings before which schoolchildren are led on tours by their teachers, most of whom were educated in our local school system.

Our teachers are satisfied, decent people, and the statistics about alcohol and drug abuse among both students and teachers are very encouraging.

There is no need to linger at the War Memorial.

Proceeding directly north, you soon find yourself among the orderly, impressive precincts of the wealthy. It was in this sector of the town, known generally as the East Side, that the brewers and tanners who made our city’s first great fortunes set up their mansions. Their houses have a northern, Germanic, even Baltic look which is entirely appropriate to our climate. Of gray stone or red brick, the size of factories or prisons, these stately buildings seem to conceal that vein of fantasy that is actually our most crucial inheritance. But it may be that the style of life—the invisible, hidden life—of these inbred merchants is itself fantastic: the multitude of servants, the maids and coachmen, the cooks and laundresses, the private zoos, the elaborate dynastic marriages and fleets of cars, the rooms lined with silk wallpaper, the twenty-course meals, the underground wine cellars and bomb shelters. . . . Of course we do not know if all of these things are true, or even if some of them are true. Our society folk keep to themselves, and what we know of them we learn chiefly from the newspapers, where they are pictured at their balls, standing with their beautiful daughters before fountains of champagne. The private zoos have been broken up long ago. As citizens, we are free to walk down the avenues, past the magnificent houses, and to peer in through the gates at their coach houses and lawns. A uniformed man polishes a car, four tall young people in white play tennis on a private court.

The viaduct killer’s victims have all been adult women.

While you continue moving north you will find that as the houses diminish in size the distance between them grows greater. Through the houses, now without gates and coach houses, you can glimpse a sheet of flat grayish-blue—the lake. The air is free, you breathe it in. That is freedom, breathing this air from the lake. Free people may invent themselves in any image, and you may imagine yourself a prince of the earth, walking with an easy stride. Your table is set with linen, china, crystal, and silver, and as you dine, as the servants pass among you with the serving trays, the talk is educated, enlightened, without prejudice of any sort. The table talk is mainly about ideas, it is true, ideas of a conservative cast. You deplore violence, you do not recognize it.

Further north lie suburbs, which are uninteresting.

If from the War Memorial you proceed south, you cross the viaduct. Beneath you is a valley—the valley is perhaps best seen in the dead of winter. All of our city welcomes winter, for our public buildings are gray stone fortresses which, on days when the temperature dips below zero and the old gray snow of previous storms swirls in the avenues, seem to blend with the leaden air and become dreamlike and cloudy. This is how they were meant to be seen. The valley is called . . . it is called the Valley. Red
flames tilt and waver at the tops of columns, and smoke pours from factory chimneys. The trees seem to be black. In the winter, the smoke from the factories becomes solid, like dark gray glaciers, and hangs in the dark air in defiance of gravity, like wings that are a light feathery gray at their tips and darken imperceptibly toward black, toward pitchy black at the point where these great frozen glaciers, these dirigibles, would join the body at the shoulder. The bodies of the great birds to which these wings are attached must be imagined.

In the old days of the city, the time of the private zoos, wolves were bred in the Valley. Wolves were in great demand in those days. Now the wolf-ranches have been entirely replaced by factories, by rough taverns owned by retired shop foremen, by spurs of the local railroad line, and by narrow streets lined with rickety frame houses and shoe-repair shops. Most of the old wolf-breeders were Polish, and though their kennels, grassy yards, and barbed-wire exercise runs have disappeared, at least one memory of their existence endures: the Valley’s street signs are in the Polish language. Tourists are advised to skirt the Valley, and it is always recommended that photographs be confined to the interesting views obtained by looking down from the viaduct. The more courageous visitors, those in search of pungent experience, are cautiously directed to the taverns of the ex-foremen, in particular the oldest of these (the Rusty Nail and the Brace ’n’ Bit), where the wooden floors have so softened and furred with lavings and scrubbings that the boards have come to resemble the pelts of long narrow short-haired animals. For the intrepid, these words of caution: do not dress conspicuously, and carry only small amounts of cash. Some working knowledge of Polish is also advised.

Continuing further south, we come to the Polish district proper, which also houses pockets of Estonians and Lithuanians. More than the city’s sadly declining downtown area, this district has traditionally been regarded as the city’s heart, and has remained unchanged for more than a hundred years. Here the visitor may wander freely among the markets and street fairs, delighting in the sight of well-bundled children rolling hoops, patriarchs in tall fur hats and long beards, and women gathering around the numerous communal water pumps. The sausages and stuffed cabbage sold at the food stalls may be eaten with impunity, and the local beer is said to be of an unrivaled purity. Violence in this district is invariably domestic, and the visitor may feel free to enter the frequent political discussions, which in any case partake of a nostalgic character. In late January or early February the “South Side” is at its best, with the younger people dressed in multilayered heavy woolen garments decorated with the “reindeer” or
“snowflake” motif, and the older women of the community seemingly vying to see which of them can outdo the others in the thickness, blackness, and heaviness of her outergarments and in the severity of the traditional head scarf known as the babushka. In late winter the neatness and orderliness of these colorful folk may be seen at its best, for the wandering visitor will often see the bearded paterfamilias sweeping and shoveling not only his immaculate bit of sidewalk (for these houses are as close together as those of the wealthy along the lakefront, so near to one another that until very recently telephone service was regarded as an irrelevance), but his tiny front lawn as well, with its Marian shrines, crèches, ornamental objects such as elves, trolls, postboys, etc. It is not unknown for residents here to proffer the stranger an invitation to inspect their houses, in order to display the immaculate condition of the kitchen with its well-blackened wood stove and polished ornamental tiles, and perhaps even extend a thimble-glass of their own peach or plum brandy to the thirsty visitor.

Alcohol, with its associations of warmth and comfort, is ubiquitous here, and it is the rare family that does not devote some portion of the summer to the preparation of that winter’s plenty.

For these people, violence is an internal matter, to be resolved within or exercised upon one’s own body and soul or those of one’s immediate family. The inhabitants of these neat, scrubbed little houses with their statues of Mary and cathedral tiles, the descendants of the hard-drinking wolf-breeders of another time, have long since abandoned the practice of crippling their children to ensure their continuing exposure to parental values, but self-mutilation has proved more difficult to eradicate. Few blind themselves now, but many a grandfather conceals a three-fingered hand within his embroidered mitten. Toes are another frequent target of self-punishment, and the prevalence of cheerful, even boisterous shops, always crowded with old men telling stories, which sell the hand-carved wooden legs known as “pegs” or “dollies,” speaks of yet another. No one has ever suggested that the viaduct killer is a South Side resident.

The South Siders live in a profound relationship to violence, and its effects are invariably implosive rather than explosive. Once a decade, perhaps twice a decade, one member of a family will realize, out of what depths of cultural necessity the outsider can only hope to imagine, that the whole family must die—
be sacrificed
, to speak with greater accuracy. Axes, knives, bludgeons, bottles, babushkas, ancient derringers, virtually every imaginable implement has been used to carry out this aim. The houses in which this act of sacrifice has taken place are immediately if not instantly cleaned by the entire neighborhood, acting in concert. The bodies receive a Catholic burial
in consecrated ground, and a mass is said in honor of both the victims and their murderer. A picture of the departed family is installed in the church which abuts Market Square, and for a year the house is kept clean and dust-free by the grandmothers of the neighborhood. Men young and old will quietly enter the house, sip the brandy of the “removed,” as they are called, meditate, now and then switch on the wireless or the television set, and reflect on the darkness of earthly life. The departed are frequently said to appear to friends and neighbors, and often accurately predict the coming of storms and assist in the location of lost household objects, a treasured button or Mother’s sewing needle. After the year has elapsed, the house is sold, most often to a young couple, a young blacksmith or market vendor and his bride, who find the furniture and even the clothing of the “removed” welcome additions to their small household.

Further south are suburbs and impoverished hamlets, which do not compel a visit.

Immediately west of the War Memorial is the city’s downtown. Before its decline, this was the city’s business district and administrative center, and the monuments of its affluence remain. Marching directly west on the wide avenue which begins at the expressway are the Federal Building, the Post Office, and the great edifice of City Hall. Each is an entire block long and constructed of granite blocks quarried far north in the state. Flights of marble stairs lead up to the massive doors of these structures, and crystal chandeliers can be seen through many of the windows. The facades are classical and severe, uniting in an architectural landscape of granite revetments and colonnades of pillars. (Within, these grand and inhuman buildings have long ago been carved and partitioned into warrens illuminated by bare light bulbs or flickering fluorescent tubing, each tiny office with its worn counter for petitioners and a stamped sign proclaiming its function: Tax & Excise, Dog Licenses, Passports, Graphs & Charts, Registry of Notary Publics, and the like. The larger rooms with chandeliers which face the avenue, reserved for civic receptions and banquets, are seldom used.)