The Best Horror Stories of Arthur Conan Doyle (19 page)

BOOK: The Best Horror Stories of Arthur Conan Doyle
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We were standing talking close by the door of the cottage, and I was thinking to myself that my friend was more cheerful than he had been since his illness, when he gave a sudden, sharp cry, and looking round at him I saw, by the light of the moon, an expression of unutterable horror come over his features. His eyes became fixed and staring, as if riveted upon some approaching object, and he extended his long thin forefinger, which quivered as he pointed.

“Look there!” he cried. “It is she! It is she! You see her there coming down the side of the brae.” He gripped me convulsively by the wrist as he spoke. “There she is, coming towards us!”

“Who?” I cried, straining my eyes into the darkness.

“She—Kate—Kate Northcott!” he screamed. “She has come for me. Hold me fast, old friend. Don't let me go!”

“Hold up, old man,” I said, clapping him on the shoulder. “Pull yourself together; you are dreaming; there is nothing to fear.”

“She is gone!” he cried, with a gasp of relief. “No,
by heaven! there she is again, and nearer—coming nearer. She told me she would come for me, and she keeps her word.”

“Come into the house,” I said. His hand, as I grasped it, was as cold as ice.

“Ah, I knew it!” he shouted. “There she is, waving her arms. She is beckoning to me. It is the signal. I must go. I am coming, Kate; I am coming!”

I threw my arms around him, but he burst from me with superhuman strength, and dashed into the darkness of the night. I followed him, calling to him to stop, but he ran the more swiftly. When the moon shone out between the clouds I could catch a glimpse of his dark figure, running rapidly in a straight line, as if to reach some definite goal. It may have been imagination, but it seemed to me that in the flickering light I could distinguish a vague something in front of him—a shimmering form which eluded his grasp and led him onwards. I saw his outlines stand out hard against the sky behind him as he surmounted the brow of a little hill, then he disappeared, and that was the last ever seen by mortal eye of Barrington Cowles.

The fishermen and I walked round the island all that night with lanterns, and examined every nook and corner without seeing a trace of my poor lost friend. The direction in which he had been running terminated in a rugged line of jagged cliffs overhanging the sea. At one place here the edge was somewhat crumbled, and there appeared marks upon the turf which might have been left by human feet. We lay upon our faces at this spot, and peered with our lanterns over the edge, looking down on the boiling surge two hundred feet below. As we lay there, suddenly, above the beating of the waves and the howling of the wind, there rose a strange wild screech from the abyss below. The fishermen—a naturally superstitious race—averred that it was the
sound of a woman's laughter, and I could hardly persuade them to continue the search. For my own part I think it may have been the cry of some sea-fowl startled from its nest by the flash of the lantern. However that may be, I never wish to hear such a sound again.

And now I have come to the end of the painful duty which I have undertaken. I have told as plainly and as accurately as I could the story of the death of John Barrington Cowles, and the train of events which preceded it. I am aware that to others the sad episode seemed commonplace enough. Here is the prosaic account which appeared in the
Scotsman
a couple of days afterwards:—

“Sad Occurence on the Isle of May.
—The Isle of May has been the scene of a sad disaster. Mr John Barrington Cowles, a gentleman well known in University circles as a most distinguished student, and the present holder of the Neil Arnott prize for physics, has been recruiting his health in this quiet retreat. The night before last he suddenly left his friend, Mr Robert Armitage, and he has not since been heard of. It is almost certain that he has met his death by felling over the cliffs which surrounded the island. Mr Cowles' health has been failing for some time, partly from overstudy and partly from worry connected with family affairs. By his death the University loses one of her most promising alumni.”

I have nothing more to add to my statement. I have unburdened my mind of all that I know. I can well conceive that many, after weighing all that I have said, will see no ground for an accusation against Miss Northcott. They will say that, because a man of a naturally excitable disposition says and does wild things, and even eventually commits self-murder after a sudden and heavy disappointment,
there is no reason why vague charges should be advanced against a young lady. To this, I answer that they are welcome to their opinion. For my own part, I ascribe the death of William Prescott, of Archibald Reeves, and of John Barrington Cowles to this woman with as much confidence as if I had seen her drive a dagger into their hearts.

You ask me, no doubt, what my own theory is which will explain all these strange facts. I have none, or, at best, a dim and vague one. That Miss Northcott possessed extraordinary powers over the minds, and through the minds over the bodies, of others, I am convinced, as well as that her instincts were to use this power for base and cruel purposes. That some even more fiendish and terrible phase of character lay behind this—some horrible trait which it was necessary for her to reveal before marriage—is to be inferred from the experience of her three lovers, while the dreadful nature of the mystery thus revealed can only be surmised from the fact that the very mention of it drove from her those who had loved her so passionately. Their subsequent fate was, in my opinion, the result of her vindictive remembrance of their desertion of her, and that they were forewarned of it at the time was shown by the words of both Reeves and Cowles. Above this, I can say nothing. I lay the facts soberly before the public as they came under my notice. I have never seen Miss Northcott since, nor do I wish to do so. If by the words I have written I can save any one human being from the snare of those bright eyes and that beautiful face, then I can lay down my pen with the assurance that my poor friend has not died altogether in vain.

THE LEATHER FUNNEL

M
Y friend, Lionel Dacre, lived in the Avenue de Wagram, Paris. His house was that small one, with the iron railings and grass plot in front of it, on the left-hand side as you pass down from the Arc de Triomphe. I fancy that it had been there long before the avenue was constructed, for the grey tiles were stained with lichens, and the walls were mildewed and discoloured with age. It looked a small house from the street, five windows in front, if I remember right, but it deepened into a single long chamber at the back. It was here that Dacre had that singular library of occult literature, and the fantastic curiosities which served as a hobby for himself, and an amusement for his friends. A wealthy man of refined and eccentric tastes, he had spent much of his life and fortune in gathering together what was said to be a unique private collection of Talmudic, cabalistic, and magical works, many of them of great rarity and value. His tastes leaned toward the marvellous and the monstrous, and I have heard that his experiments in the direction of the unknown have passed all the bounds of civilisation and of decorum. To his English friends he never alluded to such matters, and
took the tone of the student and
virtuoso;
but a Frenchman whose tastes were of the same nature has assured me that the worst excesses of the Black Mass have been perpetrated in that large and lofty hall, which is lined with the shelves of his books, and the cases of his museum.

Dacre's appearance was enough to show that his deep interest in these psychic matters was intellectual rather than spiritual. There was no trace of asceticism upon his heavy face, but there was much mental force in his huge, dome-like skull, which curved upward from amongst his thinning locks, like a snow-peak above its fringe of fir trees. His knowledge was greater than his wisdom, and his powers were far superior to his character. The small bright eyes, buried deeply in his fleshy face, twinkled with intelligence and an unabated curiosity of life, but they were the eyes of a sensualist and an egotist. Enough of the man, for he is dead now, poor devil, dead at the very time that he had made sure that he had at last discovered the elixir of life. It is not with his complex character that I have to deal, but with the very strange and inexplicable incident which had its rise in my visit to him in the early spring of the year '82.

I had known Dacre in England, for my researches in the Assyrian Room of the British Museum had been conducted at the time when he was endeavouring to establish a mystic and esoteric meaning in the Babylonian tablets, and this community of interests had brought us together. Chance remarks had led to daily conversation, and that to something verging upon friendship. I had promised him that on my next visit to Paris I would call upon him. At the time when I was able to fulfil my compact I was living in a cottage at Fontainebleau, and as the evening trains were inconvenient, he asked me to spend the night in his house.

“I have only that one spare couch,” said he, pointing to a broad sofa in his large salon; “I hope that you will manage to be comfortable there.”

It was a singular bedroom, with its high walls of brown volumes, but there could be no more agreeable furniture to a bookworm like myself, and there is no scent so pleasant to my nostrils as that faint, subtle reek which comes from an ancient book. I assured him that I could desire no more charming chamber, and no more congenial surroundings.

“If the fittings are neither convenient nor conventional, they are at least costly,” said he, looking round at his shelves. “I have expended nearly a quarter of a million of money upon these objects which surround you. Books, weapons, gems, carvings, tapestries, images—there is hardly a thing here which has not its history, and it is generally one worth telling.”

He was seated as he spoke at one side of the open fire-place, and I at the other. His reading-table was on his right, and the strong lamp above it ringed it with a very vivid circle of golden light. A half-rolled palimpsest lay in the centre, and around it were many quaint articles of bric-à-brac. One of these was a large funnel, such as is used for filling wine casks. It appeared to be made of black wood, and to be rimmed with discoloured brass.

“That is a curious thing,” I remarked. “What is the history of that?”

“Ah!” said he, “it is the very question which I have had occasion to ask myself. I would give a good deal to know. Take it in your hands and examine it.”

I did so, and found that what I had imagined to be wood was in reality leather, though age had dried it to an extreme hardness. It was a large funnel, and might hold a quart when full. The brass rim encircled the wide end, but the narrow was also tipped with metal.

“What do you make of it?” asked Dacre.

“I should imagine that it belonged to some vintner or maltster in the Middle Ages,” said I. “I have seen in England leathern drinking flagons of the seventeenth century—'black jacks' as they were called—which were of the same colour and hardness of this filler.”

“I dare say the date would be about the same,” said Dacre, “and, no doubt, also, it was used for filling a vessel with liquid. If my suspicions are correct, however, it was a queer vintner who used it, and a very singular cask which was filled. Do you observe nothing strange at the spout end of the funnel?”

As I held it to the light I observed that at a spot some five inches above the brass tip the narrow neck of the leather funnel was all haggled and scored, as if someone had notched it round with a blunt knife. Only at that point was there any roughening of the dead black surface.

“Someone has tried to cut off the neck.”

“Would you call it a cut?”

“It is torn and lacerated. It must have taken some strength to leave these marks on such a tough material, whatever the instrument may have been. But what do you think of it? I can tell that you know more than you say.”

Dacre smiled, and his little eyes twinkled with knowledge.

“Have you included the psychology of dreams among your learned studies?” he asked.

“I did not even know that there was such a psychology.”

“My dear sir, that shelf above the gem case is filled with volumes, from Albertus Magnus onward, which deal with no other subject. It is a science in itself.”

“A science of charlatans.”

“The charlatan is always a pioneer. From the astrologer came the astronomer, from the alchemist the chemist, from the mesmerist the experimental psychologist. The quack of yesterday is the professor of tomorrow. Even such subtle and elusive things as dreams will in time be reduced to system and order. When that time comes the researches of our friends on the bookshelf yonder will no longer be the amusement of the mystic, but the foundations of a science.”

“Supposing that is so, what has the science of dreams to do with a large, black, brass-rimmed funnel?”

“I will tell you. You know that I have an agent who is always on the look-out for rarities and curiosities for my collection. Some days ago he heard of a dealer upon one of the Quais who had acquired some old rubbish found in a cupboard in an ancient house at the back of the Rue Mathurin, in the Quartier Latin. The dining-room of this old house is decorated with a coat of arms, chevrons, and bars rouge upon a field argent, which prove, upon inquiry, to be the shield of Nicholas de la Reynie, a high official of King Louis XIV. There can be no doubt that the other articles in the cupboard date back to the early days of that king. The inference is, therefore, that they were all the property of this Nicholas de la Reynie, who was, as I understand, the gentleman specially concerned with the maintenance and execution of the Draconic laws of that epoch.”

“What then?”

“I would ask you now to take the funnel into your hands once more and to examine the upper brass rim. Can you make out any lettering upon it?”

There were certainly some scratches upon it, almost obliterated by time. The general effect was of several letters, the last of which bore some resemblance to a B.

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