The Bedlam Detective (2 page)

They were not rich. But he had his one decent suit of clothes, and a certain authority. An agent of justice once again, he now served as the special investigator to the Masters of Lunacy.

“I
WAS
a detective once,” he said. “But a mere civil servant now.”

“Nevertheless, sir,” the guard said, “I’ll ask you for your guidance and I’ll value your opinion.”

“On what?”

“Please. This way.”

As they began to move, he signaled to the stationmaster. The stationmaster saw the wave and broke off an argument with a third class passenger hanging out one of the end carriage windows.

The train was a cross-country set, pulled by a tank engine. A full quarter of its length was taken up by the luggage van. British holiday passengers rarely traveled light. They’d arrive at their lodgings in a caravan of trunks, suitcases, and hatboxes, more appropriate to a house move than a weeklong stay. Many would even pack food, as if a Minehead or a Weymouth were some far-off and foreign place with unreliable supplies.

But this was the season’s end. And a wet and disappointing season that 1912 summer had been. The train was less than half full.

As they walked up the platform the guard said, “I expect you’re wondering how I had you singled out, back there.”

“My travel warrant,” Sebastian said, to the guard’s disappointment. “I assume you noted the crest on it.”

The stationmaster caught up, and by the time they reached the luggage van they were four: Sebastian, the guard, the stationmaster, and the stationmaster’s gormless-looking lad who’d appeared from nowhere. The lad wore a porter’s uniform and a haircut that looked as if it had been inflicted on him in a dark alleyway. He couldn’t have been more than sixteen, but he was wiry.

“In here,” said the stationmaster, and once they were inside the station’s baggage room he closed the doors behind them and drew down the blinds.

There was a wall of numbered cubbies for bags and suitcases, but most of the room was open floor space for setting out baskets and dry goods. A second set of doors opened into a lane behind the station.

And there was a stink; a pungency somewhere between vinegar and turpentine, without quite being either. Sebastian knew it, and knew it far too well. It took him back to his first job in uniform, and memories of mortuary visits on hot summer evenings.

“Here, sir.”

The station’s platform cart had been dragged into the room. A leaking crate stood upon it. The side of the crate had been opened, with some of its boards prized off and then replaced loose to shield the contents from view.

The three railway employees stood watching him, and none offered to explain. So he moved the loose boards and looked inside.

Inside the crate was a cylindrical, glass-lidded tank, roped into place. Folded blankets had been wedged in around the sides to cushion it. Staring out at him, crammed in like so much colorless fruit in a preserving jar, was a small dead freak.

Or two dead freaks that shared a head. Opinions might vary. It was as if in creation their faces had been mashed together to make one three-eyed, two-mouthed horror. Their bodies, as far as he could see, were normal.

To get them into the jar they’d been arranged in a tight embrace, arms wrapped around each other as if clinging in terror to the only reassurance that either of them knew. Their limbs must have softened, to fit the space in the jar so closely. The lid had been sealed on with strips of tarred linen.

The stationmaster said, “There are five more boxes like this on the train. We’re supposed to hold them for collection.”

Sebastian looked up at him.

“And?”

“That
is
some kind of a human child, is it not?”

Sebastian considered. He’d been expecting something suspicious concerning a trunk. Trunk murders, most of them involving dismemberment and left-luggage offices, were an enduring British obsession. He could recall one that had proved to be a consignment of theatrical costumes, unlaundered and reeking of glue and the sweat of performance.

This was something else.

He took a moment longer. Then he said, “I believe this should properly be called a specimen. Do you not recognize that rank smell?”

The three looked blank.

“It’s formaldehyde.”

Two of the three did their best to look enlightened.

He indicated the stain around the crate. “It’s either leaked or spilled. What happened here?”

With a pointed look at the lad, the guard said, “There was a mishap as the box was taken from the wagon. The box was dropped, something broke, and the smell came right after.”

The boy might have been looking embarrassed, but it was hard to tell. His expression barely changed.

The stationmaster said, “I stopped the unloading and took a decision to open the box. Specimen or no, sir, is there no special law to cover the transport of the dead?”

“You’d know that better than I would,” Sebastian said. “Who’s the owner of the crate?”

The guard handed him the consignment papers, and he gave them a quick look-over. The boxes had been packed and shipped by a carrier in New York. The contents of the six crates were described as “curiosities” and were to be collected by one Abraham Sedgewick or his representative.

Sebastian looked at the stationmaster. He said, “Do you know this Abraham Sedgewick? Is he a local man?”

The stationmaster made a small and helpless gesture, but the lad chipped in and spoke for the first time.

“Sedgewick’s Fair is passing through on Thursday,” he said.

Sebastian considered for a moment. “Well,” he said. “A fair. That makes a kind of sense. Does it not?”

They were all looking at him and expecting more.

Sebastian went on, “Created as specimens, bought to be exhibits. Destined for display in some fairground sideshow.”

“Specimens, exhibits,” the stationmaster said. “I don’t care what you call them. They’re dead bodies, and I don’t want them in my station.”

“Well,” the guard said, “they can’t stay on my train.”

They looked to Sebastian for some kind of adjudication. He realized that what they’d been seeking was neither a doctor nor a policeman, but a Solomon.

Meanwhile, his train stood waiting. And there was an urgency to his mission that, though he could not advertise it, argued against delay.

The fact of it was that he had no answer. Freak or not, these were human remains and there was probably some law to govern their storage and use. His employer might know. But Sir James was up in Dundee for the week, giving an address to the British Association.

He gave the bottled specimen a more intense inspection. Here, only inches from the glass, the smell of formaldehyde was almost overpowering.

He had an idea.

He said, “Have you opened any of the other boxes?”

“No,” the stationmaster said.

“Have you taken a close look at this?”

“As close as any man would care to.”

“Look,” he said, and beckoned the man in. “Get close enough and you can see a faint crazing pattern in the surface of the skin. What does that tell you?”

The stationmaster opened and closed his mouth and then was about to shrug, so Sebastian told him.

“I think you’ll find that what you’re looking at may not be flesh, but …”

“Wax!” the guard said suddenly.

The stationmaster seemed doubtful. He regarded the freak through its glass and said, “They’re waxworks?”

“Have you never heard of such a thing? Anatomical models. Bottled up in spirits of alcohol for a showman’s trick. Of course,” he added for safety, “that’s only my guess.”

Then he looked into the milky eyes of the three-eyed freak, and the dead freak stared ahead and through him as if refusing to meet his gaze.

He felt a touch of guilt.

But hadn’t he witnessed worse things in this world? And the freak was long dead.

And as for the guard, he had all the answer that he needed.

He clapped his hands together. “Right,” he said. “I’ll have the rest of your goods off my train and we’ll be on our way.”

As the lad went to unload the other crates, the stationmaster crouched down and peered more closely into the jar. All of his reticence was forgotten now.

“A waxwork,” the stationmaster said, and he looked up at Sebastian with a face of wonder where, before, there had been only disgust.

“Indeed,” said Sebastian.

“Who’d have imagined that?” the stationmaster said. “You don’t see it till you really look.”

T
HE UNLOADING
of the boxes took another fifteen minutes. Once the train was moving again, Sebastian opened his book and tried to read.

The reading was not for pleasure; behind the content of the book lay one of the reasons for his journey. If he arrived too late to seek out the author this afternoon, he could finish it in his hotel.

He was keeping alive a glimmer of hope for a decent supper. His warrant might give him first class travel out of London, but the restaurant car was beyond his means.

To those hopes of a quiet evening and a decent supper he added another, which was not to dream of carnival freaks in a strange bed.

In the event, he did not. But only because worse was to come, before the day was out.

A
FTER THE GOODS DISPUTE AND AN UNSCHEDULED CROSSROADS
stop to pick up some soldiers, Sebastian reached his destination almost an hour late. There was an address on the slip of paper that he’d been using as a bookmark. He took it out to check it now. He had a room reserved by telegram at the Sun Inn, Arnmouth.

Arnmouth was a resort that had been established close to an estuary, where the lack of a suitable bridging point had sent the railway line inland. Which meant that the station was more than a mile from the town, with a horse wagon service to carry passengers and their luggage over the final leg of the journey.

Sebastian had no luggage to speak of, just his usual leather Gladstone. While the other passengers were seeing their bags onto the station wagon, he watched the soldiers climbing into the back of a waiting motor truck. They were a squad of teenaged boys and a gray-headed sergeant. All had ridden the last few miles together in the baggage car. Their transport now was a petrol-driven three-tonner with cart wheels and a canvas cover, and an engine noise like spanners tumbling in a drum.

A young railwayman closed up the tailgate after the soldiers. He’d been blasted with soot at some point in his working day, so that when he turned around to the horse wagon his eyes were a startling blue in contrast to his blackened skin and shirt collar.

“Sorry for any delay, ladies and gentlemen,” he called up to the passengers as their horse shied and stamped.

“No apology required,” one of Sebastian’s fellow passengers called back. “We don’t argue with the King’s Own. Is it for the maneuvers?”

“A little local emergency they’re helping us out with,” the railwayman said. Sebastian felt his senses sharpen. But the young man was already walking away.

The final leg of Sebastian’s journey took about twenty minutes through country lanes. Arnmouth was a onetime fishing village that had grown for the summer crowds as far as its situation would allow. His first sight was of a clock tower and municipal welcome garden at the top of the main street. A dense bed of roadside flowers spelled out the town’s name on a sloping bank.

Their wagon made its way down the street, which wasn’t long. An observer could feasibly stand at one end of it and hail to a friend at the other. The street was lined with fancy shops, fine hotels, and tall houses made of the local stone.

Something was definitely amiss. Shopkeepers were outside their doors, exchanging words while their shops stood empty. A group of women had gathered on a corner. None of them paid the station wagon any attention as it went by.

The Sun Inn was at the end of the main street, where the street made a sharp turn down to the harbor. It was an old coaching inn, with an archway to its stables and a view out over dunes and the estuary strand.

Sebastian tipped the driver sixpence and climbed down with his bag. Then he glanced back up the street. The local women were too far off for him to do more than read their attitudes. Some stood with their arms folded. They glanced around as they talked.

The driver inspected the sixpence, sniffed wetly, and then pocketed the coin as he flicked the reins to move on.

T
HE TWO STEPS
up from the pavement into the inn were edged with heavy iron. Once off the street, Sebastian found himself in a low-ceilinged and gloomy interior. Except for a few stuffed sea birds on a shelf above the mantel, he was alone. There was a mahogany bar counter with a backdrop of bottles, mirrors, and crystal. On one paneled wall was an engraved print of the barquentine
Waterwitch
, and on another a picture frame with samples of sailors’ knots behind glass.

He’d found solitude, but not silence. At the far end of the saloon bar was a partition. Beyond the partition was the snug, where the floor would be bare wood and the beer a halfpenny cheaper, and from which came the noise of a crowd of men. Sebastian paused for a moment to listen in case he could make out what was being discussed with so much enthusiasm, but he could not.