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Authors: William Dietrich

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“What do you mean?”

“It’s too coincidental we have all arrived at the same time. I will direct you to the church and wish you well, but I must not be caught with you. Do you have a ship of your own?”

“Gone to a neighboring island but promising to return.”

“Then look to your weapons and your wits, and hope your captain hurries.”

CHAPTER TWELVE

The village of Akrotiri, on the southwestern arm of Thira’s crescent
island, looked like a scrabble of stucco dice stacked on a grassy slope. It culminated in the modest ruins of a small Venetian fortress, half dismantled by the Turks more than a century before. What had once been some lordly fiefdom was now a ruin, on a lonely island at the edge of a decaying empire. Next to the fort entrance was a Greek Orthodox church, and it was here Kapodistrias led us under a half-moon. Akrotiri was still except for the bark of a dog or two, and in the silvery light looked empty and timeless, the peeling brown and white houses seeming to grow out of its geology like angular rocks. We, on the other hand, made far too much noise. Our weaponry clanked. Our boots tramped. In a hundred yards we gave away more evidence of our presence than a tribe of Dakota would while galloping through Saint Peter’s. Fulton had insisted on bringing his bagpipes, and every once in a while they would let out a wheeze, low groan, or odd sloshing.

“Please don’t play,” I said.

“I’ve a different kind of song, inspired by our night at the Palais Royal. This the French navy might actually buy, if I can set things on fire.”

I wondered if we were at the right place at all. Thira, like all of Greece, is dotted with churches of plain, whitewashed stucco topped by faded blue domes, as ubiquitous as stables and not a great deal fancier. The windows are tiny, the doors stout planks of weathered wood, and the interiors without pews—Greek worshippers stand before God. Was this nondescript place a door to a fabled weapon?

It was night, the church locked, and so Kapodistrias—who seemed to be enjoying his moment of skulduggery—rousted the village priest from his cell next door and convinced him that Greek patriotism required the opening of doors for us.

“But why?”

“We’re looking for the gate of Hades, Nikko.”

“And why would you seek such a thing? Are you devils?”

“We’re friends of Greece.”

“But why are you at Agia Theodosia?”

“An old signet ring has told us to look here. These men won’t be but a moment. They are men of science, patros, who want to understand the past.”

“The past is best left in the past. That’s what the past is for.”

“No, Greece will learn from them.”

He reluctantly unlocked the door. “Wait here.” He went ahead to light some candles, and then came back. “You’ll see. This is a poor church in a poor village. There’s nothing here.”

The Greek pulled him aside. “Then let them see for themselves.”

We passed through the anteroom, or narthex, and on into the main nave, lighting more candles on their manoualia stands. The structure was small and, compared with a Catholic or Protestant church, sparser of furniture and richer in decoration. My stable analogy had been too hasty. There was a primitive but grand picture of Jesus in the dome overhead, ready to uplift or condemn. Hanging below was an elaborate brass chandelier called a horos, and beyond it was the most decorative part of the church, a polished brass dividing wall consisting of a grilled gate flanked by enameled panels of angels and saints. By custom, only the priests passed up the steps and through the gate to the altar in the sanctuary beyond. The succession of spaces reminded me of the ancient Egyptian temples I’d seen: a penetration to the holy.

“The church seems rather small,” Cuvier said. “What are we supposed to be looking for?”

“A sarcophagus. I don’t see one.”

“In the sanctuary, perhaps?” asked Fulton.

Smith went up to the gate and tried it but it, too, was locked. “All I see is an altar.

Where’s the priest?”

We looked around.

“Kapodistrias is gone, too,” Cuvier said. And indeed, we realized the Greeks had not followed us inside but instead closed the main door behind us, leaving us alone. If we were to discover the gate of Hades, it seemed, we were on our own.

“Gage, is this a trap?” Fulton asked.

I tried the church door. “It’s been locked or braced from the outside. Maybe they’re trying to give us time to explore undisturbed.”

“Or maybe Kapodistrias doesn’t trust the French after all,” Cuvier said.

“He just can’t share the risk, I think, and endanger his republic. But I’d feel better if Hamidou was waiting for us. I wasn’t expecting those new ships, with all those men.”

“What if Ottomans are following us? We should flee, too,” Fulton said. “This place isn’t like Fouché’s ring at all.”

“We’ve come more than a thousand miles. Let’s at least see if anything’s here. There’s a bar—let’s lock the door from the inside, too.”

Unfortunately, except for the Byzantine decoration typical of the Greek religion, the nave was barren. It took about as long to search as my purse, which is to say almost no time at all.

“There’s nothing here,” Cuvier said, rather obviously. “Ethan, I agree with Robert. We should retreat.”

“Absolutely. Just as soon as we check the sanctuary.”

“But that’s locked.”

“Which is all the more reason to enter it. Gentlemen, I have some experience in this kind of thing and I’ve found the more difficult it is to get into a place, the more it pays to do so. People are always sticking things in hidden cellars or sealed attics or armored armoires, hoping the rest of us won’t have energy enough to peek. Why keep anyone out unless there’s something to find?”

“Because it’s sacred?” Smith ventured.

“Well, that, too.”

I went to the grilled wall that separated the nave from the altar sanctuary. Three steps led up to it, and painted icons were on either side of the gate. Jesus looked disapprovingly at me from one side, and Mary—seeming as skeptical of me as some of the other women I’d dallied with—frowned at me from the other. Saints and angels stood guard, too, looking no friendlier. I eyed the keyhole. “Cuvier, bring me one of your pistols.”

“For heaven’s sake,” Fulton said, appropriately. He set his bagpipes down, the instrument making a soft buzz as he did so, and hopped up the steps beside me. Out came a set of wiry steel instruments. “There’s no need for a gunshot, which will only jam the lock. I made a study of these mechanisms as a boy and found that patience can open most anything.” He began fiddling with the lock. “I don’t make a habit of this, but there’s utility in being able to manipulate a keyhole. Of course there’s nothing to see, as you can tell by looking through the bars, and if the village catches us doing this we’ll be stoned as sacrilegious heretics, or worse.”

“I just want to make sure this sanctuary isn’t the front porch to Hades.”

“Do you smell any sulfur?”

“Let’s take that as a good sign.”

“And no lightning bolts for trespass yet, either,” Smith added.

The inventor had the gate open quick as a thief, and we gingerly passed into the sanctuary, feeling we were trespassing on divinity itself. There was a wooden cabinet to one side with a chalice and other instruments of worship. A censer to provide scented smoke hung nearby. In the middle was the altar itself, draped with a tapestry. There was a cylindrical container and gospel on top, and a processional cross and gilded fans behind.

“What’s the coffee urn then?” Smith asked innocently.

“A tabernacle, you Protestant heathen,” Cuvier said. “It’s where they hold the sacraments.”

“Ah. Could it have a clue then?”

“To get to Heaven, not Hades.”

I bent and walked the stone floor, looking for a crack or pull indicating a way downward. There was nothing I could see. The coin and Kapodistrias’s advice seemed a dead end.

Outside, dogs began barking again. Someone was coming.

I stood, considering. Then remembering a temple in Egypt, I decided to take a closer look at the altar by lifting one corner of its cloth and peering underneath.

“Is that allowed?” Smith asked.

“We’re not even allowed on this island,” Fulton replied.

Aha. The altar was not made from a wooden table but a stone box, I saw. I stepped back. It was the length and width of a man. “There’s our sarcophagus.”

“Where?” Cuvier asked.

“It’s the altar. They hide it by covering it. Their altar is a grave, if you can believe that. Take the tabernacle off there and set it aside.”

“I will not. I’d fry in hell.”

“I thought you French revolutionaries don’t believe anymore.”

“Didn’t. I went to the service at Notre Dame.”

“Well, I’ll do it, then. I’m damned anyway, despite my reforms.” Feeling oddly queasy, I lifted the holy objects off the altar and placed them on the preparation table to one side. Surely God wouldn’t mind for a moment or two. Smith helped me fold the altar cloth—we tried to be careful—and we revealed a stone sarcophagus similar to the one cast into the signet ring. The lid overlapped the box. When I tugged, it seemed cemented in place.

“I think we’d better pry,” I said.

“You can’t be serious!” Cuvier wasn’t used to treasure hunting, which generally involves a fair amount of burglary, desecration, demolition, and dust.

“The coin shows a man going in or out. I know it seems callous, but if we’ve got the right church we need to peek inside. If we hurry we’ll have it boxed up and things back in place in time for services.”

“You’d better. I think there’s a crowd forming outside.” We could hear barks, voices, and bumps on the church door.

“But how are we going to get the lid off?” Smith asked.

I looked at Fulton. “Robert, you’re the one who pried that railing off the bridge.”

He swallowed. “I had an oar.”

“Those iron candle stands look sturdy enough to me.” I took out my tomahawk and began chipping at the joint between lid and box, heedless of the damage it was doing to the edge of my blade. “Fetch one and we’ll jam it in this crevice I’m making.” They hesitated. “Quickly, lads, we’ve come this far! Probably nothing to see but bones, and nothing wrong with that, is there? We’ll all be fossils soon enough.”

So we hammered a wedge point into the junction between box and lid and used a sacred manoualia, the candle stand, as a lever and one of the stiff choir chairs as a fulcrum. I was sweating at the thought of what the locals would think if they stumbled in on us, but in for a penny, in for a pound. Someone started hammering on the church door. “Smith, take your blunderbuss into the narthex and discourage them.”

“I don’t even know who I’m shooting at!”

“Best not to ask, I’ve found. If they’re shooting at you, that’s identification enough.”

“I feel like a grave robber,” Cuvier muttered.

“In case you haven’t noticed, gentlemen, that’s exactly what we are.” The other three of us threw our weight on our pry bar, there was a cracking sound, and the lid shifted slightly.

“Yes!” Fulton said.

“Another heave, just enough to look!” With a grind and thump, we managed to shift the massive lid far enough to peer inside. It was dark, of course. “Fetch a candle!” Despite myself, I always get excited when I delve. I still mourned the lost treasure of the pyramid, and secretly hoped I might find another.

Outside, there was a boom and crack as something crashed energetically against the church door.

So I bent and pushed the candle inside, illuminating the interior of the sarcophagus.

It was vacant as a trollop’s wink.

And then Smith’s blunderbuss went off.

CHAPTER THIRTEEN

“They made a hole in the door and I had a look!” the Englishman cried
. “There’s a crowd outside with scimitars and muskets!” He backed to reload. A chunk of the door had been knocked loose by an ax seeking to chop an opening, and Smith had fired through that. The chopping had stopped. We heard shouts and yells outside and then muzzles were pushed through and shots fired blindly. Thankfully, they thudded harmlessly into the stone. The door was too thick to break easily, and the church windows too high and small to easily climb into. Of course, that made them hard to climb out of, as well.

“How many?” I asked.

“More than in Venice or Paris.”

“Who are they?”

“How the devil should I know? I saw hoods, helmets, turbans, and scarves. You seem to make enemies with half the world, Ethan. Too many to fight for very long, at least. So what’s in the sarcophagus?”

“Not a blessed thing,” Fulton said.

“Ah. So we’re trapped in a Greek church on a bleak island at the edge of the Ottoman Empire for absolutely no reason at all?”

“It appears so,” my inventor friend said.

“Maybe we just got the wrong sarcophagus,” I tried.

“I wish I’d stayed in London. My mother warned me about Paris.”

Now a dull boom began to echo through the nave as whoever was outside began to slam some kind of ram against the door. The wood bulged with each strike, the bar beginning to crack.

“Maybe there’s a back door,” I suggested. I could see the reflection of torches through the high, open windows.

“If we go through it and outside we’ll be cut to pieces,” Cuvier said.

“And you don’t think that will happen when they get in here?” Smith glanced up. “You can’t reach the ceiling as you did at the Palais, either.” The dome peaked thirty feet above our heads. “I think Gage has led us into a dead end.”

“We can make a fight of it,” I said, sounding braver than I felt. “If it’s just peasants, they’ll back off.”

“I saw uniforms. And enough cutlery for a palace kitchen.”

“Ethan, if you give me a hand I think I can delay them when they come through that door.” Fulton hefted his bagpipe, and again I heard the curious slosh. “It’s the dragon I’ve been working on. It spits fire.”

“Satan’s brew, Robert?”

“It’s a twist on Greek fire, the ancient combustible. If it works, they’ll hesitate.”

I thought frantically. “All right. We’ll start a conflagration, and then we’ll hide.”

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