The Autobiography of Alice B. Toklas (21 page)

One of our neighbours had a german governess and whenever there was a german victory she hung out a german flag. We responded as well as we could, but alas just then there were not many allied victories. The lower classes were strong for the allies. The waiter at the hotel was always looking forward to Spain's entry into the war on the side of the allies. He was certain that the spanish army would be of great aid as it could march longer on less food than any army in the world. The maid at
the hotel took great interest in my knitting for the soldiers. She said, of course madame knits very slowly, all ladies do. But, said I hopefully, if I knit for years may I not come to knit quickly, not as quickly as you but quickly. No, said she firmly, ladies knit slowly. As a matter of fact I did come to knit very quickly and could even read and knit quickly at the same time.

We led a pleasant life, we walked a great deal and ate extremely well, and were well amused by our Breton servant.

She was patriotic and always wore the tricolour ribbon around her hat. She once came home very excited. She had just been seeing another french servant and she said, imagine, Marie has just had news that her brother was drowned and has had a civilian funeral. How did that happen, I asked also much excited. Why, said Jeanne, he had not yet been called to the army. It was a great honour to have a brother have a civilian funeral during the war. At any rate it was rare. Jeanne was content with spanish newspapers, she had no trouble reading them, as she said, all the important words were in french.

Jeanne told endless stories of french village life and Gertrude Stein could listen a long time and then all of a sudden she could not listen any more.

Life in Mallorca was pleasant until the attack on Verdun began. Then we all began to be very miserable. We tried to console each other but it was difficult. One of the frenchmen, an engraver who had palsy and in spite of the palsy tried every few months to get the french consul to accept him for the army, used to say we must not worry if Verdun is taken, it is not an entry into France, it is only a moral victory for the germans. But we were all desperately unhappy. I had been so confident and now I had an awful feeling that the war had gotten out of my hands.

In the port of Palma was a german ship called the Fangturm which sold pins and needles to all the Mediterranean ports before the war and further, presumably, because it was a very big steamer. It had been caught in Palma when the war broke out and had never been able to leave. Most of the officers and sailors had gotten away to Barcelona but the big ship remained in the harbour. It looked very rusty and neglected and it was just under our windows. All of a sudden as the attack on Verdun commenced, they began painting the Fangturm. Imagine our feelings. We were all pretty unhappy and this was despair. We told the french consul and he told us and it was awful.

Day by day the news was worse and one whole side of the Fangturm was painted and then they stopped painting. They knew it before we did. Verdun was not going to be taken. Verdun was safe. The germans had given up hoping to take it.

When it was all over we none of us wanted to stay in Mallorca any longer, we all wanted to go home. It was at this time that Cook and Gertrude Stein spent all their time talking about automobiles. They neither of
them had ever driven but they were getting very interested. Cook also began to wonder how he was going to earn his living when he got to Paris. His tiny income did for Mallorca but it would not keep him long in Paris. He thought of driving horses for Félix Potin's delivery wagons, he said after all he liked horses better than automobiles. Anyway he went back to Paris and when we got there, we went a longer way, by way of Madrid, he was driving a Paris taxi. Later on he became a trierout of cars for the Renault works and I can remember how exciting it was when he described how the wind blew out his cheeks when he made eighty kilometres an hour. Then later he joined the american army.

We went home by way of Madrid. There we had a curious experience. We went to the american consul to have our passports visaed. He was a great big flabby man and he had a filipino as an assistant. He looked at our passports, he measured them, weighed them, looked at them upside down and finally said that he supposed they were alright but how could he tell. He then asked the filipino what he thought. The filipino seemed inclined to agree that the consul could not tell. I tell you what you do, he said ingratiatingly, you go to the french consul since you are going to France and you live in Paris and if the french consul says they are alright, why the consul will sign. The consul sagely nodded.

We were furious. It was an awkward position that a french consul, not an american one should decide
whether american passports were alright. However there was nothing else to do so we went to the french consul.

When our turn came the man in charge took our passports and looked them over and said to Gertrude Stein, when were you last in Spain. She stopped to think, she never can remember anything when anybody asks her suddenly, and she said she did not remember but she thought it was such and such a date. He said no, and mentioned another year. She said very likely he was right. Then he went on to give all the dates of her various visits to Spain and finally he added a visit when she was still at college when she was in Spain with her brother just after the spanish war. It was all in a way rather frightening to me standing by but Gertrude Stein and the assistant consul seemed to be thoroughly interested in fixing dates. Finally he said, you see I was for many years in the letter of credit department of the Crédit Lyonnais in Madrid and I have a very good memory and I remember, of course I remember you very well. We were all very pleased. He signed the passports and told us to go back and tell our consul to do so also.

At the time we were furious with our consul but now I wonder if it was not an arrangement between the two offices that the american consul should not sign any passport to enter France until the french consul had decided whether its owner was or was not desirable.

We came back to an entirely different Paris. It was no longer gloomy. It was no longer empty. This time we did not settle down, we decided to get into the war. One
day we were walking down the rue des Pyramides and there was a ford car being backed up the street by an american girl and on the car it said, American Fund for French Wounded. There, said I, that is what we are going to do. At least, said I to Gertrude Stein, you will drive the car and I will do the rest. We went over and talked to the american girl and then interviewed Mrs. Lathrop, the head of the organisation. She was enthusiastic, she was always enthusiastic and she said, get a car. But where, we asked. From America, she said. But how, we said. Ask somebody, she said, and Gertrude Stein did, she asked her cousin and in a few months the ford car came. In the meanwhile Cook had taught her to drive his taxi.

As I said it was a changed Paris. Everything was changed, and everybody was cheerful.

During our absence Eve had died and Picasso was now living in a little home in Montrouge. We went out to see him. He had a marvellous rose pink silk counter-pane on his bed. Where did that come from Pablo, asked Gertrude Stein. Ah ça, said Picasso with much satisfaction, that is a lady. It was a well known chilean society woman who had given it to him. It was a marvel. He was very cheerful. He was constantly coming to the house, bringing Paquerette a girl who was very nice or Irene a very lovely woman who came from the mountains and wanted to be free. He brought Erik Satie and the Princesse de Polignac and Blaise Cendrars.

It was a great pleasure to know Erik Satie. He was
from Normandy and very fond of it. Marie Laurencin comes from Normandy, so also does Braque. Once when after the war Satie and Marie Laurencin were at the house for lunch they were delightfully enthusiastic about each other as being normans. Erik Satie liked food and wine and knew a lot about both. We had at that time some very good eau de vie that the husband of Mildred Aldrich's servant had given us and Erik Satie, drinking his glass slowly and with appreciation, told stories of the country in his youth.

Only once in the half dozen times that Erik Satie was at the house did he talk about music. He said that it had always been his opinion and he was glad that it was being recognised that modern french music owed nothing to modern Germany. That after Debussy had led the way french musicians had either followed him or found their own french way.

He told charming stories, usually of Normandy, he had a playful wit which was sometimes very biting. He was a charming dinner-guest. It was many years later that Virgil Thomson, when we first knew him in his tiny room near the Gare Saint-Lazare, played for us the whole of Socrate. It was then that Gertrude Stein really became a Satie enthusiast.

Ellen La Motte and Emily Chadbourne, who had not gone to Serbia, were still in Paris. Ellen La Motte, who was an ex Johns Hopkins nurse, wanted to nurse near the front. She was still gun shy but she did want to nurse at the front, and they met Mary Borden-Turner who was running a hospital at the front and Ellen La Motte did for a few months nurse at the front. After that she and Emily Chadbourne went to China and after that became leaders of the anti-opium campaign.

Mary Borden-Turner had been and was going to be a writer. She was very enthusiastic about the work of Gertrude Stein and travelled with what she had of it and volumes of Flaubert to and from the front. She had taken a house near the Bois and it was heated and during that winter when the rest of us had no coal it was very pleasant going to dinner there and being warm. We liked Turner. He was a captain in the British army and was doing contre-espionage work very successfully. Although married to Mary Borden he did not believe in millionaires. He insisted upon giving his own Christmas party to the women and children in the village in which he was billeted and he always said that after the war he would be collector of customs for the British in Düsseldorf or go out to Canada and live simply. After all, he used to say to his wife, you are not a millionaire, not a real one. He had british standards of millionairedom. Mary Borden was very Chicago. Gertrude Stein always says that chicagoans spent so much energy losing Chicago that often it is difficult to know what they are. They have to lose the Chicago voice and to do so they do many things. Some lower their voices, some raise them, some get an english accent, some even get a german accent, some drawl, some speak in a very high tense voice, and some go chinese or spanish and do not
move the lips. Mary Borden was very Chicago and Gertrude Stein was immensely interested in her and in Chicago.

All this time we were waiting for our ford truck which was on its way and then we waited for its body to be built. We waited a great deal. It was then that Gertrude Stein wrote a great many little war poems, some of them have since been published in the volume Useful Knowledge which has in it only things about America.

Stirred by the publication of Tender Buttons many newspapers had taken up the amusement of imitating Gertrude Stein's work and making fun of it. Life began a series that were called after Gertrude Stein.

Gertrude Stein suddenly one day wrote a letter to Masson who was then editor of Life and said to him that the real Gertrude Stein was as Henry McBride had pointed out funnier in every way than the imitations, not to say much more interesting, and why did they not print the original. To her astonishment she received a very nice letter from Mr. Masson saying that he would be glad to do so. And they did. They printed two things that she sent them, one about Wilson and one longer thing about war work in France. Mr. Masson had more courage than most.

This winter Paris was bitterly cold and there was no coal. We finally had none at all. We closed up the big room and stayed in a little room but at last we had no more coal. The government was giving coal away to the needy but we did not feel justified in sending our servant to stand in line to get it. One afternoon it was bitterly cold, we went out and on a street corner was a policeman and standing with him was a sergeant of police. Gertrude Stein went up to them. Look here, she said to them, what are we to do. I live in a pavillon on the rue de Fleurus and have lived there many years. Oh yes, said they nodding their heads, certainly madame we know you very well. Well, she said, I have no coal not even enough to heat one small room. I do not want to send my servant to get it for nothing, that does not seem right. Now, she said, it is up to you to tell me what to do. The policeman looked at his sergeant and the sergeant nodded. Alright, they said.

We went home. That evening the policeman in civilian clothes turned up with two sacks of coal. We accepted thankfully and asked no questions. The policeman, a stalwart breton became our all in all. He did everything for us, he cleaned our home, he cleaned our chimneys, he got us in and he got us out and on dark nights when Zeppelins came it was comfortable to know that he was somewhere outside.

There were Zeppelin alarms from time to time, but like everything else we had gotten used to them. When they came at dinner time we went on eating and when they came at night Gertrude Stein did not wake me, she said I might as well stay where I was if I was asleep because when asleep it took more than even the siren that they used then to give the signal, to wake me.

Our little ford was almost ready. She was later to be called Auntie after Gertrude Stein's aunt Pauline who always behaved admirably in emergencies and behaved fairly well most times if she was properly flattered.

One day Picasso came in and with him and leaning on his shoulder was a slim elegant youth. It is Jean, announced Pablo, Jean Cocteau and we are leaving for Italy.

Picasso had been excited at the prospect of doing the scenery for a russian ballet, the music to be by Satie, the drama by Jean Cocteau. Everybody was at the war, life in Montparnasse was not very gay, Montrouge with even a faithful servant was not very lively, he too needed a change. He was very lively at the prospect of going to Rome. We all said goodbye and we all went our various ways.