The Adventure of English (38 page)
Read The Adventure of English Online
Authors: Melvyn Bragg
W
hen I wrote this book I started from scratch, but some of it is based on work I had done in radio and television. It is different from both in very many ways, not least in its greater volume of information and in its ambition. Because it is much longer, I was able to include substantially more material and go into more areas and express more opinions.
All of us who work in broadcasting know that, unlike writing a book, programme making can only be done as part of a team.
The Adventure of English,
which I first suggested several years ago, was eventually made by a team drawn mostly from London Weekend Television's Arts Department. It was a pleasure to work with them.
First, I want to thank Simon Cherry. He was the Script Editor and his contributions were numerous, thoughtful and good-humoured. He threaded himself elegantly through minefields of the spelling and dating of thousands of words. At various stages I was lucky that the following researchers were employed, sometimes for one programme, sometimes for more: Jonathan Levi, Claire Holland, Andy Marino and Lucy Leveugle. The directors were long-established colleagues and friends: Robert Bee, David Thomas and Nigel Wattis. They brought high skills, many suggestions and great application to what grew into a complicated series, which became tightly stretched as we tried to do justice to this huge subject on adequate but not lavish resources. David Liddiment waved the project on at the ITV Centre and Steve Anderson, the Head of Factual Programmes, was the sort of constructive ally who matters.
The Adventure of English
was the most gruelling work I have done in television. It was difficult because I was the author as well as the series producer and sometimes the two roles rubbed each other up the wrong way. Some of the scripts were drafted ten or more times. The directors developed the habit of convincing themselves that the best time of day to shoot was always dawn.
Before the television series I had made twenty-five radio programmes called
The Routes of English
for BBC Radio 4. These were produced by Simon Elmes, whose deep knowledge of the English language was put into the service of those documentaries which, like the television series, had the rare good fortune of being liked both by audiences and critics. In the course of these radio programmes I met several linguists, including Kate Burridge, Lynda Mugglestone and David Graddol, whose thinking and whose work excited me enormously and eventually led me to chance my arm on the eight hours of television into which we tried to squeeze and shape fifteen hundred years of the English language. We made rules for ourselves, we sought out apposite locations whenever possible, we infested the screen with words, we spoke Old English, Middle English and all other Englishes in the tongue we hope was most authentic, and we had co-operation wherever we went.
I am grateful to all those who agreed to take part in the television programmes, including Seamus Heaney, Kathryn Duncan Jones, Lynda Mugglestone, John Barton, Hubert Devenish and Professor Salikoko Mufuene: there were also many scholars and experts who answered our calls with courtesy. Dr. Kathryn A. Lowe of Glasgow University was not only a key contributor to the television series but it was to her I turned when I had finished the book to check it through. I am indebted to her for doing this so supportively and scrupulously. She made numerous suggestions, the majority of which I took up. Any errors are my sole responsibility.
A bibliography is attached. It includes those books we found most often most useful. There are some fascinating studies, led by Professor David Crystal's fine
Encyclopaedia of English.
I want to thank Rupert Lancaster at Hodder & Stoughton for editing the book so carefully, and my very good friend Julia Matheson with whom I have greatly enjoyed working for most of my working life.
My final acknowledgement is to the many writers whose work I have read, the many people I have spoken to, all of whom believe, as I do, that the creation and continued life of the English language is fascinating.
I've been lucky three times over. To have had the chance to make programmes on the English language, to do it in the company of many people I admire and to be given the opportunity to start again and write this book on a subject which has fascinated me all my life.
In Wigton, my hometown, in the forties and fifties of the last century I got to know Willie Carrick, who wrote stories in the local dialect. He was town clerk, local historian and a great figure in that small landscape. He made me understand that the dialect we spoke was not a debased tongue but something rich, with a history, something to be proud of.
Later, at school, Mr. Blacker, the English teacher, taught by making us read aloud from English poetry, stopping every so often to question us on the meaning of key words and phrases, emphasising how rich they were, how much they covered.
Both long dead, but I hope that somewhere behind this book are their voices and their devotion to the English language.
Abbot Hall Art Gallery, Kendal, Cumbria: 40 photo Bridgeman Art Library. The Art Archive/Dagli Orti (fresco, Chapelle de St. Radegonde, Chinon, France): 8. Ashmolean Museum Oxford: 5 photo The Art Archive/Eileen Tweedy. Bodleian Library Oxford: 11 (MS Bod 764 f2r) photo The Art Archive, 17 (Ms Douce 104 f29r) photo The Art Archive, 23. British Library London: 1 (Ms Y.T.26.f2), 2 (Ms Cott.Nero.D IVf5v), 3 (Ms Cott.Vit A.XV f132), 4 (Ms Harl.2278 f98v), 9 (Ms Roy.14.E.111 f89), 10 (Ms Add.42130 f173 & f158), 12 (Ms Roy.18.E1 f175), 13 (Ms Harl.4380 f186v), 14 (Ms Lans.851 f2), 15 (G.11586 p.A111V ), 19 (Ms Cott.Vesp.f.III f8), 21 (C.23.A.5), 44 (Ms add.OR. 2 p17), 46 (1786.c.9 pII). British Museum London: 35 photo The Art Archive/Eileen Tweedy. The Brotherton Library, Leeds University Library: 38 below. Corbis: 30, 32. Corbis/Bettmann: 25, 26, 27, 28, 29, 33, 51, 52. Corbis/Hulton-Deutsch Collection: 50. Corbis Saba/Mark Peterson: 53. Corbis/Underwood & Underwood: 31. Corbis /Jane Wishnetsky: 45. Courage Breweries: 37 above photo The Art Archive/Eileen Tweedy. Mary Evans Picture Library: 16, 34. Fotomas Index: 37 below right. © The Gleaner Company Limited, Jamaica: 47. Honourable Society of Inner Temple: 20 photo The Art Archive/ Eileen Tweedy. Hulton Archive/Getty Images: 42. Illustrated London News 1862: 43. © Johnny Lau/Businessworks Pte Ltd/The Kuppies: 54. By kind permission of the Marquess of Bath, Longleat House, Wiltshire: 24. Musee de la Tapisserie Bayeux: 6 photo The Art Archive/ Dagli Orti. By Courtesy of the National Gallery of Ireland (portrait by John Lewis): 39. The National Library of Australia, Canberra: 48, 49 © 1936 by Allan & Co. Prop. Ltd., Melbourne. By Courtesy of the National Portrait Gallery London: 18 (Unknown artist), 22 (Unknown artist), 36 (Charles Jervas), 38 above (Alexander Nasmyth), 41 (Harry Furniss). Private Collection: 37 below left photo Bridgeman Art Library. Public Record Office, Image Library, Kew: 7 (E36/284 f3).
I have not listed classic English texts which are available in many editions (e.g. Dickens, Austen, Shakespeare).
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Partridge, Eric:
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Pennycook, Alastair:
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Rees, Nigel:
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The
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(London, Dent, 1926)
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Henry of Huntingdon:
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(New York, Penguin Books, reissue edn, 1984)
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(London, Dent, 1975)
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Chaucer, Geoffrey:
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Barber, Richard:
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(revised edn) (Woodbridge, The Boydell & Brewer, revised edn 1995)
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(New York, Cambridge University Press, 1999)
Clanchy, M. T.:
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(Oxford, Blackwell, 2nd edn 1998)
Paterson, Linda M.:
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(Cambridge, Cambridge University Press, 1993)
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(trans. Montgomery Belgion) (Princeton, Princeton University Press, 1983)
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(New York, Ballantine Books, 2000)
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(London, Constable Robinson, 2000)
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(London, Collins, 1969)
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(New Haven, Yale University Press, 2001)
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(New York, Verso Books, reprint edn 1990)
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(New York, Penguin, reissue edn 1991)
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(London, Longman, 1989)
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(Cambridge, Cambridge University Press, 1987)
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(3rd edn) (Cambridge, Cambridge University Press, 1992)
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(New York, Farrar, Straus & Giroux, 2000)
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(New York, Penguin Books, 1989)
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(Athens, GA, University of Georgia Press, 2000)
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Anon.:
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(Oklahoma City, Hearthstone Publishing, 1998)
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(Amherst, University of Massachusetts Press, 1977)
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(New York, Random House, 1958)
Boorstin, Daniel J.:
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(New York, Random House, 1965)
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(New York, Penguin, 2nd edn, 2001)
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(London, Secker & Warburg, 1994)
Cutler, Charles L.:
O Brave New Words!: Native American Loanwords in Current English
(Norman, University of Oklahoma Press, 1994)
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Black English: Its History and Usage in the United States
(New York, Random House, 1972)
Dillard, J. L.:
A History of American English
(Harlow, Longman, 1992)
Ellis, Joseph J.:
After the Revolution: Profiles of Early American Culture
(New York, W. W. Norton, 1979)
Kamensky, Jane:
Governing the Tongue: The Politics of Speech in Early New England
(New York, Oxford University Press, 1997)
Mencken, H. L.:
The American Language
(4th edn) (New York, Knopf, 1936)
Mufwene, Salikoko S., Rickford, John R., Bailey, Guy, and Baugh, John:
African-American English
(London, Routledge, 1998)
Rickford, John Russell, and Rickford, Russell John:
Spoken Soul: The Story of Black English
(New York, John Wiley & Sons, 2000)
Simmons, James C.:
Star-Spangled Eden
(New York, Carroll & Graf, 2000)
Sloan, William David, and Startt, James D.:
The Media in America
(Northport, Vision Press, 1999)
Wright, Ronald:
Stolen Continents: The “New World ” Through Indian Eyes
(New York, Hougton Mifflin, 1992)
Jennings, Humphrey:
Pandaemonium: The Coming of the Machine as Seen by Contemporary Observers
(New York, MacMillan, 1985)
Johnson, Samuel:
Samuel Johnson on Shakespeare
(ed. Woudhuysen, H. R.) (New York, Penguin, 1990)
Mackie, Erin (ed.):
The Commerce of Everyday Life: Selections from The Tatler and The Spectator
(Boston, Bedford/St. Martins, 1998)
Mayhew, Henry:
London Labour and the London Poor
(London, Penguin Books, 1985)
Ross, Angus (ed.):
Selections from The Tatler and The Spectator
(New York, Penguin Books, 1982)
Ayto, John:
The Oxford Dictionary of Rhyming Slang
(New York, Oxford University Press, 2003)
Colley, Linda:
Britons: Forging the Nation 1707â1837
(New Haven, Yale University Press, 1992)
Crowley, Tony:
Proper English? Readings in Language, History and Cultural Identity
(New York, Routledge, 1992)
Fryer, Peter:
Mrs. Grundy: Studies in English Prudery
(London, Dobson Books, 1963)
Görlach, Manfred:
English in Nineteenth-Century England
(Cambridge, Cambridge University Press, 1999)
Holroyd, Michael:
Bernard Shaw: The Pursuit of Power
(New York, Vintage Books, 1991)
De Mare, Eric:
London 1851: The Year of the Great Exhibition
(London, The Folio Society, 1972)
Montagu, Ashley:
The Anatomy of Swearing
(Philadelphia, University of Pennsylvania Press, 2001)
Mugglestone, Lynda:
Talking Proper: The Rise of Accent as a Social Symbol
(2nd edn) (Oxford, Oxford University Press, 2003)
O'Toole, Fintan:
A Traitor's Kiss: The Life of Richard Brinsley Sheridan
(New York, Farrar, Straus & Giroux, 1998)
Porter, Roy:
Enlightenment
(Amherst, Prometheus, 1997)
Rogers, Pat:
Hacks and Dunces
(London, Methuen, 1980)
Romaine, Suzanne (ed.):
The Cambridge History of the English Language, Vol. IV: 1776â1997
(Cambridge, Cambridge University Press, 1999)
