Tar: An apocalyptic horror novella (14 page)

BOOK: Tar: An apocalyptic horror novella
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“Excuse me,” I said timidly. No effect. “Excuse me,” I said more forcefully. This sort of customer service wouldn't happen in the U.S. The conversations stopped and everyone looked round. The landlord approached slowly. He was a red faced man, tall and well built, with a face that would have cracked if it smiled.

“No need to lose your patience there, fella. I was getting round to you.”

“I could see you were busy. Can I have a drink please?”

“And what sort of drinks would you American's be having? This is a simple bar for simple people mind.”

“And none more than you, Shaun.”

There was a snigger round the assembled, but the man who'd spoken up buried his smile in his pint when Shaun gave him a glare. They went back to their conversations. 

“Just a beer, please.”

“A beer.” Shaun shook his head and began pulling the pump nearest to him, delivering the finished brew and taking my money without further comment, returning to the focus of the group and joining in the chatter.

I took a seat at one the small tables and wondered if this had been a good idea. A few minutes later the door pushed open, and I was relieved to see Conall, smiling and waving as the men greeted him warmly. I tried to catch his eye, but he was already talking with everyone and being served. I went back to my drink. It tasted watery and unsatisfying.

“Now, gentlemen.” Conall had his hand on my shoulder and was addressing the room boldly. “This here is Mr Michael Devlin, and he's my guest. He might be an American sort but he's got true Irish roots. You wouldn't have him sittin' here all lonesome. Let's show him some hospitality. What d'ye say?”

The men looked round, finished their drinks hurriedly and raised their glasses.

“I suggest you buy a round if you want some company,” whispered Conall.

“Oh, yes. Drinks for everyone please... Shaun.”

The empty jars were back on the bar and being filled before I'd finished. The rest of the evening went well after that as I stood and joined the group, a couple more rounds being extracted from me. The guys asked me the odd question but didn't wait for answers, more eager to tell their own tales. It was good to listen and feel part of things. I told Conall that the lights still weren't working. He made some joke about me being bad luck and said it was no problem for him to drop round again in the morning.

When I decided it was time to leave, hearty 'cheerios' and invitations for the next evening followed my stagger out the door. It was dark now, but I'd had the forethought to put a flashlight in my pocket. It wasn't entirely necessary as the moon was bright in the midnight sky. There was only one trail leading back to the cottage so it shouldn't be too much of a challenge to weave my way home

---

I used the torch for the first mile until I found the turning off the road with the stile that started the track over the fields. The moonlight was beautiful and the artificial light spoilt its eerie effect on the landscape so I switched it off. On the hill, the trees formed ominous black shadows against the sky. I thought I saw a vague glow in the woods but as I tried to focus, it was gone. There was no light pollution out here and I stumbled as I tried to walk, looking at the myriad of stars above me at the same time. A high-pitched wail brought me back to earth, and I looked left and right, unable to work out where it came from. It was followed by a more recognisable barking noise and I guessed it must be foxes.

As I reached the peak of a hill, the lake came into view, its small waves sparkling silver, the cottage a black silhouette in front of it. There was a figure by the lake side. I caught my breath. It could only be her. I wanted to run, but I was far from sober and a modicum of reason told me a fall would be guaranteed on this rough ground. I walked swiftly though, willing her not to turn and head away again, before I could reach her and speak to her. But what would I say? Tell her how she had possessed me? Tell her my passion? What about 'Hi there, beautiful. Come here often?' I slowed my pace to try to work out what would be successful, those essential first words. She began to turn.

I raced forward. “Wait! Please wait!” Immediately realising the stupidity of my action. “I'm sorry, don't be frightened. I live in this cottage. Please wait.”

I could see her shape, black against the shining lake behind. I tripped, tried to recover, my hand flying forward instinctively. My other foot skidded, and I went down, my head and face hitting the ground hard. I was dazed, a whirlpool of thoughts spinning in the alcohol still clouding my brain. I felt a hand on my head, then under my arm, helping me rise. It was her. Black hair, pale, thin face with dark eyes. My mouth opened... and closed again with no words to fill the void. She said nothing, just led me the last few yards to the cottage door.

I sat down on the bed. I wasn't sure whether it was the drink or the fall or both; I had no idea how hard the knock had been, but I was in a dream. A wonderful dream. She seemed at home in the dark, finding the matches to light the lantern on the desk easily. She opened the book and flicked through the pages, slowly. And I just watched, like I had the previous night, in rapture of her ever move, her every small gesture. She turned to look at me briefly and then I saw the light and her beautiful figure float slowly out of the room and into the kitchen. I was alone in the darkness, a thin line of moonlight drawing a line on the floor. It felt like I'd been sitting for an age and was about to try to rise, when the glow from the lamp grew back from the kitchen as she re-entered, the large, sharp bread knife raised high above her head.

T
he rain spattered
on the roof of the ambulance, the doors closing after the stretcher had entered. The girls black hair lay wet and thick across her face as she was taken to the police car. She didn't resist. Conall looked shaky as he stood talking to Detective Brogan, pencilling notes into a small black notebook.

“Why was your sister out here? Had you not thought to keep an eye on her?”

“She'd been better of late. I didn't think she could do anything like... like this.”

“She did attack your father, here. When you lived in this cottage.”

“That was years ago, and she had enough provocation, don't you think?”

The officer gave a small, silent nod.

“She was under the supervision of Dr...” The detective flicked through his notes. “Dr Williams. And social services are still visiting.”

“Yes, but even they said she was doing well. She'd been having her walks for weeks. I was sure that's what was doing the trick. She always seemed so much happier in the mornings. None of the screaming fits anymore. It's not against the law to have an evening stroll is it?”

“I don't think the services would have approved. Why didn't you go with her?”

“Well, I'm down the bar must nights.” Conall looked sheepish. “But she was always back before I went to bed.”

“Well then, you better come along. We'll sort out contacting the fellas relatives there. Shall I get another car?”

“I'm happy to ride with my sister, thank you. You have got her handcuffed, anyway.”

“Okay then, I expect it's alright, and we don't have any other cars nearer than Cork. In ye get.”

Conall sat in the back of the police car with his sister, moving her hair out of her face. The black, shadowed eyes gazed blankly ahead. Conall began to cry.

“Aww, beautiful leannain. You don't worry now. You'll be fine. You don't have any idea what's going on, do ye.” He gave a sad, little laugh. “Away with the fairies.”

The Light that Brought the Dark
by Michael Bray

Michael Bray is a bestselling horror / thriller author of several novels. Influenced from an early age by the suspense horror of authors such as Stephen King, Richard Laymon, Shaun Hutson, James Herbert & Brian Lumley, along with TV shows like Tales from the Crypt & The Twilight Zone, his work touches on the psychological side of horror, teasing the reader’s nerves and willing them to keep turning the pages. Several of his titles are currently being translated into multiple languages and with options for movie and Television adaptations under negotiation for others, he will look to continue his growth as a full time professional writer long into the future.

www.michaelbrayauthor.com/

1

W
e set
off when it was still dark in those magic hours when most of the world is still asleep. It’s a cold day, and rain is in the air, but it doesn’t matter. Nothing is going to spoil this trip. The kids are last to wake up. April and I have to almost usher them out of bed. David is seven, Edward is nine. Both of them are excited, and once they are fully awake tear around the house chattering and bickering as they prepare their things. Edward complained about the phone rule again, but not for long. He knows when a decision is made its final, and no amount of arguing will change it. We want this to be a family occasion free of things such as Facebook and Twitter or football scores of his beloved Leeds United. Begrudgingly, he leaves the overpriced smartphone on the kitchen table with the others.

April and I have already been awake for ages. Her making drinks and sandwiches for the trip, me giving our Ford explorer one last look over, checking the oil and water, making sure the tire pressures are right. We somehow bundle the boys and supplies into the car without waking the neighbours and are on the road just as the first birds are singing in the new day. The morning air is bitter, and a light drizzle is falling, but it should clear up later. Lots of driving ahead of us anyway. We're heading away from the city, getting some clean, country air. It will do us good, all of us. We leave our house behind, and I notice we all look at it as we drive away. It sits like a dark shadow to our right, an empty shell without the lives that inhabit it. The road curves away and then it’s behind us as we pull out onto the open road.

Traffic is sparse as it’s so early, and it’s easy to make headway. We flash by junction signs and exits leading to cities we have never been to. Nobody speaks for a while, but that understandable due to the early start we’ve all had. At least, the drizzle has stopped. The sky is already a pale yellow gold where the sun is starting to rise, and although there are a few scrubs of cloud, it should clear up nicely. A glance in the rear-view mirror to check on the boys and they seem content enough. They are staring out of the window, watching the secret world of the early morning slide on by as we head south. They are quiet, but it’s understandable. Today is a big day for all fo us. April is in the passenger seat, a frayed tissue clutched in her hands. She's still crying, but silently now so as not to alarm the boys. She looks so frail, so fragile. There is so much I want to say to her, then realise none of it will help. Even if it could, I don’t think I could force out the words, so I concentrate of the mechanical act of driving and try my best to ignore her plight. We’ve reached the motorway now, and like everywhere else, the endless line of concrete stretching ahead of us is almost empty. Lands’ End is still around an eight-hour drive away, but we ought to make good time with the roads so quiet, more so if I push over the speed limit a touch.

I’m partly looking forward to showing the boys Land’s End. I went there with my father when I was a similar age, and I still remember the spectacular views. Hopefully, it won’t be lost on them. This digital age means children are desensitised to the beauty of nature. At least with the phones left at home, they might appreciate what I’m trying to show them. It should be quite the view based on how the day is brightening up. I've actually always liked this time of year. October with its barren trees reaching from a carpet of orange-brown leaves on the floor always has a magical feel to me. I like the chill in the air, how you can taste the bitter cold with every breath, a firm warning that summer is done and winter is on its way.

We stopped at around eleven thirty at the services in Bristol just off the M5. Everything is closed of course. Shutters down, lights off, just like everywhere is now, but we counted for that. We pulled into the car park next to an eighteen wheeler which looked to have been there for a few days. A few of those golden leaves from the surrounding trees had lodged in its huge chrome grill and left a carpet around its massive tires.

We got out and stretched our legs. The boys asked if they could go look at the truck, to which I agreed. Their excited yelps were the backdrop as April and I unpacked the picnic. Sandwiches, pork pies, and miniature sausages, with Mr. Kipling cakes and biscuits for after. We also had bottles of pop for the boys and a flask of coffee for April and me.

Even though it was chilly, we sat at one of the wooden tables outside Burger King, its steel shutters rattling in the breeze. April and I sat opposite each other, one of the boys beside each of us. Although she had stopped crying, her eyes were still raw and she ate without looking at me, taking uninterested mouthfuls of the ham salad sandwiches she had made. I watched for a while hoping to make eye contact, maybe just to let her know I was thinking about her, but she didn’t look at me. I took the hint and looked around the car park, still unable to get used to how absolutely silent it was. There was no sound of traffic, no drone of engines. If not for the song of the birds, their nests visible now in the skeletal trees, and the skitter of leaves on the ground, it would be easy to think we were in some kind of enormous vacuum.

Edward asked how long until we get there. I told him, three hours, maybe less. It doesn’t escape me that April tenses up as I say this. She sets her sandwich down and looks away towards the deserted slip road. I can’t see her eyes, but I’m pretty sure she’s crying again. I look at my paper plate and the remains of my sandwich. There is nothing else to say.

Within thirty minutes, we are back on the road again. The traffic or lack of is still being kind to us, and our progress is smooth. As we set out, I wonder if we should have filled up on petrol, then realise it's too late now to go back. The gauge reads just under half a tank, which should just about get us there. There is a definite sense of purpose now as we get closer. This road trip has morphed into almost a pilgrimage. Our bellies are full and the heater is keeping us warm against the bluster. The cold cityscapes are starting to give way now to nature. Greens replace whites and greys, and the mood in the car changes. The boys are pointing out of the window at sheep and cows as we get nearer to our destination.

I’m tired from driving, but we’re close now and I’m glad we decided to do it.

I was worried that it would be crowded when we arrived, but there was nobody else in sight. The boys scrambled out of the car and looked around them taking in the beauty of our surroundings. The furthest edge of England. A point of land atop crumbling cliffs, giving a glorious and panoramic view of the ocean. The boys asked if they could go take a closer look, and I told them they could, but not to stray too close to the edge. April made a sound at that. A whimper or a laugh, it was hard to tell which emotion from the single note. I held out a hand to her, and, at last, she looked at me. I saw fear and love, emotions that I didn't realise until that instant were more closely linked than I imagined. We walked hand in hand towards the edge, the boys a little way ahead of us. The boys did as they were told and stopped well short of the drop. April and I stood behind them, and as a family, we basked in the beauty of the scene.

Waves lapped and crashed against the rocks on the floor of the dizzying drop beneath us, and seagulls chirped and squawked overhead. We stood there for a moment, just taking it in.

“It really is beautiful, in a way.”

I glanced at April. It felt like such a long time since I had heard her speak. I didn’t feel any need to answer. The view spoke for itself. Beyond the green scrub of land, the ocean stretched to the horizon where it met the sky, itself a lighter shade of the same colour. The twin white smudges in the sky looked like the unfinished work of a master painter, the bare canvas beneath his greatest and most beautiful work. One larger than the other, a pair of blemishes on a perfect scene. Closer inspection showed a mottled streak trailed them both as they neared the atmosphere, the twin harbingers of the destruction of all mankind.

Edward said it didn’t looks as big as I had said it would be. He seemed almost disappointed, although that could have just been his childlike reaction to such a monumental situation. I reminded him that the larger of the two asteroids was as big as the state of Texas, the smaller the same size as Mount Everest. I told him that although it didn’t seem like it, both of them were hurtling towards the earth at almost fifty thousand miles an hour, and in just a few hours would impact and destroy all life on earth. I reminded him that there was nothing that could be done to avoid or stop it, and nowhere to hide from it when it came. He nodded and said nothing. We all knew why we were there, what we had to do. I squeezed April's hand, and she looked at me, lips pursed together, eyes streaked with makeup. I reminded her this was better. This way we would decide our own fate. We pushed between the boys, each of us taking one of their hands. In a line we stood, watching the instrument of our destruction as it made its unstoppable and relentless journey. We were in tears now, all of us. I asked them if they were ready, that they could take as long as they needed. Nobody objected. Nobody backed out. As a family we walked to the edge of the crumbling clifftop, staring straight ahead like we had practiced. We didn’t say we loved each other. We didn’t have to. We looked at the light in the sky that would bring the dark, then as one closed our eyes and stepped over the edge.

THE END.

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