tantaliz (27 page)

If the gentleman who, at the Casa Havana on the night of January 27th so patiently listened to a playwrights outlining of an idea for a drama will communicate with the Box No. below, he will hear of something to his advantage.

A little man who had said, "He's not my friend. He's just someone I met—"

A little man who'd seen an accident but hadn't waited to give evidence—

The hat-check girl had been right. There was something a little queer about that. A little queer?

During the next few days, when the advertisements he'd inserted failed to bring any reply, it began to seem to Annixter very queer indeed.

His arm was out of its sling now, but he couldn't work. Time and again, he sat down before his almost completed manuscript, read it through with close, grim attention, thinking, "It's
bound
to come back this time!"—only to find himself up against that blind spot again, that blank wall, that maddening hiatus in his memory.

He left his work and prowled the streets; he haunted bars and saloons; he rode for miles on buses and subway, especially at the rush hours. He saw a million faces, but the face of the little man with hexagonal glasses he did not see.

The thought of him obsessed Annixter. It was infuriating, it was unjust, it was torture to think that a little, ordinary, chance-met citizen was walking blandly around somewhere with the last link of his, the celebrated James Annixter's play—the best thing he'd ever done—locked away in his head. And with no idea of what he had: without the imagination, probably, to appreciate what he had! And certainly with no idea of what it meant to Annixter!

Or
had
he some idea? Was he, perhaps, not quite so ordinary as he'd seemed? Had he seen those advertisements, drawn from them tortuous inferences of his own? Was he holding back with some scheme for shaking Annixter down for a packet?

The more Annixter thought about it, the more he felt that the hat-check girl had been right, that there was something very queer indeed about the way the little man had behaved after the accident

Annixter's imagination played around the man he was seeking, tried to probe into his mind, conceived reasons for his fading away after the accident, for his failure to reply to the advertisements.

Annixter's was an active and dramatic imagination. The little man who had seemed so ordinary began to take on a sinister shape in Annixter's mind-But the moment he actually saw the little man again, he realized how absurd that was. It was so absurd that it was laughable. The little man was so respectable; his shoulders were so straight; his pepper-and-salt suit was so neat; his black hard-felt hat was set so squarely on his head—

The doors of the subway train were just closing when Annixter saw him, standing on the platform with a briefcase in one hand, a folded evening paper under his other arm. Light from the train shone on his prim, pale face; his hexagonal spectacles flashed. He turned toward the exit as Annixter lunged for the closing doors of the train, squeezed between them on to the platform.

Craning his head to see above the crowd, Annixter elbowed his way through, ran up the stairs two at a time, put a hand on the little man s shoulder. "Just a minute," Annixter said. "I've been looking for you."

The little man checked instantly, at the touch of Annixter's hand. Then he turned his head and looked at Annixter. His eyes were pale behind the hexagonal, rimless glasses—a pale grey. His mouth was a straight line, almost colorless.

Annixter loved the little man like a brother. Merely finding the little man was a relief so great that it was like the lifting of a black cloud from his spirits. He patted the little man s shoulder affectionately.

"I've got to talk to you," said Annixter. It won t take a minute. Let's go somewhere."

The little man said, "I can't imagine what you want to talk to me about"

He moved slightly to one side, to let a woman pass. The crowd from the train had thinned, but there were still people going up and down the stairs. The little man looked, politely inquiring, at Annixter.

Annixter said, "Of course you can't, it's so damned silly! But it's about that play—"

"Play?"

Annixter felt a faint anxiety.

"Look," he said, "I was drunk that night—I was very, very drunk! But looking back, my impression is that you were dead sober. You were weren't you?"

"I've never been drunk in my life."

Thank heaven for that!" said Annixter. Then you won't have any difficulty in remembering the little point I want you to remember." He grinned, shook his head. "You had me going there, for a minute. I thought—"

"I don't know what you thought," the little man said. "But I'm quite sure you're mistaking me for somebody else. I haven't any idea what you're talking about I never saw you before in my life. I'm sorry. Good night."

He turned and started up the stairs. Annixter stared after him. He couldn't believe his ears. He stared blankly after the little man for an instant, then a rush of anger and suspicion swept away his bewilderment He raced up the stairs, caught the little man by the arm.

"Just a minute," said Annixter. "I may have been drunk, but—"

"That," the little man said, "seems evident. Do you mind taking your hand off me?"

Annixter controlled himself. "I'm sorry," he said. "Let me get this right, though. You say you've never seen me before. Then you weren't at the Casa Havana on the 27th—somewhere between ten' o'clock and midnight? You didn't have a drink or two with me, and listen to an idea for a play that had just come into my mind?"

The little man looked steadily at Annixter.

I've told you," the little man said. I've never set eyes on you before."

"You didn't see me get hit by a taxi?" Annixter pursued, tensely. "You didn't say to the hat-check girl, 'He's not my friend. He's just someone I met'?"

I don't know what you're talking about," the little man said sharply.

He made to turn away, but Annixter gripped his arm again.

I don't know," Annixter said, between his teeth, "anything about your private affairs, and I don't want to. You may have had some good reason for wanting to duck giving evidence as a witness of that taxi accident You may have some good reason for this act you're pulling on me, now. I don't know and I don't care. But it is an actl You
are
the man I told my play to!

I want you to tell that story back to me as I told it to you; I have my reasons—personal reasons, of concern to me and me only. I want you to tell the story back to me—that's all I want! I don't want to know who you are, or anything about you.
I just want you to tell me that story
!"

"You ask," the little man said, "an impossibility, since I never heard it."

Annixter kept an iron hold on himself.

He said, "Is it money? Is this some sort of a hold-up? Tell me what you want; I'll give it to you. Lord help me, I'd go so far as to give you a share in the play! That'll mean real money. I know, because I know my business. And maybe—maybe," said Annixter, struck by a sudden thought, "
you
know it, too! Eh?"

"You re insane or drunk!" the little man said.

With a sudden movement, he jerked his arm free, raced up the stairs. A train was rumbling in, below. People were hurrying down. He weaved and dodged among them with extraordinary celerity.

He was a small man, light, and Annixter was heavy. By the time he reached the street, there was no sign of the little man. He was gone.

Was the idea, Annixter wondered, to steal his play? By some wild chance did the little man nurture a fantastic ambition to be a dramatist? Had he, perhaps, peddled his precious manuscripts in vain, for years, around the managements? Had Annixter s play appeared to him as a blinding flash of hope in the gathering darkness of frustration and failure: something he had imagined he could safely steal because it had seemed to him the random inspiration of a drunkard who by morning would have forgotten he had ever given birth to anything but a hangover? That, Annixter thought, would be a laugh! That would be irony-He took another drink It was his fifteenth since the little man with the hexagonal glasses had given him the slip, and Annixter was beginning to reach the stage where he lost count of how many places he had had drinks in tonight It was also the stage, though, where he was beginning to feel better, where his mind was beginning to work.

He could imagine just how the little man must have felt as the quality of the play he was being told, with hiccups, gradually had dawned upon him.

"This is mine!" the little man would have thought "I've got to have this. He's drunk, he's soused, he's bottled—hell have forgotten every word of it by the morning! Go on! Go on, mister! Keep talking!"

That was a laugh, too—the idea that Annixter would have forgotten his play by the morning. Other things Annixter forgot, unimportant things; but never in his life had he forgotten the minutest detail that was to his purpose as a playwright Never!

Except once, because a taxi had knocked him down.

Annixter took another drink. He needed it He was on his own now. There wasn't any little man with hexagonal glasses to fill in that blind spot for him. The little man was gone. He was gone as though he'd never been. To hell with him! Annixter had to fill in that blind spot himself. He
had
to do it—somehow!

He had another drink. He had quite a lot more drinks. The bar was crowded and noisy, but he didn't notice the noise—till someone came up and slapped him on the shoulder. It was Ransome.

Annixter stood up, leaning with his knuckles on the table.

"Look, Bill,'' Annixter said, "how about this? Man forgets an idea, see? He wants to get it back—gotta get it back! Idea comes from inside, works outwards—right? So he starts on the outside, works back inward. How's that?"

He swayed, peering at Ransome.

"Better have a little drink," said Ransome. "I'd need to think that out."

"I," said Annixter, "
have
thought it out!" He crammed his hat shapelessly on to his head. "Be seeing you, Bill. I got work to do!"

He started, on a slightly tacking course, for the door—and his apartment

It was Joseph, his "man," who opened the door of his apartment to him, some twenty minutes later. Joseph opened the door while Annixter's latchkey was still describing vexed circles around the lock.

"Good evening, sir," said Joseph.

Annixter stared at him. "I didn't tell you to stay in tonight."

"I hadn't any real reason for going out, sir," Joseph explained. He helped Annixter off with his coat "I rather enjoy a quiet evening in, once in a while."

"You got to get out of here," said Annixter.

"Thank you, sir," said Joseph. "I'll go and throw a few things into a bag."

Annixter went into his big living room-study, poured himself a drink.

The manuscript of his play lay on the desk. Annixter, swaying a little, glass in hand, stood frowning down at the untidy stack of yellow paper, but he didn't begin to read. He waited until he heard the outer door click shut behind Joseph, then he gathered up his manuscript the decanter and a glass, and the cigarette box. Thus laden, he went into the hall, walked across it to the door of Joseph's room.

There was a bolt on the inside of this door, and the room was the only one in the apartment which had no window—both facts which made the room the only one suitable to Annixter's purpose.

With his free hand, he switched on the light.

It was a plain little room, but Annixter noticed, with a faint grin, that the bedspread and the cushion on the worn basket-chair were both blue. Appropriate, he thought—a good omen.
Room Blue
by James Annixter—

Joseph had evidently been lying on the bed, reading the evening paper; the paper lay on the rumpled quilt, and the pillow was dented. Beside the head of the bed, opposite the door, was a small table littered with shoe-brushes and dusters.

Annixter swept this paraphernalia on to the floor. He put his stack of manuscript, the decanter and glass and cigarette box on the table, and went across and bolted the door. He pulled the basket-chair up to the table, sat down, lighted a cigarette.

He leaned back in the chair, smoking, letting his mind ease into the atmosphere he wanted—the mental atmosphere of Cynthia, the woman in his play, the woman who was afraid, so afraid that she had locked and bolted herself into a windowless room, a sealed room.

"This is how she sat," Annixter told himself, "just as I'm sitting now: in a room with no windows, the door locked and bolted. Yet he got at her. He got at her with a knife—in a room with no windows, the door remaining locked and bolted on the inside.
How was it done
?"

There was a way in which it could be done. He, Annixter, had thought of that way; he had conceived it, invented it—and forgotten it. His idea had produced the circumstances. Now, deliberately, he had reproduced the circumstances, that he might think back to the idea. He had put his person in the position of the victim, that his mind might grapple with the problem of the murderer.

It was very quiet: not a sound in the room, the whole apartment.

For a long time, Annixter sat unmoving. He sat unmoving until the intensity of his concentration began to waver. Then he relaxed. He pressed the palms of his hands to his forehead for a moment, then reached for the decanter. He splashed himself a strong drink. He had almost recovered what he sought; he had felt it close, had been on the very verge of it.

"Easy," he warned himself, "take it easy. Rest. Relax. Try again in a minute."

He looked around for something to divert his mind, picked up the paper from Joseph's bed.

At the first words that caught his eye, his heart stopped.

The woman, in whose body were found three knife wounds, any of which might have been fatal, was in a windowless room, the only door to which was locked and bolted on the inside. These elaborate precautions appear to have been habitual with her, and no doubt she went in continual fear of her life, as the police know her to have been a persistent and pitiless blackmailer.